Monument Color Photography

Ancient Goddess at Delos, 2014 Chromogenic lambda print 20 x 30 inches Edition of 10

Stardust by Frank Schott 40 x 40 inches / 102cm x 102cm signed edition of 25 48 x 48 inches / 122cm x 122cm signed edition of 7 archival quality fine art pigment print limited a...

Stardust by Frank Schott 48 x 48 inches / 122cm x 122cm signed edition of 7 40 x 40 inches / 102cm x 102cm signed edition of 25 archival quality fine art pigment print limited ar...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

Kellie Sullivan Swope Park Memorial Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in...

Death Valley Junction #114, 2007 [From the series US Road Trip Diary] 21x55x0,5cm, Edition of 7. Photo compilation based on the 3 expired Polaroids, printed on Plexiglass Diasec...

A moment in time In 2021, a gallery from Brussels contacted us. There, a photographic collection had been kept in tin boxes for decades, consisting of 6x6 glass slides in color. Th...

Delos Column #4, 2014 Chromogenic lambda print Edition of 10 30 x 20 inches Where light was born. It’s a UNESCO world heritage site. It’s an ark of history, floating lazily on the w...

"Shamrock Conoco, TX" is an original color photograph by Thomas Ferderbar. The artist signed the piece lower right. It depicts the entrance to a building in Texas off of Route 66. This photograph is part of the artist's "Route 66" series. Artwork Size: 18 3/4" x 15" Frame Size: 25" x 21" Artist Bio: I wanted to become a photographer at the age of 12, when my sister Grace gave me a Kodak Box Brownie camera for Christmas. (I still have that camera.) Since our family was quite poor, I built my first enlarger with an oatmeal box, while that same box camera was used as its lens. In 1947, just after graduation from high school, I had the opportunity to travel to California by car and house trailer with my uncle, aunt and mother, and in the process to shoot my first pictures along Route 66. Then, after graduation from college, a stint in the army followed by photography school, I opened an advertising photography studio in 1954. For over four decades my staff and I earned numerous local, regional and national awards for our achievements in photography, including several "best of show" honors. In 1958 I studied with renowned landscape photographer Ansel Adams at his Yosemite National Park workshop. In 1980, while still operating my advertising photography studio, I began a serious photographic study of the decaying artifacts along our country's former Mother Road, Route 66. The former national highway route from Chicago, Illinois to Santa Monica, California was not a popular subject at the time, and so I filed away my transparencies, not knowing what I might ever do with them. However, as time passed Route 66 did become a topic of national interest, and upon my retirement in 1997, I once again returned to record the Mother Road's artifacts. A number of my Yosemite series photographs are included in the Ansel and Virginia Adams collection at the Center for Creative Photography at the University of Arizona at Tucson, and several of my Route 66 photographs and other subjects have been acquired by the Milwaukee Art Museum. At this time I am preparing a book of my photographic experiences along Route 66, from 1947 to the present. --Tom Ferderbar

Still Image Motion Photography. :: Photograph :: Color :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: S...

Still Image Motion Photography. :: Photograph :: Color :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: S...

Delos Column #3 30 x 20 inches Edition of 10 $1500 Set of three - $3000 20 x 16 inches edition of 20 $900 Set of three - $2000

Delos Column #1 30 x 20 inches Edition 4 of 10 $1500 Set of three - $3000 20 x 16 inches edition of 20 $900 Set of three - $2000

Delos Column #2 30 x 20 inches Edition of 10 20 x 16 inches edition of 20 Where light was born It’s a UNESCO world heritage site. It’s an ark of history, floating lazily on the wat...

Delos Column #3 30 x 20 inches Edition 3 of 10 $1500 Set of three - $3000 20 x 16 inches edition of 20 $900 Set of three - $2000

Delos Column #5, 2014 Chromogenic lambda print 16 x 20 inches Edition of 20 Signed, titled, and dated on verso label

Delos Column #4, 2014 Chromogenic lambda print Edition of 10 30 x 20 inches Where light was born. It’s a UNESCO world heritage site. It’s an ark of history, floating lazily on the w...

Delos Column #1 30 x 20 inches Edition 4 of 10 $1500 Set of three - $3000 20 x 16 inches edition of 20 $900 Set of three - $2000

Delos Column #2 30 x 20 inches Edition of 10 20 x 16 inches edition of 20 Where light was born It’s a UNESCO world heritage site. It’s an ark of history, floating lazily on the waters of the Aegean Sea, just a few miles away from cosmopolitan Mykonos. It’s a chance to walk around the revival of the glory of the Greek civilization. It’s the head priest of the Cyclades, the birthplace of the immortals. In the ancient times, the myth of god Apollo, god of light, and goddess Artemis having been born there rendered the island sacred: no mortal would ever be allowed to be born on its land. But, a cradle of gods as the island has been, no mortals would ever be allowed to die on it either. So, apart from it being a conspicuous religious and economic centre, the island had also been exclusive in that: even during the years of peak of the Delian Alliance, women on the brink of childbirth and people close to dying would be carried to the neighbouring island of Rineia. The whole of the known world of that age was aware of the sacredness of the island and of its uniqueness. Lee Wells is a conceptual artist, independent curator and writer working in New York since 2000. His artwork and projects question systems of power and control and have been exhibited internationally, including the 51st Venice Biennale, 2nd Moscow Biennial, The Guggenheim Museum, NCCA Moscow, PS1/MoMA, and the 1st Mykonos Biennale. He has lectured on art, technology, and contemporary society at many schools and universities including: Columbia University, Princeton University, New York University, Carnegie Mellon University, School of Visual Arts, Museum of Fine Arts Boston, Moscow School of Photography, and others. His projects and exhibitions have been reviewed, publications include: The New York Times, The NY Observer, The Art Newspaper...

The Monument (Vintage Polaroid SX70), C.1970 Archival pigment print on fiber paper Edition of 9 36 x 44 inches