Abstract Paintings

Ghost Wood Oil,Bitumen, Crayon, Sand, Collage On Canvas 16" x 20" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting...

This abstract painting from new Series “Geoforms" is inspired by minimalism, modern art and hard edge. This work is signed, dated and tilted by Artist on the back. This work will be ...

Title: I AM the Quest A powerful abstract artwork depicting Lions, Africa Colorful. It is a striking and inspirationional work. This work is part of the I AM series. It is part of ...

Oil on canvas Ralitsa Stoitseva is a Bulgarian artist born in 1963 who lives and works in Sofia, Bulgaria. She studied at the National Academy of Art in Sofia and has been graduated...

Big scale abstract oil painting by Polish artist Klaudia Lata. Painting can be paired as a dyptich with 'Flash 2'. Composition consists mostly of black colour with greenish shapes th...

Considered one of Canada’s finest landscape artists, Pat Service’s work has evolved from classic form to minimalism. This is one of a series of paintings she created to celebrate her...

Acrylic, rose, rose petals Artwork Unique Inspired by Marcel Duchamp’s ready-mades, “Celebration Rose” not only takes the natural object found in nature but also celebrates it as a work of art itself. The work is a continuation of the “Rainbow Rose” art series in which the artist both notes and magnifies the beauty of the rose itself. Similar to the story of “Rainbow Rose,” this flower comes from a bouquet at the artist’s house...

Found object, rose, petals, acrylic Artwork Unique “Rainbow Rose” is a one-of-a-kind classic work is not only a representation of the type of beauty I like to portray, but also the symbols and unique items that are meaningful to my creative practice. In the deepest part of my solitude in 2020, I was outside walking along the Hudson River in Manhattan, New York City where I stumbled upon a broken vase of colorful roses. Outside time and walks were some of my only ways to relieve me of the hardship brought on my the pandemic. The roses were so bright and colorful, yet curious. I was curious as to why someone...

An ancient language ... indigenous ... the pure lines are charming and can add a touch of refinement to any style of home. Inspired by the lines used by the Amazonian Indians (used i...

Jürgen Möbius (*1939 Großenhain), Tectonic Tension. Oil on hardboard, 47.5 x 60 cm, 49 x 61.5 cm (frame), signed lower right "Möbius" and dated "[19]81". - Upper left corner with a small chip, light scratches and a little rubbed in places. Provisional gallery frame with traces of use. - Archetypes of Painting - About the artwork The form structure in front of the eye is overlapped by the frame. Thus, the frame does not open up a space in which something is presented, but rather shows the seemingly arbitrary section of a comprehensive context that cannot be framed as such. We see forms that stand in a structure of tension with each other, whereby the individual black and brown forms, which continue almost endlessly beyond the frame, already show a tension in themselves, since they are not only forms, but also surfaces - form surfaces, while the light blue surface ground is at the same time forms that appear as surface forms. The formed surfaces and surface forms are nested within each other and form a structure that encompasses all elements. The angular arrangement of the black and brown shaped surfaces gives the structure a tectonic character. The tension is thus heightened to the point of paradox, since the black shape at the front is overlapped by the brown shape at the bottom in the center of the picture, which would be impossible in real space. It is precisely through this "paradox" that Möbius demonstrates that the paradoxical is reality within painting. It is, so to speak, the most original possibility of painting, which distinguishes it from the other arts. In combination with the tectonic formations, Jürgen Möbius creates an archaic primordial painting, which, however, should not be confused with the autonomous color and form cosmos of Suprematism à la Kasimir Malevich. Instead of homogeneous, perfectly colored forms, here the colors are deliberately applied unevenly, and the light blue is mixed with the brown in a manner determined by the brushstroke. At the edges of the surface forms, the uneven application of paint allows the wood of the unprimed hardboard to show through. In this way, Möbius illustrates that we are dealing with a painting that has been created by an act of painting - an act, however, that takes hold of the original principles of painting and thus realizes painting as such. About the artist From 1959 to 1965 Jürgen Möbius studied painting at the University Institute for Art and Work Education in Mainz. He also studied philosophy and art history at the University of Mainz. Afterwards he worked as a freelance artist in Mainz. At first, Möbius created material reliefs and installations, then, around 1974, he turned increasingly to conceptual art and added cinematic means. During this phase he wrote the manifesto-like essay "Principles of Supranatural Landscape" (1979). From 1981 on, Möbius concentrated on painting and searched for artistic ways to "treat intellectual and sensual perception equally in the fusion of representational and abstract pictorial elements" (Wolfgang Zemter). He found inspiration on his study trips to Thailand and Sri Lanka. "The pure painting of Jürgen Möbius flows through us as a timeless expression of memory and energy, ploughing our perception and bringing us the happiness of seeing authentic, immovable form. - Philippe Büttner Selection of solo exhibitions 1969 Galerie Würzner, Düsseldorf / Galerie Gurlitt, Mainz 1972 Städtische Galerie, Mainz 1973 Galerie Schloss Ringenberg Rathaus, Kleve 1974 Röderhausmuseum, Wuppertal 1976 Galerie Glasing, Osnabrück / Städtische Galerie, Herne 1977, 1997, 2004 Märkisches Museum, Witten 1979 Studio M, Bamberg / Staatstheater, Darmstadt 1980 Galerie Stolànovà, Wiesbaden / Mittelrheinmuseum, Koblenz 1982 Galerie Dornhöfer, Mainz 1984 Galerie Neumühle, Schlangenbad 1985 Landesmuseum, Mainz / Kunstverein, Ludwigshafen / Nassauischer Kunstverein, Wiesbaden 1986 Museum, Bochum / Galerie der Stadt Iserlohn 1987, 1990 Galerie Klaus Kiefer, Essen 1987, 2000 Galerie Ulrike Buschlinger, Wiesbaden 1988 Kunsthalle Darmstadt 1988, 1992, 1996, 1999 Galerie Leonhard, Basel 1992, 2002 Galerie Zulauf, Freisheim 1994 Galerie Remy, Vallendar 1995 Sendezentrum des Zweiten Deutschen Fernsehens, Mainz 2001 Collegium oecumenicum, Bamberg / MVB Forum für Kultur und Wirtschaft, Mainz 2006 Adam Gallery, London Selection of group exhibitions 1969 ‘International Graphic Arts’, Galerie Dalléas Bordeaux, Paris 1975 ‘Deutscher Künstler-Bund’, Dortmund 1979 ‘Man and man’s Images’, Märkisches Museum Witten 1980 ‘Love-Dokuments of our Time’, Art Hall Darmstadt and Art Association Hannover 1982 ‘Work - Progress – Position’, Nassau Art Association Wiesbaden 1983 ‘Principle Hope – Utopic Aspects in Art and Culture of the 20th Century’, Museum Bochum 1986 ‘Selfportraits’, Gallery Klaus Kiefer Essen 1987 ‘The Dying and Death’, Gallery Klaus Kiefer Essen 1989 ‘Where are You, Revolution – Freedom, Liberty, Egality, Fraternity to-day’, Museum Bochum 1990 ‘Flight – a Problem within the Memory of Man’, Kunsthalle Darmstadt ‘Art and War 1939 – 89’, House of Cultures Berlin 1991 ‘Material and Form’, Pillnitz Castle Dresden and Pfalz Gallery Kaiserslautern 1995 20 Years Exhibitions, Chrämerhuus Langenthal, Schweiz 1998 ‘Works on Paper’, Klaus Kiefer Gallery Essen 2000 ‘Acquisitions 1900 – 2000’, Mittelrhein-Museum Koblenz 2001 ‘Strange Pictures’, Klaus Kiefer Gallery Essen 2002 ‘10 Years Buschlinger Gallery’, Buschlinger Gallery Wiesbaden 2004 ‘Eternal Space – Pictures and Sculptures’, Dome of Bamberg 2005 Art Fair Chicago, Adam Gallery, London Selected Bibliography Mittelrheinisches Landesmuseum (Hrsg.): Jürgen Möbius - Neue Bilder, Mainz 1985. Kunstverein Darmstadt (Hrsg.): Jürgen Möbius. Bilder 1985 - 1988. Kunsthalle Darmstadt, 26. Juni - 14. August 1988. Red. Dorit Marhenke, Lyrik Marcus Schiltenwolf, Düsseldorf 1988. Gabriele Prusko (Hrsg.): Jürgen Möbius. Mit Texten von Philippe Büttner und Ralph Mieritz, Basel 1992. Wolfgang Zemter (Hrsg.): Jürgen Möbius - Aktuelle Arbeiten. Märkisches Museum der Stadt Witten, Bönen 1999. Wolfgang Zemter (Hrsg.): Jürgen Möbius. Flieger in meinem Zimmer und Beruhigte Zone, Bönen 2004. Dama Gallery...

Antique American abstract expressionist signed oil painting. Oil on canvas. Signed. Framed. Image size, 26L x 20H.

Monkey Puzzle II Oil On Canvas 12" x 9" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting employing the use of indu...

Batik technique on cotton

Impressive emotional abstract painting with numbers. The concept of the multilayers technique makes a color deep effect. The artist plays with dark and light to structure the paintin...

"The Magic Trick" is a hand-painted acrylic painting on high-quality 300g paper by artist Ryan Rivadeneyra. These painting, influenced by modernist artists of the 50's, 60's, and 70...

This beautiful abstract painting entitled "Autumn" was realized by the artist Laura Placa, an Italian documentary director, street photographer, and abstractionist painter. Acrylic ...

Thomas Easley’s mastery of the female form is evident in this reclining nude. Painted with smooth and precise strokes of the palette knife in tonal shade...

Sax Berlin has created this enigmatic, metaphysical imagining of the legendary Desert Flame in this stunning contemporary art work. Desert Flame possesses the ability to create illus...

Embryo Oil, String On Canvas 8" x 10" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting employing the use of indust...

Prism (Cyan-Orange-Green) (Abstract painting) Oil, acrylic and silver particles on wood panel — Unframed. By integrating the concept of "Ma" into her artistic practice, Bernadette J...

Simple Stuff (Abstract painting) Acrylic on paper mounted on wood panel - Unframed. "Matthew Langley's technique in creating the artworks come from building and extending as well as ...

" The paintings I create are my connections to any city, mountain or coast I visit. I’m fascinated by the everlasting relationship I have with every place I visit, even if in passing...

UNTITLED 37, is an abstract painting, mixed technique on canvas, measuring 145x242 cm. Created by Chilean artist Jorge Reyes Zepeda. Jorge works wit...

Matte black offers a striking background for this abstract painting by Pat Service. Bright orange and white flowers pop against the black as several other floral shapes in muted shad...

Acrylic on linen painting

This abstract painting from series “Organic Forms” is inspired by minimalism, modern art and hard edge. This work is signed, dated and tilted by Artist on the back. Signed certifica...

"A Windy Day" is an abstract expressionist painting by Romina Milano where a dance of black gestures unfolds across colorful brushstrokes infused with ra...

Oil on canvas Degenerate. I don't know how to define this word. Of course, I can look up the dictionary definition, but my understanding is that perhaps it deviates from people's ac...

Abstract calligraphy. Mixed media on canvas. Black exterior frame. Framed dimensions : 196x126x5cm. Signature on the back.

Fields and Skies 3, 2007 is an artwork realized by Dalila Crotti (1983) Acrylics on canvas cm 25x70, no frame. Signature, title, date, technique, measurements and archive number...

Acrylic on canvas. Signed, dated, titled, and estate stamped on verso. 50.25 x 31 in. 51.25 x 32 in. (framed) Custom framed in maple. Provenance Estate of Jack Roth Born in Brockway, Pennsylvania, Jack Roth was at various times a painter, poet, photographer, and mathematician. He enrolled at Pennsylvania State University in 1943 to study chemistry, but like many of his fellow Abstract Expressionists, his matriculation was interrupted World War II, where he served in both the Army and Air Force. Discharged from the service in 1948, Roth moved to Big Sur, California and married his first wife, Colleen Bleier, with whom he had two daughters. A year later, the young family settled in San Francisco, where Jack enrolled at the California School of Fine Arts. It was here that he studied painting under Mark Rothko, Clyfford Still, Richard Diebenkorn, David Park, and Elmer Bischoff. The Roth family left the Bay Area to return to Pennsylvania, where Jack completed his Bachelor of Science degree in Chemistry in 1951. In pursuit of his seemingly discordant academic interests, Roth moved yet again, this time to Iowa where he received a Master of Fine Arts at Iowa State University in 1953. Seeking gainful employment, Roth moved to New York, settling in the lower East Side where he began looking for a teaching job and working as a reviewer for Arts Digest magazine. Now divorced, in 1954 Roth married the artist Rachel Chester whom he had met in Iowa. He continued to paint and work odd jobs, some of which were as a hotel night clerk and an orderly at Beekman Downtown Hospital. That year, he unsuccessfully applied for the Guggenheim Memorial Foundation Fellowship in the field of photography. However, Roth’s professional prospects greatly improved when his work was selected by James Johnson Sweeney, Director of the Guggenheim Museum of Art for the traveling exhibition Younger American Painters, alongside giants such as William Baziotes, Richard Diebenkorn, Adolph Gottlieb, Philip Guston, Franz Kline, Willem de Kooning, Robert Motherwell, Jackson Pollock, Morris Louis, and others. One of the first major debuts of the Abstract Expressionist movement to be shown at an American museum, the exhibit traveled to the prominent museums across the country. In 1956 he began graduate work in mathematics at New York University. Opting to dive back into academia, Roth began graduate coursework in mathematics at New York University in 1956. He enrolled at Duke University in 1958, receiving his PhD in mathematics in 1962. Roth continued to create art throughout the pendency of his graduate studies and in 1963, legendary Museum of Modern Art (MoMA) curators Dorothy Miller and William Lieberman recommended Roth as the new talent graphic artist for Art in America. Concurrently, MoMA purchased several works from Roth for the museum’s permanent collection. During this period of artistic achievement, Roth continued to teach - first, at the University of South Florida in Tampa, before moving back north to Montclair, New Jersey, where he was hired as the chairman of the Mathematics department at Upsala College. In 1971 he accepted a dual appointment at Ramapo College, teaching both mathematics and advanced painting. After he received tenure and his finances were secure, his artistic production thrived as he received the first Thomases Award for contributions at the school, which came with the use of a large studio space. This allowed him to work with larger canvases and become what he saw as an Abstract Expressionist Color Field painter. In 1978, the acclaimed gallery Knoedler & Co. in New York began representation of Roth’s work. Other artists represented by the gallery at this time included Alexander Calder, Adolf Gottlieb...

Abstract calligraphy. Mixed media on canvas. Black exterior frame. Framed dimensions : 119x98x5cm. Signature on the back.

Thomas Easley became interested in roosters when he lived in England in the 1980s. During the cold dreary days of winter, the only bright spots on the ho...

Makeup on business cards Artwork Unique “Call Me, Kiss Me” is the third of a continuing “ILYSFM” series which explores femininity, love & beauty, drag, and attraction as iconic symb...

Party, 105x100cm

Cara Lynch is a multidisciplinary artist who splits her time between New York and Nashville. Although she works in a variety of mediums—including sculpture, installation, and print—Rise will feature her abstract paintings. Recent exhibitions include Clearing the Air at Southampton Arts Center (Southampton, NY) curated by Jay Davis...

Purple Vase with two Poppies by Jenny Balmer. Still-life, mixed media paper collage. Unframed. Size: H:40 cm x W:30 cm

Momen is the creator of the Metaphor: The Tree of Utah, an 87-foot (27 m) sculpture resembling a tree in the Bonneville Salt Flats off of Interstate 80. He financed the project himse...

Momen is the creator of the Metaphor: The Tree of Utah, an 87-foot (27 m) sculpture resembling a tree in the Bonneville Salt Flats off of Interstate 80. He financed the project himse...

Theo Wilhelm Wolvecamp (Dutch, 1925 - 1992) Untitled Oil on canvas Signed and numbered 21 verso 15.75 x 19.75 inches Theo Wilhelm Wolvecamp was a Dutch artist and member of the COBRA group...

Cara Lynch is a multidisciplinary artist who splits her time between New York and Nashville. Although she works in a variety of mediums—including sculpture, installation, and print—Rise will feature her abstract paintings. Recent exhibitions include Clearing the Air at Southampton Arts Center (Southampton, NY) curated by Jay Davis...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

This abstract floral painting by Christine Averill-Green is made with oil paint on gallery wrapped canvas. It captures a floral bouquet with red, pink, and white flowers and green leaves, which are placed in a glass vase. The clear vase reflects and refracts the colors of the stems of the flowers. The background is a deep, near black which provides contrast to the vibrant colors of the flowers, The painting is wired and ready to hang. Averill-Green has been exhibiting her artwork in galleries and museums in Upstate New York for over 40 years. She received her B.A. in Art and an M.S. in Art Education. Artists such as Richard Diebenkorn, Euan Eglow, Antonio Lopez Garcia, and her teachers Catherine Kehoe...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Collection: Beyond The Horizon Acrylic on canvas Md Tokon's style has reflected the art of American Abstract Expressionists. Md Tokon spent his early years in Jhenidah and Dhaka. Th...

Antique American modernist abstract landscape. Oil on canvas, circa 1950. Unsigned. Image size 60L x 36H. Unframed

Chris Trueman has exhibited his work in numerous exhibitions in Los Angeles, San Francisco, Washington DC, Portland and internationally in Milan, Paris, Berlin, Beijing and Brisbane ...

This dreamlike composition explodes on the canvas with fiery reds, oranges, and yellows symbolizing luminous light piercing through a dark forest of trees. The distant light casts a ...

"Circle of Life" Painting 39" x 39" inch by Kinda Adly Kinda Adly, born in Egypt in 1989, is a self-taught artist. She grew up in Egypt and currently lives in Switzerland. Her love ...

"Ghosts of the Gardens" is a mysterious and captivating abstract painting, evoking the untamed beauty of wild gardens and chaotic floral motifs with its energetic and loose movement....

This is a new acrylic and mixed media, pigments on Canvas by Paul Hughes, an artist based in Dublin Ireland. The piece is part of the Bastard Blue Series of variations of abstract la...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Phenomena Entreat the Caves by Paul Jenkins (1923-2012) Acrylic on canvas 61 x 50 cm (24 x 19 ³/₄ inches) Signed lower left, Paul Jenkins Executed in 1998-2001 Provenance: Private collection, Italy Literature: Prato, Galleria Open Art, Paul Jenkins, 12 November 2005 - 31 January 2006, p. 61 (illustrated) Artist biography: Born at Kansas City in Missouri (USA), the multi-media artist, poet and playwright Paul Jenkins studied at the Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past thirty years, numerous retrospectives have been curated across the globe and Jenkins’ work can found in national collections from Europe and the United States to Israel, Australia and Japan. The diversity of his work springs from Jenkins’ wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes" influenced by ancient natural forms like the caves he visited in the Ozark Mountains in his native-Missouri. Frequent student visits to the Frick Collection in New York fostered a love of the great masters: Bellini, Holbein, Vermeer, Rembrandt, de la Tour, Turner and Goya. In compliment, lingering student visits to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful sympathy for a monumental Chinese fresco...

In this painting reminiscent of the works of J.M.W. Turner, the sun descends on the horizon, casting a mesmerizing fiery reflection upon the serene lake. The mountains encircling the...

Signed lower right, 'DMc', for Douglas McCellan (American, 1921-2016) and painted circa 1975. Additionally signed, verso, titled, 'Still Life' and bearing old rental reference label....

This abstract painting is inspired by minimalism, modern art and hard edge. This work is signed, dated and tilted by Artist on the back. This work will be shipped in a box or crate. ...

Jessie’s instinctive way of working explores the language of paint and mark making to evoke emotions in the viewer, aiming to communicate how pure abstract work can generate visual e...

Collection: Beyond The Horizon Acrylic on canvas Md Tokon's style has reflected the art of American Abstract Expressionists. Md Tokon spent his early years in Jhenidah and Dhaka. Th...