Digital Pigment Color Photography
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Medium: Digital Pigment
Chad Kleitsch - Untitled Flower # 146, Photography 2019, Printed After
Located in Greenwich, CT
Untitled Flower # 146
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Digital Pigment Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 150, Photography 2020, Printed After
Located in Greenwich, CT
Untitled Flower # 150
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Digital Pigment Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 145, Photography 2020, Printed After
Located in Greenwich, CT
Untitled Flower # 145
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Digital Pigment Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 124, Photography 2007, Printed After
Located in Greenwich, CT
Untitled Flower # 124
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Digital Pigment Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 129, Photography 2008, Printed After
Located in Greenwich, CT
Untitled Flower # 129
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Digital Pigment Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 123, Photography 2007, Printed After
Located in Greenwich, CT
Untitled Flower # 123
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Digital Pigment Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 113, Photography 2006, Printed After
Located in Greenwich, CT
Untitled Flower # 113
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Digital Pigment Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 112, Photography 2004, Printed After
Located in Greenwich, CT
Untitled Flower # 112
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Digital Pigment Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 90, Photography 2005, Printed After
Located in Greenwich, CT
Untitled Flower # 90
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Digital Pigment Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 81, Photography 2006, Printed After
Located in Greenwich, CT
Untitled Flower # 81
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Digital Pigment Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 80, Photography 2006, Printed After
Located in Greenwich, CT
Untitled Flower # 80
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Digital Pigment Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 74, Photography 2004, Printed After
Located in Greenwich, CT
Untitled Flower # 74
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Digital Pigment Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 79, Photography 2005, Printed After
Located in Greenwich, CT
Untitled Flower # 79
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Digital Pigment Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 70, Photography 2006, Printed After
Located in Greenwich, CT
Untitled Flower # 70
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Digital Pigment Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 71, Photography 2005, Printed After
Located in Greenwich, CT
Untitled Flower # 71
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Digital Pigment Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 75, Photography 2006, Printed After
Located in Greenwich, CT
Untitled Flower # 75
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Digital Pigment Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 69, Photography 2004, Printed After
Located in Greenwich, CT
Untitled Flower # 69
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Digital Pigment Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Blue Worlds
By Jean-Michel Lenoir
Located in New York, NY
An archival pigment print on fiber paper,mounted and seton awhiteshadowboxframe.
From an edition of 10 in this size
other edition sizes available on request
Jean-Michel Lenoir’s pass...
Category
2010s Naturalistic Digital Pigment Color Photography
Materials
Photographic Paper, Archival Pigment, Archival Ink, Archival Paper, Pigm...
Marie Sulac 07
Located in New York, NY
In this artwork by renowned Belgian photographer Eric Ceccarini, he invited painter Marie Sulac to transpose a colorful universe on the body of the model. With bright yellow stripes,...
Category
2010s Abstract Digital Pigment Color Photography
Materials
Photographic Paper, Digital, Archival Pigment, Digital Pigment, Pigment
Rest
Located in New York, NY
49" x 70" Ed. of 8 $9,800 & larger
41" x 59" Ed. of 10 $6,800
36" x 50" Ed. of 6 $5,200
30" x 42" Ed. of 6 $3,600
In this photograph, Lenoir captures a calming seascape featuring a group of piping...
Category
2010s Naturalistic Digital Pigment Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Digi...
Bird City, Kansas (Museum), from West of Last Chance
By Peter Brown
Located in Denton, TX
Edition of 25
Signed and dated in black ink on print verso by Peter Brown
Paper size: 20 x 24 in., Image size: 16 x 20 in.
Published: West of Last Chance (2008)
Available in additio...
Category
Early 2000s Contemporary Digital Pigment Color Photography
Materials
Digital Pigment
1960's Hollywood Photography by Lawrence Schiller 'Marilyn Monroe'
Located in White Plains, NY
'Marilyn Monroe, 1962' by American photographer, Lawrence Schiller. Digital pigment, Ed. of 35. Image: 13 x 18.5 in. / Paper: 16 x 20 in. From the set of the film 'Something's Got to Give', this colored photograph features Marilyn Monroe in a pool with her leg resting over the edge.
In 1962, Schiller received an assignment from Paris Match...
Category
1960s Photorealist Digital Pigment Color Photography
Materials
Digital Pigment
Transitory Space, Prospect Park, Brooklyn, NYC, Winter Tree # 2
Located in New York, NY
17 x 21 inches framed
Category
2010s Contemporary Digital Pigment Color Photography
Materials
Digital Pigment
Transitory Space, Jamaica Bay, Queens, NYC, Cloud Tree # 2
Located in New York, NY
17 x 21 inches framed
Category
2010s Contemporary Digital Pigment Color Photography
Materials
Digital Pigment
NO.8
Located in New York, NY
A fan of photography since her early childhood, Mizrakli graduated from Yeditepe University in Istanbul, Interior Decoration Department, and continued her higher education in London, where she started out her work as a photographer. Later on, she moved to New York to further develop her career as a photographer and enrolled in classes at the Photography Department of the New York Film Academy. She received a Master’s Degree in photography in Los Angeles, where she is currently based. Mizrakli has conducted many shooting sessions for Mica Studios and Bullet Magazine in New York and had two solo exhibitions in Los Angeles. She has recently participated in the Contemporary Istanbul Exhibition (November 2013).
In some of her black and white works she uses the human body only as a pictorial sign in order to create almost abstract works. First made anonymous, the female model is then cloned and circularly multiplied. The result is a kind of wheel in which the repeated human body gives birth to a new, seemingly vegetal or mineral structure. Thus, the human element seems to be transformed into different other natural...
Category
2010s Contemporary Digital Pigment Color Photography
Materials
Photographic Film, Photographic Paper, Digital, Photogram, Archival Pigm...
Capitol Wrestling
By Neal Slavin
Located in Denton, TX
No edition
Signed, titled and dated by Neal Slavin
Digital c-print, 16 x 20 in.
Framing not included
Neal Slavin is a world-class photographer and film director. His well- known photographic books include PORTUGAL with an Afterword by Mary McCarthy (Lustrum Press/NY), WHEN TWO OR MORE ARE GATHERED TOGETHER (Farrar, Straus & Giroux/NY) and BRITONS (Andre Deutsch/London & Aperture/NY).
He has produced and directed countless TV commercials through his own production company, SLAVIN-SCHAFFER FILMS, for clients such as MacDonald’s, Burger King, Hasbro Toys and European American Bank. In addition Slavin’s feature films include FOCUS; written by Arthur Miller, which stars William H. Macy and Laura Dern and features Meatloaf and David Paymer.
His photographs are both privately and publicly collected. They are in the collections of the Metropolitan Museum of Art in New York, the Centre Pompidou in Paris, the International Center of Photography (ICP) in New York, the National Portrait Gallery and the National Museum of American Art in Washington, DC, the National Museum of Photography, Film & Television (now called The National Media Museum) in London, and the John Paul Getty Museum in Los Angeles, to name a few.
Slavin shows in both individual and group venues throughout the world. His work has been featured in the solo exhibition BRITONS at New York’s International Center of Photography (ICP) and England’s National Museum of Photography, Film & Television. He has also been honored with a retrospective exhibition at the Palais de Tokyo in Paris and has been shown at the famous Les Rencontres D’Arles in France. His most recent show was at Foto/Industria Bologna 2015 Biennale.
He has photographed for most of the major magazines around the world including The New York Times Magazine, The London Sunday Times Magazine, Esquire, Frankfurter Algemeine Zeitung, Oprah Magazine, Rolling Stone, Life, Geo, and New York Magazine to name just a few. His work was recently featured in the online magazine SLATE in its blog called BEHOLD. It was also featured in other online magazines such as Feature Shoot, Internazionale, BuzzFeed, Ain't Bad, and L’Oeil de la Photographie.
Slavin’s work encompasses a professional career of over 40 years, during which he has photographed a myriad of subjects including such celebrities as Steven Spielberg, Harrison Ford, Barbra Streisand and Phil Collins, among others. He has also pursued his own art which has led to the publication of the three aforementioned books.
He has been awarded a Gold Lion in Cannes for advertising, a Silver Cube from the Art Director’s Club of New York, five Addy Awards, and a Mobius Award. He is also the recipient of a Fulbright Fellowship in addition to receiving two CAPS grants and a National Endowment in the Arts grant. The American Society of Magazine Photographers (ASMP) named him Corporate Photographer of the Year. Slavin has been included in Esquire Magazine's article on the Ten Toughest Photographs of 1975. He has also recently been honored with both The Cooper Union School of Art & Architecture’s esteemed President’s Citation and the Augustus Saint-Gaudens Medal for Artistic Achievement.
His teaching credentials include classes and workshops at Les Recontres d’Arles in Provence, The Cooper Union, Manhattanville College, The School of Visual Arts, The City University of New York at Queens College as well as serving as a visiting artist at the Art Institute of Chicago. He is currently teaching a special combined class for Pace University and the International Center of Photography at his studio in New York City where he also gives private workshops. He is slated to give a workshop at the Palm Springs Photo...
Category
1970s Modern Digital Pigment Color Photography
Materials
Digital Pigment
Majesty
Located in New York, NY
Majesty
41 x 59" Ed. of 10, Framed.
A resolutely minimalist and suggestive approach to get to the essential. Not trying to show a subject for what it is, but for what it expresses. This is my way of telling stories, of translating my sensibility”. J-M. Lenoir
A passion for nature from an early age led Lenoir to photography as a means to capture magical moments of nature and wildlife. Starting with wildlife and wide spaces, he developed his own vision of photography.
Landscape photography is an eternal quest for atmosphere where the light and the quest of beauty are key references, his aesthetic landmark. His photographic intention relies on his magnetic attraction for wide spaces combined with his quest of beautiful lights.
A way that inspires him and his instinct of freedom.
In photography, he is looking for simple pictures, which go straight to the subject core, with very few things in the frame.
Lenoir follows a suggestive approach: he does not try to show a subject as it is, but to share what it expresses. It is his way of telling stories and conveying his sensibility, like his recent work “Evanescence”.
Combining his passion for pictures with rugged landscapes, he organizes and guides photo tours with Photographes du Monde agency for seven years. From north of Europe (Scotland, Norway, Finland) to South america (Chile and Bolivia),his photographic world leads him into areas of wilderness from where he draws his main source of inspiration.
Lenoir is an ambassador for Fujifilm cameras...
Category
2010s Naturalistic Digital Pigment Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Digi...
Afghan Girl with Hands on Face by Steve McCurry, 1984, Digital C-Print
Located in Denton, TX
Afghan Girl with Hands on Face by Steve McCurry presents a powerful portrait. A young girl with piercing green eyes stares off in the distance. She wears a red scarf around her head ...
Category
1980s Contemporary Digital Pigment Color Photography
Materials
Digital Pigment
Diving Upwards, Miniature 2
Located in London, GB
Cristina Schek
Diving Upwards, Miniature 2, 2024
Archival Pigment Print.
Framed size, includes frame:
25 x 20 cm
9 3/4 x 7 3/4 in.
depth 2.5 cm 1 in.
Edition of 5 plus 2 artist's pr...
Category
2010s Contemporary Digital Pigment Color Photography
Materials
Digital Pigment
The Blue Cloud
Located in New York, NY
Elevation
41 x 59" Ed. of 10, Framed
Framed in a white wood shadow box.
A resolutely minimalist and suggestive approach to get to the essential. Not trying to show a subject for what it is, but for what it expresses. This is my way of telling stories, of translating my sensibility”. J-M. Lenoir
A passion for nature from an early age led Lenoir to photography as a means to capture magical moments of nature and wildlife. Starting with wildlife and wide spaces, he developed his own vision of photography.
Landscape photography is an eternal quest for atmosphere where the light and the quest of beauty are key references, his aesthetic landmark. His photographic intention relies on his magnetic attraction for wide spaces combined with his quest of beautiful lights.
A way that inspires him and his instinct of freedom.
In photography, he is looking for simple pictures, which go straight to the subject core, with very few things in the frame.
Lenoir follows a suggestive approach: he does not try to show a subject as it is, but to share what it expresses. It is his way of telling stories and conveying his sensibility, like his recent work “Evanescence”.
Combining his passion for pictures with rugged landscapes, he organizes and guides photo tours with Photographes du Monde agency for seven years. From north of Europe (Scotland, Norway, Finland) to South america (Chile and Bolivia),his photographic world leads him into areas of wilderness from where he draws his main source of inspiration.
Lenoir is an ambassador for Fujifilm cameras...
Category
2010s Naturalistic Digital Pigment Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Digi...
For life (Pour la Vie)
Located in New York, NY
For life
28.1" X 40" Ed. of 10, Unframed
We can frame it in a white wood shadow box. The frame price is 400$ as white lacquered Shadow box with UV Acrylic.
A resolutely minimalist a...
Category
2010s Naturalistic Digital Pigment Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Digi...
Tumult II
Located in New York, NY
Tumult II
30" X 42" Ed. of 10, Unframed $3,600
Framing options range from $400 to $800
Also available in 40*60"
A resolutely minimalist and suggestive approach to get to the essen...
Category
2010s Naturalistic Digital Pigment Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Pigm...
Surmonter
Located in Toronto, ON
Celebrity fashion photographer, Lindsay Anne Delaney, created this photographic collage after capturing multiple shots of all the "closed" and Covid-related signage of businesses alo...
Category
2010s Digital Pigment Color Photography
Materials
Photographic Paper, Archival Pigment, Digital Pigment
Space Field, Digital Iris Print Muse X Large Photograph on Heavy Paper
Located in Surfside, FL
These are from the 1990s printed at Muse X and never framed. they are unsigned and unnumbered but from a very small edition. they are quite beautiful.
Victor Raphael was born in Los Angeles, California, in 1950. He studied art and theater at California State University Northridge and graduated from UCLA. He has exhibited throughout the nation and abroad. In 1996, his work was among the 50 best examples of Polaroid photography included in Polaroid 50: Art and Technology, an international touring exhibition commemorating the company’s 50th anniversary. He works in a wide range of media spanning painting, photography, filmmaking, printmaking, and digital technology. He creates complex and beautiful images that expand conventional views of time and space. For the past three decades, Raphael has produced a unique body of work by merging traditional media such as painting, photography and printmaking with modern electronic media, including video, digital printing and interactive technologies. In addition to his central themes of the exploration of the cosmos and aspects of travel–through space or time–and their visual records, the artist has developed an important body of paintings, in which water, for instance, and its protean and timeless qualities, form an important part. His photography process of digitally manipulating NASA photographs of planets and other natural celestial phenomena into Polaroid prints, and next altering them by hand with metallic paints and gold and metal leaf.
Education: University of California, Los Angeles, B.A., 1973, Magna Cum Laude
California State University, Northridge, 1968-1970
SELECTED ONE AND TWO-PERSON EXHIBITIONS
Griffin Museum of Photography, Winchester, MA, From Lead Into Gold
Oregon Jewish Museum, The Heavens Spread Out Like A Prayer Shawl
Skirball Cultural Center, Illuminated Reflections: A Bill Aron and Victor Raphael Collaboration.
Cypress College, Victor Raphael & Clayton Spada Collaboration: From Zero to Infinity
Karpeles Manuscript Library and Museum, Santa Barbara, CA, Jean-Pierre Hebert & Victor Raphael: Illuminated Collaboration
Cypress College, Paris Polaroids: Art In The City Of Lights
Frederick R. Weisman Museum of Art, Pepperdine University, Victor Raphael: Envisioning Space
(20-year survey with catalogue)
Santa Monica College, Space Fields, Abstractions and Jackson Pollock 1980-1991 (catalogue)
Richard Green Gallery...
Category
1990s Abstract Expressionist Digital Pigment Color Photography
Materials
Archival Pigment, Digital Pigment
Belanio, Skopelos, Greece
Located in Denton, TX
Edition of 10
Signed, titled, dated and numbered by Esteban Pastorino Diaz
Paper size: 16 x 20 in., Image size: 12 x 16 in.
Esteban Pastorino Diaz is a South American photographer, ...
Category
21st Century and Contemporary Contemporary Digital Pigment Color Photography
Materials
Digital Pigment
Diving Upwards, Miniature 1
Located in London, GB
Cristina Schek
Diving Upwards, Miniature 1, 2024
Archival Pigment Print
Framed size, includes frame:
25 x 20 cm
9 3/4 x 7 3/4 in.
depth 2.5 cm 1 in.
Edition of 5 plus 2 artist's pro...
Category
2010s Contemporary Digital Pigment Color Photography
Materials
Digital Pigment
Chelsea and Natalie with Snake, New Jersey; From World of Wonders
Located in Denton, TX
Edition of 15
Signed, titled, and numbered.
Series: World of Wonders
Jimmy Katz, born in New York City in 1957, received his B.A. in political science and studied photography with John McKee at Bowdoin College. Dena Katz, born in Moscow in 1964, received her B.A. from the Maurice Terez Institute of Foreign...
Category
21st Century and Contemporary Contemporary Digital Pigment Color Photography
Materials
Digital Pigment
Reggia
By Gina Soden
Located in Deddington, GB
Reggia by Gina Soden [2013]
limited_edition
Digital photograph on Baryta paper
Edition number 4
Image size: H:70.02 cm x W:105 cm
Complete Size of Unframed Work: H:74.2 cm x W:10...
Category
21st Century and Contemporary Contemporary Digital Pigment Color Photography
Materials
Paper, Digital Pigment
Yokohama
Located in Denton, TX
AP 1
Signed, titled, numbered & dated in black ink on signature label affixed to mount verso.
Photograph is digital c-print mounted on dibond with acrylic facemount, wall mount on ba...
Category
21st Century and Contemporary Contemporary Digital Pigment Color Photography
Materials
Digital Pigment
MACADAM COLOR, LA HAVANE, CUBA, 2018
Located in PARIS, FR
Impression fine art sur papier baryté, tirage réalisé par l'auteur
Taille de l'image : 30 x 40 cm
Tirage signé, numéroté et titré au verso
Non encadré, sans passe-partout
Cette phot...
Category
2010s Digital Pigment Color Photography
Materials
Pigment, Digital Pigment
`Kudu`, Oslo - `Residence of Impermanence`-animal nature fire taxidermy
Located in Oslo, NO
All available sizes & editions for each size of this photograph:
90 cm. x 120 cm. Edition AP 1
`Residence of Impermanence`
2017-2019
My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and nature.
Through the element of fire, I have found a way to express myself in totemic ritualistic performance by burning decaying trophy animals.
The element of fire is very symbolic. It represents both destruction and creation.
Animals and fire have, in many ways, formed our culture since the dawn of Mankind. They have also served as essential symbols in myth, spirituality, art and religion.
Fire has protected us and given us hope. Given us a means to evolve in all culture.
In Greek mythology, remember Prometheus. In the hand of Man, fire can be anything. It is our ethics that define it.
We have always mirrored ourselves in Nature. What we see staring back at us may not be the image we were hoping for.
This series is a reminder to where we have come regarding our relation to Nature and the huge effects of climatechange in the Anthropocene.
My work often juxtaposes the visually aesthetic and uneasiness. An underlying feeling of that which is lost often plays an important role. I like to explore work themes that emanate a cognitive dissonance in the viewer to reveal more profound truths.
I regard trophy animals as symbols of Man´s vanity and presumed victory over Nature. To me, they also serve as symbols of our general attitude towards Nature.
The flames gives each animal a last breath of life as it creates a new portrait. The animal is set free again, ending a symbolic circle of life. A closure if you will, both physically and existentially.
The English-inspired wallpapers represent imperialism and a colonial idea from a time when we were obsessed by conquering Nature and other lands. These too are burned with the animals symbolizing a protest toward our autocracy towards Nature itself.
The repetitive performance of burning each animal serves as both an offering and a liberation.
This is a violent act, but also a meaningful and beautiful act to me.
The animals` personality changes dramatically throughout the burning process. This cannot be planned and therefore the animals give off a sense of further individuality.
In the process of burning animals, I am also taking an object of desire off the market for further sales.
An act that hopefully will spark dialog our use of Nature, as well as where we want to be heading in the near future. Dialog foments change and action.
I spent seven years collecting old trophy animals and taxidermy of different sorts. Many were bought through auctions, while others were given to me by hunters` or the widows of hunters for this specific project.
During the following three years, I went through a somewhat cathartic process of burning and obsessively exploring the symbolism of fire and our relation to animals with my performance.
The intention with my series is to connect the public to the crucial matters at hand through something tangible, personal, and symbolic. These three years of working with this series has made me so much more conscious of how delicate nature is and how we have taken it for granted for too long. A reminder of how crucial both animals, fire and nature, for our so-called progress in survival and progress.
Through this process, exploring new questions and inviting a larger audience to ask their own crucial questions in the massive global changes we all are witnessing, is what I strive for.
Loss of animal diversity, poaching and massive forest fires are increasing so rapidly that Nature itself is at a major turning point. A call for action is needed.
Working so close to the animals in my project has been as uplifting as it has been obsessive and heartbreaking, as the animal's eye connects with you on a personal level as a human does in non-verbal communication.
In 2016, the government in Kenya burned poached ivory worth an estimated 130 million dollars, making a clear statement that these tusks should only belong to a living animal. This dramatic action created meaningful dialog around the world beyond news and statistics.
Fires are destroying critical areas of much-needed land vegetation, thus creating considerable effects on climate change.
The meeting between Nature`s fragility and Mans` ego has shown that forests disappear, glaciers are melting, sea levels are rising and species become extinct.
Humans have too easily exploited all parts of nature with our own culture and growth. In this short process, we have lost the very essence of what we are a part, and thus forget the very nature in ourselves.
What can photography do to create questions regarding climate change, and help us move towards a sustainable future?
In photography, we can ask important questions about changes in our surroundings and who we are—Man’s condition.
Background:
`Residence of Impermanence` has been exhibited at five museums and several galleries already (including a big solo show at Fotografiska, Stockholm (2019), and Arles Fotofestival (2019).
Work from `Residence of Impermanence' is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West.`
This exhibition explores the ever-worsening Californian forest fires due to climate change.
My previous environmental work has been nominated for the Prix Pictet Award twice before with my previous series for both Earth and Power themes.
In 2005, my series `Arctic Technology` was shortlisted for the BMW Prize at Paris photo (through Scout Gallery, London).
My other series has been shown in museums, including a symposium at Johnson Museum, N.Y. and been part of travelling exhibitions with WHATCOM (Museum of Washington) with the exhibition `Vanishing Ice` and a China tour on environmental issues with Three Shadows Photography...
Category
2010s Other Art Style Digital Pigment Color Photography
Materials
Digital Pigment
Color Ice Form 77
By Ryuijie
Located in Carmel-by-the-Sea, CA
Signed and numbered by the artist on the front. Edition of 25.
Category
21st Century and Contemporary Digital Pigment Color Photography
Materials
Archival Pigment, Digital Pigment
AMERICAN PUZZLE, LAS VEGAS, NEVADA, USA
Located in PARIS, FR
Impression fine art sur papier baryté, tirage réalisé par l'auteur
Taille de l'image : 30 x 40 cm
Tirage signé, numéroté et titré au verso
Non encadré, sans passe-partout
Cette photographie appartient à la série "American Puzzle" et est présente dans le livre « American Puzzle » aux éditions Trans Photographic Press, 2011
« J’ai compté : je suis allé 17 fois aux USA. « Seventeen trips ». Mes référents "culturels" et "politiques" ont évolué. D’autres images sont venus se superposer à celles qui remplissaient mon imaginaire. Mais tous s’est passé comme je le pressentais. Que reste-t- il à photographier aux USA ? Rien ? Ce n’était pas possible… J’ai failli ranger mes boîtiers. Et puis, un soir, j’ai écouté au piano une énième version des « Variations Goldberg » de Jean Sebastien Bach interprétés par un jeune pianiste talentueux. Après tant d’autres, et certains « monstres sacrés », il osait affronter cette partition… Le parallèle s’imposait : et si le territoire américain était justement nos « Variations Goldberg » à nous les photographes du réel, de la société et de la politique ? Et si justement il fallait un jour en passer par là ? Comme une nécessité d’aller se frotter à ce « réel imaginaire ». Pour ensuite aller sinon plus loin, du moins ailleurs. Et être plus libre peut être…
Deux ou trois escales en Asie durant ces dernières années et quelques lectures m’ont confirmé ce sentiment : le « nouveau monde...
Category
21st Century and Contemporary Digital Pigment Color Photography
Materials
Pigment, Digital Pigment
Campa da Pallencestro, Venice, Italy, 2022
Located in New York, NY
34"X42" fine art photograph, hand signed by the artist. This color photograph depicts a basketball court in Campa da Pallencestro, Venice, Italy, with trees and the Venice lagoons in...
Category
2010s Contemporary Digital Pigment Color Photography
Materials
Digital Pigment
Aeroclub, Veronica
Located in Denton, TX
Ed. Museum AP/1
Signed, titled, dated and numbered in black ink on mount verso by Esteban Pastorino Diaz.
Photograph is digital c-print mounted on dibond with acrylic facemount, wall...
Category
21st Century and Contemporary Contemporary Digital Pigment Color Photography
Materials
Digital Pigment
Christos J. Palios - Midland Theatre Ceiling Dome, Study II, 2021, Printed After
Located in Greenwich, CT
I was raised as a first-generation Greek-American, a son of immigrants. These two distinct and fascinating cultures forged my personal perspectives. Socioeconomics, cultural diversit...
Category
2010s Contemporary Digital Pigment Color Photography
Materials
Archival Paper, Photographic Paper, Pigment, Digital, Pigment, Archival ...
Christos J. Palios - Mrs. Pabst's Parlor, Study I, 2024, Printed After
Located in Greenwich, CT
I was raised as a first-generation Greek-American, a son of immigrants. These two distinct and fascinating cultures forged my personal perspectives. Socioeconomics, cultural diversit...
Category
2010s Contemporary Digital Pigment Color Photography
Materials
Archival Paper, Photographic Paper, Digital, Archival Pigment, Digital P...
Christos J. Palios - Proctor's Theatre, New York, 2022, Printed After
Located in Greenwich, CT
I was raised as a first-generation Greek-American, a son of immigrants. These two distinct and fascinating cultures forged my personal perspectives. Socioeconomics, cultural diversit...
Category
2010s Contemporary Digital Pigment Color Photography
Materials
Archival Paper, Photographic Paper, Digital, Pigment, Archival Pigment, ...
Island Dots #57
Located in New York, NY
Leah Oates employs a double and sometimes triple exposure, which creates halos of light, dappled, misty surfaces and gauzy effects in muted greens and blues. Her work questions the n...
Category
2010s Contemporary Digital Pigment Color Photography
Materials
Digital Pigment
Transitory Space #196
Located in New York, NY
Leah Oates employs a double and sometimes triple exposure, which creates halos of light, dappled, misty surfaces and gauzy effects in muted greens and blues. Her work questions the n...
Category
2010s Contemporary Digital Pigment Color Photography
Materials
Digital Pigment
Transitory Space #193
Located in New York, NY
Leah Oates employs a double and sometimes triple exposure, which creates halos of light, dappled, misty surfaces and gauzy effects in muted greens and blues. Her work questions the n...
Category
2010s Contemporary Digital Pigment Color Photography
Materials
Digital Pigment
Transitory Space #23
Located in New York, NY
Leah Oates employs a double and sometimes triple exposure, which creates halos of light, dappled, misty surfaces and gauzy effects in muted greens and blues. Her work questions the n...
Category
2010s Contemporary Digital Pigment Color Photography
Materials
Digital Pigment
Park Service: Grand Canyon
By Neal Slavin
Located in Denton, TX
Park Service: Grand Canyon by Neal Slavin is a color group portrait of the park rangers working at Grand Canyon National Park.
Digital C-Print
Paper size: 17 x 17 in.
Image size: 1...
Category
1970s Modern Digital Pigment Color Photography
Materials
Digital Pigment
Playa Piriapolis
Located in Denton, TX
Edition of 10
Signed, titled, dated and numbered on artist stamp by Esteban Pastorino Diaz
Paper size: 16 x 20 in., Image size: 12 x 16 in.
Digital c-print
Series: Aerial
Esteban Pa...
Category
21st Century and Contemporary Contemporary Digital Pigment Color Photography
Materials
Digital Pigment
`Flamingo`, Oslo- `Residence of Impermanence`- bird taxidermy nature animal fire
Located in Oslo, NO
`Residence of Impermanence`
2017-2019
My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and Nature.
Through the element of fire, I hav...
Category
2010s Other Art Style Digital Pigment Color Photography
Materials
Digital Pigment
Wading Prior to Blackness. Grant Parish, Louisiana
Located in Denton, TX
Edition of 9
Signed, titled, dated and numbered by Jeanine Michna-Bales
Digital C-print
Paper size: 21 x 28.5 in., Image size: 17 x 24.5 in.
From the series, Through Darkness to Light...
Category
2010s Contemporary Digital Pigment Color Photography
Materials
Digital Pigment
Arugula, Spinach, Tomato, Edible Flowers (Redbud, Calendula)
By Stuart Allen
Located in Denton, TX
Arugula, Spinach, Tomato, Edible Flowers (Redbud, Calendula) - Every Unique Pixel Color (419,260) Plotted by RGB Value, 2021
Edition of 10
Signed, titled, dated and numbered.
Pigmen...
Category
21st Century and Contemporary Contemporary Digital Pigment Color Photography
Materials
Digital Pigment
Monoblocks
Located in Denton, TX
Edition 4/5
Digital c-print
38 1/4 x 46 1/4 in.
Signed, titled, dated and numbered in black ink on mount verso.
Photograph is digital c-print mounted on dibond with acrylic facemount...
Category
21st Century and Contemporary Contemporary Digital Pigment Color Photography
Materials
Digital Pigment
Digital Pigment color photography for sale on 1stDibs.
Find a wide variety of authentic Digital Pigment color photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add color photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, red, purple and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Tyler Shields, Chad Kleitsch, Andrea Bonfils, and Brian Finke. Frequently made by artists working in the Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Digital Pigment color photography, so small editions measuring 15 inches across are also available Prices for color photography made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $2,500 and tops out at $60,000, while the average work can sell for $14,967.
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