Factory Color Photography

Day breaks and the morning ritual of making bread begins – Cawston won the BJP Nikon Endframe Award in 2009. His prize was funding for a dream project and he chose to travel the leng...

Grain silos in pastel colours in the South of France. The muted colours are enhanced by a splash of yellow where corn has been spilt on the tarmac. – Cawston’s Concrete Jungle is no...

A factory in Avonmouth. – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfortable interiors. It is rather of a Blade Runneresque postmo...

Giant silos seem to twist to the heavens. Salvador Brazil – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with c...

Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned indust...

Alitalia - Historical Photos - New York is a vintage photograph realized in the 1970s. This photo belongs to a precious testament album of Italian airline. Good conditions.

Alitalia - Historical Photos is a vintage photograph realized in the 1970s. This photo belongs to a precious testament album of Italian airline. Good conditions.

Alitalia - Historical Photos is a vintage photograph realized in the 1970s. This photo belongs to a precious testament album of Italian airline. Good conditions

Photography "NYC Sky Line Full Manhattan Hudson River" by Didier Fournet. Didier Fournet is a contemporary "painter" thanks to photography: he chose pixels instead of brushes and re...

Print mounted on aluminum with plexiglas, framed. Edition of 15. Dimitri Bourriau is a French photographer, he has always been interested in history...

15 x 24 inch digital chromogenic print Edition 15 + 3AP Signed, titled, dated and editioned on frame label provided Neal Slavin, a native New Yorker, began photographing groups in 1972. He quickly realized that shooting in color yielded greater nuance and detail, placing him among the first generation of photographers, along with William Eggleston and Joel Meyerowitz, to fully embrace color. Over the past four decades, Slavin has recorded hundreds of groups from the most obscure to the most celebrated, both in the US and abroad: Sabrett Hot Dog vendors, NYC; The Silurian Border Morris Men, Herefordshire; the Mormon Tabernacle Choir, Salt Lake City; Elephant Keepers with Katie and Kumara, Bedfordshire; and the Mahayana Buddhist Service, NYC. He has published three books: “Portugal” (Lustrum Press, 1971), “When Two or More Are Gathered Together” (Farrar Straus Giroux, 1974); and “Britons” (Aperture, 1986). His prints have been acquired by the Metropolitan Museum of Art, New York; the Centre Pompidou, Paris; the International Center of Photography (ICP), New York; the National Portrait Gallery and the National Museum of American Art, Washington, DC; the National Media Museum, London; and the John Paul Getty...

China - Manipulated photography. A series of photographs manipulated with oil paint in which the artist Wei Chiang shows us different aspects of life in China, some of them surprisin...

China - Manipulated photography. A series of photographs manipulated with oil paint in which the artist Wei Chiang shows us different aspects of life in China, some of them surprisin...

Mash Buhtaydusss launched in 2016, when painter Barbie L’Hoste and photographer Brandt Vicknair, both native to New Orleans, decided to merge their respective art mediums. Witnessing...

Unsigned.

The Wynwood Silos in Miami Florida. After shooting the Silos, I met and befriended the artist/muralist who painted them, "Krave" (Daniel Fila). Sold as a collaborative work of art.

18"x24" limited edition historic photograph, edition 1/5. This photograph features one of the many attractions to come and go at Coney Island. Phillip Buehler is a New York based ph...

Burritos, Tahoka, Texas by Peter Brown depicts a red brick building on a street corner, with "BURRITOS" painted in white above the white door. Edition of 25 Signed and numbered in black ink on print margin. Paper size: 20 x 24 in., Image size: 16 x 20 in. Series: Hometown Texas Available in additional sizes, limited to a single edition of 25 prints: 16 x 20 in. $2300 20 x 24 in. $2900 28 x 35 in. $4600 32 x 40 in. $5800 36 x 45 in. $6300 Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...

30"x45" C-Print photograph, available unframed edition of 5, signed on reverse Still holding the record that it set in 1952 for the fastest crossing of the Atlantic (fewer than 4 days from New York to La Havre, France), the USS United States...

27"x40" (edition of 10) unframed, signed on reverse This photograph was taken at the site of Brooklyn's Domino Sugar Refinery, just before its dismantling and demolition. It was onc...

Stéphane COUTURIER (*1957, France) Usine Toyota n°9 (Valenciennes), 2005 Sheet 182 x 241 cm (71 5/8 x 94 7/8 in.) Frame 189 x 241 cm (74 3/8 x 97 5/8 in.) Edition of 5; Ed. no. 3/5 Framed Born in 1957 in Neuilly sur Seine, Stéphane Couturier currently lives and works in Paris. In 1994, Stéphane Couturier showed his first works in a series called 'Urban Archaeology', viewing the city as a living organism with multiple aspects. He photographed it deliberately avoiding anything that suggested poetry, nostalgia or strangeness. From 1999 on, Stéphane Couturier was increasingly drawn to suburbs and began to focus on a different type of landscape: on the one hand, by tackling housing blocks and high-rises in his 'Monuments' series; on the other, by photographing mushrooming housing developments.These generic cities soon became his favorite subject. In 2002, the uniformity and repetitiveness of these landscapes around the world drove him to begin working on the concept of the polyptych: the combinations and interchangeability of each of the elements in a polyptych give rise to a play with 'Landscaping' (the title of a new series), with the spectator recomposing a landscape between reality and fiction. WStéphane Couturier series ‘Melting Point’ presents a Toyota assembly plant in Valenciennes (France). Emphasizing the cycles of construction and demolition endemic to modern industrialized life, the photographs possess dynamic vertical and horizontal lines, elegant curves, and brilliant effects of light and indigenous colour. Using a large-format camera, Couturier creates crisply detailed prints that expand the viewer’s awareness of how a photograph can look and how urban occurrences can be conceptualized. Each picture is printed from a sandwiching of two moments in time, creating highly abstract yet precisely detailed images. People, machines, car parts, wires and more all compete for the viewer’s attention—images of industry simultaneously out of control and in perfect harmony. – Art, Contemporary, Colour, Architecture, Photography, Geometry, Graphics, Structured, Pattern, Car Factory...

"Transfer" 20"x30" photograph edition 2/5 (unframed) please inquire about additional editions and availability This photograph is from Stephen Mallon's series entitled:...

Stéphane COUTURIER (*1957, France) Usine Toyota n°18 (Valenciennes), 2005 C-Print with Diasec Face in Artist's Frame Sheet 182 x 246.4 cm (71 5/8 x 97 in.) Frame 189 x 253.4 cm (74 3/8 x 99 3/4 in.) Edition of 5; Ed. no. 2/5 Framed Born in 1957 in Neuilly sur Seine, Stéphane Couturier currently lives and works in Paris. In 1994, Stéphane Couturier showed his first works in a series called 'Urban Archaeology', viewing the city as a living organism with multiple aspects. He photographed it deliberately avoiding anything that suggested poetry, nostalgia or strangeness. From 1999 on, Stéphane Couturier was increasingly drawn to suburbs and began to focus on a different type of landscape: on the one hand, by tackling housing blocks and high-rises in his 'Monuments' series; on the other, by photographing mushrooming housing developments.These generic cities soon became his favorite subject. In 2002, the uniformity and repetitiveness of these landscapes around the world drove him to begin working on the concept of the polyptych: the combinations and interchangeability of each of the elements in a polyptych give rise to a play with 'Landscaping' (the title of a new series), with the spectator recomposing a landscape between reality and fiction. WStéphane Couturier series ‘Melting Point’ presents a Toyota assembly plant in Valenciennes (France). Emphasizing the cycles of construction and demolition endemic to modern industrialized life, the photographs possess dynamic vertical and horizontal lines, elegant curves, and brilliant effects of light and indigenous colour. Using a large-format camera, Couturier creates crisply detailed prints that expand the viewer’s awareness of how a photograph can look and how urban occurrences can be conceptualized. Each picture is printed from a sandwiching of two moments in time, creating highly abstract yet precisely detailed images. People, machines, car parts, wires and more all compete for the viewer’s attention—images of industry simultaneously out of control and in perfect harmony. – Art, Contemporary, Colour, Architecture, Photography, Geometry, Graphics, Structured, Pattern, Car Factory...

40"x60"C-Print photograph edition of 5, signed on reverse This photograph is featured in a current exhibition of photographs by the artist, "Stephen Mallon" depicting the SS Un...

24"x30" edition of 5 photograph available unframed Phillip Buehler has been photographing abandoned places around the world since he rowed to the (then abandoned) Ellis Island in 1974. Many, like Greystone Park Hospital, have since been demolished; some, like Ellis Island and the High Line, have been restored, and some, like the S.S. United States and the New York State Pavilion, are now in jeopardy. Photographs from the (now demolished) Greystone Park Hospital are featured in this exhibition and in the book “Wardy Forty” which he wrote in 2013 about the last days of Woody Guthrie...

27 × 40 in available unframed Paul Raphaelson’s photographs of the Domino Sugar Factory in Williamsburg, Brooklyn document a topic of continuing controversy. It was once the biggest...

limited edition of 5, signed on reverse by the artist, Phillip Buehler. This photograph depicts the faint residual outlines of the sign to the Avenue store at the deserted Wayne Hills Mall...

Casa das Caldeiras, Sao Paulo, 2012 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. The photographer is based in Florence, and is fascinated h...

30 x 40 inch type-c print, edition 25. Signed on verso. Framing additional. Other sizes available - please inquire. For more than thirty years, David Graham has produced photographic images infused with both compassion and humor, as he has documented the homes we have built, our lives both public and private, and a purely American expression of “freedom.” Graham was born in Abington, Pennsylvania, in 1952. He received a BA from The University of the Arts, and his MFA from the Tyler School of Art, both in Philadelphia. He studied under Ray K. Metzker and Will Larson, and was mentored by Emmet Gowin...

Edition of 25 Signed and numbered in black ink on print margin by Peter Brown Paper size: 20 x 16 in., Image size: 14 x 11 1/4 in. Series: Hometown Texas Peter Brown attended Stanfo...

"Transfer" 30"x45" photograph edition of 5 (unframed) signed and editioned on reverse. please inquire about additional editions and availability This photograph is from Stephen...

40"x60" edition of 10, available unframed for $4200, or framed (as shown) for $5400. (mounted, framed with hardwood, shadowbox frame with spacers, signed on reverse) This photogra...

C Print Photograph 30"x45", edition of 5 available unframed please inquire about additional print sizes This photograph is from Stephen Mallon's series: "The Reefing of ...

27 3/8"x40" (edition of 10) available unframed Paul Raphaelson's photographs of the Domino Sugar Factory in Williamsburg, Brooklyn document a topic of continuing contro...

photograph, edition of 5, unframed This photograph is from Stephen Mallon's series: "Prelude" - an examination of the "Prelude F.L.N.G.,"* the "largest offshore floating facility...

Michael WOLF (1954 – 2019, Germany) Paris Rooftops 14, 2014 C–print Sheet 121,9 x 172,7 cm (48 x 68 in.) Edition of 9, plus 2 AP; Ed. no. 2/9 Michael Wolf was born in 1954 in Munich, Germany. He worked and lived in Paris and Hong Kong where he died in April 2019. The focus of Michael Wolf’s work is life in mega-cities. His projects document both the architecture and the vernacular culture of metropolises. Born in Munich, Wolf grew up in Canada, Europe, and the United States, studying at UC Berkeley and at the Folkwang School with Otto Steinert in Essen, Germany. He moved to Hong Kong in 1994, where he worked for eight years as a contract photographer for Stern magazine. Since 2003, Wolf has been focusing on his own projects, publishing over thirty books of his work. His work is held in many permanent collections including the Metropolitan Museum of Art in New York, the Brooklyn Museum, the San Jose Museum of Art in California, the Museum of Contemporary Photography in Chicago, the Museum Folkwang in Essen, the Hong Kong Heritage Museum, and M+ in Hong Kong. paris roof tops...

archival pigment print

Williamsburg 19 is a contemporary urban color photograph by Susan Daboll. Daboll makes use of the borough's bold lines and colors to craft a thoughtful composition. SUSAN DABOLL is...

Photograph of a Fiat in Sicily, Italy.

Ormond Gigli Gold Scales, Federal Reserve Bank of New York, 1959 Archival pigment print Signed and numbered edition of 10 Ormond Gigli (American, b.1925), famous in the 1950s for his photographs of theater, celebrities, dance, and exotic people and places, was born in New York City. His photographs were featured in prominent magazines, such as LIFE, Time, Paris Match, Saturday Evening Post, Colliers, and many others. He has created portraits of Sophia Loren, Anita Ekberg, John F. Kennedy, Halston, Gina Lollobrigida, Diana Vreeland, Giancarlo Giannini...

available unframed C-Print photograph, 4/10 (24"x20") Sean Hemmerle is a New York-based photographer whose work ranges from international conflict zones to contemporary architect...

available unframed C-Print photograph, 4/10 (24"x20") Sean Hemmerle is a New York-based photographer whose work ranges from international conflict zones to contemporary architect...

Ezra Stoller (American, 1915-2004) is known as one of the most influential photographers of modern architecture. He created iconic photographs of mid-century buildings that help defi...

Ezra Stoller (American, 1915-2004) is known as one of the most influential photographers of modern architecture. He created iconic photographs of mid-century buildings that help defi...