C Print Color Photography

Wooden boat building in a village on the Mosquito Coast, Honduras, Central America 1980s. (photograph Alain Le Garsmeur) A gorgeously evocative s...

'Pool On Amalfi Coast' by Slim Aarons A view of the seaside pool at the Hotel St. Caterina, Amalfi, Italy, September 1984. Gorgeous blues in this image with the ocean and swimming ...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the ...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the ...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the ...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the ...

'Sun Worship' 1981 Slim Aarons Limited Estate Edition Print Bianca Volpato sunning herself at Capri in a lilac coloured bikini. (Photo by Slim Aarons/Getty Images) Produced from t...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the ...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the ...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the ...

'No Transport Problems' 1980 Slim Aarons Limited Estate Edition Mrs. Woolworth Donahue with car and bicycles on her motor yacht, ‘Hartline’. Slim Aarons...

'Conca dei Marini' 1984 Slim Aarons Limited Estate Edition Print A bay in Conca dei Marini, on the Amalfi coast in Italy, August 1984. Paper size 40 x 30 inches / 101 x 76 cm Pri...

Breakfast Table, is a rare studio creation by Richard Heeps, inspired by a recent visit to Fleetwood, incorporating autobiographical elements, brought...

Slim Aarons Estate Print - Portofino - Oversize 1985, The most exclusive fishing village in Italy, Portofino, on Italy’s Ligurian coast. Slim Aarons Chromogenic C print Printed ...

Slim Aarons Estate Print - Polo Party - Oversize Paul Butler, patriarch of one of America’s foremost polo families, with his son, daughter, grandchildren and son-in-law, Palm Beach,...

Suzanne Camp Crosby (American, 1948-2020) Enchanted Forest, 1989 Cibachrome Sight: 14 3/4 x 14 3/4 in. Framed: 23 x 22 x 7/8 in. Signed and inscribed bottom: 2/25, Suzanne Camp Crosb...

Summer fun, bathing suits, swimming pools etc. Jay Wolke lives and works in Chicago, Illinois. He has had solo exhibitions at the Art Institute of Chicago, the St. Louis Art Museum, ...

Cortina d’Ampezzo 1982 Isa Genolini and Maria Antonia in the main street of Cortina d’Ampezzo, Italy, March 1982. By Slim Aarons 60x40” / 101x152 cm - paper size C-Type Print un...

Slim Aarons Estate Print - Villa Del Balbianello Italian mountain climber and explorer Guido Monzino (1928-1988) and four people relaxing on th...

Slim Aarons Estate Print - Il Canille Sunbathers lounge on the white-painted terrace of Il Canille, built into the rocks of Pizzolungo overlooking the waters off the coast of the ...

'Pantz Pool' 1985 Slim Aarons Limited Estate Edition Print Laura Hawk, assistant to the photographer, relaxes by the pool at El Rincon, the von Pantz' Marbella home, September 1985...

Ordinary Places Sixteen Piece Installation, British vintage interior photography by Richard Heeps. Richard Heeps 'Ordinary Places' Series...

Cross of christ by night in le Treport (France)

A sparkling fountain in Buenos Aires's dowtown

Slim Aarons Il Canille, Capri, 1980 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Sunbathers lounge on the white-painted terr...

Steve McCurry Afghan Girl 1984 (printed later C-print on Fuji Crystal archival paper 24 x 20 inches Signed and dated Steve McCurry has been one of the most iconic voices in contempo...

Slim Aarons Cortina d'Ampezzo 1982 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity A rest from skiing at Cortina d'Ampezzo, Mar...

Slim Aarons Skiing In Seefeld 1985 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity A group of men and women go cross-country sk...

Open and Limited Edition C-Prints Hand Signed by Bob Gruen 8" x 10" Unframed Open Edition 11" x 14" Unframed Limited Edition of 150 16" x 20" Unframed Limited Edition of 150 20" ...

Open and Limited Edition C-Prints Hand Signed by Bob Gruen 8" x 10" Unframed Open Edition 11" x 14" Unframed Limited Edition of 150 16" x 20" Unframed Limited Edition of 150 20" ...

Open and Limited Edition C-Prints Hand Signed by Bob Gruen 8" x 10" Unframed Open Edition 11" x 14" Unframed Limited Edition of 150 16" x 20" Unframed Limited Edition of 150 20" ...

1980's Fashion photography set of 3 works: This vintage fashion photo tryptic features three editorial style fashion photographs in classic 1980...

Slim Aarons Il Canille, Capri, 1980 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Sunbathers lounge on the white-painted terr...

Sunbathing On Capri 1980 Catherine Wilke joins the topless sunbathers – along with Elisabetta Catalano, Charlotte Ticken and Pamela Grupas – on the island of Capri, Italy, in Augus...

Catherine Wilke 1980 Catherine Wilke joins the topless sunbathers – along with Elisabetta Catalano, Charlotte Ticken and Pamela Grupas – on the island of Capri, Italy. By Slim Aar...

Chromogenic photo print. hand signed, titled and dated. This is a vintage print, printed in 1987 and editioned 2/10. Jane L. Calvin (born April 27, 1938) is an artist based in Chicago, Illinois. Jane Calvin was born in Chicago, Illinois. Her father was an avid art collector and Calvin was brought up in the art world from the time she was born. She attended classes at the Art Institute of Chicago as a young child and went on to pursue a degree in Art History from Bryn Mawr College in Pennsylvania in 1959. Calvin worked as a private art dealer for some time before deciding to continue her education and become a fine art photographer. She graduated from the Art Institute of Chicago with her MFA in 1982.[1] Calvin later went on to be a Professor of Photography at The School of the Art Institute, Illinois Institute of Technology, and Beloit College. She was Adjunct Professor of Photography at Columbia College in Chicago until 2005. Since she started making photographs, Calvin has had exhibits across the nation as well as in Germany and China. Calvin constructs her photographs by montaging multiple slide projections and found objects into room-sized assemblages in her studio. She then photographs it, making a tableaux into which layers of meaning are woven. She does not use computer editing, just straight photography. Calvin stated, "The images can be seen as my commentary on the political and social roles projected onto society whose desires, manipulated by language and image, conflict with concerns of gender, sexuality, race and female identity." She says,“I make photographs, I don’t take them,” and in so stating she follows in the path of many Dada and Surrealist precursors, for example, German Kurt Schwitters’ famous Merzbau or Junk House (1923 and following), or Joseph Cornell’s metaphorically vast but physically modestly scaled, even private sculptural interiors of boxes (1930s and following). In her use of projected imagery within and upon the setup of her photographs, Calvin gestures toward earlier 20th century American surrealist photographer Man Ray photographic work, one example of which is Space Writing (Self-Portrait) acquired last year by the Bowdoin College Museum of Art. Calvin’s more recent kindred spirit – although comparatively minimalist in nature and junior chronologically – is Sandy Skoglund. The latter’s photographed installations are a hybrid of unnatural, spectral, coloration and suspended narrative. "I am a maker of meaning, not an observer of it. My medium is photography, although it is includes the processes of sculpture and installation . I build room-sized sets onto which I project images and text, recording the final result with the camera. There are no darkroom or digital tricks. The process is straight photography." For over 25 years, Calvin has been exploring contemporary society’s approach to issues of gender, female identity, sexuality, vulnerability, and love & desire. Eschewing linearity, the work stands in opposition to the simplicity and minimalism prevalent in earlier 20th century image-making. Her images are elliptical, fragmented, layered, reflecting the contemporary world as one of discontinuity and ambiguity with myriad connections, a world less temporally and spatially fixed than ever before. Through the content carried in found materials and appropriated texts, –she addresses— the social and political conditions that are just out of sight, but remain like some kind of background radiation exerting a subtle but undeniable influence on our society. Pop and pulp references throw a humorous light on cultural identity and gender roles projected onto society. The subject matter, appearing disconnected from its place and time, mysteriously overlaps our own collective awareness. –She asks the viewer to see what has been there all along.–—/> Exhibition publication, Gallery 210, University of Missouri, St Louis, 2005, 'Jane Calvin Sentences' Introduction by Terry Suhre, Director, and Essay "Jane Calvin's Phantasmagoric Spaces" by Dr. Mark White. This is a Set-Up: fab photo/fictions This exhibition looked at photographers who utilize fabricated imagery and constructed subjects to create their work. These deliberate fictions, and their position in the realms of photography and art, were explored through the work of several highly acclaimed artists: Jane Calvin, James Casebere, Gregory Crewdson, Barbara Kasten, Abelardo Morell, Patrick Nagatani...

Slim Aarons Carmen Meyrink-Veiga, 1986 Chromogenic lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Carmen Meyrink-Veiga amid her Brazilian...

Cortina d’Ampezzo 1982 Isa Genolini and Maria Antonia in the main street of Cortina d’Ampezzo, Italy, March 1982. By Slim Aarons very large 72x48” / 183 x 122 cm - paper size C-...

Countess On Deck 1982 Countess Gioia Gaetani-Lovatelli relaxes on deck during a yachting holiday in Porto Rotondo, 1982. By Slim Aarons 30x40” / 76x101 cm - paper size C-Type Pr...

Giacomo Montegazza 1983 Giacomo and Stefania Montegazza welcome guests arriving by boat at their villa, La Casinella, on Lake Como, 1983. By Slim Aarons 30x40” / 76x101 cm - pape...

Conca dei Marini 1984 A bay in Conca dei Marini, on the Amalfi coast in Italy, August 1984. By Slim Aarons 40x30” / 76x101 cm - paper size C-Type Print unframed Estate Stampe...

A rare and alluring photograph by well know Polidori - desirable for his architectural images. Photograph was framed by a master framer so it is impressively presented in a frame t...

Slim Aarons Il Canille, Capri, 1980 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Sunbathers lounge on the white-painted ter...

Slim Aarons Il Canille, Capri, 1980 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Sunbathers lounge on the white-painted terr...

1981, Chromogenic Print. It is supposed to be signed lower right recto but has not been examined out of frame. Provenance: Bernice Steinbaum Gallery, New York; ARCO Chemical Company, Newtown Square, PA. Sonja Bullaty (October 17, 1923 - October 5, 2000) was a Jewish American photographer. Bullaty is known for her "lyrical composition" and strong use of color during her fifty-year collaboration with her husband, Angelo Lomeo. Bullaty and Lomeo's photographs appeared in LIFE, Time and Audubon magazines and journal.They have both exhibited at the Metropolitan Museum of Art, the International Center of Photography, the George Eastman House, UMPRUM Museum in Prague, in the Nikon House galleries and other venues. Bullaty was born in Prague to a Jewish banking family. Her family gave her a camera when she turned fourteen. Since Bullaty had been forced to leave school at the time, the camera was a "consolation gift." When Bullaty was eighteen, she was deported by the Nazis to Poland, where she was kept in the Lodz ghetto, and then later taken to Auschwitz and Gross-Rosen concentration camps. During a death march near Dresden, she and a friend successfully hid in a barn and were able to escape and return to Prague. When she got back to her home city, she discovered that no one else in her family had survived the Holocaust. Bullaty, "her head shaved," saw and answered an advertisement to be the helper to Czech photographer, Josef Sudek. As his assistant, she mixed chemicals for the darkroom, organized his negatives and learned from his sense of composition.[1] Sudek called her his "apprentice-martyr." Sudek's work often focused on the Czech landscape and windows, such as in the series The Windows of My Studio (1940-1954). Bullaty also photographed windows, but unlike Sudek, who photographed his own windows looking out, Bullaty photographed windows looking into buildings. Bullaty published a book, Sudek (1978), about her mentor, and it was the first publication of his work in the West. Bullaty found work with a photographer on her third day in New York. Also in 1947, she met Angelo Lomeo. They were brought together when she was inquiring about a darkroom in a building he managed. Lomeo was intrigued by Bullaty's accent and went to see her. They started photographing together a year later, traveling and sharing resources; during their time together, they became close. Bullaty and Lomeo were married in 1951. Later, when she was married, she and her husband would visit Sudek and bring him photography supplies. They visited him in Czechoslovakia "almost yearly." In 1971, she helped mount an exhibition of Sudek's work in New York. As photographers, Bullaty and Lomeo started using studio cameras...

'Catherine Wilke' by Slim Aarons Catherine Wilke joins the topless sunbathers on the island of Capri, 1980. A typical 'Slim' photograph chronicling the young and glamorous relaxing...

Slim Aarons Il Canille, Capri, 1980 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Sunbathers lounge on the white-painted terr...

20X 16 sheet. signed, dated and titled. Deaccessioned from the Readers Digest magazine corporate collection. MARNA CLARKE EDUCATION BA degree in mathematics, University of North Carolina, Chapel Hill Studied Photography at Hartford Art School; University of Connecticut, Storrs; and International Center of Photography, New York City GRANTS Individual Artists Grant, Connecticut Commission on the Arts (1987) COLLECTIONS Aetna Insurance Company, Hartford, CT Bibliothèque Nationale de France, Paris, France Reader’s Digest, Pleasantville, New York Sol LeWitt Collection, Chester, CT PUBLICATIONS 2014 Feature Shoot 2014 Huffington Post, Arts & Culture 2010 Our World, PhotoAlliance, San Francisco, CA (2010) West Marin Review (2008) For Kids’ Sake, Photographic Resource Center, Boston, MA (1985) The Best of Photojournalism/10, Running Press (1985) New American Nudes, Morgan & Morgan (1981) PHOTOGRAPHY-RELATED WORK Adjunct Instructor of Photography, Hartford Art School, U. of Hartford (1991, 1987-88) Regular contributor (Profile feature), Hartford Monthly magazine (1988) Regular contributor to Northeast (the Sunday magazine of The Hartford Courant) Work also appeared in Connecticut Magazine and New England Monthly (1982-85) Board of Directors, CT Art Directors Club (1984-85) Internship at Light Gallery in NYC (1980) SELECTED EXHIBITIONS Keeping the Channel Open, Annex Gallery, Gallery Route One, Point Reyes, CA (2017-18) Home exhibition at SFO Airport, one of 14 finalists (2018) Seeing Red exhibition, Gray Loft Gallery, Oakland, CA (2018) (Juried by Ann Jastrab) Annual Juried Show, Marin Society of Artists (2017) First Place Tine As We Know It, Gallery Route One, Point Reyes, CA (2015-2016). Solo exhibition. Mini Show, Bolinas Museum, Bolinas, CA (2015) Geography of Hope, Pt Reyes...

Slim Aarons Carmen Meyrink-Veiga, 1986 Chromogenic lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Carmen Meyrink-Veiga amid her Brazilian...

Slim Aarons Il Canille, Capri, 1980 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Sunbathers lounge on the white-painted terr...

Slim Aarons Il Canille, Capri, 1980 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Sunbathers lounge on the white-painted terr...

Norman Parkinson Jerry Hall , 1976 C print 40 x 30 inches each Estate stamped and numbered edition of 21 on verso American model Jerry Hall wearing a swims...

Size is without frame. French Burgundy wine country farmhouse yard scene with flowers. Frank Gohlke (born April 3, 1942) is an American landscape photographer. He has been awarded ...

Slim Aarons New York Debs 1958 Chromogenic Lambda Print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Leading New York debutante...

The size is as indicated here. the size on sticker is off. 1948 Born in Toyama Prefecture 1973 Dokuritsu Bijyutsu exhibition, Tokyo Metropolitan Art Museum Record of Awards 1977 Dai-ichi Bijyutsu Award at the Dai-ichi Bijyutsu Exhibition, Tokyo Metropolitan Art Museum in Tokyo 1979 Prefectural Assembly Chairman Award at Kanagawa Prefectural Art Exhibition, Kanagawa Prefectural Gallery in Kanagawa 1987 Special Honorable Prize at Ueno Royal Museum Grand Prize Exhibition, Ueno Royal Museum in Tokyo Silver Award at INF International Art Exhibition in Kobe, Japan and China 1988 Ceramic Art Award at the Contemporary Ceramic Art...

Slim Aarons Il Canille, Capri, 1980 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Sunbathers lounge on the white-painted terr...

Pool On Amalfi Coast A view of the seaside pool at the Hotel St. Caterina, Amalfi, Italy, September 1984. Photo by Slim Aarons Slim Aarons Chromogenic C print Printed Later Slim...

BIRNEY IMES, Mississippi, b. 1951 "Riverside Lounge, Shaw, 1986" Dimensions: Chromogenic print, 14" x 16.5" sight. Framed 21" x 25". Birney Imes (born 1951) is an American photographer. He is best known for his photographs of the American South, especially his home state of Mississippi. His work is exhibited in museums across the United States. Birney Imes III was born in 1951 in Columbus, Mississippi. His father, Vinton Birney Imes, Jr., owned the town newspaper, The Commercial Dispatch. His mother is Nancy McClanahan Imes. He attended desegregated public schools in Columbus and graduated from the University of Tennessee at Knoxville with a Bachelor of Arts degree in History in 1973. Growing up white in the South during the Civil Rights Movement helped shape his views on history and that is where his photography career originated from. Imes began photographing after graduation from college and is largely self-taught. In the mid-70s, he worked as a photographer for his family's newspaper in his hometown of Columbus. Later, he opened his own studio above the Princess Theater in Columbus. Along with his personal work, Imes shot commercial work for local clients and took assignments for magazines like Rolling Stone, The Village Voice and Texas Monthly. His work has been printed in both black and white silver gelatin and color photos. Birney Imes’ photography takes viewers inside pool halls, jazz spots, juke joints and dilapidated restaurants scattered across that rural Mississippi landscape. Drawing inspiration from the photographs of other Southern artists...