Crowd Black and White Photography

Edition of 110 Signed and numbered by the artist. Artist Commentary: This photo was taken at the stroke of midnight. Within a split second, I shot a few images. I wanted to capture ...

Veteran Village Voice photographer Fred W. McDarrah Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmodern art movement, its off-off-Broadway actors, troubadours, politicians, agitators and social protests. Fred captured Jack Kerouac frolicking with women at a New Year’s bash in 1958, Andy Warhol adjusting a movie-camera lens in his silver-covered factory, and Bob Dylan offering a salute of recognition outside Sheridan Square near the Voice’s old office. Not just a social chronicler, McDarrah was a great photo-journalist. For years, McDarrah was the Voice's only photographer and, for decades, he ran the Voice’s photo department, where he helped train dozens of young photographers, including James Hamilton, Sylvia Plachy, Robin Holland and Marc Asnin. His mailbox was simply marked "McPhoto." An exhibit of McDarrah’s photos of artists presented by the Steven Kasher Gallery in Chelsea was hailed by The New York Times as “a visual encyclopedia of the era’s cultural scene.” artists in their studios, (Alice Neel, Philip Guston, Stuart Davis, Robert Smithson...

Fans flock to "The Canyon of Heroes" along Broadway in lower Manhattan to cheer World Champion Mets Fred McDarrah bought his first camera at the 1939 World's Fair for 39 cents, but h...

Open and Limited Edition Silver Gelatin Prints Hand Signed by Richard Beland 8" x 10" Unframed Open Edition 11" x 14" Unframed Open Edition 16" x 20" Unframed Open Edition 20" x ...

Signed and titled. Vintage gelatin silver print Johm Stryker was born in Rockford, Illinois, September 1, 1883. He is most remembered for his body of photographs he took of the "Olympic of Western sport"*- the Rodeo. During his lifetime he crossed America, working rodeos as an announcer, a producer, promoter and sometimes a rider. He invented the chute that the animals come out of and he developed new ways of photographing action during an event. Dramatic shots were taken from the ground, propping his camera on the toe of his right boot right next to a bucking bronco. Some historians believe that John Stryker was directly responsible for the growth and sophistication of the sport. His negatives are in the collection of the University of Texas at Permian Basin, Odessa. His photographs have been exhibited during his lifetime at the Buffalo Bill Museum in Cody, Wyoming, and the Amon Carter Museum in Ft. Worth, Texas. His photographs have been published widely including Life, Look, The Cattleman, The Western Horseman, and The Quarter Horse Journal. In 1977, The Rodeo of John Addison Stryker...

Century Guild presents a selection of never-before-seen photographs taken on the set of Caligula in 1976 by legendary Italian still photographer Mario Tursi, best known for his work with Italian directors Pier Paolo Pasolini and Luchino Visconti as well as his long collaboration with Martin Scorsese on the sets of Gangs of New York and The Last Temptation of Christ. These museum-quality fine art prints are available in extremely limited archival editions honoring the Caligula MMXX restoration. Director Tinto Brass...

Paper size: 17 x 22 in., Image size: 18 x 12.8 in. Signed, titled, and dated in pencil on print verso. Michael O’Brien is an American photographer noted for his compelling portraits of famous figures such as Willie Nelson, Larry McMurtry, George Strait...

Nikita Khrushchev & Richard Nixon, Moscow, 1959 - Elliott Erwitt (Black and White Photography) Signed, inscribed with title and dated on accompanying artist’s label Silver gelatin p...

'Bruce Springsteen at the Palladium,' 1976 by famed American photographer, Allan Tannenbaum. Archival pigment print, 10 x 15 in. (image) on 17 x 22 in. (paper), Ed. of 50. This black and white photograph captures musician Bruce Springsteen leaning back on fans from railing, between audience and pit, at a performance at The Palladium in NYC on October, 1976. From the artists' 4th hardcover book 'Grit and Glamour: The Street Style, High Fashion, and Legendary Music of the 1970s,' published in 2016. This image was taken during Tannenbaum's tenure at The SoHo Weekly News in New York City from 1973 to 1982 where he served as Chief Photographer and Photo Editor. Allan Tannenbaum's career in photography spans more than four decades. Born in Passaic, New Jersey, in 1945, he received a B.A. in Art from Rutgers University in 1967, where he photographed for The Targum – the campus newspaper – and made films for his art courses. Gravitating to the nascent art scene in the SoHo district of Manhattan in 1972, Tannenbaum worked as a taxi driver and bartender while looking for work as a photographer. In 1973, when the SoHo Weekly News commenced publication, Tannenbaum became the Photo Editor and Chief Photographer. The newspaper started out as an eight-page free paper, but soon became a popular newsstand seller that rivaled the established Village Voice. Tannenbaum relentlessly covered the art world, music scene, politics, show business, and nightlife until 1982 when the SoHo News folded. Tannenbaum has also done documentary and feature photography in places like Thailand, Indonesia, Palau, Jordan, Bahrain, Mozambique, Zimbabwe, Namibia, Brazil, Israel, Iceland, and Mexico. He has covered numerous political campaigns, nominating conventions and news stories in the U.S. such as the Oklahoma City bombing and the Columbine massacre. His work has appeared in many photo books and exhibitions, as well as appearing regularly in NEWSWEEK, TIME, LIFE, ROLLING STONE, PARIS MATCH, and STERN. His photographs have graced the covers of TIME three times, and NEWSWEEK five times. He now works as an international photojournalist contributing to various noted publications including Time, Life, and Newsweek. He is the author of three books of his photography, including New York in the 70s (Feierabend, 2003), New York (Feierabend, 2004), and John and Yoko: A New York Love Story...

A model wearing Dior's Vertgazon ensemble photographed by Mark Shaw in 1961. Image size is 10" x 15" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited edi...

A model wearing Dior's Vertgazon ensemble photographed by Mark Shaw in 1961. Image size is 22" x 32" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited edi...

Pablo Casals Seated at White House Concert, 1961, kb_118 -- Photographed by Mark Shaw for the Nov. 24, 1961 issue of LIFE, this image is an out take from ...

A model wearing Dior's Vertgazon ensemble photographed by Mark Shaw in 1961. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited ...

BW Jackie with JFK at Podium -- Jacqueline Bouvier Kennedy as photographed by Mark Shaw with JFK at the podium in the background. Image size is 10" x 15" (for 11" x 17" paper size). ...

16" x 20" Limited Edition Silver Gelatin Print of 250 Hand Signed by Bill Lemke

Open and Limited Edition Silver Gelatin Prints Hand Signed by Bob Gruen 8" x 10" Unframed Open Edition 11" x 14" Unframed Open Edition 16" x 20" Unframed Open Edition 20" x 24" U...

James Baldwin Los Angeles, California - 1965 Size: 16 x 20 in. Artist Bio: After starting his career at the age of 14 as a copy boy in the Washington bureau of the Associated Pre...

Bob Dylan, Newport, 1963 Signed, titled, dated and numbered in pencil on verso Gelatin silver print Image: 13-1/8 x 18-5/8", Paper: 14-1/8" x 19-7/8", Matted: 20" x 24" AP 1/3

This photograph of Martin Luther King Jr. giving his "I Have a dream" speech by Bob Adelman is offered by CLAMP in New York City.

Ted Williams Civil Rights, 1964 Silver gelatin print 20 x 24 inches Estate stamped and numbered edition with certificate of authenticity Crowds line the...

Ted Williams Dr. Martin Luther King, 1964 Silver gelatin print 16 x 20 inches Estate stamped and numbered edition with certificate of authenticity Dr. Martin Luther King makes a sp...

Ted Williams Dr. Martin Luther King, 1964 Silver gelatin print 16 x 20 inches Estate stamped and numbered edition with certificate of authenticity ...

Ted Williams Civil Rights, 1964 Silver gelatin print 20 x 24 inches Estate stamped and numbered edition with certificate of authenticity Crowds line the...

And the Crowd went Crazy: Stones Concert, Hyde Park, 1969 - Frank Habicht Signed, inscribed with title and 'London Permissive Sixties', and numbered on photographer's label affixed t...

Confessional, Study 9, Chiesa di San Matteo Apostolo, Rossena, Reggio Emilia Signed, dated and numbered on mount Signed, dated, inscribed with title and ...

Confessional Study 22, Chiesa di san Giovanni Evangelista in Santo Stefano Protomartire, Reggio Emilia, Italy, 2007 Signed, dated and numbered on mount Signed, dated, inscribed with...

Confessional, Study 35, Basilica Della Beata Vergine della Ghiara, Reggio Emilia Signed, dated and numbered on mount Signed, dated, inscribed with title ...

Central Park Memorial for John Lennon, 1980

Richard Nixon Resigns, 1984

Inscribed 'Photographed by R. Fenton', titled, on front of mount. On the original mount with title and photographer’s credit.