Horse Paintings

A rare drawing by world renowned artist Giancarlo Impiglia in which he exhibits his exceptional technique and classical training. Born in Rome and educated classically, Giancarlo I...

Provenance Estate of the artist David Bunim Perls Gallery, NY Private Collection, USA Literature This work will be inclued in the forthcoming supplement to the catalogue raisonne in...

Classic hand-painted Fox Valley Stables wooden horse (double-sided) diagonal sign w/ horseshoes Sz: 12 3/4"H x 21"W

Oil on canvas painting by Simon Levenson of a horse in Central Park.

Medium: Gouache Dimensions: 14.50" x 22.50" Signature: Signed Lower Right

Medium: Gouache on Board Dimensions: 12.50" x 17.00" Signature: Signed Lower Right

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 30 x 48 Frame Size: 41 x 59 Medium: Oil "Ranchers Reward" Dated 1975 Mr. Geral...

John E Fernley, senior 1782-1860 Portrait of an Arabian Bay in an Orientalist Landscape Oil on panel Image size: 16 x 21 inches (40.5 x 53.5 cm) Hand made Orientalist gilt frame Thi...

'A Gallant Salute' is an extremely impressive work by Samual Edmond Waller, signed and dated 1894. Figurative 19th Century painting of three great noble royalty members dressed in p...

Mark Beard [Bruce Sargeant (1898-1938)] Man with Horse and Rope n.d. Signed, u.r. Oil on canvas 68 x 66 inches Contact gallery for price.

Fabian Jean graduated with a Bachelor of Fine Arts from Concordia University. He has had solo exhibitions in Montreal, Toronto and Halifax and has been included in several group exhi...

The Andalusia John Frederick Herring (English, 1795-1865) Signed Lower Right 14 x 18 inches 18 x 22 inches with frame Provenance: Frost &Reed, Ltd., London 1984 Herring, born in London in 1795, was the son of a London merchant of Dutch parentage, who had been born overseas in America. The first eighteen years of Herring's life were spent in London, where his greatest interests were drawing and horses.[2] In the year 1814, at the age of 18, he moved to Doncaster in the north of England, arriving in time to witness the Duke of Hamilton's "William" win the St. Leger Stakes horserace. By 1815, Herring had married Ann Harris; his sons John Frederick Herring Jr., Charles Herring, and Benjamin Herring were all to become artists, while his two daughters, Ann and Emma, both married painters. When she was barely of age in 1845 Ann married Harrison Weir. In Doncaster, England, Herring was employed as a painter of inn...

This artwork "Western Scene" c.1960, is an oil painting on canvas by noted Western artist Charles Damrow, 1916-1989. It is signed at the lower left corne...

"Wonder!!" Oil Painting 16" x 20" inch by Mr. Everybody * * * ABOUT THE ARTIST * * * Shane Everybody (Mr.Everybody) is an Irish born self taught artist, where he is currently paint...

Oscar E. Berninghaus (American, 1874-1952) "Winter Pasture" Oil on Canvas Unframed: 20 x 24 inches Framed: 25.5 x 29.5 inches Provo: Noonan-Kocian Gallery, St. Louis, Missouri, Dec. 23, 1954 (Copy of Original Receipt Included) * Will be included in Kodner Gallery's upcoming Oscar E. Berninghaus Research Project on the artist A founder in 1898 of the Taos Society of Artists, Oscar Berninghaus excelled at drawing animals and figures in contemporary garb in Southwestern landscapes. Many of his early paintings were Impressionistic, "suffused with color and light". (Gerdts 254) He was born in St. Louis, Missouri and developed an interest in art through his family's lithography business. He attended night classes at the St. Louis School of Fine Art. In 1898, he was on an illustration assignment for "McClure's" magazine, which took him for the first of many times into New Mexico and Arizona. He had heard of the special beauty of Taos and there met Bert Geer Phillips, who was already a resident, and Phillips invited him to return. This visit began a tradition of spending the winter months in St. Louis and the summers in Taos. He remained active in both communities, and for many years designed the costumes and floats for the Veiled Prophet parade, a famous annual event in St. Louis. He also did a series of western scenes commissioned by the Anheuser-Busch Brewing Association to promote a manly, ruggedness theme in their products and to enhance their image as good Americans, an image that was being attacked by suffragettes. In this capacity and without visiting the area, Berninghaus did a painting titled "Old Faithful, Yellowstone" in 1914, which was used as a calendar illustration in the series. Berninghaus was a sketch artist for the Denver and Rio Grande Railroad to depict landscape of Colorado...

Mid-day, Zuni Village, 1897 By. Frank Reed Whiteside (American, 1866-1929) Unframed: 20" x 30" Framed: 28" x 38" Frank Reed Whiteside, born in Philadelphia on 20 August 1867, became a student of Thomas Anshutz at the Pennsylvania Academy of the Fine Arts (1888-92). He already began exhibiting there during his student years (1887-98). In 1893, he enrolled in the Académie Julian in Paris where he received instruction from Jean-Paul Laurens and Benjamin Constant. After his French academic training, Whiteside taught art in Philadelphia high schools. He took frequent trips to the Southwest between 1890 and 1928 to live with and paint the Zuni Indians. Whiteside depicted ceremonial dances, Zuni buildings, and other genre scenes, usually in blinding afternoon sunlight. He carefully observed the effects of light on vibrant color, using a finely crafted impressionist technique. He was fond of broad areas of color, subtle combinations of hues, and simplified shapes and silhouettes. Whiteside continued to exhibit at the PAFA (1905-15), at the Art Institute of Chicago (1896-1916), at the Carnegie International (1905 and 1907) and at the Corcoran Gallery (1907). He was a member of Philadelphia art societies and beginning in 1909 had a summer studio in Ogunquit, Maine, where he took part in Hamilton Easter Field's discussion groups. Frank's wife, Clara Walker Whiteside, who published Touring New England in 1926, was active in the Ogunquit Art Association. Like Stanford White, Frank Reed Whiteside was the victim of murder, on 19 September 1929, but Whiteside's case remains unsolved. One night, the sixty-three year-old painter answered the doorbell. Two witnesses...

Carmelo Niño Lechera, 2014 Oil on canvas 207 x 149 cm 81.4 x 58.6 in. The work is accompanied by a certificate of authenticity signed by the artist. Carmelo Niño, a Venezuelan artist originally from Maracaibo, Zulia State, an oil-producing region of Venezuela, is today one of the most outstanding painters in the plastic arts landscape in the country. Many years have passed since his birth in 1951 to the present, when he inaugurates this August 2022, a major exhibition at the Ascaso Gallery in Miami, with paintings from different dates resulting from the permanent and daily work of reflection, physical and intellectual, that he has always pursued in his creative life. Without neglecting a single moment of day-to-day life to be in front of the medium-sized canvas on the easel or of larger canvas hanging on a wall, he works in his large studio in the area of El Junco, outside the capital city of Caracas, surrounded by lush green vegetation, with a wonderful climate of pleasant temperature and poetic mist that invites to the reverie and glorification of his life as a painter. From a very early age Niño and his family discovered his vocation for drawing, a discipline in which he showed a special disposition and talent. From this moment on he dedicates his life to art, to the practice of painting, starting from a fantastic and strange world of fantasy, close to surrealism, unfailingly influenced by the circus of fantasy owned by his mother and a musician father. These circumstances will shape the artist's life. His traces and influences from the beginning will be present in his creative work, especially through the memories of the infinite curiosity to look, touch and be enraptured by the strange furniture and objects from his mother's circus that he knew were deposited in a room of the house. This universe of fantasy will leave an indelible mark on his subconscious and will serve as the thematic and artistic support for all his work. In an interview conducted by the critic Roberto Montero Castro in 1977, Carmelo Niño states, "the symbols of my painting come from the everyday life". His life has been one of continuous work and effort. At the age of fifteen he enrolled in the School of Arts of Maracaibo, graduated three years later, 1966, and immediately, with a scholarship, he travelled to Spain, took a few courses at the San Fernando Academy in Madrid, strengthened his preparation in art workshops and in frequent visits to the big museums of this European capital. With a sensitive gaze he penetrates the mysteries of masterpieces of the great artists who have made the universal history of art. His life as a painter has been intense, of intense study, preparation and work. With much composure and modesty he talks about his life and his artistic production, recognized not only in Venezuela, but also internationally. His participation in exhibitions began in 1969 and as early as 1970 he held his first individual exhibition at the Fine Arts Center of Maracaibo. From these dates onwards successes started to come, with the participation in collective and individual exhibitions, in Venezuela and abroad, as well as the awards from 1971, when he won the Scholarship Award at the First National Salon of Young Artists in Maracay, Aragua State; in 1972 he was awarded the Second Prize at the Regional Salon of Maracaibo. 1975 is the year of awards, he received the First Prize at the IV Salon of Young Artists in Caracas; the Aurelio Rodriguez Award at the IV Avellan Salon in Caracas and the First Prize at the Salon of Young Zulian Artists in Maracaibo; he also participated in the group exhibition of History of Painting in Venezuela, at Casa de Las Americas, Havana, Cuba; and in 1976 he was invited by Jose Gomez Sicre to take part in the exhibition of Venezuelan painting...

Carmelo Niño Arlequin casi nocturno, 2012 Oil on canvas 145 x 125 cm 57 x 49.2 in. "Arlequin casi nocturno" is a painting by Venezuelan artist Carmelo Ni...

Passage Along the Shore by Victor Pierre Huguet (1835-1902) Oil on canvas 15 x 23 inches unframed (38.1 x 58.42 cm) 21 x 29 inches framed (53.34 x 73.66 cm) Signed on bottom right Description: In this piece, Victor Pierre Huguet depicts five men traveling...

Around Five, horse painting by Melanie Yazzie, blue, red, black, abstract, white

Framed Size: 21 x 26 inches *This work has been authenticated by Nicole Verdier Provenance: Johnson Gallery, Chicago IL, circa 1967/1968 Cortès was born in Lagny, France on April 26, 1882. During his early lifetime, Paris was the center of the art world. Artist from across the globe traveled there to study and paint it's beautiful countryside and cities; views of Paris, or as it became known 'the City of Lights', were in great demand by both collectors and tourists. Édouard Cortès, along with other artists like Eugene Galien-Laloue (1854-1941), Luigi Loir (1845-1916) and Jean Beraud (1849-1936) answered their call. Specializing in Paris street scenes, each of these artists captured the city during its heyday and continued with these scenes well into the 20th century.Édouard was the son of Antonio Cortès - the Spanish Court painter - who was himself the son of the artisan André Cortès...

Site Size: 20 x 15 inches Framed Size: 28.5 x 24 inches Donald Spaulding's artistic talents were recognized early. Encouraged by his high school teachers to pursue formal art traini...

The photographs are unframed. Born and raised in France, Anouk Masson Krantz moved to the United States in the late 1990's. Living in New York, she completed high school at the Lyc...

Roy Andersen (b. 1930) "Old High Country Woman" Oil on Canvas 12 x 16 inches 21.5 x 25 inches framed Known as a western painter, Roy Andersen did paintings of Crow, Cheyenne, and Apache Indians. He began his career living in Chicago and New York and working as an illustrator. He did numerous covers for Time Magazine including portraits of Albert Einstein and Prince Fahd. He also did illustrations for National Geographic magazine, and did a stamp series on Dogs and American Horses, and in 1984 and 1985, won Stamp of the Year Award. As a muralist, he has filled commissions for the National Park Service, the Royal Saudi Naval Headquarters, and the E.E. Fogelson Vistor Center at Pecos National Monument in New Mexico. To pursue his talent for painting, Roy Anderson went West, living in Arizona and settling in Cave Creek. In 1990, he was voted official artist for Scottsdale's Parada del Sol, the "world's largest" horse-drawn parade commemorating the Old West. Andersen grew up on an apple farm in New Hampshire and learned about Indian customs from his many hours spent at the Chicago Museum of Natural History. He is meticulous about being historically accurate in his paintings. Of him it was written: "There are no 'happy accidents' in an Andersen painting. He has a knowledge of his subject that is attained only through extensive research. You will not find an Apache medicine bag...

Wilfrid Constant Beauquesne (1847 - 1913) "Franco-Prussian Battle Scene" c. 1900 Oil on Canvas Signed Lower Right Site Size: approx 22 x 28 inches Framed Size: approx 35 x 40 inches French artistry was deeply influenced by three wars during the 19th century and, accordingly, the artistic imagination was not lost upon the public. "Patriotism comes to the aid of battle painters," a contemporary remarked, "presenting them with a sympathetic public already fascinated by the subject." After the brief Franco-Prussian conflict of 1870, French painters were particularly anxious to retrieve national pride by presenting works which reflected their own national heroism versus enemy brutality. Known for his scenic depictions of this war, Wilfried Beauquesne, a native of Rennes, France, was undoubtedly influenced in his selection of subjects by his instructors at the Ecole des Beaux Arts in Paris. Vernet-Lecomte and Horace Vernet were both well known military artists. Vernet had actually lived and worked during the period of Napoleonic conflicts - being awarded the Legion of Honor by the Emperor's own hand. Beauquesne exhibited regularly at the annual Paris Salon between 1887 and 1899, as well as throughout Europe. In 1890, illustrating the fortunes of life, The Art Amateur ran the following item in its "Gossip Column:" "A queer story comes to me from Paris. A commission agent made a bargain with a poor painter, living out at Saint-Maude, to paint military subjects for him, at two francs an hour. The agent changed the signature to that of Gaubault, and sold the pictures to various dealers. On day, by chance, the poor painter came to Paris, went to the Salon, and was astonished to see one of his pictures there. He look at the catalogue, and found the name of the artist and the address of the dealer where he was to be found, The poor artist went to the dealer and introduced himself saying, "I am Gaubault." "Most happy to make your acquaintance," replied the dealer. "Your pictures sell very well, and I have been wanting to see you for the last six years." "But my name is not Gaubault, it is Beauquesne." Explanations followed. The dishonest commission agent disappeared; and Beauquesne restored his real signature on the pictures, which had made his pseudonym almost famous...

James Edwin Meadows (British 1828-1888) "The Haywagon" 1866 Oil on Canvas Site: 24 x 40 inches Framed: 30 x 46 inches approx. A London landscape painter, James Edwin Meadows was the...

Presenting a rare original oil on panel by American artist Elwood Fordham. Fordham worked primarily in Los Angeles, specializing in genre subjects. "Two Horses...