Impressionist Paintings

Impressive early American impressionist dog portrait landscape painting by James Henry Hagaman (1866 - 1946). Oil on canvas. Framed. Signed. Image size, 35 by 22 inches.

Title: Resting Boats Artist: Enric Beltrán Messa (1940–2006) Technique: Oil on canvas Dimensions: 15 x 18.1 in Support: Canvas, unframed Signature: Signed in the lower right corner P...

W. A. Slaughter (1923 - 2003) Dallas / San Antonio Artist Size: 30 x 40 Frame: 40 x 50 Medium: Oil on Canvas Dated 1974 "Banks of Blue" Texas Bluebonnets Biography W. A. Slaughter (1...

'Portrait of a Bird in Snow', oil on board, by Anna Costa (circa 1960s). This is a unique still-life painted by the artist in warm colours in an Impressi...

Nicely painted early American impressionist seacape painting by Elmer Ellsworth Garnsey (1862 - 1946). Oil on board. Framed. Signed verso. Image s...

This delightful winter landscape painting portrays a quaint rural village scene set along a frozen river or pond, likely in the 19th century. The composition is centered around a gro...

The overall dimensions including the frame are 70 x 42 inches. Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Voge...

Super detailed French impressionist train depot painting. Oil on board. Signed. Framed. Image size, 16"H x 20"L.

Impressionist New York City winter city-scene depicting Mid Town Manhattan in New York City. This piece is done in a most intimate, yet energetic way. Christopher is known for captur...

Robert FALCUCCI (1900-1989) “Bouquet” A pleasing impressionistic depiction of a bouquet of flowers painted using vibrant colours and with great gusto by Robert Falcucci. Floral pai...

Untitled, 1951 Oil on canvas 19 7/8 x 24 in. Framed: 28 1/2 x 32 1/2 x 1 1/2 in. Signed and dated lower left

Frances Schantz (1893-1968). Brief December Day, ca. 1950. Oil on canvas, 18 x 26 inches. Framed measurement: 24 x 32 inches. Signed lower left. Original label affixed on verso....

A very beautiful English impressionist oil on board depicting figures on Caistor Beach near Great Yarmouth in Nirfolk by the popular English artist Geoffrey Chatten. This excellent...

Artist/ School: French School, early 20th century Title: Hendon Fields Medium: oil painting on board, unframed and inscribed verso painting: 5.25 x 8.25inches Provenance: privat...

Rays of Light French abstract artist, signed and dated 78 painting on board, unframed board: 8.25 x 20.5 inches Provenance: private collection, France Condition: a few surface marki...

Artist: English Impressionist Title: The Parish Church Medium: oil painting on board, unframed Size: painting: 12 x 14 inches Provenance: private collection, England Condition: ...

Antonio Sala Herrero (1927-2012) - Sitges - Oil on canvas Oil measures 38x46 cm. Frame size 48x56 cm.. Sala Herrero, Antoni, Barcelona- 1926 - 2012 From...

"View over the Town" by Geneviève Zondervan (French 1922-2013) oil painting on board, unframed Size 8.75 x 12.5 inches The painting could not have better provenance - having come fr...

Very finely painted American impressionist fall landscape of Mt Denali in Alaska by Paul Lauritz (1889 - 1975). Oil on canvas. Excellent color and composition. Housed in a period...

Paris street scene by a French street artist signed lower right. Label on verso "Angelo Ponza" Art Gallery Naples, Italy. Image, 16"H x 20"W Frame, 20"H x 24"W

Measures Painting 20 x 25 inches Framed 24 x 39 inches (approximately) This luminist and atmospheric evening seascape by Granville Redmond (1871 - 1935) was painted on Catalina Island off the California coast c.1920. Redmond was a very prominent California Impressionist known for his serene tranquil and mood-filled California coastal paintings bathed in moonlight with waves gently rolling onto the shore. As a deaf mute, he explained that without speech and hearing, his abilities to see things in a detailed and poetic way were much more honed and enhanced. He was renowned for his Impressionist landscapes, particularly those featuring California wildflowers, coastal scenes, and tonal moonlit settings. Despite his deafness from a young age, Redmond achieved significant acclaim for his art and even acted in silent films, becoming friends with Charlie Chaplin, who built an art studio for him on his large movie lot. Redmond lost his hearing due to scarlet fever as a child and later attended the California School for the Deaf in Berkeley, where his artistic talents were nurtured. He studied at the California School of Design in San Francisco before continuing his studies in Paris at the Académie Julian. He became a highly respected landscape painter, shifting between vibrant Impressionist poppy...

A bright and beautiful Canadian modernist landscape. This unsigned work has a label on the reverse from a Canadian gallery and an inventory number and stamp from a collector in NYC....

Landscape by Maurice Georges Poncelet (French, 1897-1978) oil painting on board, signed verso 9.5 x 13 inches condition: overall good and sound though a little shabby from previous s...

Antique French impressionist Paris street scene signed oil painting. Oil on canvas. Framed. Signed. In excellent original condition. Handsomely framed in a gold giltwood impression...

Through The Redwoods - American Impressionist American Impressionist oil painting depicting a forest of California redwood trees. A giant red...

Georges Henri FAUVEL Canvas Size: 17 x 21" (42.5cm x 52.5cm) Outside Frame Size: Born in 1890 in Havre (Seine-Maritime), France Painter of animals, especially hunting dogs- his b...

Coastal Seascape by Georges Bordonave (French contemporary) signed oil painting on canvas, unframed dated 1965 canvas: 21 x 26 inches condition: very good provenance: from a large p...

Signed oil on canvas figures in riverscape circa 1910 by sought after French impressionist painter Pierre Eugene Montezin. The work depicts women dressed in summer dresses and sunhat...

Gloriuos Light is a seascape oil painting on panel by Chesterfield, NJ artist, Michael Budden framed in silver. Image is 8 x 10 unframed, 13.5 x 15.5 framed ARTIST/SELLERS STATEMENT...

Antique American impressionist landscape oil painting. Oil on canvas. Signed. Framed. Measuring 20 by 25 inches overall and 16 by 20 painting alone.

Charming mid century impressionist portrait of a clown in pink by Marjorie Blake (American, 1920-1994). Signed "M. Blake" in the lower left corner. Unfr...

Impressionist French River landscape, with boats, a boat house. Rolleboise on the Seine Choosing to acquire a French 1950s Impressionist river landscape by Frederic Luce is an oppo...

Turn of 20th Century Spanish-American War Coast Guard Cutter with Cannons Original Oil Painting A fine example of maritime ship portraiture oil painting of a Coast Guard Cutter with cannons under sails during the Spanish American War by renowned Nautical British/American painter Captain William Lindsay Challoner (British/American 1852-1901), 1901. Auction values Luminous and striking painting with seaman unfurling sails heading into rough waters. Challoner served as captain of a naval vessel (Coast Guard Cutter) during the Spanish-American War. Here he is depicted on the deck of the ship while seamen scramble aloft on the rigging during a gale. The captain stands tall before the cannons at the ready to fend off intruders. His paintings are rare and highly prized by museums and Nautical collectors alike. Signed: Lower right corner "W. Challoner" Not framed Dated: "1910" Provenance: A local Monterey Bay area estate find. Condition: Professionally restored (conservation report available) Image size: 27.75"H x 47.38"W William Lindsay Challoner lived the peripatetic life of a mariner, spending much of his time at sea, and in ports such as New Orleans and San Francisco, California. He was born in Bedminster, England, and attended the York Naval Academy. In 1880, Challoner married Mary Cadogan. That same year, the couple immigrated to Argentina and then New Orleans. They had one son, William Lindsay Challoner, Jr. Lloyd’s Lists record Challoner as master aboard J.P. Macheca, a “Clipper Schooner” running bananas from Jamaica during the mid-1880s. The clipper also raced at the Southern Yacht Club in New Orleans. As is often the case, Challoner’s middle name is misspelled as “Lindsey” in J.P. Macheca & Co. records. He is also said to have served as captain for vessels in the Morgan Line. Painting was at first an avocation for Challoner, but his draftsmanship and handling of paint suggest academic training. He may also have learned to make precise topographical drawings at the York Naval Academy. Many of his ship portraits are in the English tradition, notably followers of Samuel Walker, a leading English maritime artist in the 1850s. Like his Liverpool counterparts, Challoner used receding linear and atmospheric perspective to focus on the crisp portraits of specific ships. At their best, his canvases are highly finished, a style that imitates the Venetian tradition of topographical city views associated with Giovanni Antonio Canal, also known as Canaletto. However, Challoner’s restrained bravura paint handling also may bear witness to the influence of the French Impressionists. Challoner seems to have arrived in New Orleans about 1880. He advertised in the press and exhibited at the Creole Art Gallery and Grunewald’s Music Store in New Orleans. In 1887, Challoner moved to San Francisco, where he exhibited his maritime scenes at the Mechanic’s Institute and became a U.S. citizen. He may have been back in New Orleans after 1891, and served as captain of a naval vessel during the Spanish-American War. His art clients tended to be men involved in the shipping industry—ship owners and commission merchants, along with professional clubs and maritime benevolent societies. Challoner’s principal competition in New Orleans was August Norieri, a talented ship portraitist and painter of marines. While Norieri lived hand-to-mouth, Challoner drew a handsome salary working as a ship captain, presumably until shortly before his death at the age of 49. Securing the commission for painting the newly founded New Orleans Yacht Club suggests that Challoner was held in higher regard as an artist than Norieri. The two artists together met the market demand for ship portraiture and marine views in the port city, as had Edward Arnold and James Guy...

This artwork "Mexican Market with Couple" 1976 is an oil painting on canvas by Mexican artist Antonio Vasquez Parra, 1927-1984. It is signed and dated at the lower right corner by th...

A stunning oil painting depicting figures in a garden picking flowers executed in the 20th Century. Duteurtre was known for his charming intimate figurative scenes portraying life in Europe. He was active, picking up subjects from the markets, beaches, parks, restaurants, and home life. This painting comes housed in a stunning carved giltwood frame. Signed lower left. Art measures 20 x 24 inches Frame Measures 26 x 30 inches Pierre Eugene Duteurtre...

A whimsical depiction by Martha Walter of an interior morning scene of white and pink roses arrangement in a glass vase on top of a table, and fruit on a decorated plate. In the background, the window overlooking the backyard, with the use of bold colors and strong contrasts makes Walter's work so striking and captivating. The flowers are executed with bold petals and exciting colors and this depiction is a wonderful scene done in her home. As an acclaimed American Impressionist painter and one of the premier female artists to be recognized within the fine arts community of the time, she was known for her bright plein-air beach scenes and domestic portraits. Martha Walter studied under William Merritt Chase and was greatly influenced by the then-established French Impressionists Edgar Degas, Camille Pissarro, Claude Monet, and Eugène Boudin. Walter's works took on a looser style; she also used black paint, a color often excluded by other Impressionists. The painting is on canvasboard with the Martha Walter Estate stamp on the reverse, and it comes housed in an antiqued champagne color...

Mathias Alten (German/American 1871-1938) Signed: M. Alten (Lower, Left) " Summer Fields ", circa 1914 Oil on Canvas Laid on Board 10" x 14" Housed in a 2" Carved Newcomb Mackl...

Here for your consideration is a very well executed original oil on board painting by the American artist, George A. Traver. Signed lower right. Signed and titled verso. National Academy of Design exhibition label verso. (1923) Condition is very good; no issues. The painting done in an impressionist style depicting a mother and her child picking wild flowers in a field. A beautiful variety of greens and blues dominate the composition. The figures are painted with a soft white palette are equally well done. The painting has recently been professionally cleaned. The painting is housed in its original wood frame with a hand hammered copper metal wrap over wood. The frame is from the arts and crafts period and is in fine condition. Overall framed measurements are 18.75 by 4.75 inches. Provenance: A Sarasota, Florida collector. In 1864, George Traver was born in Corning, New York. George Traver was working as an artist in New York City by the 1890's. He studied with J. Alden Weir, Henry Siddons Mowbray and Thomas Wilmer Dewing...

Luminoso quadro con fiori azzurri in un prato primaverile 1978 GLEB SAVINOV (Charkev, 1915 – San Pietroburgo, 2000) Le opere di Gleb Savinov si trovano in varie collezioni private ...

Signed figures in landscape oil on board by Australian-American impressionist painter Richard Hayley Lever. The work depicts brightly coloured sailing boats in the harbour of St Ives...

This artwork titled "Volti" c.1990 is an oil painting on canvas by noted Italian artist Umberto Bianchini, 1934-1990. It is signed at the lower left ...

Measures Painting 20 x 16 inches Framed 27 x 23 inches This lovely early 20th century William Wendt (1865 - 1946) painting c. 1909 features a Pasadena California landscape domina...

Artist/ School: R. Gore (British, 20th century), signed and dated 1978 Title: The Windswept Beach Medium: oil painting on canvas, framed Size: painting: 18 x 24 inches, frame: 23...

Wonderful early 20th Century seascape of the coast of Maine "Rocks near Pemaquid Lighthouse" by Ada Romer Shawham (American, 1865 - 1947), circa 1920. S...

Signed lower left, 'Ventosa' for Jose Ventosa Domenech (Spanish, 1897-1982) and painted circa 1950. A very substantial oil showing a luminous view of the isle of Mallorca with ancient olive groves and mountain cliffs bathed in warm evening light beneath clouded blue skies. A large and rare Mallorcan landscape by this notable Catalan painter. Born in Barcelona, José Ventosa Doménech first attended the San Jorge School of Fine Arts in 1911. He then undertook an extended trip to Brussels where he studied Vanguard painting before returning to Barcelona where he continued his studies with the Realist, Martí Alsina. In 1922, Ventosa worked alongside Eliseu Meifren and Domingo Soler in Ripoll. From 1924, Ventosa exhibited in Barcelona as a member of the "Nou Ambient", the Catalan art...

Casual Nude Portrait, Oil Painting By J.B.Holmes, British artist, 20th Century Oil painting on board, unframed Board size: 12x10 inches Nude portrait of a lady sat in a casual man...

Confidences is an modern artwork realized by a mid-20th century Artist after Pierre Auguste Renoir. Mixed colore oil painting. Includes frame: 70 x 7 x 57 cm The artwork is from o...

Up for sale is a large original oil painting on canvas depicting a sailing ship breaking through the waves leaving a white trace behind, signed by Listed Artist Hewett R. JACKSON ...

Serene River Bridge in Spring Leon Dupin, signed and dated 1920's signed oil on board, unframed Board: 8.5 x 10.5 inches Provenance: private collection, France Condition: sound condi...

South African Landscape by Hugh Stevenson (South African, 1910-1956) signed oil on board, framed framed: 20 x 26 inches board : 18 x 23 inches Provenance: private collection, UK Cond...

Oil on artist board Circa 1930 -1935 Signed verso and dedicated to JF (possibly John Folinsbee, fellow artist and neighbor). Overall size encased in custom 22K gold leaf frame wit...

A beautiful 1950's Modern British oil on canvas depicting a gardener with a ramshackle shed. The work is very similar in style and execution to the paintings of Cedric Morris from ...

Technical Sheet Author: Rosendo González Carbonell Title: Female Nude Technique: Oil on canvas Dimensions: 24 x 20 inches Condition: Unframed Style: Figurative, realistic...

A lovely mid 20th century Danish oil on canvas depicting a busy coastal shipping scene with numerous vessels. The work is signed lower right and again on the reverse. Presented in ...

Blocking Study pair #1 and #2, portrait of a blonde woman, by Gordon Cook (American, 1927-1985). Circa 1960. Signed on verso "G. Cook (3) #1. unframed. Image size: 24"H x 20"W each. Bay area estate sale find. Gordon Cook was born in 1927 in Chicago, Illinois. He attended Illinois Wesleyan University in Bloomington where he received his B.F.A in 1950. Cook then went on to study fundamentals and life drawing at The American Academy of Art* in Chicago. The same year he studied intaglio* printmaking with Vera Berdich at The School of the Art Institute of Chicago*. He took graduate courses and continued studying intaglio printmaking under artist Mauricio Lasansky at the State University of Iowa. In 1951, Cook moved to San Francisco. Soon after his works received the journeyman's card in International Typographical Union, Local 21. He began exhibiting his prints, drawings, and paintings at the Porpoise Gallery in San Francisco. Four years later, Cook became a charter member of the Bay Printmakers Society and exhibited in their annual exhibitions at the Oakland Art Museum for the next five years. His etchings portrayed mainly San Francisco landscapes such as the Golden Gate Park, Diamond Heights, and Lake Merced as well as flowers, especially roses. He participated in his first weekly drawing group with artist Alvin Light, Manuel Neri, Joan Brown, and William H. Brown. Cook also taught at the San Francisco Art Institute*. His etchings where exhibited in a one-man exhibition at the Fine Arts Museums of San Francisco, in the Achenbach Foundation for Graphic Arts. At this point Cook returned to painting. Moving to Rio Vista...

This simple and elegant still life depicts a potted Geranium and a bowl of Oranges on a table decorated with a vase and a tablecloth. Clearly, the artist chose objets close to her he...

French mid 20th century Wood and plaster frame Internal measurement (to house painting or mirror): 39.75 x 19.75 inches Overal outer measurements: 48 x 28 inches Provenance: from a c...

Day at the Beach - Realistic Figurative Illustration in Gouache Original figurative illustration of people at the beach by Charles Ross Kinghan (American, 1895-1984). Several women are looking at someone's foot, as if there is a splinter being removed. Three of the women are closer, with their heads in the frame. Two of them have are standing with their backs to the viewer. Between the women, the viewer can catch glimpses of other activities on the beach. Possibly a sketch for Good Housekeeping Magazine. Signed "Charles Ross" in the lower right corner. (Charles Ross Kinghan) Acquired with other signed estate works by the artist. Presented in a new cream mat. Mat size: 16"H x 13"W Board size: 14"H x 11.75"W Charles Ross Kinghan (American, 1895-1984) was born in Anthony, KS on January 18, 1895. A teacher, he moved to Wichita as a teenager and did sign painting for the Western Sign Works. He studied at the Chicago Academy of Fine Art in 1916, the American Academy of Art in Chicago, the Audubon School of Art and the Art Institute of Chicago. He was a pupil of Carl Scheffler, J. Wellington Reynolds, and H.A. Oberteuffer. He taught at the Art Institute of Chicago and at the American Academy of Art in Chicago. He was an illustrator for McCalls, Good Housekeeping, Saturday Evening Post, Colliers, and many others, including American Artist magazine. He was author and illustrator of Rendering Techniques for Commercial Art and Advertising (1956) and of Ted Kautzky...