Abstract Paintings

Lynton Wells Landscape, 1984 Oil on Canvas (with original Sable Castelli Label back of frame) Hand signed, titled, dated 1984 with artist's copyright symbol and exhibition label from...

Nigel Hall Untitled Acrylic and Charcoal Painting on Canvas, 1997 Acrylic and charcoal painting on canvas Signed and titled by the artist on the front. Dated on the back. 36 × 30 inc...

Antique American modernist abstract painting. Watercolor, and pastel on paper. Framed. Signed. Image size, 6.5H by 10L

Impressive early American modernist abstract textural painting. Oil on canvas. Framed. Signed. Image size, 42 by 46 inches.

Artist: Jeanick Bouys, French (1950 - ) Title: No. 217 Year: 1983 Medium: Oil on Canvas, Signed on Verso Size: 42 x 52 inches (106.68 x 132.08 cm)

Artist: Juhachiro Takada Title: Untitled II Medium: Encaustic, Sand on Canvas, Signed in pencl Paper Size: 10.5 x 12.5 inches Frame Size: 19.5 x 20.5 inches

Cecilia studied Social Studies and Literature at Universidad Catolica del Peru, Drawing with Cristina Galvez, and Watercolors with Juan Pastorelli. She then worked with Leslie Lee, p...

Antique American abstract expressionist painting. OIl on canvas. Framed. Finely painted with wonderful color palette.

Nicely painted mid century abstract cubist oil painting. Great color and composition. Framed. Signed.

Jack Youngerman Untitled Study #26, 1967 Gouache painting on paper (with original JL Hudson and PACE Gallery labels) Hand signed and dated '67 on the front; J.L. Hudson Gallery Label...

Nicely painted mid century hard edge abstract by Gabrielle Roos. Oil on canvas. Signed verso.

"Divine Spontaneity II" 2023, 48" H x 36" W. Vertical abstract painting consisting of acrylics, house paint, oil pastels, color pencils, and carbon pencils on canvas by Argentine-bo...

Larry Zox Jean Jean, 1964 Signed, dated, and titled on the stretcher Liquitex on canvas 58 x 62 inches Provenance: Solomon & Co., New York Private Collection, NJ Estate of the above, 2023 Committed to abstraction throughout his career, Larry Zox played a central role in the Color Field discourse of the 1960s and 1970s. His work of the time, consisting of brilliantly colored geometric shapes in dynamic juxtapositions, demonstrated that hard-edge painting was neither cold nor formalistic. He reused certain motifs, but he did so less to explore their aspects than to “get at the specific character and quality of each painting in and for itself,” as James Monte stated in his essay for Zox’s solo exhibition at the Whitney Museum of American Art in 1973. By the 1970s, Zox was using a freer, more emotive method, while maintaining the autonomy of color, which increasingly became more important to him than structure in his late years. Zox began to receive attention in the 1960s, when he was included in several groundbreaking exhibitions of Color Field and Minimalist art, including Shape and Structure (1965), organized by Henry Geldzahler for the Gallery of Modern Art, New York, and Systemic Painting (1966), organized by Lawrence Alloway for the Guggenheim Museum. In 1973, the Whitney’s solo exhibition of Zox’s work gave recognition to his significance in the art scene of the preceding decade. In the following year, Zox was represented in the inaugural exhibition of the Hirshhorn Museum, which owns fourteen of his works. Zox was born in Des Moines, Iowa. He attended the University of Oklahoma and Drake University. While studying at the Des Moines Art Center, he was mentored by George Grosz, who despite his own figurative approach encouraged Zox’s forays into abstraction. In 1958, Zox moved to New York, joining the downtown art scene. His studio on 20th Street became a gathering place for artists, jazz musicians, bikers, and boxers. He occasionally sparred with the visiting fighters. He later established a studio in East Hampton, where he painted and fished including using a helicopter to spot fish. In the 1950s and early 1960s, Zox’s works were collages consisting of painted pieces of paper stapled onto sheets of plywood. He then produced paintings that were illusions of collages, including both torn- and trued-edged forms, to which he added a wide range of intense hues that created ambiguous surfaces. Next, he omitted the collage aspect of his work and applied flat color areas to create more complete statements of pure color and shape. From 1962 to 1965, he produced his Rotation Series, at first creating plywood and Plexiglas reliefs, which turned squares into dynamic polygons. He used these shapes in his paintings as well, employing white as a foil between colors to produce negative spaces that suggest that the colored shapes had only been cut out and laid down instead of painted. The New York Times noted in 1964: “The artist is hip, cool, adventurous, not content to stay with the mere exercise of sensibility that one sees in smaller works.” In 1965, he began the Scissors Jack...

Robert O'Meara (American, XX-XXI), Abstract Composition in green, blue, and orange, Oil on Canvas, apparently unsigned, wood frame. Image: 32" H x 27" W; frame: 32.75" H x 27.75" W. ...

Hyde Solomon Snow Field (Poindexter Gallery), 1974 Oil on Canvas (Signed, Dated & Framed) Hand-signed by artist, "Hyde Solomon 74", upper left on the front and on the back. Poindexte...

American modernist abstract expressionist oil painting. Oil on canvas. Signed verso.

Angels Grau is a Catalan artist who spends her time between Barcelona, New York, and a small village located in the breathtaking Priorat, one of the most notorious wine regions in Europe. This combination allows her to have the best of three worlds; it brings together the creativity and passion that her paintings demand. "I invest time in my work. You must look at paintings on different days, with different eyes. There is a need to go back to it again and again.” Born to a family of artists, she grew up surrounded by drawings, tapestries, and paintings that awakened a special sentiment that over time matured into her work. A graphic designer first and painter by evolution, in 2018 she decided to make the leap into becoming a full-time artist. Nothing has deterred her since. After traveling the world and bringing up four children who are almost living their own lives, the artist feels the need to empower the role of women inspired by her own journey. “Invisible Women” is a tribute to each and every woman that fights from anonymous positions, in everyday jobs and everyday lives, to improve their family, their society, their world. Some of her pieces are part of the personal art collections of different CEOs of fortune 100 companies. “Invisible Women” is part of a recent purchase...

Nicely painted large geometric abstract painting. Oil on canvas. Framed. Image size, 48 by 36 inches.

Impressive early American modernist abstract geometric oil painting. Framed. Oil on canvas.

"Abstraction" Mid-20th Century American Abstract 1960s Color Field Modernist James Daugherty (1887 – 1974) Abstraction 14 x 18 inches Estate stamp verso Oil on panel Provenance: ...

"I marvel at the fundamental forces of nature, the laws that determine the structure and behavior of matter, the ways and means of how the world looks the way it does. This interest in the science of the natural world led me to read deeply into the physics behind mechanisms of pattern generation. My painting language is based in these wonderments of systems and outcomes and the mathematics that describe them. These new paintings take form with an underlying grid of commercial paint sample cards. This allows me a spontaneous, interchangeable surface to explore color relationships and interactions within given parameters. The layers of acrylic matrix elements come next, all handwork applied line by line. As with numbers in equations, the quantities, sequences, repetitions, and rhythms all contribute to a rich optical blend of color combinations. A given set of colors results in an exponential number of different perceptions. Along with these pure abstractions of form and color come cultural references to histories of art and design with immediate associations to sumptuous textiles and complex architectural mosaics. The evolution of this work is ongoing, it will change and develop as each new mutation moves the morphology forward. These paintings are not illustrations of specific laws that shape the universe and ourselves but an artist’s answer to their implicit resonances. The paintings translate scientific inspirations into a visual, multilayered landscape that in layer after layer enfold one gradient of reality on another." - Peter Stephens

Laura Bidwa I Can Hear the Key, 2020 oil and latex paints on panel 22 x 17 in (Bid009) Bidwa’s recent paintings are composed of layers of oil, latex, and spray paints on panels that...

*Studebaker 2013* by Francine Tint, a monumental 56.5 x 115-inch abstract expressionist masterpiece. Created during her transformative 2012-2017 hiatus, this vibrant, gestural work—...

Artist: Peter Stroud, British (1921 - 2012) Title: Blue on Brown Overlap Year: 1971 Medium: Acrylic on Canvas, signed, dated and titled verso Size: 48 x 48 inches

Suzanne Schweig Langsdorf Martyl was active/lived in Illinois, Missouri, Kansas. Suzanne Martyl is known for abstract western landscape, magazine cover illustration, murals, botanics. Illustrator of the Doomsday Clock. Martyl exhibited infrequently but five one-man shows in Saint Louis since 1936 kept her in the public. She was also represented in many of the National exhibitions. In 1940 she was awarded the first prize in the Midwestern Show at the Kansas City Art Institute and won the hundred dollar purchase prize at the Y.M.H.A., Saint Louis. The following year she was awarded first prize in the annual exhibition of Missouri artists at the Saint Louis City...

Erin O'Brien Wild Silence, 2020 acrylic on linen 25 x 20 in. (obri021) This original acrylic painting by Erin O'Brien features painterly abstract shapes in shades of lavender, blue,...

Step into the enigmatic world of abstract art with this captivating original oil painting from 1945. This masterpiece, signed with a mysterious monogram by an unknown artist, embodie...

Frits T. Maula, "Untitled: Still Life with Guitar and Wine", Signed Abstract Mixed Media Painting (Pen & Ink, Watercolor), 7.50 x 5.88, Late 20th Century Colors: Red, Purple, Green,...

Interior design paintings. The work was done with alcohol ink in brown, beige color on Yupo paper. The work is 11 by 14 inches in size, framed black with a styrene face on a mat boar...

An original abstract expressionist oil painting by American female artist Irene Zevon created and dated in 1959. This piece entitled "Musical" is a prime example of Zevon's relation...

Antique American modernist abstract oil painting. Oil on canvas. Framed.

Stephen Edlich Ouverture, with Cypress Forms, 1982 Signed, dated and titled on the stretcher Acrylic paint, mixed media, and burlap on canvas 60 x 40 inches An artist who worked in the post-cubist and constructivist traditions, Stephen P. Edlich gained a considerable amount of acclaim in the 1970s and 1980s for his collages, sculpture, and paintings. His promising career was cut short due to his untimely death at age 45 in 1989. Edlich was born in New York City. He received his undergraduate degree with a major in fine arts studies from New York University in 1967. During his college years, he traveled to London, where he met the art dealer Victor Waddington and created his first white on white collage. In that same year, he attended a major exhibition of the work of Ben Nicholson, which would be influential source in his art. Edlich returned to England in 1967, where he met Barbara Hepworth and Patrick Heron in London and traveled to St. Ives, Cornwall, long a favorite artists' haunt. Edlich began creating acrylic reliefs...

Oil on board. Framed. Image size, 15H x 23L.

Damien Hirst Spin Painting 2009: A mesmerizing Damien Hirst Spin painting with explosions of vivid color amidst the timeless, mysterious form of a shark. This Damien Hirst Spin painting originates from Hirst’s ‘Spin Workshop’ - a public event hosted by the artist to celebrate the opening of his heralded 2009 exhibition: ‘Requiem’ at the PinchukArtCentre, Ukraine. Acrylic on paper. 2009. 19.25 x 26.5 inches. Excellent overall condition. Unique; one of. Features a stamped (printed) signature on the reverse and inscription: © Damien Hirst. A beautifully rendered Damien Hirst painting defined by strong colors, classic Hirst motifs & a unique overall presence. Artist Bio: Damien Hirst is a British Conceptual artist known for his controversial take on beauty and found-art objects. Along with Liam Gillick, Tracey Emin, and Sarah Lucas, Hirst was part of the Young British Artists movement that rose to prominence in the early 1990s. “I have always been aware that you have to get people listening before you can change their minds,” he reflected. “Any artist's big fear is being ignored, so if you get debate, that's great.” Born on June 7, 1965 in Bristol, United Kingdom, Hirst was raised in Leeds. As a student at Goldsmiths College in London, his work caught the eye of the collector and gallerist Charles Saatchi, who became an early patron. Hirst’s The Physical Impossibility of Death in the Mind of Someone Living (1991)—a large vitrine containing an Australian tiger shark suspended in formaldehyde—was financed by Saatchi and helped to launch the artist’s career. Hirst went on to win the coveted Turner Prize in 1995. In 2012, he showed what went on to be one of his most controversial work in decades, the installation In and Out of Love, which consisted of two white windowless rooms in which over 9,000 butterflies flitted around and died. In 2015 Hirst opened the Newport Street Gallery in London, which grew from his long-term ambition to share his art collection with the public. The artist lives and works in London, United Kingdom. His works are held in the collections of the Tate Gallery in London, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., and the Rubell Family Collection in Miami. Related Categories Damien Hirst Swirl Paintings. Damien Hirst prints...

Antique American modernist abstract signed oil painting. Oil on canvas. Signed illegibly. Framed. Image size, 36L x 16H.

Artist Statement: My work falls somewhere between abstraction, formalism and narrative painting. I see the content and story when I look at my work, but shape and color are equally...

Diana Kurz Thelo #5, circa 1959 Oil on canvas 22 x 20 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's family fled Austria, first to Englan...

Henry Rayburn Finale, 1995 Acrylic and mixed media collage on paper Signed in graphite pencil on the front Unique Frame included Provenance: Irving, Texas Corporate Collection de-acc...

Minimalist Cubist Abstract Miriam Bromberg Oil on Board, signed Size: 42 x 18 in. (106.68 x 45.72 cm) Frame Size: 47 x 22.5 inches

Interior design paintings. Part of the triptych “Does not see. Does not hear. Does not speak”. The artwork was done with watercolor on watercolor paper 360g. The works are 14 by 11 i...

Paul Kostabi is known for his wildly fun, expressionistic, and colorful portraits. This painting is a perfect definition of his most popular works. Red, bright whites, greens, and blues disperse in a frenzy of splatters, fast brush strokes, and speckles ascending across the canvas. The exuberant, bright, and messy depictions of this piece hold much fascination in its execution. His layered approach to the paint is part of what makes his works so attractive and exciting; creating many dimensions and highlights resembling the shine and gleam of stars in the universe. Art measures 24 x 18 in Paul Kostabi (Paul Indrek Kostabi) was born in 1962 in Whittier, California. He is an American artist, musician, music producer, and audio engineer. He is the brother of artist Mark Kostabi. He became part of the CBGB Festival in 2014 exhibiting paintings alongside photographers Bob Gruen, Michael Lavine...

Shape 28 (2019) by Ryan Park of Shapes Only Abstract, nonobjective, gestural, geometric art, acrylic on 300GSM archival paper. Abstract shape innovated by the artist. Neutral pal...

Interior design paintings. The triptych is made with alcoholic ink in pale pink, turquoise color on Yupo paper. Each work is 11 by 14 inches in size, framed (gold or black) with a s...

Alfonso Hüppi Untitled, 1962 Mixed media on canvas (paint, wood) 18 1/2 × 20 1/2 in 47 × 52 cm (without frame) Frame included

Blue Rain III Artist signed verso, natural pigment, mixed media with texture on canvas 60"x50" framed 64x54x2. This painting by Alexander and Natalia Gore hu...

An impressionistic depiction of a Saint-Cloud factory porcelain vase ca. 1695–1710 with a burst of flowers exploding with color and bold marks. Alfaro bridges the Baroque cultural mo...

Michael Forster has a unique blend of Mexican symbolism and an approach to universal themes such as "Celestial Skies". This work explores both the mys...

Feeling the natural beauty of the summer sun as it discreetly unfolds over you is a true blessing and gift for the soul. The orange and yellow bursting out from the sun is what your soul has been begging for! Artist Bart DeCeglie displays his experience talents as he implements ultiiple techniques in the formation of sky, ocean and earth with motion and feeling true to the composition. The unframed size of this original abstract expressionist oil painting was finished with an elegant contemporary gold frame selected by the artist. Born and raised in Italy, now living and painting in New York, popular artist Bart DeCeglie studied his craft at both Pratt Institute...

Abstract Grey Landscape Miriam Bromberg Date: circa 1960 Oil on Broad Size: 23 x 32.5 in. (58.42 x 82.55 cm) Frame Size: 30.5 x 39 inches

Alma Prism stands at the intersection of art and ethics, creating geometric abstraction designs that are as responsible as they are beautiful. Through our collaboration with skilled ...

Arielle Zamora they/them (b.1990) is a Portland, Oregon-based painter and printmaker. Their painting practice features layers of paint and joint compound as an exploration of line an...

Morris Katz Painting 2002: Oil paint on wood board. Unique. 8x10 inches. Very good overall vintage condition. Polish born Morris Katz (1932 – 2010) survived World War II in a Disp...

The beauty and mystique of the popular and legendary island of Bermuda is explored in this original abstract expressionist marine landscape. Stone walls overflowing with magenta bou...

Signed (at lower right): KLINE EXHIBITED: Pratt Institute, Brooklyn, New York, November 1–30, 1960, The November Show, as “Moonlight in Lower Manhattan” // Pratt Institute, Brooklyn...

Impressive early American modernist cityscape oil painting. Framed. Oil on canvas. Signed. Image size, 20H by 36L.

Vintage abstract expressionist etherial oil painting by Piry Rame (1921 - 2001). Oil on canvas, circa 1960. Signed on verso. Image size, 21L x 16H. Housed in a period frame.

In the formalist tradition of Joan Miró, Ellsworth Kelly, Josef Albers, and Alexander Calder, Slonim explores the tension between structure, form, color, gravity, and spontaneity. Sl...

This exceptional oil on canvas by master Pop artist Roy Lichtenstein is an exceptional and unique example of his early pre-pop work. It is signed by the artist, upper right. After m...