Glove Paintings

Conceptual piece. Commentary on life. Humorous. Featuring astronaut and a bottle of Tide detergent. Acrylic on canvas. About the artist: Born in Aberdeen, Scotland, Stephen H...

Medium: Gouache on Board Dimensions: 12.00" x 14.00" Signature: Signed Lower Right

TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of genres including fashion, lifestyle, editorial, conceptual, sports, portraiture, and nightlife photography...

Born in 1961, Alexej Ravski exhibits in France, Germany, Belgium, The Netherlands, the United States, Belarus and his native Russia. Alexej’s painting is dynamic in its form and pea...

Iain Faulkner is a British figurative painter, born and raised in Glasgow. His style of painting is hyper-realistic. He eschews the concepts of contempor...

Original painting signed by the Artist on the lower left.

Medium: Oil on Canvas Sight Size 35.75" x 28.00", Framed 43.50" x 35.50" Signature: Signed Lower Right This work was illustrated on the cover of the Saturday Evening Post...

Date: 1940s Medium: Oil on Canvas Dimensions: 20.00" x 34.00" Signature: Signed Lower Right Ruckus, Story Illustration

Medium: Gouache on Board Signature: Signed 'Darden' Lower Left Sight Size 17.25" x 34.25," Framed 21.125" x 38.125" llustration from a story in Black Sports Magazine, circa 1975. A dynamic image showing the Hall of Famer stealing a base from Chicago Cubs...

Original painting signed by the Artist on lower left.

Original painting signed by the Artist in lower left.

Couple in a car with a Chauffeur Signed lower left. Charles Edward Chambers was born in Ottumwa, Iowa, studied at the Chicago Art Institute, and later the Art Students League in ...

This depicts an Art Institute of Chicago gallery space with a fictional sculpture. The two men rendered in the sculpture are based on white youth who attacked and beat Ted Landsmark, a black lawyer...

Growing up as an African American kid, I never really saw artwork that represented people of my culture. Most other 70s and 80s babies like myself can remember going to granny’s hous...

Date: 1966 Medium: Oil on Board Dimensions: 10.50" x 9.75" Signature: Signed Lower Right Men magazine, upper half cover, March 1966

Date: 1926 Medium: Oil on Canvas Dimensions: 20.00" x 16.00" Signature: Signed Lower Left Liberty magazine cover, November 6, 1926

Artist's comment: This work is the first one that made me want to start a series on the theme of the Codes of Society. As the American Indians had to adopt the codes of the conqueror...

Acrylic paint and collage on canvas

Family portrait by Alexandra

«Ta meg i mot» oil on canvas by Anastína Eyjólfsdóttir. A toppless woman equipped with blue boxing gloves poses by the shore. Behind her, the sky and small strip of sea create a bl...

Rooted in the concept of memory born from photographs, Lisa Golightly’s paintings are reconstructions of found film photography as seen through the artist’s eye. Photography remains...

With Halo, Greenfield brings the stories of Black folk-saints, martyrs, freedom-fighters, survivors, magicians, and visionaries back into view.

Medium: Oil on Canvas Signature: Signed Lower Left Portrait of woman is painted on the backside of this piece

This work is accompanied by a certificate of authenticity from Noe Willer dated July 16, 2002 Louis Robert Carrier-Belleuse French, 1848-1913 Soldat, Elegante et son Chien dans un Pa...

"Five Seasons Media LLC" Oil Painting 30" x 47" inch by Evgeniya Buravleva Evgeniya Buravleva was born in Kirov (Russia) in 1980. 2000 – graduated from the Rylov Art School of Vyat...

Signed on the back side

An oil painting by Hilo Chen from 1973. A photo-realistic scene of a park in midday overlooking a soccer field from a sidewalk vantage point. Signed and dated verso, framed in a natural wood frame. Artist: Hilo Chen Title: Soccer Players...

This work was one of Long’s earliest compositions as an artist. Even earlier in his artistic career, Long was interested in exploring the intersection of various media, branching out into new innovative spaces. This work demonstrates the technique and forms at play that have since germinated into Long’s signature style. Bert L. Long Jr., was self-taught artist, was born in 1940 in Texas, grew up the Houston’s historic Fifth Ward and received his formal education from UCLA. Following a career as a successful master chef, Long decided to devote himself entirely to art in the late 1970’s. He began to explore folk art and assemblage to create a unique body of work, attracting the attention of Jim Harithas, then Director of the Contemporary Arts Museum Houston, and artists John Alexander, Salvatore Scarpitta and James Surls. His life spanned an era of radical change in the American social climate, the influence of which can be seen clearly in his work. Long’s paintings and sculptures incorporate a high level of skill and sophisticated knowledge of art history, along with complex philosophical and social issues.  Long describes the philosophy behind his work as "a quest to help people diagnose their inner self," believing his art to be "the vehicle to help facilitate the process." “As artists we have the obligation to provide the world with art which communicates as truth. I believe that art has the power to heal our souls of their afflictions. I try to create art which helps to diagnose the prevalent conditions within our societies, hopefully providing an insightfulness which will help us all become brothers and sisters united in equality and compassion”                                       - Bert L. Long, Jr. The late Peter Marzio, former Director of the Museum of Fine Arts, Houston, said of Bert Long during the major retrospective of Long’s work at the museum: “Bert Long does not avert his gaze from that which is painful, but as [his artworks] testify, he also brings a spirit of joy and redemption to his art. We can all learn from this great artist.” Over Long’s 33-year career as a painter, sculptor, and photographer, he had several solo exhibitions at respected museums and was awarded many significant awards including the National Endowment for the Arts Grant in 1987 and the prestigious international Prix de Rome fellowship in 1990. Other notable awards of Long’s include the Texas Accountants and Lawyers for the Arts Artist of the Year Award in 2009, the Adolph and Esther Gottlieb Foundation Emergency Assistance Grant in 1997, the Houston Art League Texas Artist of the Year in 1990, the NEA Visual Artists Fellowship Grant, 1987 and the Bemis Foundation Residency in 1998. His work can be seen in over 100 private and public collections worldwide, including the Metropolitan Museum of Art, New York, the Dallas Museum of Art, the Houston Museum of Fine Art, the Blanton Museum of Art, Austin, the El Paso Museum of Art, and the Instituto de Bachillerato in Spain. With a recent solo exhibition at the Houston Museum of African American Culture and an exhibition overseas which is pending featuring his work, plus interest from several national museums, Bert L. Long Jr. continues to be recognized as an important African American artist throughout Texas, nationally and internationally. Bert L. Long, Jr. "Untitled" 1978 Acrylic and Paper Collage on Canvas...

The Whisper of Ernestine is a part of the diptych 38x57 in (97x146 cm) of size. This painting is sold with Certificates of Authencity. The Duality of two contrast beginnings that exist inseparably, but nonetheless creating the One whole thing, man and the woman, ying and yang. This eternal story for conversation and for truth searching. Here we can see two persons, but the real hero is hidden. One story told for two people. This colorful and black and white scene magically connects and divides parts of the Diptych, identifying the heroes of the Painting. Each painting, being fully finished, not only adding to the other one, but continuing it, demonstrating kinetic arts. This dialogue about love is making the spectators following the story and sincerely get emotional for Igor Fomin...

acrylic and oil paint on board

Medium: Oil on Masonite Signature: Signed Lower Left The present work was published as the cover illustration of the October 7th, 1961 issue of The Saturday Evening Post. The Post ...

Antoine Blanchard "Quai de Louvre" Oil on Canvas Signed Canvas Size: approx 13 x 18 Framed Size: approx. 22 x 26

Tran Trong Vu paints a contemporary narrative on the changes that have taken place in his homeland of Vietnam. He paints on large transparent plastic sheets.

Artist: Kiki Kogelnik, Austrian (1935 - 1997) Title: Libration on an Eccentric Orbit Year: 1965 Medium: Acrylic and Airbrush on Canvas, signed and titled verso Size: 44.5 in. x 3...