Face Paintings

Bulb of Africa was not just a hairstyle; it was a celebration of African heritage and a testament to the resilience of its people. Passed down through generations, it represented strength, beauty, and the rich tapestry of African traditions. The Bulb showcased the natural texture and volume of African hair, transforming it into an intricate masterpiece of braids, twists, and coils. The Bulb of Africa became a symbol of empowerment, reminding people of their strength, resilience, and the beauty of their shared heritage. It served as a reminder that hair was more than a physical attribute; it was a connection to something greater—a connection to their ancestors, their community, and celebrating the beauty within themselves. Beyond their physical beauty, African women possess an immeasurable inner strength that resonates through "Bulb of Africa." Odunayo masterfully captures this strength, highlighting the resilience and determination that have defined African women throughout history. The women depicted in the artwork emanate confidence, wisdom, and a sense of purpose. Their gaze speaks volumes, embodying the stories of countless African women who have overcome adversity, shattered barriers, and carved out their own paths to success. In "Bulb of Africa," Iyiola Odunayo...

Oil painting on wooden panel realized by Marco Fariello in 2025. Fortune, blind and unpredictable, has always had a central place in the collective imagination, especially in Neapol...

Dark red-toned realist portrait of a Victorian Lady. The painting depicts a middle-aged lady seated against a dark red curtain for a portrait. She wears a pink Victorian off-shoulder...

This superb British portrait oil painting is by noted artist George Spencer Watson and is dateable to 1913. The sitter is Lillian Gardiner ( Mrs ...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK "Madonna with Frenchie" from the "PERICHORESIS SE...

Allegorical Mythological Scene Unidentified Artist 17th–18th Century Oil on canvas Framed: 149 x 196 cm Canvas: 131 x 180 cm No signatured Description This remarkable Baroque/Roc...

Light entering shallow coral reefs where life is plenty, harmonious and colorful, the idea behind Jorge Calero´s artwork relies on a lyric, joyful, and enlighted vision of optimisti...

Lisa Fricker's "A Life That Mattered" is an original, handmade oil painting that depicts a portrait of a woman looking down seemingly glancing away from the viewer. This painting mea...

This is a hand cut and hand painted artwork by Italian artist Riffblast. It’s signed on the back as an original work of art ready to hang with frame.

Fantastic magazine cartoon illustration by American Artist, Leo Nowak (1907-2001). Ink, gouache and crayon in illustration paper, image measures 7.5 x 9.5 i...

Mid 20th Century Oil Portrait of a Fashionable Young Woman by Barrow c.1970 Bright, bold and colorful painting - Classic vintage oil portrait Or...

Classic Paul Marigny (1922-1998, French) painting of 2 young ladies with flowers. Oil on canvas Canvas dimensions 24" x 36" Frame dimensions 30" x 42"

“Vision of Twilight” is a captivating and contemplative artwork that suspends us in the ethereal realm of the in-between. This enchanting title captures the essence of a fleeting mom...

Original painting by Daria Kusto. 2024y. ink , markers on watercolor paper. THE MAGIC FLOW REALITY...

Village Path with Figures signed by Fanch Lel (French b. 1930) Size: 13 x 9 inches Oil painting on cardboard, unframed Inscribed verso Condition: The painting is in good condition, w...

In this artwork, I explored the human gaze using pastel, pencil, and colored pencils, blending realism with surreal touches. The eyes, a window to the soul, reflect deep emotions, pe...

The Legal Gentleman portrait of a lawyer/ barrister by Victor Hume Moody (British 1896-1990) *see notes below signed and dated 1974 oil on canvas, unframed canvas: 36 x 28 inches pro...

Inspired by her background in fashion, artist Lindsey McCord creates vibrant portraits that encapsulate the confidence that comes with the fun of being stylish and chic. Her figures ...

Abstract expressionist painting depicting a figurative girl in full party mode by Bay Area figurative artist Carol Bowie (American, 20th C). The figure is made up of multicolored ab...

"Portrait of a Lady" French School, early 1900's oil painting on canvas, framed painting: 48cm x 41cm framed: 69cm x 60cm Beautiful quality early 1900's French Impressionist oil pa...

Circle of Adam de Coster (Mechelen 1586 – Antwerp 1643) Portrait of a Young Man with a Turban, Dressed in Oriental Style Oil on canvas H. 43 cm ; W. 33 cm Unsigned This portrait of ...

My dreams were especially vivid. I dreamed of us lying together, holding hands. We spoke different languages, but understood each other. Sunlight filtered through the clouds, then th...

'Portrait of Woman with Irises', oil on cardstock paper (1976), by Raymond Debiève. Here the artist paints a young woman holding a bunch of enchantin...

1920s portrait in oil of a lady of quality by Paul Hercule Hogg. The painting is signed bottom right and is resigned and annotated to the back of the panel. The painting has been var...

This painting depicts a whimsical portrait of a young girl with hair tied up against a light blue background and she wears a red dress. The bright colors used and quick brush strokes...

This lovely British Victorian portrait oil painting is by British portrait artist Edward Spilsbury Swinson. It was painted in 1891 and is dated and signed lower right. It is a half l...

Portrait of a Lady in a Chair by Maria Tort Xirau (Catalan, 1924-2018) signed lower corner dated 1991 oil painting on canvas, framed canvas: 47 x 37....

Oil on canvas Signed in red, u.r. 14 x 11 inches, canvas size 14.5 x 11.5 inches in distressed gold leaf frame This artwork is offered by ClampArt, located in New York City. “Bruc...

Oil on board realized by Sirio Pellegrini in 1974. Hand signed on top left side. It includes a beautiful wooden frame cm. 55x45 Very good condition. Sirio Pellegrini, born in Rom...

Portrait of a Miss Anna Davenport, dated 1853 by Charles V BOND (19th century) Large 19th Century American School portrait traditionally identified as a Miss Anna Davenport of Detr...

Ballerinas by Annie Faure (French 1940-2021) signed lower corner oil painting on canvas, unframed canvas size: 16 x 13 inches condition: overall very good, minor surface scuffs from...

Megan Elizabeth Read's "Breath" is an original, handmade oil painting created in 2024 depicts a closeup female face with motion blur with hyper realistic hands encircling her face. ...

Rudolf Kosow’s Film Still #3 continues his haunting exploration of the Western genre through a contemporary surrealist lens. A close-up of a stoic, rugged cowboy figure—likely inspired by Clint Eastwood—dominates the square composition. The figure’s face is heavily shadowed by a broad-brimmed hat, his lips...

Dual Portrait of Human Connection Russian artist signed and dated 1999 oil on canvas, framed Framed: 28.5 x 36 inches Canvas: 24 x 31.5 inches Provenance: private collection, France ...

The New Colossus, Still (#2248) 2023 Signed, titled, and dated, verso India ink, watercolor, and gouache on paper 30 x 22 inches This painting by ...

Mid Century French Portrait Signed by Josine Vignon (French 1922-2022) Medium: Pencil on artists paper, double sided Size: 10.75 height) x 8 (width) Stamped Verso Condition: Good P...

Nicey painted American modernist portrait oil painting. Framed. Oil on board. Image size, 8H by 10L.

Framed 29 X 23 Image 18 X 24 The sweetness that characterizes the work of Mexican painter Jose Maria de Servin (1917-83) is a melancholy and placid one. While he worked in the most modern of styles, he adapted it to an anecdotal folk-art approach distinctly his own. When he was an infant, de Servin's family moved with him to Guadalajara. A city of history and culture, Guadalajara had a thriving artistic community with strong connections to Europe. His brothers Antonio and Miguel became artists as well, and in later years they worked collaboratively. As a teenager, de Servin studied at one of Mexico's Schools of Open-Air Painting, free art-teaching institutions sponsored by the government. Later de Servin became a pupil of the painter Chucho Reyes, known for his improvisational watercolor variations on traditional Mexican themes. This interest in imagery particular to Mexico would be of great significance to de Servin. De Servin also studied under the more traditional painter Jose Vizcarra. In the early 1930s de Servin joined the Pintores Jovenes de Jalisco, or Young Painters of Jalisco. An influence of critical importance to de Servin was Pablo Picasso. One of the originators of Cubism, the Spanish painter soon departed from its quasi-scientific and optical basis to create lively and humorous geometrical abstractions. It was this Cubism, personal and decorative, that de Servin adopted. His earliest Cubist works mimic Picasso, while during the second stage of his career, his works become smooth and polished, with an emphasis on gentle surface textures. After these cautious years, however, a rough boldness enters along with dominating colors of earth and sand. Modernists like de Servin were interested in exploring what they considered primitive artmaking styles. The adoption of a native manner and native themes is in keeping with Modernist tenets, as is the use of nontraditional materials. De Servin's portraits of peasants, large-eyed and simply rendered, recall children's drawings. The rough burlap ground contrasts with the playful imagery and delicate range of color. The figures, all children or child-like adults, are all curves and simple shapes arranged harmoniously. De Servin's cubism is free from grotesquerie as it celebrates the simplicity of its subjects. De Servin worked with the social-realist Jose Orozco on several large mural commissions in Guadalajara, including one at the Legislative Palace. While their styles were dissimilar, both made use of Mexican imagery to glorify the common people. A sought-after muralist in his own right, de Servin brought the rich colors and endearing characters of his panels to his larger-scale work. For 15 years, de Servin taught summer art classes at the University of Arizona. His career was marked by many one-man shows, both in North America and Europe. In recent years, his striking style has attracted increased notice from critics and the public. His style is a unique conglomerate of tradition, history, legends, heroes, old customs and folklore. It is a self-standing style, recognizable, cheerful, whimsical and a happy creation. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. "Primitive art" is another term often applied to art by those without formal training, but is historically more often applied to work from certain cultures that have been judged socially or technologically "primitive" by Western academia, such as Native American, sub saharan African or Pacific Island art (see Tribal art). This is distinguished from the self-conscious, "primitive" inspired movement primitivism. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić, Krsto Hegedušić, Mijo Kovačić, Ivan Lacković-Croata, Franjo Mraz, Ivan Večenaj and Mirko Virius. Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924) Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson (1860–1961) Nikifor (1895–1968) Poland, Horace Pippin (1888–1946) Jon Serl (1894-1993) United States Alfred Wallis (1855–1942) Scottie Wilson (1890–1972) Gesner Abelard...

In Francis William Edmonds' family portrait, six women and three men are elegantly arranged in a formal yet intimate setting, capturing a moment of togetherness. The composition refl...

A soulful young man is captured in a deep, contemplative state, detached from current external concerns, as he gazes beyond the picture plane. He is realistically rendered, but the s...

Romantic, pre Raphaelite painting titled 'Cinderella', this oil on canvas painting is a study of the main figure in a painting noted to be in the collection of Sir Andrews Lloyd Webb...

This intimate portrait captures a tender moment between a young girl and her baby sister. The baby is placed in a cot while the older girl entertains her with a rattle. The artist dr...

The painting depicts Hercules with tattoos of his exploits and a portrait of his father, Zeus. Hercules is the biggest bully of antiquity, but at the same time he is protected by his...

Artist: Artyom Abrahamyan, Work: Original Oil Painting, Handmade artwork, One of a Kind Medium: Oil on Canvas Year: 2023 Style: Impressionism, Title: Woman in Hat, Size: 29.5 x 3...

A Large, Sensational Mid-Century Modern Painting of a Chicago Night Club Showgirl. Painted in the 1950s, this is a large, vertical, abstracted portrayal of a standing Burlesque danc...

Oil on Canvas frames to Guild of Framers Museum Standard :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to...

Charles Zacharie Landelle. French ( b.1821 - d.1908 ). “Je Te Demande Une Caresse Et Tu Me Chatouilles”. (“I Ask You For A Caress And You Only Tickle Me”). Oil On Panel. Signed Lower...

Felice Cignani (Bologna 1658 - Forlì 1724) The Miracle of Saint Francis of Paola Oil on canvas 165 x 111 cm In frame 182 x 129 cm Work accompanied by an appraisal by Prof. Em...

Early 20th century oil on board portrait of a young schoolboy 'Le Petit Écolier', with Donald Duck, by Pierre Villain (French, 1880-1950). Signed top ri...

"Daughter" (2024) by Adam Shaw is an original handmade oil painting that depicts a portrait of an astronaut with her face partially visible through her helmet. About the Artist: Fi...

"The Dead Bird" After Jean-Baptiste Greuze (1725-1805) oil painting on canvas, late 20th century from the studio of Dagher, Paris (read notes below), stampe...

Erasmus Quellinus II (Antwerp 1607 - 1672) Vanitas (as an Allegory of the Vanity of Life or of Youth) Oil painting on canvas - cm. 121 x 84, in the frame cm. 135 x 98 The work is a...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

This intriguing artwork captures an introspective moment, featuring a solitary figure curled inward, creating a sense of vulnerability and introspection. The figure's skin is rendere...

Artist: Slonem, Hunt Title: Totem Fly Date: 2022 Medium: Oil on wood Unframed Dimensions: 22" x 33.5" Framed Dimensions: 23" x 34.5" Signature: Signed by Artist on Verso Editi...

Oil on canvas with hand gilded and painted gessoed frame to Guild of Framers Museum Standard. :: Painting :: Classical :: This piece comes with an official certificate of authenticit...

This artwork "Nude" is an oil painting on canvas by noted Czech/American artist Jan De Ruth, 1922-1991. It is signed at the lower right corner by the artist. The canvas size is 16 x 13 inches, framed size is 24 x 21 inches. Framed in the original wooden gold and black antique style frame, with fabric liner and gold bevel. It is in excellent condition. About the artist: Born Karlsbad, Czechoslovakia Studied: Rotter Art School, Prague; Ruskin Art School, Oxford University, England; ASL New York; New School, NY; also with Frederic Taubes. Exhibited: 38 National Juried Exhibitions, 14 Museum Solo Shows and 51 Gallery Solo Exhibitions. Author: Portrait Painting, 1964; Painting the Nude, 1968. De Ruth, a native of Czechoslovakia and an American citizen, spent the years of World War II being shunted through five different concentration camps, including the infamous Auschwitz. He made four escape attempts and finally made good on his fifth try. De Ruth constantly sought materials with which to draw, but "The only things we had were the few pieces of cloth we wore," he recalls. By chance, he was transferred to Germany as part of a labor detail and managed to sneak a pencil away from the camp supervisor. "I became a perfect thief during those years," he says. De Ruth drew a mother and child on a scrap of paper he scrounged from the factory where he worked and filled it in with shadings of coffee in various strengths-his finger was his brush. He exchanged the sketch for a piece of bread from a camp guard, and in effect, sold his first painting. In March of 1945, after being transferred to his native Czechoslovakia, he made his successful escape "knowing every step of the way." After the war, De Ruth became the commissar in a small Czech town and remained in the post for one year, just long enough to forge some documents that allowed him to flee to England. He took up residence in London and enrolled at the Ruskin Art School in Oxford University. He arrived in the USA in 1948. There are times in the life of a painter when his dedication to his art is overshadowed by the immediate requirements of self-preservation. This was one of those times! From '48 to 1955 he supported himself by working at night, earning his way painting designs on neckties and bathroom cups...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Adebayo Taiwo, ...

Anton Maria Piola (Genoa, 1654 - 1715) circle Madonna and Child Genoese school of the second half of the 17th century Oil on canvas 93 x 74 cm.- In antique frame 110 x 92 cm. (Work with expertise by Dr. Arabella Cifani) In the pleasing work proposed, depicting a classical Nativity scene, the Madonna is immortalised in adoration as she gently holds the sheet on which the Child is lying, with a gesture of protection and pride that facilitates an atmosphere of intimate recollection, in addition to the presence of three cherubs at the top. The stylistic analysis of the canvas can easily be traced back to a painter of the Genoese school and active during the 17th century, specifically with the devotional works from the workshop of Domenico Piola (Genoa, 1627-1703), an absolute protagonist of Genoese Baroque culture. Piola was the owner of the most important city painting workshop of the time, known as 'Casa Piola', where his sons Paolo Gerolamo and Anton Maria also collaborated. His production, which specialised in a type of highly decorative, profane and allegorical paintings, destined for the decoration of Genoese patrician palaces, also included a refined series of works of a religious nature. In particular, the style of our beautiful breast painting...

In Molding of Floral and Ground, Parker fuses abstraction with figuration in a poetic 40 x 30 inch oil on canvas. A female form emerges from layers of terracotta, sage green, ivory, ...