Horse Paintings

Sweeping early 20th century figurative landscape of a Swiss Alps harvest scene by Daan Donker (Dutch, early 20th Century). Signed "Daan Donker" lower right. Presented in a gold-toned...

Sajal Sarkar - Untitled - 72 x 48 inches (unframed size) Oil on canvas Inclusive of shipment in a roll form. Style : In his paintings, the male nude form has fascinated him and has...

Edwin Loder of Bath (1827-1885) General Sir W.R. Mansfield's Arabian charger, held by a groom signed, inscribed and dated 'E. Loder/ Bath/ 1868' (lower right) Oil on canvas Painting ...

Charles Cooper Henderson (English, 1803-1877) Windsor Mail Coach Oil on canvas With chalk inscriptions verso Property of a gentleman From the collection of Peter Roe Dimensions: (F...

Wright Barker (British School 1864-1931) Barker was a well-known painter of equestrian and highland scenes, though landscape and genre subjects are known. ...

Paris Boulevard. 20th century, canvas, oil, 60x90 cm Work exhibited and published: Zwolle, Museum de Fundatie, "Van Gogh to Cremer - Dutch artists in...

This colorful piece, "Clean Round", is a 47x47 equine oil painting on canvas featuring a bay horse mid jump during a jumping competition. Bright pinks, purples, and blues dance aroun...

Arne Charles Besser (1935-2012) was a Mid-Century Gay American Realist Painter whose work showed in galleries throughout Europe and North America. This 1970s painting showcases Besser's ability to capture the intricacies of human and animal figures, with the musculature of the horse and nude...

Nicolas Edward GABE (Paris, 1814 - Paris, 1865) The death of General Négrier on Place de la Bastille on June 25, 1848 Oil on canvas Signed and dated lower right 82 x 101 cm 1849 Nicolas Edward Gabé is a 19th century artist who is still little studied to this day and yet seems to have enjoyed, according to the artistic press of the time, a certain notoriety, in particular for his seascapes. The few bibliographical elements that we have come from the Salon booklets and tell us that the artist was born in Paris in 1814, therefore shortly before the end of the Empire. No elements on his artistic training are mentioned in the booklets, we just know that Gabé exhibited at the Paris Salon from 1835 to 1864 where he first practiced miniature then then approached easel painting, risking himself as well in still life that the seascapes, the landscape, the portrait or the hunting. According to press articles, he also took part in various exhibitions in the provinces such as Boulogne-sur-Mer and Marseille. Notably, Gabé did not exhibit at the Salon his large historical canvases on the revolution of 1848, which today are of obvious documentary and iconographic interest; probably for political reasons which are easily understandable to us today in view of the historical events of then. Gabé died in Paris at the age of 51 on January 4, 1865 with a mention in the January 7, 1865 edition of L'Union des Arts: “The death of Mr. Gabé, painter, well known in the export trade in paintings as well as to the auctioneers' hotel, whose sales it supplied through its numerous navies. “ "On June 25, 1848, in front of the barricades erected in the Bastille by the insurgents of the Red Republic, General Négrier fell to death, while he was uttering words of order and conciliation". Here are the opening lines of the tribute paid by Colonel Borgarelli d´Ison, friend of General Négrier. General Négrier belonged to a family from Maine, brought back by Marshal Lannes from emigration. Born in Le Mans on April 27, 1788, François Marie Casimir de Négrier entered, barely 18, as a volunteer in the 2nd Light Infantry Regiment. He began in 1806 with the campaigns of Prussia and Poland, during which he earned, through his bravery, the rank of sergeant and the decoration of the Legion of Honor. He made the following campaigns in Spain and Portugal, and left, with his regiment, only for the campaign of France, in 1814, after having risen successively, by actions of brilliance and by a serious wound, to the ranks of head of battalion and officer of the Legion of Honor, with which he was provided from October 1813. The Restoration retained his rank in his regiment. After having fought and wounded a second time seriously in Waterloo, Négrier was recalled in 1816 under the second Restoration. He was appointed, in 1825, lieutenant-colonel, then colonel in 1830, brigadier general in 1836, and of division in 1841. From March 1837 he participated in the conquest of Algeria. The Revolution of 1848 found Negrier in possession of the important command of the 16th Military Division in Lille. Quaestor of the Assembly in these times which promised to be troubled, Négrier reviewed the Place de la Concorde on June 23 at around noon various mobile guard battalions. He then took the head of 2,000 men provided by the 10th and 11th legions of the national guard and bivouacked on the Place du Palais until the next day 24. On Sunday 25 at nine o'clock, the Négrier division resumed the fight towards the Saint suburb. -Antoine. The troop gains continual advantages. At around two o'clock the column of Négrier had seized the Pont Marie: it had removed the barricades from the Quai Saint-Paul, the rue de l'Etoile, the rue des Barres...

Charles Towne (1763-1840) Riders and dogs on a country path Oil on canvas 28 5/8 x 36 1/8 in 72.6 x 91.8 cm Provenance With Thomas McLean, London; With Arthur Ackermann & Sons, Lond...

As we gaze upon at this artwork, our eyes are immediately drawn to the foreground where a comical spectacle unfolds before us. A carriage, stubbornly stuck in the midst of a ford, se...

Samuel Henry Alken (1810–1894) Horse Racing Scene, Possibly the Epsom Derby Oil on board, unsigned Attributed, English school circa 1840 Presented in a later gilt frame with beaded inner edge This dynamic mid-19th century racing scene, attributed to Samuel Henry Alken—also known as Henry Alken Junior—captures the high-stakes moment just before the thundering release of horses and riders at the starting line. A tightly packed field of brightly jacketed jockeys leans forward with urgent anticipation, the taut muscles of their mounts echoing the gathering tension. In the foreground, a race marshal gestures dramatically to signal the start, his stance underscoring the energy about to be unleashed. Though unsigned, the work bears the unmistakable hallmarks of Samuel Henry Alken’s hand: vigorous composition, attention to equine form, and a sharp eye for the choreography of sport. The figures are finely modelled, the palette lively but grounded, and the setting—with its wooded backdrop, animated crowd, and distant grandstands—suggests a major 19th-century race meeting, possibly the Epsom Derby, a subject Alken is known to have returned to in several formats. The composition’s panoramic sweep and low horizon lend a cinematic quality, while the density of detail—each silken cap and coat, each bridle and plume—evokes the pageantry and social theatre of Britain’s sporting calendar at the height of its Regency and early Victorian splendour. A rare and spirited scene from the golden age of English sporting painting...

A bay hunter and a black and white short haired dog (possibly a bull terrier) in an extensive English landscape. a rustic barn in the near distance. Indistinctly signed 'Br...' and d...

This equine racing portrait "Morning Exercise" by artist Anne Wolff is a 24x24 original oil painting on canvas. Depicted is a profile view of a thoroughbred race horse against a blac...

The Italian Lakes Italian artist, early 20th century indistinctly signed oil on canvas, framed framed: 21.5 x 18 inches canvas: 17 x 14 inches Provenance: private collection, UK Co...

This historically interesting Post Impressionist town landscape oil painting is by noted Slade School trained artist Bertram Nicholls. Painted in 1940, the location is the Somerset t...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 24 x 30 Frame Size: 36 x 42 Medium: Oil on Canvas 1975 "The New Filly" Mr. Ger...

Arthur Walker Redgate British, (1860-1906) The Harvesters Oil on canvas, signed Image size: 19.25 inches x 29.25 inches Size including frame: 27 inches x 37 inches A pleasing lands...

A Curios Encounter, Shire Horse & Terrier, circa 1800 School Of George STUBBS (1725-1806) Large circa 1800 English scene of a Shire horse and a small terrier in an open country lan...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Robin Furness (born 1933) The Three O'Clock Fox - Dobinson's Covert (1972) Oil...

Jill Soukup's "Snooze" (2024) is an original, handmade oil painting that depicts two horses resting side by side. About the artist: Jill Soukup was born in Buffalo, New York. Short...

original oil on panel horse sketch :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist ::...

In this oil painting with a landscape format, a young girl rides a horse, though her figure is partially cropped, giving full prominence to the animal. The horse moves slowly along a...

Oil on canvas Image size: 25 1/2 x 19 1/2 inches (40 x 50 cm) 19th century gilt pierced frame This is a wonderful scene featuring a dark bay racehorses mounted by its jockey. The pa...

Afternoon ride is a pair of, 13 x 9 inches each, equestrian paintings by Pennsylvania painter James N Hess. One is signed in the lower left, one is signed in the lower right. Animal...

"Fantasia of Arabian Horseman" dated 1903 André Chaumière (French, XlX-XX) Oil on canvas Handcrafted original wood frame with bronze applique 20 3/4 x 12 3/4 (28 1/2 x 20 frame) inc...

Title: Le bruit des sabots Technique: oil on canvas Date: 2019 Size: 54 x 81 cm 490 euros

Oil on canvas Canvas size: 30 x 45 inches Framed size: 36.5 x 51.5 inches Signed and dated 1918 lower right

This charming scene depicts two shire horse hauling timer across a shallow creek. A man guides the heavy set horses into the water, gently encouraging them with the reins. The artist captures charming details within the scene such as the small cottage in the distance and the way the water splashes...

English School, 19th century A startled Arabian horse Oil on canvas Painting Size - 12 x 16 in Framed Size - 14 x 18 in Provenance With The Parker Gallery, London; The Collection o...

The painting Green Horse is a fabulous landscape featuring a fantastical horse. The rich palette and dreamy atmosphere draw the viewer into a magical world where the ordinary merges ...

Oil Painting by Gudrun Sibbons "Unloading The Catch" Born 1925 in Germany and studied medicine but came to England after the war. Sold to many Hollywoo...

This evocative oil painting captures the rustic charm of a Middle Eastern rural scene, featuring horse-powered wooden water wheels. The artist skilfully employs a muted colour palett...

This is an original unique oil painting, signed by the artist.

Greg Singley , born 1950- Artist Statement: When the sun sets in the desert South West, things appear. This is the nature of what touches me about that la...

The dynamic brushstrokes capture the intensity of the polo player in action. The mallet, an extension of the rider’s skill and strength, is elevated to a symbol of elegance and power...

Oil on canvas of the Belvoir Hunt by Tom Carr Thomas James Carr OBE (21 September 1909 – 17 February 1999) was an Irish artist who was associated with the Euston Road School in the ...

"Driving Lines" (2019) by Lindsey Bittner Graham is an original handmade oil painting that depicts a horse drawn carriage in a cityscape. This Painting measures at 22.75 x 24.75 inch...

Paul Emile Perboyre 1826-1914 French Revue à Longchamp, Oil on panel Signed lower right Panel: 27 1/2" high x 45 1/4" wide Fame: 40 1/8" high x 57 1/2" wide Paul-Emile Léon PERBOYRE: painter of battles born in Horbourg near Colmar in 1826, died in 1907. Painter of history, battles. He was a pupil of Leon Bonnat. He exhibited in Paris at the Salon of French Artists, in which one he became a member in 1909. He obtained an honorable mention in 1908. Perboyre was well known for his many paintings of...

Signed hunting scene by Alfred Grenfell Haig (1870–1963). Haig's masterful oil on canvas brings to life the exhilarating spirit of a hunting scene, with a huntsman leading a pack of ...

William M. Hart (1823 - 1894) Interior of a Stable Oil on canvas 17 x 12 inches Provenance William Macbeth Gallery, New York Mrs. Mabel Brady Garvan Collection Christie's New York, Sporting Art, November 28, 1995, Lot 116 Ann Carter Stonesifer, Maryland Estate of above Brunk Auctions, Asheville, North Carolina, January 27 2018, Lot 777 Exhibited New York, The Metropolitan Museum of Art, Life in America, April 24 - October 29, 1939, no. 123, illustrated. New York, Macbeth Gallery, 1892: Sixtieth Anniversary Exhibition, April 1952, p. 5, no. 18. Literature Turner Reuter Jr, Animal and Sporting Artists in America, Middleburg, Virginia, 2008, p. 306. Gary Stiles, William Hart: Catalogue Raisonné and Artistic Biography, no. 1126, illustrated. It should be noted that the Francis Patrick Garvan and Mrs. Mabel Brady Garvan collection, of which this painting was a part of, was one of the foremost American Art collections and now makes up a large part of the Smithsonian American Art Museum and the Yale University Art Gallery collections. Born in 1823 in Paisley, Scotland, William Hart emigrated with his parents to the United States at the age of nine and settled in Albany, New York. It was here that Hart first began his artistic training when he was placed under the tutelage of Messrs, Eaton & Gilbert, the prestigious coach-makers from Troy, New York. During this time, Hart learned how to decorate coach panels, covering them with either landscapes or figurative compositions. At the age of seventeen, he was eagerly contemplating an artist’s profession. Consequently, he left the mechanical trade of coach-making and began expanding his artistic pursuits to more refined endeavors. Hart followed coach-making with decorating window shades and later developed an interest in portraiture. Around 1840, he established his first formal studio in his father’s woodshed in Troy. There, he created many likenesses of individuals, affording him a nominal income. Once, he remarked that he felt prouder over his first fee of five dollars for painting a head then for the larger sums he would command later in his career. Nevertheless, his wages from portraits during this early period proved insufficient. Thus, he expanded into landscape painting, allowing him to barter his works or sell them for modest prices. In 1842, Hart moved to Michigan in an attempt to further his success; portraiture remained his primary means of support. Unfortunately, his experiences in the West were disappointing. Hart spent three years living a rough existence until he finally returned to Albany in 1845. Upon his return, he fully devoted himself to the art of landscape painting. Despite his failing health, he worked diligently to perfect his skill until 1849 when he traveled abroad to his native land of Scotland. This trip was made possible through the generosity of his patron and advisor, Dr. Ormsby of Albany. For three years, he studied in the open-air, creating brilliant sketches of the Scottish Highlands and the surrounding British Isles. Returning to Albany once more in 1852, Hart enjoyed improved health and was reinvigorated with purpose. The following year, he moved to New York and opened a studio, promoting himself as a specialist in landscape painting. Hart became a regular contributor to the National Academy of Design. His works received a great deal of attention from artists and connoisseurs alike, all of whom praised him for his fresh, self-taught style. In 1855, he was designated as an associate of the National Academy of Design; three years later he was elected to Academician. In 1865, he was unanimously chosen to be the first president of the Brooklyn Academy of Design. It was during his tenure there that he delivered his famous lecture The Field and Easel, which emphasized the distinguishing principles of landscape art in America. Hart argued that landscape painters should express the “look of the place” being depicted.Critics during the 1870s noted his sensitive balance between capturing a strict “real” interpretation of nature and that of a more “ideal” sentimental tone. For instance, in 1869, Putnam Magazine noted that Hart brought back “exquisite studies” of the surrounding Tappan...

Swan Scalabre "Western n°13" Oil on Wood 11.25 x 13.25 in. Born in the Alpes de Haute Provence region of France in 1977, Swan Scalabre investigates the silent gaze placed on women,...

Daniel CLOWES (1774-1829) after George Stubbs Mares and Foals in a Landscape oil on canvas 29 x 33 inches, inc.frame Daniel Clowes lived and worked in Chester all his life and ...

Tracy Wall's (Colorado, US based) "Hello Dolly" is an original, handmade, mixed media painting that portrays a white horse in beautiful light with contrasting green foliage. The piece is unframed yet ready to hang with gallery-wrapped canvas. As an artist, Tracy Wall sheds new light on everyday life, inviting the viewer to see the familiar as if for the very first time. Working with a variety of subjects, Tracy paints interesting viewpoints with compelling value, color, and shapes. Appealing compositions are everywhere, and they make strong impressions from afar even before the subject matter is recognized. She loves to balance representational impressions with more abstracted compositions. Tracy has studied at the Art Students League of Denver under such influential artists as Michelle Torrez, Ken Velastro, Kevin Weckbach, John Lencicki, and Rob Gratiot while also participated in additional workshops from Sally Strand, Carol Marine...

In the market square. cardboard, oil, 41x81 cm Biruta Baumane (1922-2017) Born in Kalnamuizha in Tervetes school, in the teachers family. Since 1941, she studied at the Latvian State Academy of Arts, where she graduated painting department in 1948. In 1951 married with sculptor Karlis Baumanis. Daughter Laine Kainaze also is an artist. Since 1959, member of the Union of Artists, Biruta repeatedly was a manager of the union. In 1986 she became the honored worker of arts of the Latvian SSR. She has been involved in television and radio programs, movies, and has published articles in periodicals. In 1976 she received a diploma of the Union of Latvian SSR for the best creative work. One of the most important Latvian artists...

Oil on canvas Canvas size: 24 x 18 inches Framed size: 35.5 x 30.5 inches Signed lower right

Painting of a returning crusader on horseback against a Mediterranean landscape backdrop. Horse and rider convey an exhausted impression. After the original by Karl Friedrich Lessing...

Henry Alken junior, 1810 - 1894 First son of Henry senior, born Ipswich. Signed. Provenance: Ackermann Original oil on panel 0 x 8 inches. Frame size 13 x 10 inches. All of the i...

Christian Reder (Leipzig 1656 - Rome 1729) Landscape with pastoral idyll Oil on canvas 66 x 132 cm Framed 76 x 143 cm We present this delightful work, of which the matchin...

Owning a 19th century Victorian Highland landscape with pony and gun dogs with a gillie circa 1880, offers a unique opportunity to own a piece of art that encapsulates the pastoral beauty and tranquil charm of the Victorian era. Duvall's work is celebrated for its meticulous attention to detail, evoking a sense of serenity and timelessness. This painting not only serves as a stunning decorative piece but also represents a valuable object, given the historical significance and enduring appeal of Victorian art. Owning such a painting allows you to connect with the rich cultural heritage of the period, while enhancing your collection with a work that exudes both artistic merit and nostalgic elegance. John Duvall...

Oil on panel

George Cole British, (1810-1883) Waiting for a Treat Oil on canvas, signed & dated 1857 Image size: 19.5 inches x 29.5 inches Size including frame: 26.25 inches x 36.25 inches A cha...

A charming scene depicting a man leading two shire horses on a country track after a day's work. The horse wear plough harnesses and walk in unison before a vast country landscape. S...

Title: French Impressionist Oil Painting of Onlookers Watching Harness Racing By Fanch Lel (French b. 1930) Size: 8.75 x 10.75 inches (height x width) Signed: Yes Oil painting on boa...

Claude Lorraine Ferneley (1822-1891) Duncan's horses - 'Macbeth' signed with initials, inscribed and dated 'CLF sketched September 5th 1849’ (lower left and lower centre) Oil on panel Painting size - 13 x 17 1/2 in Framed size - 20 x 24 1/2 in Provenance Christie's London, Sporting Art & Dogs, 14th July 2001, Lot 183, sold for £5,288; The Collection of Charlie Watts. Charlie Watts, the legendary drummer of The Rolling Stones, was renowned not only for his musical prowess but also for his profound affection for animals, particularly Collies. He and his wife, Shirley, resided at Halsdon Manor in Devon, where they managed a stud farm for Arabian horses. Their estate was also home to numerous dogs, reflecting their deep commitment to animal welfare. Claude Lorraine Ferneley (1822–1891) was a British equestrian and sporting artist, and the son of the acclaimed Leicestershire painter John Ferneley Sr., one of the leading figures in 19th-century English horse painting. Continuing the family tradition, Claude developed a refined skill in depicting horses, hunts, and rural scenes, often drawing from the vibrant sporting life of the English countryside. Although he lived somewhat in the shadow of his more famous father, Claude Lorraine Ferneley maintained a solid reputation among country patrons for his ability to portray horses with anatomical accuracy and spirited realism. His paintings often captured the energy of the hunt and the elegance of equestrian portraiture, appealing to a clientele that prized their animals as both companions and status symbols. His work is noted for its clarity, control, and fidelity to the traditions of British sporting art, and today, Claude Ferneley is recognized as an accomplished artist in his own right, contributing to the enduring legacy of the Ferneley name in English equestrian painting.

Francis Casanova (London 1732/33- Vorderbruhl, Vienna 1803) Horsemen's stop Oil on canvas, 37.5 x 67.5 cm Framed, 48 x 78 cm Critical Record Prof. Alberto Crispo The unpublished...

This equestrian piece, "#3", is a 16x20 oil painted portrait of a dark brown horse dressed in a saddle and blinkers. About the artist: The artwork of Janet Crawford depicts the equestrian lifestyle. Working from her studio in the Berkshires, Janet focuses on classic portraiture of horses, dogs and people. Her original artwork captures the candid moments of the horse world. A trademark of the artist's work is the portrayal of the true nature of the horse. Education: Bachelor of Fine Arts, Cum Laude Concentration: Painting Rhode Island College, 1991 Press: 2000 - Featured artist in Equine Image article, Aug/Sept issue, 2000. Selected Awards: 2012 - National Distinguished Service Award, American Hackney Horse Society 1995 - Horse World Magazine Morgan Artist of the Year 1993 - Harness Tracks of America Art Competition, 2nd Place 1991 - AMHA Art Contest 1st Prize, Morgan Art 1990 - Special Talent Award, Rhode Island College Special Projects: Present - Designer and Painter, Berkshire Carousel Project Present - Program Cover and Horse Show Poster Artist for the Fleet Jumper Classic, Sept. 2000. Present - Poster Artist for the Hampton Classic, Aug. 27-Sept. 3rd. Present - Program Cover Artist since 1996 for UPHA Spring Premiere Present - Illustrator, Horse World Magazine 2012 - Artist for the American Hackney Horse Society Logo 2011 - Cover Artist for the Pfizer Million Dollar Grand Prix Horse Show Program 1999 - Cover Artist, The Chronicle of the Horse 1999 - Cover Artist, Horse America (Horsemen's Yankee Pedlar) 1999 - Exhibition "The Horse in Art" Hartford Fine Art & Frame 1997 - Opening of the Equestrian Collection Gallery 1996 - New England Morgan Horse...

This Western Landscape by New England Impressionist painter Richard Edward Miller is a 12.5 x 23.5 inches, oil on board painting from 1931. A plein-air and impressionist painter as ...

This vibrant landscape piece, "Lush Pasture", is a 16x20 featuring three brown horses grazing in a green pasture surrounded by the warm afternoon sun light. Lush green trees fill the...

Approach of a Rider Noel Daggett, American (1925–2005) Date: 1980 Oil on Canvas, signed Size: 30 x 36 in. (76.2 x 91.44 cm) Frame Size: 35 x 41 inches