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Period: Mid-18th Century
'Dei Praestitis Signumexaere' — 18th Century Classical Italian Realism
Located in Myrtle Beach, SC
Giovanni Domenico Campiglia, 'Dei Praestitis Signumexaere' (God's Providence Signumexaere), engraving, 1734, edition unknown. Signed 'Dom. Campiglia del.' in the plate, lower left. E...
Category
Realist Mid-18th Century Art
Materials
Engraving
Neoclassical composition of a sculptor kneeling before his statue of the Madonna
Located in Middletown, NY
An allegory of loyalty, with the subject's dog pictured seated, holding his master's chisel in his mouth; fidelity personified.
Italian School, 18th century
Ink wash in gray and bl...
Category
Italian School Mid-18th Century Art
Materials
Laid Paper, Ink, Watercolor
View of Fountain Court, Middle Temple, City of London
Located in Middletown, NY
An 18th century view of the first permanent water fountain in London.
London: J.Boydell, 1753.
Engraving with hand coloring in watercolor on white laid paper, laid down to a modern...
Category
English School Mid-18th Century Art
Materials
Watercolor, Handmade Paper, Laid Paper, Engraving
After Hendrick MOMMERS (1623-1693) Haarlem Vegetable Market c1750
Located in Holywell, GB
After Hendrick MOMMERS (1623-1693) Haarlem Vegetable Market c1750
An early copy c1750, of an entertaining Dutch vegetable market scene in an Italianate landscape. The original was p...
Category
Old Masters Mid-18th Century Art
Materials
Oil
Apuleius, Ancient Roman, C18th Grand Tour Classical antique engraving print
Located in Melbourne, Victoria
'Apuleio' (Apuleius)
Copper-line engraving by N Billy after Giovanni Domenico Campiglia. Plate number top right corner of image.
Giovanni...
Category
Renaissance Mid-18th Century Art
Materials
Engraving
MASSACHUSETTS BAY COLONY DOCUMENT, 1754 Signed by Wm. Shirley
Located in Santa Monica, CA
MASSACHUSETTS BAY COLONY, (Boston - September 10, 1754)
William Shirley (Captain General and Governor in Chief)
Printed and manuscript Document signed. 13 x 17" Complete with official seal...
Category
Other Art Style Mid-18th Century Art
Materials
Ink
$695 Sale Price
26% Off
Rare on the Art Market, A Drawing by Moitte, A Fashionable Couple, 1766
Located in Stockholm, SE
Pierre Etienne Moitte studied in Paris under Jacques-Firmin Beauvarlet and Pierre-François Beaumont (1719–1769). In 1771, he was accepted (agréé) by the Académie Royale de Peinture e...
Category
Old Masters Mid-18th Century Art
Materials
Paper, Pencil
The South East Prospect of Westminster Bridge
By Alfred Benjamin Cole
Located in Middletown, NY
After Giovanni Antonio Canal, called Canaletto
Copper plate engraving with hand coloring on cream laid paper with the Arms of France watermark (a crown in shield topped by a fleur-de-lys and the letters GR), 22 3/4 x 15 3/4 inches (576 x 400 mm), wide to full margins. Multiple vertical and horizontal creases from folding and rolling; none appear to be particularly hard, there is however some associated cockeling. While there is some minor mat tone visible around the perimeter of the sheet, the extensive handcoloring remains extremely fresh and saturated in the intended areas. There are edge tears at each the right and left sheet edge (outside of the image area) due to an improper effort to mount the sheet to a mat. Otherwise in very good condition with all issues being consistent with age.
The print is wrongly titled "The South East Prospect of Westminster Bridge...
Category
English School Mid-18th Century Art
Materials
Laid Paper, Engraving, Watercolor
Four Framed Hogarth Engravings "Four Times of the Day"
Located in Alamo, CA
The four plates in this "Four Times of the Day" set were created utilizing both engraving and etching techniques by William Hogarth in 1738. Hogarth's original copper plates were refurbished where needed by James Heath and these engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's original copper plates were used for printing. Most were melted down during World War I for the construction of bombs. Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. The inscription below each print reads "Invented Painted & Engraved by Wm. Hogarth & Publish'd March 25. 1738 according to Act of Parliament".
These large folio sized "Four Times of the Day" engravings/etchings are presented in complex gold-colored wood frames with black bands and scalloped gold inner trim. A majority of each thick impressive frame is covered with glass applied near the outer edge. Each frame measures 25.75" high, 22.25" wide and 1.88" deep. There are a few small dents in the edge of these frames, which are otherwise in very good condition. "Morning" has two focal areas of discoloration in the upper margin and some discoloration in the right margin, a short tear in the left margin and a short tear or crease in the right margin. "Noon" has a spot in the upper margin that extends into the upper image, but it is otherwise in very good condition. "Evening" has a faint spot in the upper margin, but it is otherwise in very good condition. "Night" is in excellent condition.
The "Four Times of the Day" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Victoria and Albert Museum.
Through this series Hogarth is portraying early 18th century London street life at "Four Times of the Day". His characters are exhibiting their personalities, quircks, strange activities, but he also wants to draw attention the disparities between the wealthy aristocracy and the common working class.
Plate 1, "Morning" depicts morning in Covent Garden in the winter in front of Tom King...
Category
Old Masters Mid-18th Century Art
Materials
Engraving, Etching
The Roman Colosseum: A Framed 18th Century Etching of the Interior by Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta dell'interno dell'Anfiteatro Flavio detto il Colosseo" (View of the interior of the Flavian Amph...
Category
Old Masters Mid-18th Century Art
Materials
Etching
Hadrian's Mausoleum, Castel S. Angelo: A Framed 18th Century Etching by Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Mausoleo d'Elio Adriana ora chiamato Castello S. Angelo nella parte opposta alla Facciata de...
Category
Old Masters Mid-18th Century Art
Materials
Etching
Basilica of San Lorenzo in Rome: A Framed 18th Century Etching by Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta della Basilica di S. Lorenzo fuor della mura" (Basilica of San Lorenzo Outside the Walls), published in Rome in 1750 in Piranesi's Vedute di Roma (Views of Rome), This etching depicts the Basilica of San Lorenzo Outside the Walls, which is a Roman Catholic papal basilica and parish church, located in Rome, Italy. The Basilica is one of the Seven Pilgrim Churches of Rome and one of the five "papal basilicas". It was built as a shrine to the martyred Roman deacon St. Lawrence.
This Piranesi etching is held by many museums and institutions, including: The Metropolitan Museum, The British Museum, The National Gallery of Art, The Yale University Art Gallery, and The Harvard Museum of Art.
This magnificent etching is presented in a brown-colored wood frame and a tan French...
Category
Old Masters Mid-18th Century Art
Materials
Etching
18th century French Old Master Portrait of a woman in oriental costume
Located in Aartselaar, BE
French 18th century old master portrait of a majestic lady dressed "à la Turque"
The sitter at the viewer with a kind and enigmatic smile and twinkling eyes. She looks elegant and kind, yet also has an intelligent and determined aura, reflecting the character of someone who is in charge of her own life and destiny.
De Silvestre paid great attention to her spectacular outfit, which is striking in its portrayal of the sumptuous fabrics and their decorative richness. She is wearing a luxurious royal blue robe à la...
Category
Old Masters Mid-18th Century Art
Materials
Canvas, Oil
Rococo interior design and furniture, German mid 18th century etching
By Franz Xaver Habermann
Located in Melbourne, Victoria
Rococo interior design and furniture, etching, by Franz Xaver Habermann (1721-1796), circa 1750.
Lettered 'F. X. Haberman, inv. et del. loh. Georg Hertel, excud : Aug. Vind., number...
Category
Rococo Mid-18th Century Art
Materials
Engraving, Etching
17-18 century, Original Antique Oil Painting in canvas, Genre Scene, Gold Frame
Located in Palm Coast, FL
Up for sale is a compelling and atmospheric original antique oil painting on canvas, depicting a poignant genre scene. A gentleman dressed in formal black robes—likely a figure of au...
Category
Impressionist Mid-18th Century Art
Materials
Oil
$2,000 Sale Price
20% Off
The Giant Wheel (Carceri IX), (2nd State)
Located in Chicago, IL
This is a second state impression from three states.
Category
Old Masters Mid-18th Century Art
Materials
Engraving, Etching
Rococò French master - 18th century figure painting - Sleeping Diana
Located in Varmo, IT
French Master (18th century) - Sleeping Diana.
95 x 125 cm.
Old oil painting on canvas, without frame (not signed).
Condition report: Lined canvas. Good state of conservation of t...
Category
Rococo Mid-18th Century Art
Materials
Canvas, Oil
$3,607 Sale Price
25% Off
Fine 18th Century British Portrait of an Aristocratic Lady, Large oil painting
Located in Cirencester, Gloucestershire
Circle of Thomas Hudson (1701-1779) British.
18th Century Bust Portrait of a Lady,
Oil on Canvas, Inscribed on a label verso,
canvas: 30" x 25" (76.2 x 63.5cm).
frame: 30 x 25 in...
Category
Old Masters Mid-18th Century Art
Materials
Canvas, Oil
$2,447 Sale Price
30% Off
The Well, Carcere XIII - Etching by G.B.Piranesi - 1750s
Located in Roma, IT
Giovanni Battista Piranesi, The Well, Carcere XIII , from “ Images of Prisons”, Buchard , Rome, 1749-50
Etching on laid paper. Signed on plate “ Piranesi F.” lower-right. Very good ...
Category
Modern Mid-18th Century Art
Materials
Etching
Religious Italian painter - 18th century figure painting - Saint Monica
Located in Varmo, IT
Italian painter (18th century) - Saint Monica in prayer.
56 x 32 cm.
Antique oil painting on canvas, without frame (not signed).
Condition report: Good state of conservation of th...
Category
Old Masters Mid-18th Century Art
Materials
Oil, Canvas
$962 Sale Price
55% Off
Al Dolo - Etching by Giovanni Antonio Canal - 1735/44
By Giovanni Antonio Canal (Canaletto)
Located in Roma, IT
Al Dolo is an original Artwork realized by Giovanni Antonio Canal, commonly known as Canaletto (Venice, 1697 - 1768).
Original Etching on Laid paper...
Category
Modern Mid-18th Century Art
Materials
Etching
Shunga - Woodcut by Katsukawa Schuncho - Mid-18th Century
Located in Roma, IT
Shunga is an original modern artwork realized by Katsukawa Schuncho (1726 – 1793) in the half of the 18th Century.
Erotic scene from the series "Koshuko zue juni ko".
A courtesan with a customer under a kimono stand...
Category
Modern Mid-18th Century Art
Materials
Paper, Woodcut
$2,525 Sale Price
25% Off
Shunga - Woodcut by Katsukawa Schuncho - Mid-18th Century
Located in Roma, IT
Shunga is an original modern artwork realized by Katsukawa Schuncho (1726 – 1793) in the half of the 18th Century.
Oban yokoe.
Erotic scene from the series "Koshuko zue juni ko" (Erotic pictures...
Category
Modern Mid-18th Century Art
Materials
Paper, Woodcut
$2,525 Sale Price
25% Off
18th century English portrait of the Duke of Newcastle upon his horse in
By Thomas Spencer
Located in Woodbury, CT
Thomas Spencer was a leading sporting and equestrian artist of the period of John Wootton and James Seymour; his art shows a considerable to debt to tha...
Category
Old Masters Mid-18th Century Art
Materials
Canvas, Oil
Manor House with Cottages - British 18thC Old Master art oil painting VG prov.
Located in London, GB
This stunning British Old Master landscape oil painting, with excellent provenance, is by George Lambert. Lambert was a pioneer of British landscape in art for its own sake. Painted in 1744, the painting is entitled View of a Manor House and Cottages in Elizabeth Einberg's 63rd volume of the Walpole Society 2001 and is described as follows: In the foreground a road emerges from a wood to cross a ford and then leads up the hill to the right, towards a manor house seemingly built into the remains of a medieval or Tudor edifice. The main track, crowded with sheep and rustic figures, passes the massive square gateposts lower down the hill on the left. Further to the left is a thatched cottage with smoke coming out the chimney. In the distance is a wide coastal view. The main buildings, which are in the dead centre of the composition, represent almost certainly an as yet unidentified English view.
The colouring and detail in the trees and foliage are superb. This is an excellent Old Master oil painting by one of the all time great British landscape artists with extensive provenance.
Signed and dated 1744 lower left on rock in black.
Provenance. Elizabeth Einberg, “Catalogue Raisonnè of the works of George Lambert” The Annual Volume of the Walpole Society, 2001 Vol. 63, page 149 no P1744, fig.71.
Antonacci Efrati Antichità Rome Gallery.
Burden sale, Parke Bernet, New York, 20-21, April 1938 (376 repr.)
Robert E. Peters, Sotheby Parke Bernet, New York, March 1975 (41 repr.)
Lit. Schnackenburg 1995, pp 83-84, cat. no.14 fig 13.
Condition. Oil on canvas, 54 inches by 52 inches and in good condition.
Frame. Housed in an ornate gilt frame, 64 inches by 62 inches and in good condition.
George Lambert (1700-1765) was an English landscape artist and theatre scene painter. With Richard Wilson he is recognised as a pioneer of British landscape in art, for its own sake. Lambert was born in Kent and studied art under Warner Hassells and John Wootton, soon attracting attention by the quality of his landscape painting. He painted many large and fine landscapes in the style of Gaspar Poussin and Salvator Rosa. Many of his landscapes were finely engraved by François Vivares, James Mason (1710–1785), and others, including a set of views of Plymouth and Mount Edgcumbe (painted conjointly with Samuel Scott), a view of Saltwood Castle in Kent, another of Dover, and a landscape presented to the Foundling Hospital in London. Lambert also obtained a great reputation as a scene-painter, working at first for the Lincoln's Inn Fields Theatre, in London, under John Rich. When Rich moved to Covent Garden Theatre, Lambert secured the assistance of Amigoni, and together they produced scenery of far higher quality than any previously executed. Lambert was a man of jovial temperament and shrewd wit, and frequently spent his evenings at work in his painting-loft at Covent Garden Theatre, to which men of note in the fashionable or theatrical world resorted to share his supper of a beef-steak, freshly cooked on the spot. Out of these meetings arose the well-known "Beefsteak Club" which long maintained a high social reputation. Most of Lambert's scene-paintings unfortunately perished when Covent Garden Theatre was destroyed by fire in 1808. Lambert was a friend of William Hogarth and a member of the jovial society that met at 'Old Slaughter's' Tavern in St Martin's Lane. In 1755 he was one of the committee of artists who proposed a royal academy of arts in London. He was a member of the Society of Artists of Great Britain, exhibited with them in 1761 and the three following years, and during the same period contributed to the Academy exhibitions. In 1765 he and other members seceded and formed the Incorporated Society of Artists of Great Britain, of which he was elected the first president. In conjunction with Samuel Scott, Lambert painted a series of Indian views for the old East India House in Leadenhall Street. He also etched two prints after Salvator Rosa. Lambert was associated in 1735 with George Vertue, Hogarth, and John Pine (engraver, 1660–1756) in obtaining a bill from parliament securing artists a copyright on their works. Lambert's portraits were painted by Thomas Hudson, John Vanderbank (engraved in mezzotint by John Faber the younger in 1727, and in line by H. Robinson and others), and Hogarth. Lambert's most famous painting is "A view of Box Hill, Surrey" (1733) which depicts a well-known beauty spot south of London. Hogarth considered Lambert a rival to the famous French landscape painter Claude Lorrain (1600–1682) with respect to his use of soft light to unify the scene in this painting. Though he never visited Italy he was inspired by the classical tradition of landscape painting. Lambert died on 30 November 1765 at his home on the Piazza in Covent Garden. His pupils included John Inigo Richards...
Category
Old Masters Mid-18th Century Art
Materials
Oil
$156,947 Sale Price
20% Off
18th Century Rococo Chinoiserie Canvas, Camaïeu Bleu, Circle of Francois Boucher
Located in Cotignac, FR
18th century oil on canvas chinoiserie scene painted 'en Camaïeu Bleu'. Originally part of a decorative scheme in a dining room as an overdoor set into panelling.
Provenance: From ...
Category
Rococo Mid-18th Century Art
Materials
Canvas, Oil
Morning Gun - British Old Master naval marine seascape ships art oil painting
By Peter Monamy
Located in London, GB
This superb British Old Master marine oil painting is attributed to Peter Monamy. Painted circa 1730 it depicts Morning Gun - A morning gun is a gun fired at the first note of revei...
Category
Old Masters Mid-18th Century Art
Materials
Oil
$24,663 Sale Price
20% Off
Francesco Zuccarelli Venetian master - 18th century landscape painting - Knights
Located in Varmo, IT
Francesco Zuccarelli (Pitigliano 1702 - Florence 1788) - River landscape with knights and medieval village.
53 x 70 cm without frame, 64.5 x 80.5 cm with frame.
Antique oil paintin...
Category
Rococo Mid-18th Century Art
Materials
Canvas, Oil
$18,038 Sale Price
31% Off
Antique Italian painter - 18th century figure painting - Saint John Nepomuk
Located in Varmo, IT
Italian painter (18th century) - Saint John Nepomuk
65 x 50 cm without frame, 78 x 64 cm with frame.
Antique oil painting on canvas, in a gilded wooden frame (not signed).
Conditi...
Category
Old Masters Mid-18th Century Art
Materials
Canvas, Oil
$1,443 Sale Price
40% Off
Flowering Pea Plant: An 18th C. Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Lathyrus Major Peremis Richern B. Lathyrus Narbonensis Flore Albescen...
Category
Naturalistic Mid-18th Century Art
Materials
Engraving, Mezzotint
18th century portrait of a Spaniel dog with fruit in a wooded landscape.
By Tobias Stranover
Located in Woodbury, CT
Outstanding early 18th-century portrait of a seated Spaniel dog in a landscape with an array of fruits.
Attributed to the work of Tobias Stranover.
...
Category
Old Masters Mid-18th Century Art
Materials
Oil
$31,600 Sale Price
20% Off
Piazza del Popolo con Obelisco Egizio
Located in Fairlawn, OH
Piazza del Popolo con Obelisco Egizio
Etching, 1752
Signed in the plate lower left (see photo)
From: Della Magnificenze di Roma Antica e Moderna ( The Magnificense of Ancient and Mod...
Category
Old Masters Mid-18th Century Art
Materials
Etching
David Teniers The Younger (After), Country Celebration
By David Teniers the Younger
Located in Cheltenham, GB
This charming mid-18th-century oil painting depicts a veritable array of revellers holding a feast by a tavern. It’s after a work by Flemish artist, David Teniers the Younger (1610-1...
Category
Mid-18th Century Art
Materials
Oil, Canvas
'Bacchus Cumampelo' — 18th Century Classical Italian Realism
Located in Myrtle Beach, SC
Giovanni Domenico Campiglia, 'Bacchus Cumampelo', engraving, 1734, edition unknown. Signed 'Dom. Campiglia del.' in the plate, lower left. Engraving by Gabbugiani, after the original...
Category
Realist Mid-18th Century Art
Materials
Engraving
Nicolas Lancret follower (French) - 18th century figure painting - Gallant scene
Located in Varmo, IT
Follower of Nicolas Lancret (Paris 1690 - Paris 1743) - Gallant scene in a landscape.
63.5 x 76 cm without frame, 91 x 102.5 cm with frame.
Antique oil painting on canvas, in carve...
Category
Rococo Mid-18th Century Art
Materials
Canvas, Oil
$2,405 Sale Price
50% Off
Manner of Guido Reni (1575-1642) The Prophecy of Simeon Large Antique Painting
Located in Cirencester, Gloucestershire
Artist/ School: Manner of Guido Reni (1575-1642) Italian
Title: The Prophecy of Simeon
Medium: oil painting on canvas, unframed
Painting: 21.5 ...
Category
Old Masters Mid-18th Century Art
Materials
Oil
$2,349 Sale Price
30% Off
Large 1700's Italian Oil Painting on Canvas Portrait of a Clerical Gentleman
Located in Cirencester, Gloucestershire
Portrait of a Clerical Gentleman
Italian artist, mid 18th century
Circle of Giovanni Battista Carboni (1725-1790)
oil on canvas, unframed
canvas: 26 x 22 inches
provenance: private c...
Category
Old Masters Mid-18th Century Art
Materials
Oil, Canvas
$980 Sale Price
30% Off
'The Deluge' from 'The Temple of the Muses' — 18th Century Engraving
Located in Myrtle Beach, SC
Bernard Picart, 'The Deluge' from 'The Temple of the Muses', engraving, 1730. Signed in the plate and dated
'1730' lower left. Titled in French, English, German, and Dutch. A superb...
Category
Baroque Mid-18th Century Art
Materials
Engraving
18th-century celestial - Camelopardal & Auriga
Located in London, GB
18th-century celestial
FLAMSTEED, John.
Camelopardal & Auriga
London, C. Nourse, 1753.
Hand coloured star chart heightened with gold and silver, engraved by John Mynde, from the s...
Category
Naturalistic Mid-18th Century Art
Materials
Watercolor, Engraving
Ancient Roman Temple Architecture: An 18th Century Framed Etching by Piranesi
Located in Alamo, CA
This is an 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Tempio detto della Tosse su la Via Tiburtina, un miglio vicino a Tivoli" (View of the so-called Tem...
Category
Old Masters Mid-18th Century Art
Materials
Etching
The Windmill by François Vivares, after Rembrandt
Located in Middletown, NY
Engraving on cream laid paper, 8 x 5 7/8 inches (202 x 149 mm), trimmed at the platemark. Adhered at each corner to a small sheet of archival laid paper. Horizontal edge loss at the ...
Category
Old Masters Mid-18th Century Art
Materials
Handmade Paper, Laid Paper, Etching
Flowering Apple Plant: 18th Century Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This striking hand-colored botanical mezzotint and line engraving is entitled Malus domestica, Pomier, Apfelbaunt (Apple)". It is plate 704 in Johann Weinmann's monumental publicatio...
Category
Naturalistic Mid-18th Century Art
Materials
Engraving, Mezzotint
18th century Venetian Still life of flowers, classical vase on a marble ledge
Located in Woodbury, CT
The Pseudo-Guardi was an unidentified Venetian painter from the 18th or early 19th century who closely imitated the style of Francesco Guardi (1712–1793), one of the great Venetian v...
Category
Mid-18th Century Art
Materials
Canvas, Oil
Flowering Bardana Daisy: 18th Century Hand-colored Weinmann Botanical Engraving
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Bardana Major Folio Non Serrato, Napoliere, B. Bdellifera Arbor, de Qu...
Category
Naturalistic Mid-18th Century Art
Materials
Engraving, Mezzotint
Landscape with Ruins and Figures - British 18thC Old Master art oil painting
Located in London, GB
This superb British 18th century Old Master oil painting is attributed to circle of noted landscape artist Richard Wilson. Painted circa 1750 it is a stunning light, bright and airy expansive panoramic landscape. There is a river in the foreground and mountains in the background. On the left of the river stands some ruins and on the right, figures are resting under the trees. The palette of blues, greens and very varied and rich with some lovely pinky brown tones for the land on the right. The brushwork is also delicate but confidently executed. A superb example of a British Old Master landscape oil painting, finished off in a carved and gilt wood English Rococo frame with name plate.
Provenance. The Asbjorn Lunde Foundation, Inc. Throughout his long life, Mr. Lunde supported more than forty museums in his native New York, across the United States, and in Europe with loans, gifts, and funding. Mr. Lunde was a proud New Yorker with roots in Norway. He was keenly interested in nineteenth-century Scandinavian and Swiss landscape painting, Old Master painting, and Asian decorative arts.
According to an old label to the reverse, the present painting was once owned by James Northcote (1746-1831) who gave it to William Hillman on 25th May 183(0?)
Property of the Bacot family.
Christies stamps verso.
Watson Gallery London. Remains of label verso.
Condition. Oil on canvas, 26 inches by 18 inches and in good condition.
Frame. Housed In a carved and gilt wood English Rococo frame bearing Richard Wilson name plate, 33 inches by 25 inches and in good condition.
Richard Wilson RA...
Category
Old Masters Mid-18th Century Art
Materials
Oil
$24,663 Sale Price
20% Off
Fine 18th Century Italianate Landscape Garden Classical Ornaments and Figures
Located in Cirencester, Gloucestershire
Italianate landscape garden with classical ornament, including Giambologna's Sabine women and a classical urn, view to a bay beyond
Coplestone War...
Category
Old Masters Mid-18th Century Art
Materials
Oil
Portrait of a Young Man (Russian male portrait)
Located in Wilton Manors, FL
Friedrich Wigand (Russian, 1800-1853). Portrait of a Young Man, 1841. Oil on canvas, 12.5 x 16 inches. Framed measurement: 17 x 20.5 inches. Signed an...
Category
Romantic Mid-18th Century Art
Materials
Canvas, Oil
$6,000 Sale Price
40% Off
Francesco Battaglioli (Venetian master) - 18th century painting - Ruins Landscap
By Francesco Battaglioli
Located in Varmo, IT
Francesco Battaglioli (Modena 1710 ca. - Venice post 1796) - Architectural capriccio with characters.
83.5 x 114.5 cm without frame, 98 x 130 cm...
Category
Rococo Mid-18th Century Art
Materials
Canvas, Oil
Fete Champetre - Garden Party - French 18thC figurative landscape oil painting
Located in London, GB
This charming 18th century French Old Master oil painting is attributed to circle of Joseph Frans Nollekens. Painted circa 1740 it is described as a fete champetre - a form of entertainment in the 18th century, taking the form of a garden party. They were often elegant affairs and became very popular in 18th French paintings. Antoine Watteau invented the genre, from around 1710 and they were also included as a category in the French Academy. In this painting, several well dressed figures are sat in the foreground by a fountain and statue, being entertained by a musician. Beyond, a wide avenue of trees leads towards a very grand country house with countryside beyond. There is superb detail in the figures and their colourful clothing. The brushwork in the trees and sky is also superb. This is a charming example of an 18th century fete champetre and of a French Old Master oil painting.
Provenance. Gloucester estate.
Condition. Oil on canvas. Image size 49 inches by 30 inches and in good condition.
Frame. Housed in a fine gilt frame, 56 inches by 37 inches and in good condition.
Josef Frans Nollekens or Joseph Frans Nollekens (1702–1748)[2] was a Flemish painter who was principally active in England where he is often referred to as "Old Nollekens" to distinguish him from his famous son, the sculptor Joseph Nollekens. He painted conversation pieces, galant companies and fêtes champêtres in the style of Watteau, genre scenes as well as portraits. He was also active as a picture restorer.
A fête champêtre was a form of entertainment in the 18th century, taking the form of a garden party. This form of entertainment was particularly practised by the French court, where in the Gardens of Versailles and elsewhere areas of the park were landscaped with follies, pavilions, and temples to accommodate such festivities. The term is a French expression, very literally translating as "party in the fields", meaning a "pastoral festival" or "country feast" and in theory was a simple form of entertainment, perhaps little more than a picnic or informal open air dancing. In practice, especially in the 18th century, the simplicity of the event was often contrived. A fête champêtre was often a very elegant form of entertainment involving on occasions whole orchestras hidden in trees, with guests sometimes in fancy dress. Such events became a popular subject in French 18th-century painting, representing a glamourized aristocratic form of pastoral, with "scenes of well dressed dalliance in a park setting". Antoine Watteau invented the genre, from around 1710, and is its best exponent, imitated by others such as Nicolas Lancret and Jean-Baptiste Pater...
Category
Old Masters Mid-18th Century Art
Materials
Oil
$17,936 Sale Price
20% Off
The Ponte and Castel S. Angelo (Veduta del Ponte e Castello Sant' Angelo)
Located in Fairlawn, OH
The Ponte and Castel S. Angelo
Veduta del Ponte e Castello Sant' Angelo
Etching, 1754
Signed in the plate lower right above the caption
From: Vedute di Roma
A proper Roman printing w...
Category
Old Masters Mid-18th Century Art
Materials
Etching
Prospectuum Aedium Viarumque Insignorum Ubis Venetiarum -by G.B. Brustolon- 1763
By Giovanni Battista Brustolon
Located in Roma, IT
Complete series of 20 original black and white etchings on oblong folio and laid paper, in first state before numeration.
On frontispiece with date “1763”, dedication to Prince Marco Foscareno and name and address of Ludovico Furlanetto. Each plate is titled and signed on plate "Jo. Bap. Brustoloni sculp." on the lower right margin.
Complete title of the series: Prospectuum aedium, viarumque insigniorum Urbis venetiarum nautico certamine, ac nundinis adiectis. Tomus Primus, tabulas XII complectens, quas Antonius Canale coloribus expressit – Joannes Baptista Brustolon aere incidit. Serenissimo Principi D.D. Marco Foscareno Egregio, emerito, sapientissimo Augustae Republicae Duci D.D.D. Anno AE C. 1763 ab V.C. 1341.
This series is considered the most important one by Brustolon after Canaletto (from the engravings of Visentini), and was edited in a first version of 12 tables and in a second version of 22 tables. However, Succi affirms that the I state series includes just 20 tables, and the missing two vary from suite to suite so that this series can be considered complete.
Very fresh and bright sheets in wide margins, with restored little tear on 4 sheets and a very light vertical fold on center. Papers show the following watermarks:
Big cartouche with half-moon
Big cartouche with letters “FO” and “AS”
Bound and ripples on paper.
In detail: Prospectuum Aedium Viarumque Insignorum Ubis Venetiarum is one of the finest of Venetian topographical print suites, equal in relevance to the publications of Carlevarijs, Canaletto-Visentini, and Marieschi, preciously rare, especially in the first edition (of four) with all plates in first state and in excellent state of preservation.
Ten of its twenty vedute of the Serenessima derive from the paintings of Canaletto, drawn and engraved by Antonio Visentini, adapted to a larger size by Brustolon. The Bellunese artist extended the views and enriched the landscapes with new objects and figures that animate the scenes.
Other four views are deeply inspired by Michele...
Category
Old Masters Mid-18th Century Art
Materials
Etching
18th-Century Baroque Oil Still Life Flowers Floral Arrangement in an Ornate Urn
Located in Cirencester, Gloucestershire
Elaborate Floral Arrangement
French artist, 18th Century
oil on canvas, framed
Framed: 27 x 34 inches
Canvas: 22 x 29 inches
Provenance: private collection, England
Condition: very...
Category
Baroque Mid-18th Century Art
Materials
Oil, Canvas
Penitent Mary Magdelane c1750 Oil on Copper
Located in Holywell, GB
A finely painted picture, possibly of the penitent Mary Magdelane, painted in oil on to a copper plate and dating to c1750.
Condition
Two old touch ins, tiny chip to the forehead...
Category
Old Masters Mid-18th Century Art
Materials
Oil
Appearance - Etching by C.N. Cochin the Elder - 1750s
Located in Roma, IT
Appearance is a black and white etching on cream-colored paper, realized by Charles-Nicolas Cochin the Elder (1688-1754) in 1750s.
Good condition.
Category
Old Masters Mid-18th Century Art
Materials
Etching
Austrian Old Master Baroque Oil Canvas Painting Architecture Allegory Cherubs
Located in Portland, OR
An important & large oil on canvas Baroque painting by the Bohemian Old Master artist, Franz Xaver Karl Palko (1724-1767), an allegory of architecture, circa 1750.
The painting depic...
Category
Baroque Mid-18th Century Art
Materials
Canvas, Oil
Rococò French painter - 18th century figure painting - Flute player dog
Located in Varmo, IT
French painter (18th century) - Flute player and dog.
43.5 x 35 cm without frame, 54 x 45 cm with frame.
Antique oil painting on canvas, in a carved and gilded wooden frame (not si...
Category
Rococo Mid-18th Century Art
Materials
Oil, Canvas
$2,164 Sale Price
28% Off
18th century English marine Battle scene between Dutch and British warships
By Francis Swaine
Located in Woodbury, CT
Attributed to Francis Swaine (British, 1725–1782)
Naval Engagement at Sea, 18th century
Oil on panel
In this evocative seascape, a cluster of ships—flags raised, cannons fired—conve...
Category
Old Masters Mid-18th Century Art
Materials
Oil, Wood Panel
Escuela española (XVIII) - Virgen Dolorosa - Óleo sobre tela
Located in Sant Celoni, ES
Como pueden apreciar, la obra no va firmada, es de autor anónimo
Se presenta enmarcada la obra (el marco presenta algunos signos de uso)
El estado de la obra se puede ver, presenta...
Category
Baroque Mid-18th Century Art
Materials
Oil
Portrait of a Man after Raphael - Etching by Nicholas Dupuis - 1755
Located in Roma, IT
Portrait After Raphael is an etching realized by N. Dupuis Junior in 1755.
Good conditions.
Signed in plate.
The artwork is depicted through confident strokes.
The etching was re...
Category
Modern Mid-18th Century Art
Materials
Etching
$342 Sale Price
25% Off
Ancient Roman Marble Vase: 18th C. Piranesi Etching Vaso Cinerario di Gran Mole
Located in Alamo, CA
"Vaso Cinerario di Gran Mole. Le Teste dei Giovenchi mostrano di reggere it pesante Festone composto di Frutti Fiori Grans ed use. Il tuto Necefsario all Vita Umana. Il Restante degl...
Category
Old Masters Mid-18th Century Art
Materials
Etching