18th Century and Earlier Art

Louis Cretey (Lyon, France, 1635 - 1702) Title: Saint Sebastian Medium: Oil on canvas Dimensions: with frame 91 x 75 x 5 cm - without frame 77 x 60.5 cm With a "cassetta" frame in ...

Macedonia is an ancient map realized in 1650 by Johannes Janssonius (1588-1664). The Map is Hand-colored etching, with coeval watercoloring. Good condit...

China ink and watercolour on paper. Some foxing, otherwise very good condition. Titled and dated. Includes passepartout.

Adriaen de Gryef (Leiden 1657 - Brussels 1722) Signed ‘A Gryeff f’(ecit) - centre left Peasant in the courtyard with still life of animals and fruit Oil on canvas Dimensions (cm): ...

Veduta della Basilica di San Giovanni in Laterano, is an original etching realized by Giovanni Battista Piranesi in 1749. S. Giovanni in Laterano with palace and Scala Santa on t...

Vincenzo Re (Parma, Italy, 1695 - Naples, Italy, 1762) Title: The Pool of Bethesda Medium: Oil on canvas Dimensions: without frame 50 x 62 cm - wi...

Evangelista Schiano (attr.) (active in the 18th century) Title: Saint Gennaro Medium: Oil on canvas Dimensions: without frame 102 x 74 cm - with frame 126.5 x 100 cm 19th century car...

An original, very large Dutch Old Master oil on canvas which is attributed to circle of Jan Wijnants and was painted circa 1680. The huge canvas is in good clean condition and depicts a wooded landscape with travellers passing through. A delightful very large country house old master painting. Provenance. Private collection, Christies. Condition. Oil on canvas. Very large, image size is 53 inches by 41 inches and in good clean condition. Framed size is 63 by 51 inches. The carved original 17th Century wood frame...

Le Petit is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good condit...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Three Heads of Women, Year: of original: 1637, Medium: Etching, Size: 12 in. x 10 in. (30.48 cm x 25.4 cm), Printer:...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...

18th-century celestial FLAMSTEED, John. Cetus London, C. Nourse, 1753. A fine star chart from the Atlas Coelestis, the largest and most accurate star atlas published up to that ti...

Beautiful couple of Roman Landscape by J. F. Van Bloemen, in very good conditions and with later wooden frames. Bibliography and Exhibitions: Old Master Exhibition, H.Terry-Engell, ...

Joen and Deborah is an old master artwork realized in 17th Century by Jan Pieters Saenredam. Black and white etching. Good condition. Signature on ...

Antique Map - Orbis Terrarum is an antique map realized in 1650 by Johannes Janssonius (1588-1664). The Map is Hand-colored etching, with coeval watercoloring. Good conditions with...

Amstelredam is an ancient map realized in 1650 by Johannes Janssonius (1588-1664). Good conditions. from Atlantis majoris quinta pars, Orbem maritimum [Novus Atlas, volume V: carte...

Roman Temple and Tower from "Antiquities of Herculaneum" is an etching on paper realized by Giuseppe Aloja in the 18th Century. Signed on the plate. Good conditions. The etching b...

Follower of Paolo Veronese (Verona, 1528 - Venice, 1588) Allegory of wisdom and strength Oil on canvas, 48 x 36.5 cm Picture frame, 61 x 48 cm The Allegory of Wisdom and Strength...

Original stipple engraving with colors titled “Les Revers de la Fortune” (Reversal of Fortune) by the well known French engraver, Louis Marin Bonnet...

This superb trompe l'oeil painting is in the circle and quality of the Antwerp Jesuit master Daniel Seghers. Painted circa 1650, the central cartouche,...

Toilet of Venus Francesco Albani (Bologna 1578 - 1660) Follower of Oil on canvas 64 x 96 cm In fine gilded frame 83 x 121 cm. The painting on offer, depicting ‘Venus’ Toilet',...

"Cherubs" (B) Pen and Ink drawing of Putto Italian School Late 17th early 18th century. Pen and ink on paper 6 ½ x 17 ½ (22 ½ x 11 ½) inches Antique scenes of putto and a faun cele...

Venetian painter (18th century) - Madonna with Child. 37.5 x 45.5 cm without frame, 55 x 63 cm with frame. Antique oil painting on canvas, in a carved wooden frame (not signed). C...

Provenance: Manuel Ortíz de Zevallos y García, Peru; and by descent in the family to: Private Collection, New York. This impressive baptismal dish is an example of eighteenth-cent...

Set of 4 double-page mezzotint engravings, printed in colour and finished by hand. [Published: H. Lentz and H.G. Neubauer, Regensburg, 1737]. An attractive collection of fine plates...

Cupid In Three Frames from "Antiquities of Herculaneum" is an etching on paper realized by Various Authors in the 18th Century. Monogrammed on the plate. Good conditions. The etch...

Landscape is a beautiful drawing in watercolor and pencil on ivory-colored paper realized by Jan Peter Verdussen. In good condition; only a smallspots at the edges of the drawing an...

Josep Maria Riera i Aragó (Barcelona, 1954), is a Spanish plastic artist. He studied at the Faculty of Fine Arts in Barcelona. Throughout his career he has dedicated himself to scul...

Hornskeleton is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard...

The Coronation Of The Virgin, 17th Century After Guido RENI (1575-1642) Fine Huge 17th Century Italian School Old Master depiction of the co...

This View of Gorlitz is an original etching realized by George Braun and Franz Hogenberg as part of the Series "Civitates Orbis Terrarum". The “Civitates Orbis Terrarum” (Atlas of C...

Ancient Roman Scene from the series "Antiquities of Herculaneum", is an original etching on paper realized by Giovanni Morghen in the 18th Century. Signed on the plate. Good condit...

Le Couguar is an etching realized in 1771 by Louis Le Grand. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du ...

Le Furet is an etching realized in 1771 by Louis Legrand (1723-1807). Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière...

Agostino Beltrano (Naples, Italy, 1607 - 1665) Title: The Procession to Calvary Medium: Oil on canvas Dimensions: without frame 98 x 122.5 cm - with frame 118 x 142.5 cm Beautiful or...

Roman Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Ferdinando Campana in 1772s. Signed on the plate. Good conditions. T...

Oceani Borealis is an ancient map realized in 1650 by Johannes Janssonius (1588-1664). Good conditions. From Atlantis majoris quinta pars, Orbem maritimum [Novus Atlas, volume V: c...

Hercule is an etching realized by Jean François Poletnich in 18th Century. Good conditions. The artwork is depicted through confident strokes.

Michel CORNEILLE the Younger (Paris, 1642 – 1708) Roman Charity (Cimon and Pero) Black chalk with white highlights on beige paper Height: 28 cm – Width: 20 cm Unsigned France, cir...

Giustino Menescardi (Milan, Italy, c. 1720 - Venice, Italy, after 1779) Title: Ascent of Calvary Medium: Oil on canvas Dimensions: without frame 47 x 36 cm - with frame 57 x 43 cm Shaped and gilded wooden cassetta frame Publications: Bozzetti, modelletti, sketches: dalla collezione di Giorgio Baratti...

Mare Atlanticum is an ancient map realized in 1650 by Johannes Janssonius (1588-1664). Good conditions. From Atlantis majoris quinta pars, Orbem maritimum [Novus Atlas, volume V: c...

Flower garland with a portrait of the Virgin Francesco Trevisani (Capodistria 1656 - Rome 1746) and Niccolò Stanchi (Rome 1623 - 1690), attributable Oil on canvas 66 x 49 cm. - In f...

The Horse is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. Image Dimensions: 5 x 7 / 8 x 10 c...

Sir Godfrey Kneller 1646-1723, was a German born English portrait painter. He was a pupil of Bol and Rembrandt, he was born in Leiden, travelled to Rome , Venice, Hamburg and later t...

Tuscan Proverbs 3 is an original etching realized by Carlo Lasinio in 1786. Etching and watercolour technique, in good conditions, except for some stains on the back of the yellowed...

Portrait Of Charles I Of England (1600-1649) Wearing The Order Of The Garter, 17th Century circle of Sir Antony VAN DYCK (1599-1641) Large 17th Century English portrait of King Cha...

We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all from this Seller" and search for 'Collaert' - or message us as they may not all have been uploaded yet. Theodoor Galle (1571 – 1633) after Maerten de Vos (1532 - 1603) Jesus on the Cross...

Saverio Dalla Rosa (Verona, Italy, 1745 - 1821) Title: Portrait of Angela Guggerotti Fracastoro Medium: Oil on canvas Dimensions: without frame 94 x 73 cm - with frame 105 x 94 cm Fr...

This widely referenced pair of paintings is one of Francesco Conti’s most successful productions. Francesco Conti is one of the finest painters of 18th-century Florence. In the shimmering colors typical of his best work, he represents two opposite characters from the Bible: the virtuous Judith, whose courage saves her people by cutting off the head of the invader Holofernes, and the depraved Salome, who under the influence of her mother becomes responsible for the beheading of the prophet John the Baptist. The artist's talent lies in his ability to treat these two macabre subjects with a light touch, presenting us with two attractive women who seem to twirl with glee amidst the severed heads... 1. Francesco Conti, the “Florentine Tiepolo” Francesco Conti is a major painter of the Florentine school of the 18th century; he can even probably be considered, along with Giovanni Domenico Ferretti (1692-1768), as one of the two main painters of the second quarter of the Florentine 18th century. Born in Florence in 1682, Francesco Conti began his apprenticeship in the workshop of Simone Pignoni (1611 - 1698), a disciple of Francesco Furini; he was also influenced by the Venetian Sebastiano Ricci. A protégé of Marquis Riccardi, he accompanied him to Rome between 1699 and 1705, where he frequented Carlo Maratta's studio. He settled permanently in Florence in 1705. Painted exclusively on canvas, the majority of his work consists of religious subjects, altarpieces or private devotional works. It is likely that Conti himself was a devout churchgoer, as evidenced by his affiliation, in the third decade of the eighteenth century, to the Society of the Disciples of Saint-John-the-Baptist, and his entry, at the end of his life, into the fraternity of the Venerable Society of the Holy Trinity. In Florence, Conti worked for the Grand Duchy's major patrons, including the last Medici - in particular Giangastone and Annamaria Luisa, Electress Palatine - and confirmed his role as a reference painter under the Lorraine Regency, as master of the Public Drawing School, which was closely linked to the institute responsible for the manufacture of semi-precious stone mosaics, then located in the Uffizi complex. Matteo Marangoni, an art critic of the early 20th century, praised his "brushwork full of elegance and true spirit of the 18th century", pointing out that Conti was "probably one of the best colorists" of the Florentine school of his time. These two characteristics led the art historian Paolo dal Poggetto to nickname him the "Florentine Tiepolo". 2. Judith and Salome, two biblical characters opposing each other These two paintings form a pair presenting two biblical episodes, which have in common the depiction of a "heroine" carrying the severed head of a man. While the Salome episode might at first appear to be an echo of the Old Testament story of Judith, each character is the exact opposite of the other. Judith, whose story is told in the Book of Judith, is a beautiful young widow from Bethulia who, accompanied by her maid, went into the camp of the invading Assyrians and won the confidence of Holofernes, the general commanding the enemy army. Invited to a great feast on the fourth evening, she took advantage of Holofernes' drunkenness to cut off his head. “She went up to the bedpost near Holofernes’ head, and took down his sword that hung there. She came close to his bed, took hold of the hair of his head, and said, “Give me strength today, O Lord God of Israel!” Then she struck his neck twice with all her might, and cut off his head. Next she rolled his body off the bed and pulled down the canopy from the posts. Soon afterward she went out and gave Holofernes’ head to her maid, who placed it in her food bag...

The Internal Organs is an original etching realized for the 1642 edition of the "De Humani Corporis Fabrica" by the italian anatomist Andrea Vesalio. It shows the human internal org...

The Inside of a Hippah in New Zealand is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook John...

Ancient Roman Scene from the series "Antiquities of Herculaneum", is an etching on paper realized by Giovanni Morghen in the 18th Century. Signed on the plate. Good conditions. The e...

Circle of Willem Wissing Dutch, (1656-1687) Portrait of a Gentleman Oil on canvas Image size: 29 inches x 24.5 inches Size including frame: 35 inches x...

"Important Sculpture IMPORTANT SCULPTURE representing Saint Floran de Lorch in polychrome wood in its beautiful old polychromy. He is represented ...

The Circulatory System is an original etching realized as plate no. 34 of Andrea Vesalio's "De Humani Corporis Fabrica". The "De Humani Corporis Fabric...

Already been in Koelliker collection (no. inv. LK0431) Publications: - C. Alpini, Ritratto di Gian Giacomo Barbelli nel IV centenario della nascita, in “Insula Fulcheria”, XXXIV, ...

Presented here as a group are four original etchings of women in European national dress from the master printmaker Wenceslaus Hollar's series "Aula V...

18th-century celestial FLAMSTEED, John. Aquila Sagitta.Vulpecula & Anser Delphinus London, C. Nourse, 1753. Hand coloured star chart heightened with gold and silver, engraved by ...

Painting oil on canvas measuring 45 x 55 cm without frame and 65 x 75 cm with frame depicting an outdoor peasant scene from the Flemish school of the late 17th and early 18th centur...

Madonna & Child With Saint Dominic & Saint Ursula, 16th Century School Of GIOVANNI BELLINI (1430-1516) Large circa 1500 Venetian School Old Master depiction of the Madonna & Child ...