Jungle Color Photography

Smoke and Mirrors 6 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this only from a Limited Edition of 7 + 2 Artist Proo...

Other Possible Forests unfolds a horizon of vital potentialities, where listening serves as a conduit for exploring the natural world, immersing us in its molecular memory and transp...

CRISTINA SCHEK Pretty Fly For A Fungi In The Forrest, 2020 Signed certificate of authenticity included. Giclée Print on Hahnemühle Anti-Reflective Museum Glass 60 x 60 cm 23 5/8 x 23...

Brunch At Brennans Sunday brunch at Brennan’s restaurant, New Orleans. A Wonderful Time – Slim Aarons Slim Aarons Archival Pigment Print. Printed 2024. Slim Aarons Estate Edition....

Chalk Streams 5 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this size from a Limited Edition of 7 + 2 Artist Proofs. This print is now 5 from the Li...

This work is the result of an artistic residence outside his 'study'.The artist worked on a different ecosystem, a house of vernacular architecture built in 1913 in the department of...

Indian Summer III (The Last Picture Show) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the Polaroid, Certificate and Signature label Artist Inventory No 18549. Not mounted. Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters. Schneider works with the chemical mutations of expired Polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dream scapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018 / 2019. “It was Stefanie Schneider, who inspired me to start the company THE IMPOSSIBLE PROJECT after seeing her work, which seems to achieve the possible from the impossible, creating the finest of art out of the most basic of mediums and materials. Indeed, after that one day, I was so impressed with her photography that I realized Polaroid film could not be allowed to disappear. Being at the precise moment in time where the world was about to lose Polaroid, I seized the moment and have put all my efforts and passion into saving Polaroid film. For that, I thank Stefanie Schneider almost exclusively, who played a bigger role than anyone in saving this American symbol of photography.” –Florian Kaps, March 8th 2010 (“Doc” Dr. Florian Kaps, founder of “The Impossible Project”) What makes Stefanie Schneider’s work so unique is that it’s immediately recognizable. Perfect ‘wabi-sabi’ in appearance and content. Dream like, colorful with depth and vision. From start to finish, a truly self made artist with a distinctively female perspective. Exhibitions Selected (selected) 2018 Participation Bombay Beach Biennale, Bombay Beach, USA (G) March Available to All, Rough Play Projects - Site Specific, Joshou Tree, USA (G) curated by Deborah Martin with Adam Berg, Doron Gazit, Kellan Barnebey, Chris Sanchez, Aili Schmelzt 2017 BLICKFELD Analoge Fotografie, Kommunale Galerie Steglitz-Zehlendorf (G) (catalog), (upcoming)
 Rosegallery, Bergamot Station, Santa Monica (G) Magie des Moments, Kunstverein Bad Homburg Artlantis, Bad Homburg (G) 2016 
Instantdreams, Instantdreams Gallery, Berlin 

(S) 2015
 Desert Voices, De Re Gallery, Los Angeles (G) with Pamela Littky The Ballery in Heat, The Ballery, Berlin (G) 
Blue Nudes, De Re Gallery, Los Angeles (G) 

 2014

 Summer Show, Galerie Catherine et André Hug, Paris, France (G) 6 Finalists, Saatchi Gallery London (G) 
Instantdreams, De Re Gallery, Los Angeles (S)
Grand Opening, De Re Gallery, Los Angeles (G) with Banksy, Andy Warhol, Alison Bignon, Sophie Dickens, Victor Gingembre and others
 2013 
Heather's Dream, Short, nominated for the German Short Film Award 2013 (Deutscher Kurzfilmpreis)
Images For Images (Artists fir Tichy), GASK - Gallery of the Central Bohemian Region,  Kutná Hora, Czech Republic, (G) with Richard Prince, Nan Golding, Shirana Shahbazi, Sophie Calle, Martin Kippenberger, Arnulf Rainer, Thomas Ruff, Katharina Grosse, Jonathan Meese & others (catalog) 
The Girl behind the White Picket Fence, Galerie Catherine et André Hug, Paris, France (S)
 Heather's Dream, Short, German Competition Short Film Festival Oberhausen 
Multimedia Presentation with Artist Stefanie Schneider, Palms Springs Art Museum, Annenberg Theater
 The Polaroid Years: Instant Photography and Experimentation, The Frances Lehman Loeb Art Center, Poughkeepsie, NY, (G) with Ansel Adams, Bruce Charlesworth...

Edition of 5 more sizes on request A mountain Gorilla in the rainforest in the Volcanoe National Park, Rwanda. ​For years, Joachim Schmeisser has been photographing the last giants...

Edition of 8 Dye-sublimation print on aluminum Signed, titled, dated and numbered by Jeanine Michna-Bales Series: Through Darkness to Light: Seeking Freedom on the Underground Railroad...

The Gloaming 2 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this size only from the Limited Edition of 7 + 2 Artist Proofs. This is print 5 from the ...

a large scale photograph of lush emerald green nature biotope, a highly detailed observation of the natural beauty of the California redwood forest Redwoods by Erik Pawassar 48 x 135 inches (122 x 335cm) six panels of 48 x 22 inches signed edition of 7 archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ About the artist Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph. Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado...

The angel is a being that religion has bequeathed us as a sign of purity, innocence, and goodness, from the same source, we have been sold to the devil as the form that represents ev...

a large scale photograph of lush emerald green nature oasis, a highly detailed observation of the soothing natural beauty of the California redwood forest Redwoods (hexaptych) by Erik Pawassar 48 x 132 inches (122 x 335cm) six panels of 48 x 22 inches / each "frameless" acrylic glass face mount edition of 7 signed archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity __ "Modern Gallery Frameless", a contemporary alternative to classic framing: photo print is mounted onto aluminum composite for archival support and stability, then sealed behind a protective layer of high quality acrylic glass with polished edges all around. A recessed aluminum back frame adds additional stability, allows instant hanging and provides a floating artwork appearance. _______________________ Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph. Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado...

The Gloaming 3 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this size only from a Limited Edition of 7 + 2 Artist Proofs. Ellie has been working in th...

Bosque Alto Andino Vélez, 2022 by Miguel Winograd From the Enjambre Series Pigment Prints Image Size: 43 in H x 32.5 in W Edition of 5 + 2AP Color Edition Unframed The artist lo...

Indian Summer III (The Last Picture Show) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the Polaroid, Certificate and Signature label Artist Inventory No 892. Not mounted. Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters. Schneider works with the chemical mutations of expired Polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dream scapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018 / 2019. “It was Stefanie Schneider, who inspired me to start the company THE IMPOSSIBLE PROJECT after seeing her work, which seems to achieve the possible from the impossible, creating the finest of art out of the most basic of mediums and materials. Indeed, after that one day, I was so impressed with her photography that I realized Polaroid film could not be allowed to disappear. Being at the precise moment in time where the world was about to lose Polaroid, I seized the moment and have put all my efforts and passion into saving Polaroid film. For that, I thank Stefanie Schneider almost exclusively, who played a bigger role than anyone in saving this American symbol of photography.” –Florian Kaps, March 8th 2010 (“Doc” Dr. Florian Kaps, founder of “The Impossible Project”) What makes Stefanie Schneider’s work so unique is that it’s immediately recognizable. Perfect ‘wabi-sabi’ in appearance and content. Dream like, colorful with depth and vision. From start to finish, a truly self made artist with a distinctively female perspective. Exhibitions Selected (selected) 2018 Participation Bombay Beach Biennale, Bombay Beach, USA (G) March Available to All, Rough Play Projects - Site Specific, Joshou Tree, USA (G) curated by Deborah Martin with Adam Berg, Doron Gazit, Kellan Barnebey, Chris Sanchez, Aili Schmelzt 2017 BLICKFELD Analoge Fotografie, Kommunale Galerie Steglitz-Zehlendorf (G) (catalog), (upcoming)
 Rosegallery, Bergamot Station, Santa Monica (G) Magie des Moments, Kunstverein Bad Homburg Artlantis, Bad Homburg (G) 2016 
Instantdreams, Instantdreams Gallery, Berlin 

(S) 2015
 Desert Voices, De Re Gallery, Los Angeles (G) with Pamela Littky The Ballery in Heat, The Ballery, Berlin (G) 
Blue Nudes, De Re Gallery, Los Angeles (G) 

 2014

 Summer Show, Galerie Catherine et André Hug, Paris, France (G) 6 Finalists, Saatchi Gallery London (G) 
Instantdreams, De Re Gallery, Los Angeles (S)
Grand Opening, De Re Gallery, Los Angeles (G) with Banksy, Andy Warhol, Alison Bignon, Sophie Dickens, Victor Gingembre and others
 2013 
Heather's Dream, Short, nominated for the German Short Film Award 2013 (Deutscher Kurzfilmpreis)
Images For Images (Artists fir Tichy), GASK - Gallery of the Central Bohemian Region,  Kutná Hora, Czech Republic, (G) with Richard Prince, Nan Golding, Shirana Shahbazi, Sophie Calle, Martin Kippenberger, Arnulf Rainer, Thomas Ruff, Katharina Grosse, Jonathan Meese & others (catalog) 
The Girl behind the White Picket Fence, Galerie Catherine et André Hug, Paris, France (S)
 Heather's Dream, Short, German Competition Short Film Festival Oberhausen 
Multimedia Presentation with Artist Stefanie Schneider, Palms Springs Art Museum, Annenberg Theater
 The Polaroid Years: Instant Photography and Experimentation, The Frances Lehman Loeb Art Center, Poughkeepsie, NY, (G) with Ansel Adams, Bruce Charlesworth, Philip-Lorca diCorcia, Charles and Ray Eames, Robert Mapplethorpe, Lisa Oppenheim, Andy Warhol and others, (catalog)
 Road Atlas - Straßenfotografie, DZ Bank Collection: Kunsthalle Erfurt (Spring), Art Foyer DZ Bank, Frankfurt/Main, (G) with Helen Levitt, Pieter Hugo, Nobuyoshi Araki, Pietro Donzelli, and others (catalog)  2012
 Stranger Than Paradise, Christian Hohmenn Fine Art, Palms Desert, (S) Stefanie Schneider, Gallery at Cliff Lede Vineyards, Napa Valley, CA, (S) Bienale Art Auction 2012, Museum of Contemporary Art San Diego, (G), with Ai Weiwei, John Baldessari, Christo, Ed Ruscha, Christopher Russell, and others. MUSES, Galerie Catherine et André Hug, Paris, France (G) with Kourtney Roy and Eric Weeks Polaroid (IM)POSSIBLE - THE WESTLICHT COLLECTION, NRW Forum Kultur und Wirtschaft, Düsseldorf (G), (catalog) Road Atlas - Straßenfotografie, DZ Bank Collection: Kunstmuseum Dieselkraftwerk, Cottbus, (G), (catalog) Studio Scholorship, Centro Cultural Andratx, Mallorca, May 2012 Selling Sex, ShowStudio Gallery, London (G) with Cortney Andrews, Una Burke, Liz Cohen, Inge Jacobsen Stranger Than Paradise, Scott White Contemporary, San Diego, (S) 

2011 
Kunst zu verlosen !  // Art to raffle off !, KW Institute for Contemporary Art, (G) with Monica Bonvicini, Tim Eitel...

Title: OlympicForest - 0812.1118.2019 Size: 18 x 24 in Medium: Archival Pigment on Canson Rag Edition of 8 Signed: Verso Print: $1950 unframed Walnut frame available From the series...

Please be aware that all prints are produced to order and lead times are between 5-10 days. This is a 30x30cm Digital Print on 50x50cm Cotton Paper. Edition of 9 plus 2 Artists’ Pr...

Stars 2 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this size from a Limited Edition of 7 + 2 Artist Proofs. Ellie has been working in the forests of...

Where My Heart Belongs II - 2017 - 40 x 62 cm, Edition of 10. Digital C-Print based on a 35mm film photo, not mounted. Numbered and signed on the back by the artist. Artist Sta...

Beach Near Portinatx 1989 by Slim Aarons Slim Aarons Limited Estate Edition Holidaymakers seen through the trees, at a beach near Portinatx, Ibiza, Spain, 1989. unframed c type ...

'Ray of Light', part of Richard Heeps Vietnam series 'This is Not America', this unusual photograph of trees has a spiritual quality. This artwork is a limited edition of 25 gloss ...

Between the Trees 13 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this size from a Limited Edition of 7 + 2 Artist Proofs. Ellie has been working in t...

I find comfort in forests, especially the few remaining old-growth stands of the Pacific Northwest. Life is churning in such places. Death and rebirth create a rich musk of decay, th...

Between the Trees 5 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this size from a Limited Edition of 7 + 2 Artist Proofs. Ellie has been working in th...

Stars 12 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this size from a Limited Edition of 7 + 2 Artist Proofs. Ellie has been working in the forests o...

Half Light 6 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this size from a Limited Edition of 7 + 2 Artist Proofs. Ellie has been working in the fore...

The first encounter I had with the abyss, was arriving to a place that does not exist, a point suspended in time where I am without being. An unreal world expands in front of me, eve...

Between the Trees 9 is a stunning Digital C-Type Print on Fuji Maxima Matte paper available in this size from a Limited Edition of 7 + 2 Artist Proofs. Ellie has been working in th...

Tropicarios #5 by Paloma Castello From Tropicarios series Digital photography print on chroma luxe. 33" x 21,6" inches Edition 3/5 + 1AP Similar to the travel logs of the ancient e...

Listing includes free shipping for unframed prints and a 14-day return policy. Paul Fusco RFK Funeral Train Portfolio, 1968/2008 16 x 24 inch fujiflex print Edition of 10 Signed and editioned on separate certificate Biography - In the middle of 1968, two events shook the nation - the assassination of Martin Luther King on April 4th and the assassination of Robert Kennedy on June 5th. Hastily arranged, Robert Kennedy’s funeral train took place on June 8th – a swelteringly hot early summer day. Paul Fusco, then a staff for LOOK Magazine, was given a place with other journalists on the train. As the train made its progress down the eastern seaboard, hundreds of thousands of mourners came out to line the railway tracks and pay their final respects to Bobby Kennedy and all he stood for. From inside the train, Fusco began to take pictures of the mourners – people from every section of society – black, white, rich, poor, in large groups and on their own. For the eight hours it took for the train to make the usually four-hour journey Fusco never put down his camera except to reload film shooting approximately 2,000 pictures. The resulting images are one of the most powerful and affecting series of photographs ever taken. Shot on Kodachrome film – a film with a particularly vibrant palette favored at the time by photojournalists – Fusco's pictures blend the spontaneous look of snapshots with artistic precision of the decisive moment. If there was ever an example of a photographer being “in the zone” Fusco’s beautifully composed frames are like Zen arrows each hitting their target. Each photograph carries its own weight and tells its own story, but cumulatively the series is an epic vision of America. Because LOOK Magazine's bi-weekly schedule caused it to come out a week after its rival LIFE, the magazine chose to print a retrospective album of pictures of RFK rather than pictures of the funeral, and so Fusco's RFK Funeral Train photographs...

Fires 9 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this size from a Limited Edition of 7 + 2 Artist Proofs. Ellie has been working in the forests o...

Seascapes 9 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this size from a Limited Edition of 7 + 2 Artist Proofs. Ellie has been working in the forest...

Forest, 2018 by Salvatore Arnone From Paranoia series Digital print on Hahnemuhle Photo Rag Ultra Smooth Image size: 27.5 in. H x 39.4 in. W Edition of 5 + 2AP Unframed Paranoia...

Between the Trees 14 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this size from a Limited Edition of 7 + 2 Artist Proofs. This is Artist Proof 2 of 2...

Edition 3 More sizes on request The photo shows one of the last mountain Gorillas in the green rainforest in the Volcano National Park, Rwanda. It's like a window to another world. ...

Yoshinori MIZUTANI (*1987, Japan) Moonlight 01, 2014 Archival pigment print on Hahnemuhle Fine Art Baryta paper 84 x 63 cm (33 1/8 x 24 3/4 in.) Edition of 4, plus 2 AP print only Yoshinori Mizutani's (*1987, Japan) works suggest new expressive possibilities that mix the domestic traditions of personal and street photography with those of foreign conceptual photography. Mizutani graduated from the Tokyo College of Photography in 2012. He has won a number of prestigious awards including Japan Photo Award in 2013 as well as Foam Talent Call and Lens Culture Emerging Talents Top 50 in 2014. His series Tokyo Parrots was on view at this years Bienne Festival of Photography in Bienne/Switzerland. His foray into photography is fairly recent, he started 5 years ago. Nonetheless, his photographs do demonstrate an innate understanding of how forms, colours, textures and depth translate to the pictoral plane. He is working with a visual vocabulary that has been well established by the work of many photographers active today. Mizutani’s work serves as a good gauge of the visual tropes and photographic styles that are prevalent among young photographers in Tokyo. „The themes of my work are the everyday and the familiar. What is familiar to me, however, could be new to the viewer. It could also be revelatory or something previously overlooked. It is the viewers’ varied responses to and interpretations of images, which makes photography interesting." – Yoshinori Mizutani About Moonlight: Using strobe light...

Anonymous Women: Demise The subject is the conflation of woman and home. The woman is camouflaged among her domestic objects, activities, and obsessions. The still-life narratives co...

Edition of 25 Titled, dated and numbered in black ink on print margin. Paper size: 16 x 20 in. Image size: 11 1/2 x 16 3/4 in.

Gabriela in the Forest - 2019 - 40x50cm, Edition of 10, plus 2 Artist Proofs. Photograph printed on Fuji glossy paper, based on a reclaimed Fuji Instant Film Negative (not moun...

"Aquadural" is part of international artist Natalie Lennard's series Birth Undisturbed. - See our storefront at Gallery 1202 for the other works in this series “The baby doesn’t co...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” David H. Gibson is a lifelong ph...

Other Possible Forests unfolds a horizon of vital potentialities, where listening serves as a conduit for exploring the natural world, immersing us in its molecular memory and transp...

Other Possible Forests unfolds a horizon of vital potentialities, where listening serves as a conduit for exploring the natural world, immersing us in its molecular memory and transp...

Archival pigment print Signed and numbered, verso 16 x 24 inches (Edition of 10) 20 x 30 inches (Edition of 7) 30 x 45 inches (Edition of 3) This photograph is offered by ClampArt, located in New York City. While working as a Guggenheim fellow to document Vietnamese war amputees in 2012, Pipo Nguyen...

"Salle Sauvage" is part of international artist, Natalie Lennard's series Birth Undisturbed. “The bearing of children ought to become as free from danger and long debility to civilised woman as it is to the savage.”— Thomas Huxley ‘Salle Sauvage’ translates to ‘primitive room’, a term coined by renowned obstretician Michel Odent in reference to his hospital in Pithiviers, France, with rooms designed to accommodate the primal instincts of labouring women. Here, a glass Cube set within the urban landscape of London becomes a metaphor for Odent’s primitive room and a woman’s connection with nature through homebirth. It is as though the walls of a living room have become transparent admitting our spectatorship into the private space of a birthing woman, perhaps for our enlightenment as well as vicariousness. “Buscar la forma” say the women of the Yucatan in Mexico, meaning to find your style, in contrast to the Western medical model...

Chalk Streams 2 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this size from a Limited Edition of 7 + 2 Artist Proofs. In her new series, Chalk Stream...

Brunch At Brennans Sunday brunch at Brennan’s restaurant, New Orleans. 48 x 48" / 122 x 122 cm paper size Estate Stamped Collection Edition to 150 Photo by Slim Aarons Printe...

Indian Summer V (The Last Picture Show) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the Polaroid, Certificate and Signature label Artist...

29 Palms Oasis (29 Palms, CA) - 2013 40x48cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and certificate. Artist Invent...

Brunch At Brennans, 1960 Sunday brunch at Brennan’s restaurant, New Orleans. 20x20” / 51 x 51 cm - paper size Estate Stamped Collection Edition to 150 Photo by Slim Aarons Pr...

Archival pigment print Signed and numbered, verso 36 x 30 inches (Edition of 3) 24 x 20 inches (Edition of 5) This photograph is offered by ClampArt, located in New York City. Ad...

Archival pigment print Signed and numbered, verso 24 x 18 inches (Edition of 10) 40 x 30 inches (Edition of 7) 56 x 42 inches (Edition of 3) This photograph is offered by ClampArt...

Brunch At Brennans Sunday brunch at Brennan’s restaurant, New Orleans. A Wonderful Time – Slim Aarons Slim Aarons Chromogenic C print ...

Pando Forest #6 is available in an Edition of 5 + 2 Artist Proofs. Laval's new body of work continues her ongoing exploration of light in nature. Combining the natural landscape with a radical manipulation of light, Laval creates an other-worldly scape that bridges the gap between our reality and one that could only ever be imagined. The Pando Forest is an incredible display of vegetation in Utah's Fishlake National Park in the United States. Comprised of over 40,000 individual trees, this forest is really one living organism. Connected by one enormous root system, the forest continues to exist by producing clones of itself in response to environmental stresses. Creating small, temporary interventions in the organic landscape, Laval takes natural and artificial light and observes the interaction in nature through reflective surfaces. Marine blues and plush magentas describe this living organism, while radiant aquamarines...

Bosque Alto Andino II Vélez, 2022 by Miguel Winograd From the Enjambre Series Pigment Prints Image Size: 43 in H x 32.5 in W Edition of 5 + 2AP Color Edition Unframed The artist...

Campbell Falls Picnic - NEW Slim Aarons Estate Edition A family enjoy a picnic on the bank of the Whiting River near Campbell Falls Massachusetts USA 1959 A gorgeous scene; and a ...

Untitled Succulent, 2010 by Rodrigo Etem From the series Ser Cosa Archival pigment print on fine art paper Size: 32 H x 24 W inches. Edition of 7 Unframed …this series of portraits...