Horse Paintings

Large British Antique Oil Painting of Two Horses by Walker English, Late 19th Century Canvas: Height 54cm, width 87cm Frame: Height 71cm, width 107cm, depth 8cm This tranquil scene ...

“After the Rain” continues the paintings from the series “City Parks." Calm, balanced hues. Raindrops are scattered on the surface of the canvas like beads. Cobalt blue and its shade...

This is an original oil painting on canvas in good condition . Measures 47x36

David Hamilton (British, circa 1888) Harvest time Oil on canvas Signed and dated `David Hamilton 1888’ (lower right) 20.1/8 x 16 in. (51.2 x 40.8 cm.)

Charming 19th century landscape oil painting of a Farmyard scene by john Frederick Herring depicting a number of different animals including horses, chickens, goats, ducks and cows along with a farmer and his homestead. Oil on canvas, in heavy gilt frame behind glass with oval mount. Size of canvas, Height: 51cm Width: 61cm. Framed overall size Height: 81cm Width: 90cm approximately This painting is in overall good condition. There is some age related craquelure throughout as to be expected (close up pics available on request) The original frame/slip shows some signs of age as to be expected including age related cracks and some minor losses which have been colour matched and regilded. This in no way detracting from this fine painting This painting is heavy and may need crating if shipping,this would need to be custom made and may cause delay in shipping John Frederick HERRING (1815-1907) John Frederick Herring Junior (1815 - 1907) was an English painter who is best known for his equine art. John F. Herring Jr...

Marc Etherington’s works take pop culture, childhood memories and everyday domestic life as their subject matter, rendering them through a darkly humorous and sometimes absurd lens. ...

This artwork "Course de chevaux a Lonchamp (Horses Race in Lonchamp) c.1960, is an oil painting on canvas by noted French artist Gabriel Dauchot, 1917-1990. It is signed at the lower right corner by the artist. The canvas size is 18.65 x 7.5 inches, framed size is 21.85 x 11.85 inches. Custom framed in a wooden green frame. It is in excellent condition, the frame have a minor scratch a the lower side, barely visible. About the artist: Gabriel Dauchot was born on May 10, 1927 in Livry-Gargan 4 . Supported by the encouragement of his father, an architect, and painting from the age of fourteen 5 , Gabriel Dauchot, whose admiration goes to Maurice Utrillo and Chaïm Soutine 5 , received advice in 1940 from Émile Othon Friesz and Yves Brayer at the Académie de la Grande Chaumière , then entered the École nationale supérieure des beaux-arts in 1942 . He participated in Parisian Salons from his youth and was not yet twenty when the Katia Granoff 6 gallery , then the Cardo 7 gallery , organized his first personal exhibitions. “The winner is under thirty years old” observes Claude Roger-Marx , who does not fail to note “the atmosphere of disguise which is dear to him” as well as “the muted truculence which he gives to the opaque backgrounds where sing with distinction cold grays, greens, carmines and saffron” 8 when in 1951 the prize from the Society of Collectors and Art Lovers was awarded to Gabriel Dauchot. Waldemar George observed in the 1950s that if "his early works were treated in a realistic style which sometimes borders on populism, the painter tries to free himself from it and reacts against a literary art...

This superb 17th century Dutch Golden Age oil painting has been more recently reattributed to Abraham Begeyn by Dr Marijke C. de Kinkelder formerly of the RKD - Netherlands Institute for Art History. Painted circa 1640 it is an Italianate wooded river landscape with drovers and their herd crossing a river with a watchtower beyond. Begeyn was one of the many 17th-century Dutch and Flemish painters to embrace the Italianate style, populating their decidedly non-Dutch, mountainous landscapes with rustic travellers and picturesque ruins bathed in warm, Mediterranean light. It has Begeyn's characteristic brightly lit cattle and grouping of figures, similar to a comparable painting in the Lichtenstein Princely Collections. The brushwork and details are superb. One can see the influence of his teacher Nicholaes Berchem (1620-1683) and the typical golden glow of the Golden Age painters. This is a stunning 17th century Golden Age oil painting and an excellent example of Begeyn's work. Provenance: With Koetser Gallery, Zurich. Private Collection (Rhine region). Anon. sale, Dorotheum, Vienna, 22 June 2010, lot 357, as by Jacob de Heusch (€18,600). Anon. sale, Christie's South Kensington,18 November 2015, lot 432, as 'Follower of Nicolaes Berchem'; where purchased by the present owner. Note: Begeyn was one of the many 17th-century Dutch and Flemish painters to embrace the Italianate style, populating their decidedly non-Dutch, mountainous landscapes with rustic travellers and picturesque ruins bathed in warm, Mediterranean light. He is thought to have studied under Nicolaes Berchem (1620-1683), a pioneer of this genre of landscape painting, and travelled extensively to Italy, London and later to Germany in 1688, where he lived out his days as court painter to Frederick III, Elector of Brandenburg (later Frederick I, King of Prussia). The present work was previously thought to be the work of Jacob de Heusch (1656-1701), but has been more recently reattributed to Abraham Begeyn by Dr Marijke C. de Kinkelder formerly of the RKD - Netherlands Institute for Art History. A comparable scene, which also includes Begeyn's characteristic brightly lit cattle and a similar figure group, was sold at Christie's Amsterdam, 18 November 2015, lot 110. Another can be found in the Liechtenstein Princely Collections (no.GE 290). Condition. Oil on canvas, image size 21 inches by 18 inches and in good condition. Frame. Housed in a beautiful gilt frame, 28 inches by 25 inches and in good condition. Abraham Begeyn (c. 1637 Leiden - 11 June 1697 Berlin), was a Dutch Golden Age painter. Begeyn was born in Leiden. Though perhaps known mostly for his Italianate landscapes and cattle in the manner of Nicolaes Pietersz Berchem, Begyn was a highly skilled painter active in many genres, who travelled widely. According to the RKD, Begeyn's earliest known work is from 1653, though he was first accepted into the Guild of St. Luke in Leiden in 1655. He stopped paying dues in 1667, because he set off for a trip to Italy. He is registered in Rome and Naples from 1659–1660. In the rampjaar or disaster year, of 1672, he is registered in Amsterdam, and after that he lived in London, where he painted at Ham House, Surrey, together with Willem van de Velde the Younger (1633–1707) and Dirck van Bergen...

William Edward Millner was born in 1849 in Lincolnshire, and was a Victorian painter of landscapes and rustic genre. He worked his entire life ...

Signed lower left "Vigny" for Sylvain Vigny (French, 1903-1970) and painted, circa 1935, on artists board prepared by Maison Franco, 19 Rue Pastorelli, Nice. Born in Vienna, Sylvain...

David Hardy was an English genre painter who exhibited from 1855 -1870 in various English galleries such as the British Institute, the Suffolk Street Gallery, and one example at the ...

Dapple Zoe Louise 110×130 cm 6mm thick board oil on MDF board Zoe Louise, Born and raised in Hertfordshire, now living in a cute little village in Buckinghamshire. Zoe says : ‘I hav...

Scottish artist, David McEwen's oil painting of a Border Terrier dog and horse, "The Runaways" is a masterfully painted narration of Phillip, a dog, and...

Title: Horse Series 7 Medium: Oil on canvas Size: 31 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 Ci...

Provenance: Dr. James Henry Lancashire, Manchester-by-the-Sea, Massachusetts, by 1925; probably by descent to: Private Collection, Cumberland Foreside, Maine, until 2018 This unpublished panel is a characteristic work of the Master of the Apollo and Daphne Legend, an anonymous Florentine painter in the circle of Bartolommeo di Giovanni, Domenico Ghirlandaio, and Sandro Botticelli. The artistic personality of the Master of the Apollo and Daphne Legend was independently recognized by Everett Fahy and Federico Zeri at roughly the same moment in time. Fahy originally dubbed this artist the Master of the Ryerson Panels but later adopted Zeri’s name for the artist, which derives from his eponymous works from the Samuel H. Kress collection (Figs. 1-2). Fahy posited that the artist was most likely a pupil of Ghirlandaio active from roughly 1480 to 1510, and that he may be identifiable with one of Ghirlandaio’s documented pupils to whom no works have been securely attributed, such as Niccolò Cieco, Jacopo dell’Indaco, or Baldino Baldinetti. The present painting was first attributed to this master by Everett Fahy in 1989, who became aware of its existence only after publishing his definitive studies on the artist. The surviving body of work by the Master of the Apollo and Daphne Legend is largely composed of series of panels treating the same theme. In addition to the works illustrating the legend of Apollo and Daphne, there are also series on the themes of Susanna and the Elders and the story of Saint Joseph, among others. The subject of the present panel is drawn from Genesis 24, the story of Isaac. It is possible that our painting relates to another work by the artist depicting the Sacrifice of Isaac formerly in the collection of E. A. McGuire in Dublin, Ireland (Fig. 3), and that these two panels were originally part of a decorative scheme based on the story of Isaac. Although the Master’s paintings of this type have traditionally been considered painted fronts of wedding chests, known as cassoni, the scale of these paintings and the fact that they are often part of a series indicates that they are more likely spalliera panels—paintings set into furniture or the wainscoting of a room. The biblical episode depicted in this painting centers on the theme of marriage, which suggests that this work was likely commissioned for the domestic interior of a newly married couple. The Master has transcribed into paint even the minute details of this Old Testament story, in which Abraham sends a servant to travel by camel to the land of his father and seek out a wife for his son Isaac. The servant is here shown at the well...

Wonderful 18th century English gouache on paper of a 18th century English scene of a groom with a horse in a landscape. One of a set of five all framed in Hogarth frames. L.Green ...

Substantial California oil painting of a Navajo horseman in the New Mexico mountains. Stylistically similar to Constantine Cherkas Navajo Rider painti...

A vintage watercolor capturing a daily scene in the Spanish colonial town of Taxco, Mexico by Theodore Ernest Langguth (German-American, 1861-1952). Titled, dated and signed lower ma...

Gorgeous European figurative of a simpler time. Horses being watered in the plains by Janos Viski (Hungarian/American 1891-1965), circa 1940. Signed lower ...

Paul-Emile Perboyre French, (1851-1929) The Surrender Oil on canvas, signed & dated 1916 Image size: 20.5 inches x 25 inches Size including frame: 26.25 inches x 30.75 inches A well...

Horse and Dogs in a Highland Landscape, dated 1913 by William E. POWELL (1878-1955) Large 1913 Scottish Highland scene of a horse and hounds in a landscape, oil on canvas by Will...

Raymond Allègre 1857-1933 French Pont Neuf Signed “R. Allègre" (lower right) Oil on panel This exquisite Parisian city scene displays Raymond Allègre's Impressionist style throug...

William Rickarby Miller Rapelyea House, New York, 1884 Signed and dated lower left Oil on canvas 20 x 30 inches Provenance: Kennedy Galleries, New York Born in Staindrop, County Durham, England, he was a portrait and landscape painter, especially appreciated for watercolor painting, which he sold through the American Art Union...

This charming scene depicts uniformed men on horses in a courtyard of De Lacordaire à Dom Robert. There artist captures people strolling the tree lined street with colourful hats and...

Medium: Oil on Paper Mounted to Board Signature: Signed Lower Right, Signed Again and Dated August of 1904 on Reverse The Rawhide Part III, 'He swung himself into the saddle and rode...

Lani Vlaanderen's (US based) "Fallow Fields" is an oil painting that depicts two working horses plowing a field with dust billowing around them. Bio/artist statement: Living in the mountains near Rocky Mountain National Park Lani is never lacking something inspiring to paint, be it a grand sunrise on Long's Peak or a small sparrow perched on a pine branch. All fill her with the desire to put paint to canvas. Her goal is not to replicate what she sees, but to express her emotional response from the source of inspiration visually in paint and convey it to the world. She wants to communicate the awe she feels when in the natural world and the joy she experiences from seeing even the seemingly most insignificant moment in time that will never come again. She strives to convey her belief that all things, all beings, all life and non-life, share equal significance and are essential to the whole. "I began my art quest by taking a few classes at Rocky Mountain College of Art and Design, then enrolled in Kim English's class at the Art Student's Leaque of Denver. After four years with Kim and functioning as his class monitor, I had the opportunity to participate in a painting group with Richard Schmid in Loveland Colorado. I painted there with him for six years. I have taken workshops from such masters as David Leffel, Sherrie McGraw...

A majestic Canadian mountain rises to the sky with a small Canadian Mountie on hours viewing the scene, Mizen uses a creative technique of exposing...

A detailed view of Højbro Plads with the equestrian statue of Absalon dominant on the right. Well presented in a decorative gilt-effect frame. Signed in the lower right and dated 193...

George Henry Durrie's painting "Gathering Wood for Winter, New Haven, CT" captures the essence of 19th-century rural America with its picturesque depiction of a serene winter landsca...

Medium: Oil on Canvas Signature: Signed Lower Left Styles for Men: The House of Kuppenheimer, Spring and Summer 1914, cover illustration. This piece was published as the cover illu...

By M.A. Bhatti 24" x 18" Oil on Canvas Framed Size: 31" x 25.25" This exciting rodeo scene depicts a cowboy on a bucking horse surrounded by dust. About the Artist: Dr. Mohammad A...

Godfrey Douglas Giles (1857-1941) British, Oil on canvas. A fine equine portrait of St Windeline & Woolwinder. Signed 'G. D. Giles' and dated (1904) lower right. Inscribed in pencil ...

George Turner British, (1843-1910) Crossing the Ford Oil on canvas, signed, further signed & inscribed verso Image size: 15.5 inches x 25.5 inches Size including frame: 21.5 inches...

The horse portrait, "Trot", is an oil landscape with a beautiful white horse painted by Hans Guerin, a descendent of the founder of the respected Schuler ...

Robin Hextrum's (US based) "Leaping Horse on Purple Background" is an original, handmade oil painting that depicts a brown horse rearing with a purple and yellow pattern in the backg...

This beautiful painting depicts a crowded scene of a watering hole at a well in the midst of a sunny, hot day, located on the street of a provincial village supposedly located somewh...

This artwork titled "The Despatch" c.1985 in an oil painting on canvas by British artist Reginald John Mitchell, 1923-2018. It is signed at the ...

Cheltenham Races is an original painting by Garth Bayley Based on the Cheltenham races. Horses, Horseracing, sport, The 60 x 90 cm is the image size with extra for framing. The paint...

Jess Kellner is a multi disciplinary artist who’s work has a strong focus on exploring the human condition. It’s a theme that you see in his artwork as well as his filmmaking. While ...

Original painting signed by the Artist on the lower right.

Farmer and Horse Landscape Signed by Fanch Lel Size: 13 x 16 inches (height x width) Oil painting on board , unframed Condition: Good condition overall with minor surface handling ma...

Menashe Kadishman, Sheep head, Symbolist painting, colored painting, Israeli art, Israeli art

George Cole British, (1810-1883) Rick Making, Lunchtime Oil on canvas, signed & dated 1883 Image size: 23.5 inches x 35.5 inches Size including frame: 30.5 inches x 42.5 inches Prove...

John Ferneley Jnr British, (1815-1862) Horse & Groom in a Stable Oil on canvas, indistinctly signed Image size: 18.75 inches x 23.25 inches Size including frame: 23.5 inches x 28 inches Provenance: The Parker Gallery, Berkeley St., London A mid-19th century sporting painting of a horse and groom in a stable by John Ferneley Jnr. A stable hand is depicted in the middle of a stall grooming a bay horse. Nearby, a tabby cat can be seen resting on table whilst a small black and tan dog wanders by a door to the left. John Ferneley Junior was born in 1815, at Melton Mowbray, the son of the sporting artist John E Ferneley (1782-1869) and his first wife Sarah. His brother Claude Lorraine Ferneley (1822-1892) and sister Sarah Ferneley...

Hellmuth Bachrach-Baree, a German artist, apprenticed with neo-impressionist painters. His early compositions depicted rural life, integrating people and animals into familiar landsc...

Oil on canvas 60.3 x 73 cm.; 23 3/4 x 28 3/4 inches Signed lower right

original oil on panel paint in contemporary impressionism style :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: ...

"Ancient Breeds" Oil Painting 48" x 60" inch by Casey Baugh Medium: oil on linen Signed by the artist on the front. ABOUT THE ARTIST: Baugh's work can be described as narrative ...

An Original Oil Painting of George's Street Kingstown in 1910 by Modern Impressionist Irish Artist, Robert D. Beattie (1900-1979). The painting captures a historic moment...

Oil Painting after William Lara "Traveller's outside the Inn" exhibited 1862 - 1871 William Lara was one of the pseudonyms of Georgiana Lara who exhibited at the Royal Society of Br...

Vladan Stiha: 1908-1992. Well listed New Mexico artist with auction records over $12,000. He was born in Yugoslavia and tried to emigrate to the U.S. duri...

Hermanus van Brussel Dutch, (1763-1815) The Farmyard Oil on canvas Image size: 18.25 inches x 21.25 inches Size including frame: 24.5 inches x 27.5 inches Provenance: Frost & Reed V...

This evocative early 20th-century oil painting by Scottish artist Robert Russell MacNee RGI (1880-1952) depicts a farm with a track, horses, and figures. MacNee was an accomplished p...

"Desert Dream" Figurative Painting 13" x 20.5" inch by Ahmed Saber Medium: acrylic, ink & colored pencil on paper AHMED SABER - BIO Ahmed Saber is an Egyptian artist based in Luxor...

Feeding The Plough Horses, 19th Century attributed to Edward Robert SMYTHE (1810-1899) Large 19th Century English farm scene of a farmer feeding his pl...

Portrait of A Prize Winning Shire Horse, 19th Century WILLIAM ALBERT CLARK (1860-1843) Large 19th Century English portrait of a prize winning shire horse, oil on canvas by William ...

“Herd of Horses in a Marshy Landscape” Frances Mabel Hollams (England 1877-1963) Oil on canvas on board 14 x 20 (24 x 30 frame) inches Signed “FM Hollams Private Collection Durham, E...

Dreams, with their ephemeral and often surreal qualities, can be a guide in creating artwork that explores the unexpected. "Wild Ride of the Dream Chaser" depicts a moment from a vib...

Naturalistic painting of a mare and foal as they travel down a dirt path near the seaside. Signed and dated in the front lower right corner. Currently hung in a vintage gold frame D...