Countryside Black and White Photography

1895 Paradise Valley, Montana - 2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available...

1895 Paradise Valley, Montana - 2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available...

Signed, titled & dated in pencil on verso Gelatin silver print 11 x 14 inches

Rodeo Photography, Black & White Photography, Horse Print-Rustic Roundup “I heard about the rodeo in my friend's small Colorado county, I knew I had to go and see it for myself. I w...

This work is sourced directly from the artist. Framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper Hand-signed by artist with Certificate of Authenticity I have never used this old brewery building before in my storytelling because I worried that the facade was too high to fit in an image if there was also to be a cast immediately in front of it. There were two possible solutions - to move the story further away from the building, which would risk disassociation, or to get close to the building with a wide-angle lens, not easy at all and could risk ending with a lousy series of far lit loose shots. The whole building would be in for sure, but to work with a 28mm lens and a wolf is not to play the percentages. We had no real choice but to go for the second option and roll the dice. We got lucky, but as someone once said “Luck is the residue of design”. A sharp shot on a 28 mm lens is pin pin sharp. Available Sizes (Framed Size) Large: 71" x 86" (180 cm x 219 cm) Standard: 52" x 62" (132 cm x 158 cm) Available Editions Large: Edition of 12 Standard: Edition of 12 David Yarrow was born in Glasgow, Scotland in 1966. He took up photography at an early age and as a 20-year-old found himself working as a photographer for The London Times on the pitch at the World Cup Final in Mexico City. On that day, David took the famous picture of Diego Maradona holding the World Cup and, as a result, was subsequently asked to cover the Olympics and numerous other sporting events. Many years later David established himself as a fine art photographer by documenting the natural world from new perspectives and the last nine years have been career-defining. David’s evocative and immersive photography of life on earth is most distinctive and has earned him an ever-growing following amongst art collectors. His large monochrome images made in Los Angeles are on display in leading galleries and museums across Europe and North America. He is now recognised as one of the best-selling fine art...

Signed, dated and numbered on mount Signed, dated, inscribed with title and stamped with photographer’s copyright ink stamp on reverse Sepia toned silver gelatin print 7 1/2 x 8 inch...

Black and white fine art landscape photography print. Wine press house in wheat field, nice clouds, storm, Austria. Archival pigment ink print, edition of 5. Signed, titled, dated an...

Civitella, Italia, 2001 - Graciela Iturbide (Black and White Photography) Signed on reverse Silver gelatin print 20 x 16 inches Graciela Iturbide’s photography turns on themes of sp...

Black and white fine art landscape photography. Wine press house in wheat field, heavy clouds, storm, Austria. Archival pigment ink print, edition of 8. Signed, titled, dated and num...

Horse photography, Black & White Horse Photography, Horses-Black and Equwhite 0241 ABOUT THIS PIECE: "Black and Equwhite 0241" was part of a Black and White Photography landscape s...

Signed by the photographer. A portion of the proceeds from the exhibition sales will be donated to the Grand Staircase Escalante Partners, a non-profit 501(c)(3) organization founde...

Amboseli, Kenya 2020 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: Standard...

This photograph is in an edition of 20 and is signed by the photographer.

Montana, USA 2015 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 68 i...

In "WEST The American Cowboy", Anouk revisits this enduring iconic symbol of America's pioneering spirit. The new series inspire with a fresh and contemporary perspective of the Amer...

Amboseli, Kenya 2018 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 66 inches 67 x 105 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "This is one of the most unusual contextual images I have taken in East Africa in the last few years. The white of the flowering meadows and the white of the summit of Kilimanjaro combine to give the image an ethereal glow. The extreme weather conditions - it had rained torrentially for four or five days - had resulted in an implausible theatre of dreams. There was more snow on Kilimanjaro than I have ever seen before and the normal arid dustbowl of Amboseli was a garden bursting into acres of white carpet. For anyone that knows this area, the combination of whites provokes a degree of visual disquietude. It was quite a remarkable sight that was all down to the freak weather. The biblical rainfall had discouraged almost any other visitors and we had the amphitheatre to ourselves. We also had a film permit which allowed us to go off road - albeit the ground was very saturated and we were getting stuck regularly - we needed two vehicles to be safe. The bigger problem was that there were very few elephants in the park - the rain had pushed them out of the park and into the forests below Kilimanjaro. I knew, however, that in the vicinity of the KWS Rangers’ HQ, there are always a good number of big elephants hanging around as they feel safe. It was here that we spent much of our time this March - despite it being a 90 minute drive from our base. As soon as I saw the white meadows, I knew we had the chance of an image that offered a story of both lyrical grace and beauty - especially if the cloud lifted and we were exposed for a few brief minutes to the summit of Africa’s tallest mountain. Then we just needed the elephants and this was the X factor. No elephant - no party. About 5 pm on one unforgettable evening, everything came together as a small group of elephants headed to the foothills for the night and in so doing walked right through the white meadows. Getting in the right place for the composition was a fairly intense 10 minutes - I knew that this was a moment in time and I would not forgive myself if we missed it. I look at this picture a great deal and wonder whether it would be better if the elephants had been coming away from Kilimanjaro rather than moving towards it? We will never know, but the formation of the herd has a nice diagonal shape and it tells a story of a journey unaffected by my presence. I think the anonymity of the individual elephants helps focus on the wider context - which is really a hallmark of some sort of fantasy. Was this what The Garden of Eden...

Thin Cloud, Campo Imperatore, Abruzzo, Italy - Michael Kenna (Black and White) Signed, dated and numbered on mount Signed, dated, inscribed with title...

Born and raised in France, Anouk Masson Krantz moved to the United States in the late 1990s. She earned her bachelor's degree and worked at Cartier’s New York corporate office. Anou...

Signed in pencil on print verso.

THE EVOLUTION OF IVANPAH SOLAR The focus of my work over the past three years has been on the development of large-scale renewable energy in the American West. I began this work i...

THE EVOLUTION OF IVANPAH SOLAR The focus of my work over the past three years has been on the development of large-scale renewable energy in the American West. I began this work i...

THE EVOLUTION OF IVANPAH SOLAR The focus of my work over the past three years has been on the development of large-scale renewable energy in the American West. I began this work i...

Last Light There is solace in the night. I find it comforting when the sun finally slips away, taking with it the expectations and disappointments of the day. Darkness shrouds th...

Last Light There is solace in the night. I find it comforting when the sun finally slips away, taking with it the expectations and disappointments of the day. Darkness shrouds th...

Last Light There is solace in the night. I find it comforting when the sun finally slips away, taking with it the expectations and disappointments of the day. Darkness shrouds th...

Last Light There is solace in the night. I find it comforting when the sun finally slips away, taking with it the expectations and disappointments of the day. Darkness shrouds th...

Signed, numbered and dated on front of the mount. Signed, dated, numbered and titled with artist's copyright stamp on back of the mount. Image size: 8 x 8 inches approximately. Over...

Signed, numbered and dated on front of the mount. Signed, dated, numbered and titled with artist's copyright stamp on back of the mount. Image size: 8 x 8 inches approximately. Over...

Signed, numbered and dated on front of the mount. Signed, dated, numbered and titled with artist's copyright stamp on back of the mount. Image size: 8 x 8 inches approximately.

Signed on front of the mount. Edition number and date on back of the mount. Edition of 50. May be available in various sizes. Prices subject to change.

Vintage silver gelatin print Image size: 15 x 15 inches Frame size: 23 3/4 x 23 1/4 inches

Vintage silver gelatin print Image size: 15 x 15 inches Frame size: 23 3/4 x 23 1/4 inches

Printed title mount recto with annotations Photographed by R. Fenton.Manchester Published by T. Agnew & Sons, Feb. 29th 1856.London P.&D. Colnaghi Co. Paris, Moulin,23 Rue Richer New...

Titled and inscribed in printed ink,'Photographed by R. Fenton, Manchester, Published by T. Agnew & Sons, Feb. 29, 1856. London D & P Colnaghi & Co., Paris, Moulin, 23 Rue Richer. Ne...

Stamped.