Contemporary Black and White Photography

Starry Night by Keith Carter presents an ethereal scene. A lone car drives down a dark, empty road. The night sky is scattered with stars and textures resembling a galaxy. The road cuts a path through the dark forest, leading out to an unknown destination. Starry Night by Keith Carter is a 16 x 16 inch archival pigment print, with the paper size measuring 22 x 17 inches. This photograph is available in an edition of 25; and is signed, titled, dated and numbered in pencil on print verso by Keith Carter. Starry Night is from Carter's series, Ghostlight. Keith Carter is an American photographer who is known for his dreamlike black and white photographs of the figure, animals, and meaningful objects. He began photographing new and unknown realities using East Texas...

Angelina by Keith Carter presents a sublime scene. A branch dips into the calm and quiet river. Trees line the river's edge, extending back to the horizon. The stillness in the water reflect the overhanging foliage, creating a dreamlike scene. Angelina by Keith Carter is listed as a 16 x 16 inch archival pigment print, with the paper size measuring 22 x 17 inches. It is available in an edition of 25. This photograph is signed, titled, dated, and numbered in pencil on print verso by Keith Carter. Angelina is from Carter's series, Ghostlight. Keith Carter is an American photographer who is known for his dreamlike black and white photographs of the figure, animals, and meaningful objects. He began photographing new and unknown realities using East Texas natives as subjects. This population and background setting spoke to the folklore, religious, and cultural motifs Carter was visually exploring. Since his start in Texas, his work continues to push imaginative realms while reaching prestigious artistic and technical status. In 1970, Carter earned a Business Management degree from Lamar University and began his career as a commercial photographer while working on personal projects. These personal projects have become a strong and highly sought after collection that have become twelve published monographs. Carter currently teaches photography at Lamar University as a Distinguished Faculty Lecturer. He travels worldwide providing photography lectures and workshops for artists. Carter’s fine art photography collections...

NICK BRANDT (*1966, England) Lion Before Storm II, Maasai Mara, 2006 Platinum Print Sheet 71.1 x 91.4 cm (28 x 36 in.) Edition of 15 plus AP's (from sold out edition) Print only Ni...

Signed, titled and dated on print verso by artist in pencil

NICK BRANDT (*1966, England) Lion Before Storm V, Maasai Mara, 2006 Platinum Print Sheet 55.9 x 69.8 cm (22 x 27 1/2 in.) Edition of 8 plus AP's (from sold out edition) Print only ...

NICK BRANDT (*1966, England) Elephant Cathedral, Maasai Mara, 2007 Archival Pigment Print Sheet 109,2 x 96,5 cm (43 x 38 in.) Edition of 15 (#12/15) print only Nick Brandt is a cont...

Materia VI, 2023 by Mikael Kenta From the Series Materia Archival Pigment Print with a 1 cm white border. Image size: 75 cm. H x 60 cm. W Edition of 15 + 1AP Unframed _____________...

Materia V, 2023 by Mikael Kenta From the Series Materia Archival Pigment Print with a 1 cm white border. Image size: 75 cm. H x 60 cm. W Edition of 15 + 1AP Unframed ______________...

Materia III, 2023 by Mikael Kenta From the Series Materia Archival Pigment Print with a 1 cm white border. Image size: 75 cm. H x 60 cm. W Edition of 15 + 1AP Unframed ____________...

Materia II, 2023 by Mikael Kenta From the Series Materia Archival Pigment Print with a 1 cm white border. Image size: 75 cm. H x 60 cm. W Edition of 15 + 1AP Unframed _____________...

Materia IV, 2023 by Mikael Kenta From the Series Materia Archival Pigment Print with a 1 cm white border. Image size: 75 cm. H x 60 cm. W Edition of 15 + 1AP Unframed _____________...

Materia I, 2023 by Mikael Kenta From the Series Materia Archival Pigment Print with a 1 cm white border. Image size: 75 cm. H x 60 cm. W Edition of 15 + 1AP Unframed ______________...

Signed, titled, and dated in pencil on print verso. Image size: 16 x 16 inches Paper size: 20 x 20 inches

A Fatal Pass, trenches in the Italian Alps Diptych, by Luca Artioli Archival print cotton rag paper Overall size: 40 H x 54 W inches. Image size: 40" x 27" inches with 5" each side ...

20 x 16 inches. Gelatin Silver Print. Signed, dated and titled in pencil on verso.

Edition of 25 Signed, titled, dated and numbered. Paper size: 20 x 16 in. AVAILABLE SIZES: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 "The discovery of fast cars and auto racing rocked my world as a high school student in the early 1960s. After graduating I did everything I could to wrangle assignments to cover two of the biggest international endurance races held annually in Florida. The Daytona 24-Hour and Sebring 12-Hour races were the highlight of my early years as a photographer. Covering racing events in the Sixties was a lot different from what it is today. Access to the racers and the cars was much easier and there were far fewer photographers covering any event. As a fan and a photojournalist in search of a great story, I usually hung around Carroll Shelby’s pit. Shelby and his Cobras were always race winning contenders. “Shel” was easy to work with and to be around. He let me do what I wanted and go where I pleased to capture a story. At the 1964 Sebring race, Shel was recovering from surgery, alternating between crutches and a wheelchair. As his good friend and motor racing artist Bill Neale...

All About Love / Paris, 2011 by Guilherme Licurgo Image size: 35 in. H x 23 in. W Edition of 10 + 2AP Unframed Mundo da Sombras Series "Our natural disposition is to think of photographs as snapshots, the capture of a fleeting moment. However, Guilherme Licurgo has frequently toyed with this understanding, producing images which instead condense time into a singular frame". Other sizes are available. All Prices are quoted as "initial price". Please note that prices and availability may change due to current sales. ____________ Guilherme Licurgo was born in Rio de Janeiro in 1983 and is currently residing and working in São Paulo, Brazil. Invited to model for Terry Richardson for his book, "Terry Richardson Rio Cidade Maravilhosa" in 2008, Guilherme went on to study Photography at the Panamericana School of Art. He discovered his real passion behind the lens, creating images. He has been working as a photographer ever since. He has worked for many Brazilian and International brands/ magazines, including Lancaster Paris, Architecture Beauty Culture Design, Roberto Cavalli, Wonderland, Martha Graham Dance Company, EMI Records, Greenpeace, PIRELLI, at PIRELLI CALENDAR 2010, GQ Portugal, GQ Brazil, Vogue Magazine, Wella and others. In 2011, he was personally invited by Olivier Van Doorne, President and Worldwide Creative Director at Select NY, to work on his first major international advertising book project, side by side with Steven Klein, Johan Renck, Lori Goldstein, and Sean Spellman...

Naples #287 by Jed Fielding is a silver gelatin print. This photograph depicts a baby face looking at the viewer with a woman on the phone passing in the bac...

Naples #910 by Jed Fielding, 1978 is a silver gelatin print. This photograph depicts a man holding a statue of Bottecelli's The Birth of Venus. The image size is 19 x 12.87 inches an...

Gum Print Edition of 5 Artist name, title & date on sticker affixed to print verso

Gelatin Silver Print 14 x 11 in. Mario Algaze is a contemporary Cuban-American photographer whose work celebrates the culture of Latin America. In 1960, at the age of thirteen, Alg...

Kentucky 7 by Aaron Siskind is an 11 x 14 inch silver gelatin print. The sheet size of this image is 11 x 14 inches, the image size is 9 5/16 x 12 5/16 inches. This photograph featur...

Marianne Marić La Chute, 2018 Silver gelatin print 80 x 120 cm (31 1/2 x 47 1/4 in.) Edition of 5, plus 2 AP; Ed. no. 1/5 Print only Marianne Marić looks at the body as architecture...

Untitled, 2023 by Ricky Cohete From The series Horse and Dancer Archival Pigment print Image size: 24 in. H x 36 in. W Edition of 10 Unframed Black and W...

Tigran Tsitoghdzyan is especially interested in how people interact in this era of technology and social media. His “Mirrors” series suggest a close exam...

Untitled 2, 2023 by Ricky Cohete From The series Horse and Dancer Archival Pigment print Image size: 36 in. H x 24 in. W Edition of 10 Unframed Black and White Photography ________...

Archival Pigment Print 26 1/2 x 40 inches

Edition of 5 Archival Pigment Print

No edition Silver gelatin print Paper size: 20 x 16 in. Image size: 19 x 15 in. Signed, and titled in pencil on verso by Earlie Hudnall Earlie Hudnall, who is one of the most notable African American photographers living today, has extensively documented the African American neighborhoods in Houston, Texas. After serving as a Marine in Vietnam, he enrolled at Texas Southern University, where he studied art under the direction of John Biggers, who became a great friend and mentor. During his time at TSU, he was hired to be a photographer for the Model Cities Program, part of Lyndon Johnson...

Edition of 35 Signed, titled, dated and numbered. Paper size: 20 x 16 in., Image size: 15 x 15 in. Keith Carter is an American photographer who is known for his dreamlike black and ...

Edition 11 out of 25 Archival pigment print Paper size: 17 x 22 in., Image size: 16 x 20 in. Signed, titled, dated, and numbered in pencil on print verso by Keith Carter Series: Ghostlight Keith Carter is an American photographer who is known for his dreamlike black and white photographs of the figure, animals, and meaningful objects. He began photographing new and unknown realities using East Texas natives as subjects. This population and background setting spoke to the folklore, religious, and cultural motifs Carter was visually exploring. Since his start in Texas, his work continues to push imaginative realms while reaching prestigious artistic and technical status. In 1970, Carter earned a Business Management degree from Lamar University and began his career as a commercial photographer while working on personal projects. These personal projects have become a strong and highly sought after collection that have become twelve published monographs. Carter currently teaches photography at Lamar University as a Distinguished Faculty Lecturer. He travels worldwide providing photography lectures and workshops for artists. Carter’s fine art photography collections...

Trono, 2023 by Ricky Cohete Archival Pigment print Image size: 36 in. H x 24 in. W Edition of 10 Unframed Black and White Photography __________________...

Nesting Tree Study #2 by Keith Carter presents a group of white egrets perched in a grove of bald cypress trees. The branches hold nests for the birds, creating a habitat in the swampy landscape of the Big Thicket. Edition 8 of 25 Archival pigment print Paper size: 17 x 22 in., Image size: 16 x 20 in. Signed, titled, dated, and numbered in pencil on print verso by Keith Carter Series: Ghostlight Keith Carter is an American photographer who is known for his dreamlike black and white photographs of the figure, animals, and meaningful objects. He began photographing new and unknown realities using East Texas natives as subjects. This population and background setting spoke to the folklore, religious, and cultural motifs Carter was visually exploring. Since his start in Texas, his work continues to push imaginative realms while reaching prestigious artistic and technical status. In 1970, Carter earned a Business Management degree from Lamar University and began his career as a commercial photographer while working on personal projects. These personal projects have become a strong and highly sought after collection that have become twelve published monographs. Carter currently teaches photography at Lamar University as a Distinguished Faculty Lecturer. He travels worldwide providing photography lectures and workshops for artists. Carter’s fine art photography collections...

Image size: 15 3/4 x 15 3/4 inches Signed in pen by artist on print recto.

0529, 2022 by Salvatore Arnone From the series ONE Archival pigment print mounted on Dibond Image size: 174 H cm x 135 W cm. Unique Despite photography remains his main form of expr...

Montura, 2023 by Ricky Cohete From The series Horse and Dancer Archival Pigment print Image size: 36 in. H x 24 in. W Edition of 10 Unframed Black and Wh...

Lina Scheynius (*1981 Sweden) Untitled (Diary) 2012 Fibre-based silver gelatin print Image 93,3 x 140 cm (36 3/4 x 55 1/8 in.) Sheet 104 x 150,5 cm (41 x ...

No edition Gelatin silver print Paper size: 20 x 16 in., Image size: 15 x 15 in. Signed, titled and dated in pencil on print verso by Earlie Hudnall Earlie Hudnall, who is one of the most notable African American photographers...

Edition 3 out of 25 Archival pigment print Paper size: 22 x 17 in., Image size: 20 x 16 in. Signed, titled, dated, and numbered in pencil on print verso by Keith Carter Series: Ghost...

Invacuo Project #21, 2016 by Koray Erkaya From the series of Invacuo Project Hahnemühle Photo Matt Fibre Duo 210 Image size: 16 in. H x 24 in. W (40 cm H x 60 cm W) Edition of 10 Work is also available framed at an additional cost. All sizes signed, titled, dated, and numbered on artist label verso All Prices are quoted as "initial price". Please note that prices and availability may change due to current sales. _____________________ JAZZ AND GAS Joyful humour characteristic of the pro-democracy environmentalist Gezi Park protests in June 2013. People of all ages, students, writers, artists, actors, musicians, LGBT activists, Anti-Capitalist Muslims, Marxists, Anarchists, Kurdish and Turkish nationalists were peacefully together in the heart of modern Istanbul: Taksim Square. Then the police attacked with tear gas and their usual equipment. But if they use uneven brutal force, then we use uneven intelligence and creativity: “We are fair: Their gas is fresh air.” Such sarcastic slogans multiplied echoing the positive, hopeful, unyielding and determined character of the our jazz like plural harmony. If Sultanahmet Square is the heart of Classical Istanbul with its Byzantine and Ottoman heritage, Taksim Square represents the modern city: the central statue representing the national liberation war and the formation of the Turkish Republic, Gezi Park, Ataturk Cultural Centre, big hotels, and the historic Istiklal (Independence) Street. Eyes shed tears not only because we laughed due to high quality satirical slogans but also because of the harmful gas and the deaths of several youngsters. Numerous citizens lost an eye or arm. Thanks to international media coverage, the inspiring Gezi Park resistance (or “June Movement”) in Turkey drew attention all over the world -while the pro-government media kept silent. Whether on purpose or not, tear gas –and its canisters at close range- took several lives. Don’t let anybody fool you: Tear gas may kill. And it did. Though “as a nation” we had been used to gas in previous demonstrations, one point was unique: The whole city was gassed. Babies, old people and citizens with asthma suffered in their homes. Before the police attack, maybe most of the young protesters were “merely” environmentalists without a major political orientation. Tear gas brutality transformed most of them into political activists. Since that June, our lungs, souls and future have been full of that gas. Tear gas has been used not only in Turkey but in many other countries as well –since the 1990s. We tend to think that “Every soul shall taste it,” –sounding like a statement from a holy book. The situation is unacceptable: A child on the way to get bread for breakfast may die –in fact be killed by the police using tear gas without proper concern and care. Tear gas is a chemical weapon. It’s vital to comprehend that. The marketing is well-phrased but misleading: “Made from fruit and vegetables, wholly organic.” But when it is used at close range, its metal canister becomes a bullet. Fifty years ago, in late 1960s, 90 countries signed a petition against the usage of tear gas. Our country signed the 1997 Convention on Chemical Weapons, which states that tear gas is considered to be a chemical weapon when it is used in closed places, at close range or in a crowd. Despite this, it has been used time and again in Brasil, Chile, Egypt, Germany, Gaza, Iraq, Ireland, Israel, Panama, the Philippines, South Korea, UK, USA, and Vietnam. The Association of Turkish Medical Doctors and the Initiative Against Tear Gas have been working and reacting diligently on this issue. “But the label says it’s harmless,” say some. But the firms that produce gas bombs put labels according to the demands of governments. Are you Shocked? Global trade has priority over humanitarian concern. But why this introduction? Don’t we all know all these things? We certainly do, but the “agenda” changes so fast that our knowledge does not find time to unite with our action in order to change the ongoing chain of events. Enter arts. With the mission of contributing to collective memory, Artist Koray Erkaya creatively documents experience. In his new photographic art series, Erkaya revolts against individual and social de-sensitivisation. In order to address the memory and to increase awareness, he uses “gas” against everyone –without discrimination. He tests his models with gas in the specifically prepared labyrinth made of mirrors. But of course, the gas he uses is not one of the types of tear gas labeled OC, CS or CN. In any case, the violence the people suffer is not limited to the content of the gas. When he started his voyage to display the violence, loneliness, nakedness, helplessness, spiritual and physical isolation of women, children, gays, transsexuals -all the humiliated people under some form of gas, Erkaya began working with models from various nations in Istanbul. Now he is on his way to show that this issue is a problem for all who live on the same planet. When we see ourselves in the eyes of the models in the mirrors...

Homage to Kertesz, Gramercy Park, New York, New York, USA by Michael Kenna presents a tranquil winter scene. A barren tree cuts diagonally through the scene. Behind the tree is a sno...

HIROSHI SUGIMOTO (*1948, Japan) Fifth Avenue Theater, Seattle , 1997 Silver gelatin print Sheet 50.8 x 61 cm (20 x 24 in.) Edition of 25 (#21/25) For over 40 years, the Japanese art...

As a child, Ryan Van Der Hout owned a telescope and was fascinated by the sight of the moon in the night sky. This iconic image of the moon as viewed from earth is re-imagined when V...

Hunter S. Thompson in Cozumel by Al Satterwhite features a portrait of Hunter S. Thompson sitting at a table while pouring a beer into a glass. This photograph is listed as a 17.75 ...

Caballero, 2023 by Ricky Cohete From The series Horse and Dancer Archival Pigment print Image size: 36 in. H x 24 in. W Edition of 10 Unframed Black and White Photography _________...

Self Touches #10, 2013 by Koray Erkaya From the series of Self Touches Hahnemühle FineArt Baryta Paper Image size: 24 in. H x 16 in. W (60 cm H x 40 cm W) Edition of 7 All about nar...

0205, 2022 by Salvatore Arnone From the series ONE Mix media on Hahnemuhle paper Format: 90 H x 70 W cm. Printed area: 82 H x 62 W cm. Unique Unframed Despite photography remains hi...

Art Deco ott.b, 2009 by Luca Artioli From the series "Miami Skin" A detail of the Delano Hotel Archival Pigment Print Image size 45 in. H x 70 in. W. Edition of 5 Unframed Miami Sk...

Albert WATSON (*1942, Scotland) Mike Tyson, Catskills, N.Y., 1986 (back of head) Archival pigment print Sheet 243 x 183 cm (95 5/8 x 72 in.) Edition of 5 ...

Edition 1 out of 25 Archival pigment print Paper size: 17 x 22 in. Image size: 16 x 20 in. Signed, titled, dated and numbered in pencil on print verso by Keith Carter Keith Carter ...

Rookery Study #3 by Keith Carter presents an ethereal scene. Barren trees stand in the murky swamp, emerging from the hazy atmosphere. White egrets and black cormorants rest in the b...

Edition 2 out of 25. Archival pigment print Paper size: 22 x 17 in., Image size: 20 x 16 in. Signed, titled, dated and numbered in pencil on print verso by Keith Carter Series: Ghost...

HIROSHI SUGIMOTO (*1948, Japan) State Theatre, Sydney, 1997 Silver gelatin print Sheet 50.8 x 61 cm (20 x 24 in.) Edition of 25 (#21/25) For over 40 years, the Japanese artist Hiros...

HIROSHI SUGIMOTO (*1948, Japan) Plaza, New York, 1978 Silver Gelatin Print 50,8 x 58,42 cm (20 x 23 in.) Edition of 25 For over 40 years, the Japanese artist Hiroshi Sugimoto (*1948...

Edition 3 out of 25. Archival pigment print Paper size: 17 x 22 in., Image size: 16 x 20 in. Signed, titled, dated, and numbered in pencil on print verso Series: Ghostlight Keith C...

LINA SCHEYNIUS (*1981, Sweden) Untitled (Touching) 2021 Fibre-based silver gelatin print Sheet 90 x 60 cm (35 3/8 x 23 5/8 in.) Edition of 3, plus 2 AP; Ed. no. 1/3 Print only Touc...

2153, 2022 by Salvatore Arnone From the series ONE Mix media on Hahnemuhle paper Format: 90 H x 70 W cm. Printed area: 82 H x 62 W cm. Unique Unframed Despite photography remains hi...

2148, 2022 by Salvatore Arnone From the series ONE Mix media on Hahnemuhle paper Format: 100 H x 81.2 W cm. Printed area: 62.5 H x 43.7 W cm. Unique Unframed Despite photography rem...