Horse Paintings

A fine and important French oil painting of Napoleon & his army, by the French-American artist Raymond Desvarreux (1876-1963), the painting signed & dated 1906. The painting depicts Napoleon seated in his carriage examining battle plans...

Clearing the Fence by Eric Goddard, British 20th century signed and dated 1970 oil painting on board, framed Measurements 34 x 44 cm, frame 46 x 56 cm Condition: very good provenanc...

Work on canvas

Oil Painting of Country Harvest Scene with Horses & Figures by British Artist. Oil on Board, Signed. Framed in a high quality distressed ornate moulding. Art measures 20 x 16 inche...

Work on canvas

James Seymour (1702–1752) Feeding Time in the Stables Oil on canvas 32 x 38 inches inc. frame Provenance: Private Collection, Lambourn James Seymour (1702–1752) was an English painter, widely recognized for his equestrian art. Seymour was born in London. His father was an amateur artist and art dealer, whose other business dealings (as a banker, goldsmith, and diamond merchant) afforded young Seymour the leisure time to study art on his own, either his father's or the art at the Virtuosi Club of St. Luke - a gentleman's club his father belonged to, specializing in art. In a short time the boy was a self-taught artist, familiar with many of the prominent artists of the period. Seymour's love of art was matched only by his love of horses. He began spending time at racetracks early on, and before long found himself absorbed in the sport - drawing, painting, owning, breeding, and racing horses. His art proved popular among the prominent sporting families of the day, eventually garnering Seymour patrons in Sir William Jolliffe and Charles Seymour, 6th Duke of Somerset...

Florentine painter, 17th-18th century Equestrian portrait of Pietro Strozzi (Florence, 1511 - Thionville, 1558) Oil on canvas 79 x 115 cm. - Framed cm. 92 x 127 A valiant knight, p...

Signed lower right, 'Dusso' for Leon D'Usseau, Jr. (American, 1918-1991) and painted circa 1965. A substantial, Modernist oil showing a mare and foal frolicking in a deep chestnut landscape interspersed with foliage and areas of bright color. Born in Los Angeles, Leon D'Usseau began training under the guidance of his father, who was among the earliest fine-art film directors to work in Hollywood. At the age of twelve, Leon was drawing seriously and, at fifteen, received a working scholarship at Chouinard School of Art where he studied under Merrill Gage and Alexander Archipenko. At this early age, he was also employed by Chouinard to teach a line-drawing class. Adopting the anglicized brush-name of Dusso, he exhibited widely and with success including at the Los Angeles County Museum of Art (1937-40), the California Palace Legion of Honor (1941), the Metropolitan Museum of Art (1942), the Laguna Festival of Arts, Los Angeles Artists Association (1945), the California Watercolor Society (1946) and the Audubon Association (1945). Leon Dusso...

Equestrian statue of Bartoloméo Colleoni Captain General of Venice Work on panel Golden wooden frame 29 x 30.5 x 7 cm

Title: British Impressionist Watercolor of a Sunset Ride Through Countryside By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 1...

This artwork "Course de chevaux a Lonchamp (Horses Race in Lonchamp) c.1960, is an oil painting on canvas by noted French artist Gabriel Dauchot, 1917-1990. It is signed at the lower right corner by the artist. The canvas size is 18.65 x 7.5 inches, framed size is 21.85 x 11.85 inches. Custom framed in a wooden green frame. It is in excellent condition, the frame have a minor scratch a the lower side, barely visible. About the artist: Gabriel Dauchot was born on May 10, 1927 in Livry-Gargan 4 . Supported by the encouragement of his father, an architect, and painting from the age of fourteen 5 , Gabriel Dauchot, whose admiration goes to Maurice Utrillo and Chaïm Soutine 5 , received advice in 1940 from Émile Othon Friesz and Yves Brayer at the Académie de la Grande Chaumière , then entered the École nationale supérieure des beaux-arts in 1942 . He participated in Parisian Salons from his youth and was not yet twenty when the Katia Granoff 6 gallery , then the Cardo 7 gallery , organized his first personal exhibitions. “The winner is under thirty years old” observes Claude Roger-Marx , who does not fail to note “the atmosphere of disguise which is dear to him” as well as “the muted truculence which he gives to the opaque backgrounds where sing with distinction cold grays, greens, carmines and saffron” 8 when in 1951 the prize from the Society of Collectors and Art Lovers was awarded to Gabriel Dauchot. Waldemar George observed in the 1950s that if "his early works were treated in a realistic style which sometimes borders on populism, the painter tries to free himself from it and reacts against a literary art...

Henry Bernard Chalon (London 1770-1849) 'Prime Minister' with jockey John Shepherd up, and owner Sir Mark Sykes Signed and dated 'H.B. Chalon pinxit 181...

Title: British Impressionist Watercolor of Countryside Scene with Horse and Rider By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes Dime...

Oil on canvas Canvas size: 20 x 30 inches Framed size: 25.25 x 35.25 inches Signed in lower right

J.A.Terry, A scene of the London to Exeter Mail Coach and a road in a landscape. This charming oil painting of the iconic London to Exeter mail coach, by English painter J.A. Terry ...

Jill Soukup's "Reverie" (2024) is an original, handmade oil painting that depicts a horse kicking up dirt while in motion on an abstracted background. About the artist: Jill Soukup...

Alan King (British 20th century) signed oil on canvas, framed framed: 19 x 23 inches canvas: 16 x 20 inches provenance: private collection, England conditio...

"Windmills by a Dutch Waterway" by Joseph Paul. Joseph Paul was a Norwich landscape painter in the Dutch tradition. Regular local Exhibitor. Oil on canvas. Dimensions unframed heig...

Very fine, large scale original Victorian oil painting on canvas, depicting a traditional shooting party, "The Return of the Guns". The painting is ...

Coach and Four Horses By Philip Henry Rideout, British 1960-1920 Signed oil painting on board, framed framed: 7.5 x 12 inches board: 6 x 10 inches provenance: private collection, Eng...

Northern painter active in Rome in the second half of the 17th century, View of Ponte Milvio Oil painting on canvas 73 x 97 cm in coeval Roman Salvator Rosa frame.

Abraham COOPER Canvas Size: 28 x 36" (70 x 90cm) Outside Frame Size: 38 x 46" (95 x 115cm) A fantastic example of Cooper's work. A piece on a grand s...

Elin Siân Blake. Welsh ( b.1981). War Horse. Lest We Forget. Oil On Artist’s Canvas Board. Signed Lower Left. Image size 23.4 inches x 19.5 inches ( 59.5cm x 49.5cm ). Frame size 28...

19th century English Antique Horse racing scene in a landscape with Jockey up. Wonderful and very well painted English Horse Racing scene. Simil...

Horses Standing in Landscape French School, 20th century oil on canvas, framed framed: 25 x 34 inches canvas: 19.5 x 30 inches provenance: private collection, France condition: very ...

“In June (Im Juni)” Julius Paul Junghanns (German, 1876-1958) Oil on canvas Signed and dated “1913,” titled on reverse 18 ½ x 23 1/4 (27 1/4 x 31...

Provenance: Dr. James Henry Lancashire, Manchester-by-the-Sea, Massachusetts, by 1925; probably by descent to: Private Collection, Cumberland Foreside, Maine, until 2018 This unpublished panel is a characteristic work of the Master of the Apollo and Daphne Legend, an anonymous Florentine painter in the circle of Bartolommeo di Giovanni, Domenico Ghirlandaio, and Sandro Botticelli. The artistic personality of the Master of the Apollo and Daphne Legend was independently recognized by Everett Fahy and Federico Zeri at roughly the same moment in time. Fahy originally dubbed this artist the Master of the Ryerson Panels but later adopted Zeri’s name for the artist, which derives from his eponymous works from the Samuel H. Kress collection (Figs. 1-2). Fahy posited that the artist was most likely a pupil of Ghirlandaio active from roughly 1480 to 1510, and that he may be identifiable with one of Ghirlandaio’s documented pupils to whom no works have been securely attributed, such as Niccolò Cieco, Jacopo dell’Indaco, or Baldino Baldinetti. The present painting was first attributed to this master by Everett Fahy in 1989, who became aware of its existence only after publishing his definitive studies on the artist. The surviving body of work by the Master of the Apollo and Daphne Legend is largely composed of series of panels treating the same theme. In addition to the works illustrating the legend of Apollo and Daphne, there are also series on the themes of Susanna and the Elders and the story of Saint Joseph, among others. The subject of the present panel is drawn from Genesis 24, the story of Isaac. It is possible that our painting relates to another work by the artist depicting the Sacrifice of Isaac formerly in the collection of E. A. McGuire in Dublin, Ireland (Fig. 3), and that these two panels were originally part of a decorative scheme based on the story of Isaac. Although the Master’s paintings of this type have traditionally been considered painted fronts of wedding chests, known as cassoni, the scale of these paintings and the fact that they are often part of a series indicates that they are more likely spalliera panels—paintings set into furniture or the wainscoting of a room. The biblical episode depicted in this painting centers on the theme of marriage, which suggests that this work was likely commissioned for the domestic interior of a newly married couple. The Master has transcribed into paint even the minute details of this Old Testament story, in which Abraham sends a servant to travel by camel to the land of his father and seek out a wife for his son Isaac. The servant is here shown at the well...

The Horse Race French artist, circa 1960's signed oil on canvas, framed framed: 23 x 28.5 inches canvas: 20 x 26 inches provenance: private collection, Paris condition: very good and...

A vintage watercolor capturing a daily scene in the Spanish colonial town of Taxco, Mexico by Theodore Ernest Langguth (German-American, 1861-1952). Titled, dated and signed lower ma...

Alfred Wheeler British, (1852-1932) Sunstar Oil on board, signed & dated 1911 Image size: 9.25 inches x 9.75 inches Size including frame: 14.75 inches x 15.25 inches A beautifully detailed horse head...

This is an original oil painting on canvas in good condition . Measures 47x36

Late 19th century figurative painting of the battle of Trevilians Station and of the wounding of Colonel Sackett June 11, 1864. Oil on canvas in giltwood frame. Signed or notated indistinctly lower right. Image, 20.25"H x 36.25"W. Military History Prior to 1865 The 9th New York Cavalry contained two companies from Cattaraugus County. It was mustered into the service October 1, 1861 and, until mustered out in July, 1865, lost 619 officers and men out of a total enlistment of a little less than two thousand. It participated in many battles and skirmishes and lost its colonel, William Sackett, who was killed at Trevilian Station, Virginia, on June 11, 1864. From the Albany Evening Journal, July 20, 1864: Another name is added to the list of hero martyrs who have fallen in the service of their country. Col. WILLIAM SACKETT, of the Ninth New-York Cavalry, (son of Hon. W.A. SACKETT,) was mortally wounded in the engagement, under Gen. SHERIDAN, at Pavillion Station, Va., and died on the 14th ult. As he was left behind, the sad intelligence of his decease has but just been received. Col. SACKETT had seen much service. He entered the army on the 22d of April, 1861, was appointed Major of the Ninth New-York Cavalry in October of the same year, was promoted to Lieutenant-Colonelcy in August, 1862, and in March, 1863, became commander of the regiment. He was with Gen. MCCLEELAN in the Peninsula campaign, was in all the cavalry actions of the campaign which followed, was with the army in its advance after the battle of Antietam, and in almost constant conflict with the enemy until after the battle of Fredericksburgh. He participated in most of the cavalry engagements under Gen. HOOKER's command, was in all the principal cavalry actions during LEE's invasion of Maryland and Pennsylvania in 1863, and was among the first engaged in the terrible conflict at Gettysburgh, where he performed distinguished service in holding a rebel brigade in check a long time while our forces were getting into position on the crest of the hill. He was active in the cavalry skirmishes which ensued in the latter part of the Summer. During the present campaign he was with Gen. SHERIDAN in all his brilliant expeditions up to the time when he fell. He died while leading a charge against the enemies of his country -- died, as he wished to die, doing his whole duty. He was brave, he was generous, he was unflinchingly faithful to the cause of the Union. He loved the old flag with a love that was stronger than life, and esteemed it glorious to fall in its defense. He was born in Seneca Falls, and was 25 years of age. When the great civil war broke out [William Sackett] was practicing law at Albany, N. Y., having a short time previous been admitted to the bar. In December, 1861, he was commissioned Major of the 9th Regiment of New York Cavalry, and taking the field served with credit in several engagements in which that command participated. On June 27, 1862, his immediate superior, Lieutenant- Colonel Hyde, resigned and three days later Major Sackett was commissioned to fill the vacancy. On the 30th of the following May he was advanced to the Colonelcy of his regiment, with rank from March 15, 1863. It is stated in "Battles and Leaders of the Civil War" that the cavalry pickets commanded by Colonel Sackett fired the first shot at the battle of Gettysburg. He subsequently led his command, in a gallant manner, in numerous engagements, including the battle of Trevilians Station, fought June 10, 1864. There he received a mortal wound and died inside of the enemy's lines some three days later. The report that he had been severely wounded and was in the hands of the enemy soon reached his wife, who immediately determined to make an effort to reach and care for him, not knowing that he was already dead when the report reached her. The following correspondence, copied from Official Records published by the War Department, tells in most emphatic terms of her devotion. City Point, Va., July 7, 1864. General R. E. Lee, Commanding Confederate Army, Mrs. Sackett, the wife of Colonel William Sackett, who was wounded on the 11th of June, near Trevilians Station, Va., is here in deep distress and feeling great anxiety to learn the fate of her husband. Colonel Sackett was left at a house some two miles and a half from the station, in charge of...

Portrait Of A Grey Horse, 19th Century English School Large 19th Century English School portrait of a grey horse in a stable, oil on canvas. Good quality and condition large scal...

Henry Alken junior, 1810 - 1894 First son of Henry senior, born Ipswich. Signed. Provenance: Ackermann Original oil on panel 0 x 8 inches. Frame size 13 x 10 inches. All of the i...

Charming 19th century landscape oil painting of a Farmyard scene by john Frederick Herring depicting a number of different animals including horses, chickens, goats, ducks and cows along with a farmer and his homestead. Oil on canvas, in heavy gilt frame behind glass with oval mount. Size of canvas, Height: 51cm Width: 61cm. Framed overall size Height: 81cm Width: 90cm approximately This painting is in overall good condition. There is some age related craquelure throughout as to be expected (close up pics available on request) The original frame/slip shows some signs of age as to be expected including age related cracks and some minor losses which have been colour matched and regilded. This in no way detracting from this fine painting This painting is heavy and may need crating if shipping,this would need to be custom made and may cause delay in shipping John Frederick HERRING (1815-1907) John Frederick Herring Junior (1815 - 1907) was an English painter who is best known for his equine art. John F. Herring Jr...

The Hawking Party, dated 1840 by John Frederick PASMORE (1820-1881) sales to $15,000 Large 19th Century English scene of a hawking party, oil on canvas by John Frederick Passmore. Excellent quality and condition large scale scene of a young Victorian family at the gateway of their estate after returning with the game from hawking using Harris Hawks...

A painting of a chestnut hunter in a landscape with a horse and rider accompanied by two hounds by a woodland river in the distance. Signed and inscribed 'Melton Mowbray', lower left. Oil on canvas in a giltwood frame. John Ferneley Sr (1782-1860) was born the son of a Leicestershire wheelwright, the youngest of six children. He is known as one of the great British equine artists, perhaps only second to Stubbs in terms of raw ability. Ferneley originally worked with his father, until by chance the Duke of Rutland saw some of his work on the side of a cart on which Ferneley and his father had been working. The Duke was so impressed with Ferneley that he persuaded John's father to allow him to become the pupil of Benjamin Marshall. Ferneley was so talented that apparently he produced almost perfect copies of his tutor's paintings and they were said to have been indistinguishable from the master’s. Marshall also enrolled him as a student of the Royal Academy Schools. In 1804 Ferneley paid a man named Thomas Harrison...

Portrait of a Pekingese Dog English artist, late 19th century Watercolour drawing on paper stuck on card card: 10 x 8 inches paper: 5.5 x 4 inches Provenance: Private collection, UK ...

This piece, "Grace of a Champion", is a 24x24 equine oil painting on canvas by artist Adrian Rigby featuring a portrait of legendary Triple Crown winner, ...

Plough Horses Watering Circle of Samuel Joseph Clark (1841 - 1928) British oil painting on canvas, framed framed: 27.5 x 35 inches canvas: 21 x 28 inches provenance: private collecti...

This serene landscape painting is by James Howe Carse, a Scottish-Australian artist whose lineage and mentorship are deeply rooted in the artistic traditions of his time. Carse's wor...

In this vivid tapestry of colors, I've harnessed the visceral power of acrylics and the depth of oils to portray the fierce energy of freedom. My impressionistic strokes capture a mo...

The Cavaliers Rest English School, 19th century The painting is after Sir Edwin Landseer's earlier painting which hangs in the National Trust's collection. oil painting on canvas, fr...

Paul-Louis BOUCHARD 1853-1937 French Moscow in 1900 Oil on canvas Signed lower left Canvas: 41 1/2" high x 64 1/8" wide Frame : 57 1/8" high x 79 3/4" wide EXHIBITION: Salon de...

Medium: Oil on Canvas Signature: Signed Lower Left Styles for Men: The House of Kuppenheimer, Spring and Summer 1914, cover illustration. This piece was published as the cover illu...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed. Size: signed painting: 12 x 2...

In this portrait, a white horse commands attention with its serene and kind eyes, embodying gentleness. Inspired by the renowned Lipizzan breed, those horse's coat reflects the br...

English School, circa 1950's The Riding Lesson oil on board, unframed 17 x 20 inches private collection, England The painting is in overall very good and sound condition. There is a...

Well painted late 19th century watercolor of the Duc De Chartres and Louis Philippe with their horses out Fox hunting. The piece is a fine quality watercolor, well framed in an Eng...

In this vivid creation, I've harnessed the vigor of acrylics and the depth of oils to breathe life into untamed spirits. Marrying realism with strokes of impressionism, I've captured...

In this vibrant creation, I've harnessed the raw power and rhythm of a galloping horse, depicted in a kaleidoscope of fiery oranges, vivid reds, and pulsating yellows. The fluid expr...

John William Hilton (1904 - 1983) California Artist Image Size: 18 x 24 Frame Size: 26.5 x 32.5 Medium: Oil on Panel "Navajo Medicine Man" Biography John William Hilton (1904 - 1983) Born in Carrington, North Dakota, John Hilton is known for desert landscape painting as well as scenes with cowboys, horses, and cattle. He was also a poet, musician, geologist, miner, and entertainer. His father was a baker, and the family lived in a shack on a farm. When he was four, he went to China with his mother and father, who became a missionary. There he met Chinese bandits, philosophers, and walked along the Great Wall by the time he was age 10. The family was separated during the Sun Yat Sen revolution, and thinking the father was dead, the mother returned to North Dakota where the father eventually found them. John moved to Los Angeles in 1918 and worked for a gem company, but it folded during the Depression. Then he designed jewelry for Hollywood film stars and sold stones world wide. In the 1930s, financially broke, he moved to the desert determined to become a painter and supporting himself as a singer and guitar player. He also operated a curio shop near Indio, California, and from that time lived either in the desert or at Twenty-Nine Palms. Sketching trips with Maynard Dixon, Nicolai Fechin, Jimmy...

Shelli Langdale's "And Belonged to Otherwise Memory" is an original, handmade oil painting that depicts a white horse reflected in a rear view mirror with a pink sunset in the distan...

original Horse artwork oil on panel :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :...

Morgan Cameron’s (US based) “The Horseman” (2024) is an oil painting on panel that depicts a surreal portrait of the headless horseman on his steed in the bright moonlight. About th...

The Sporting Party by William Albert Clark (1880-1963) signed lower corner oil painting on canvas, framed canvas: 17 x 21 inches Provenance: private collection, Suffolk, England C...

Oil on canvas Canvas size: 21 x 17 inches Signed lower right