Neighborhood Color Photography

Please bear in mind that all prints are produced to order and lead times are between 15-20 days. Broken Dreams, LA Scape is a stunning C-Type Print by contemporary photographer Samu...

Please bear in mind that all prints are produced to order and lead times are between 15-20 days. Brooklyn is a stunning Archival Inkjet Print in an Edition of 10 in this size by con...

Almost daily between 1993 and 2004, Alejandro Cartagena would commute on a suburban bus from Monterrey to the suburban city of Juarez and back. Working at his family’s restaurant, he...

A Thousand Windows is an exploration of building facades that become infinite reticles of repetitive cells, which contain in them the concept of unify...

An Aston Martin DB6 sports car driving past the tennis courts at Il Pellicano Hotel in Porto Ercole, Tuscany, August 1973. Slim Aarons Estate Edition, C...

" Mannequins, yellow cabs and a big, shiny display window (combined) are one of the most quintessential scene of New York City. Shot in SoHo, I wanted the abstracted reflections of t...

Boats in the harbour of Porto Ercole (Port'Ercole), Tuscany, September 1966. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aarons...

The washing lines and bright colours of a backstreet in New Delhi – Cawston won the BJP Nikon Endframe Award in 2009. His prize was funding for a dream project and he chose to travel...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaro...

This early 1960s urban photograph, captured by society photographer Slim Aarons, features people carrying their skis past the Hotel Olden in Gstaad, 1961. This is an estate stamped...

"Wherever You Look You See The Chrysler Building: The High Line" - It may take a moment, but its presence always seems to be in the picture. At least, that was the case in the past. ...

The subject is the conflation of woman and home. In the previous “Anonymous Women: Draped” photographic series, a lone woman is hidden in a vignette within the drapery, where she per...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...

The washing lines and bright colours of a backstreet in New Delhi – Cawston won the BJP Nikon Endframe Award in 2009. His prize was funding for a dream project and he chose to travel...

'Klosters' SLIM AARONS ESTATE Print LIMITED EDITION Collector's item Giant Estate Stamped Limited Edition Print by Slim Aarons Skiers pass ...

The washing lines and bright colours of a backstreet in New Delhi – Cawston won the BJP Nikon Endframe Award in 2009. His prize was funding for a dream project and he chose to travel...

Shimon Attie (b. 1957) Joachimstrasse, Ecke, Auguststrasse, Berlin, 1994 Edition 3/3 Dye coupler print on Kodak Ektacolor paper 27 x 34 inches (68.6 x 86.4 cm) (image) 34 x 40 inches (sheet) Presents well. Framed Dimensions 36.25 X 42.5 From series The Writing on the Wall. Attie projected found pre-war images of Jewish street-life in Berlin onto the same or nearby addresses in 1992/1993. Through this intervention, fragments of the past were introduced into the visual field of the present; long destroyed Jewish community life were visually simulated, momentarily recreated. The Writing on the Wall project was realized in Berlin’s former Jewish quarter, the Scheunenviertel, located in the Eastern part of the city, close to the Alexanderplatz. At the heart of Berlin, the Scheunenviertel was a center for eastern European Jewish immigrants from the turn of the century. The few historical photographs which remained after the Holocaust reflect the world of the Jewish working class rather than that of the more affluent and assimilated German Jews who lived mostly in the western part of the city.The juxtaposition between the projected images and the empty rooms reminds viewers of the fragility of memory, and how sites are activated/changed by presence and absence. Shimon Attie (born Los Angeles in 1957) is an American visual artist. He was awarded a Guggenheim Fellowship in 2008, The Rome Prize in 2001 and a Visual Artist Fellowship from Harvard University's Radcliffe Institute for Advance Study in 2007. His work spans a variety of media, including photography, site-specific installation, multiple channel immersive video installation, performance, and new media. Much of Attie's practice explores how a wide range of contemporary media may be used to re-imagine new relationships between space, time, place, and identity. Much, though not all, of Attie's work in the 90s dealt with the history of the second world war. He first garnered significant international attention by slide projecting images of past Jewish life onto contemporary locations in Berlin. More recent projects have involved using a range of media to engage local communities to find new ways of representing their history, memory and potential futures. Attie's artworks and interventions are site-specific and immersive in nature, and tend to engage subject matter that is both social, political and psychological. In 2013, Five monographs have been published on Attie's work, which has also been the subject of a number of films, which have aired on PBS, BBC, and ARD. Since receiving his MFA Degree in 1991, Attie has realized approximately 25 major projects in ten countries around the world. Most recently, in 2013-14, Shimon Attie was awarded the Lee Krasner Lifetime Achievement Award in Art. Judaica subject matter. He was born in 1957 and received an MFA in 1991. In 1991 he moved to Germany from his previous home in Northern California, and began to make work initially about Jewish identity and the history of the second world war. His work later evolved to engage broader issues of memory, place and identity more generally. Shimon Attie moved to New York City in 1997. Shimon Attie's work has been extensively reviewed by a wide variety of publications, including features and/or reviews in The New York Times, The Washington Post, The Los Angeles Times, Art in America, Art News, Art Forum, The Village Voice, The Boston Globe, and many others. Yasaman Alipour, writing in "The Brooklyn Rail: Critical Perspectives on Arts, Politics, and Culture", on Shimon Attie's solo exhibition "Facts on the Ground" at Jack Shainman Gallery in New York City: Attie achieves something profound: he presents a unique opportunity to contemplate Israel/Palestine without the distraction that is simultaneously a manifestation of the limitations of visual of written language and the possibilities of their alliance." Norman Kleeblatt, writing in a cover story for "Art in America" "Like many other artists in the wake of Marcel Broodthaers...

Man walking along the canals of Venice Edition of 15

Cars parked on a tree-lined street in Palm Beach, Florida, circa 1953. C print 12 x 10 inches Framed Estate stamped and hand numbered edition of 150 with certificate of authenticit...

Lambda C-print on Acryl glass. Complete with aluminium mounting system. Ready to hang. Outstanding quality. In his work, Philosophy and Art creation are often closely intertwin...

20 x 25 inch archival pigment print, edition 15. Signed, titled, dated and editioned on frame label provided. Larger sizes available as part of this edition - please inquire. All pri...

The seafront 'Promenade' was always an important part of Victorian seaside holiday towns, and the evening stroll on the Promenade was often seen as pre or post-dinner socialising and...

Klosters 1963 C-Print Estate signature stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Skiers pass by the Hotel Chesa Grischuna in Klos...

This listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essick is a photographer, author and drone pilot who specializes in nature and environmental themes. His latest series, "Memorial Drive," documents the thoroughfare that stretches between the Georgia State Capitol and the Confederate monument at Stone Mountain. Originally known as East Fair Street, Memorial Drive was one of the first roads in Atlanta, and connected the downtown commercial districts to the residential neighborhoods of East Lake and Kirkwood. In 1930, it was expanded all the way to Memorial Hall in Stone Mountain Park with the use of convict labor. The now 15-mile-long thoroughfare took on a new symbolic meaning to physically connect the State Capitol with the Confederate monument at Stone Mountain. According to an article in The Atlanta Constitution on February 2, 1930, Memorial Drive was “another step in the effort of Atlanta and Georgia to honor the memory of the heroes of the confederacy.” In the years since, Memorial Drive has acquired even more history. The street passes through communities of a wide diversity of people. These neighborhoods have seen cycles of development, economic decline, redevelopment and in some recent cases complete gentrification. People from all over the world as well as those from just across town have come to live and work on or near Memorial Drive. The street’s story is complex and of interest not only to developers and realtors, but also urban planners, sociologists, community activists, business owners, residents and even artists. Peter used a drone to take many of the photographs in the series, using a survey approach, he hopes to peak a viewers’ interest with the wide array of subjects. Named one of the forty most influential nature photographers in the world by Outdoor Photography...

Woman In Orange On Lexington 2013 A woman crosses the street with fellow pedestrians on Lexington Avenue, in New York, wearing an orange dress. 2013 by Stuart Möller Born in Kabu...

Newport Scenes 1962 Golfers and their cars at the Newport Country Club, Rhode Island, USA, 1962. by Toni Frissell 20 x 30" inches / 51 x 76 cm paper size Archival pigment print ...

Sledging Trip 1951 Two children drag their sledge through the streets, Klosters, Switzerland, 1951 by Toni Frissell 40 x 40" inches / 101 x 101 cm paper size Archival pigment p...

Setting Out 1951 Setting out through the streets of Klosters for a days skiing, Switzerland, 1951. by Toni Frissell 30 x 30" inches / 76 x 76 cm paper size Archival pigment pri...

Setting Out 1951 Two skiers set out through snow covered streets, Klosters, Switzerland, 1951 by Toni Frissell 30 x 30" inches / 76 x 76 cm paper size Archival pigment print unf...

Sledging Trip 1951 Two children drag their sledge through the streets, Klosters, Switzerland, 1951. by Toni Frissell 30 x 30" inches / 76 x 76 cm paper size Archival pigment pr...

A Day In The Mountains 1955 A group of stylish skiers in Klosters, Switzerland, 1955. by Toni Frissell 40x30 inches / 101 x 76 cm paper size Archival pigment print unframed (fr...

A Painted Facade 1955 Lüftlmalerei a traditional form of mural art at the ski resort of St. Anton, Austria, 1955 by Toni Frissell 40 x 30" inches / 101 x 76 cm paper size Archiv...

Photograph is lambda c-printed on dibond. Museum quality. Ready to hang. Edition 8 plus 2 AP's. Artwork comes with an international certificate of authenticity, signed by the artis...

John Conn, Cuba 159, limited edition Color Photograph taken in Cuba in 2016. It is a photograph, printed on 13x19 archival paper. Signed and Numbered. This is currently unframed. Edition of 15. This gold toned photograph is filled with a vintage car, people and the Cuban cityscape and buildings. John Conn got his start as a Marine Combat photographer, and later earned his BFA at the School of Visual Arts in New York. As a freelance photographer and writer, he has captured a range of subjects photojournalism delving into political and social issues, nature and landscapes, architecture, and underwater images. His work has appeared in: New York Times Sunday Magazine; Time/Life Books; IMAX Films; Village Voice; Human Rights Magazine; Shutterbug Magazine; Hasseleblad Magazine; American Photographer; RangeFinder Magazine; LensWork Magazine; Ocean Realm; Dive Travel Magazine; Picture Magazine; Discover Diving Magazine; Picture Magazine; Popular Photography; Nikon World; Black & White Photography; B&W Magazine; Studio Photography, to name a few. Starting in 1970, John travelled to South Africa capturing images of the people and social divide of Aparteid. His iconic Subway series shot between 1970 and 1982 in New York City is part of the permanent collection of the Museum of the City of New York, The New York Historical Society and Hoboken Historical Museum. In 2010, John Conn spent 45 days in Antarctica and Patagonia, traveling and hiking to capture the land and seascapes. He spent over 20 days journeying over 3,200 nautical miles in Antarctica before heading to Patagonia for the second part of his expedition. In 2014 John began a series of treks across the US photographing Americans, similar to what Robert Frank did in the late 1950’s. In 2015/16, he spent a month in Cuba photographing...

This photograph is from among Vincent Dixon's series created in Borneo, Myanmar, Paris, Pushkar, Los Angeles, New York, London, Miami, Berlin, Buenos Aires, Milan, Barcelona, Madrid,...

This photograph is from among Vincent Dixon's series created in Borneo, Myanmar, Paris, Pushkar, Los Angeles, New York, London, Miami, Berlin, Buenos Aires, Milan, Barcelona, Madrid,...

Slim Aarons Estate Print - Hotel Krone Lech Traffic passing by the Hotel Krone in Lech, Austria, 1960 Paper size 40 x 40 inches / 101 x 101 cm Estate Stamped Collection Edition to 150 Photo by Slim Aarons Printed in 2025 Limited to 150 prints only (regardless of paper size) Hand-numbered in ink on the front Blind embossed...

Photograph is lambda c-printed mounted on aluminium dibond. Print is 100 cm wide and 80 cm high. Edition 8 plus 2 AP's. Artwork comes with an international certificate of auth...

The photograph was taken at Burano island, Venice, Italy. Picturesque Burano is known for its brightly colored fishermen's houses and its casual eateries serving seafood from the lag...

Slim Aarons Hotel Krone, Lech 1964 (printed later) C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Traffic passing by th...

Slim Aarons Kloisters 1963 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Caption: Skiers pass by the Hotel Chesa Grischuna in ...

Slim Aarons Kloisters 1963 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Caption: Skiers pass by the Hotel Chesa Grischuna in K...

'Porto Ercole Harbour' 1966 Slim Aarons Limited Estate Edition Print Boats in the harbour of Porto Ercole (Port'Ercole), Tuscany, September 1966. Produced from the original transp...

'Saint-Tropez' 1971 Slim Aarons Limited Estate Edition Print The seafront at Saint-Tropez, on the French Riviera, August 1971. Produced from the original transparency Certificate...

'Chateau Saint-Martin' 1986 Slim Aarons Limited Estate Edition Print The Chateau Saint-Martin, a luxury hotel in Vence on the Cote d'Azur, France, 1986. The building was once a Com...

'Palm Beach Street' 1953 Slim Aarons Limited Estate Edition Cars parked on a tree-lined street in Palm Beach, Florida, circa 1953. (Photo by Slim Aarons) C Print Produced from the ...

Artwork is lambda c-print on alu-dibond ; museum quality. Ready to hang. Artwork comes with an international certificate of authenticity, signed by the artist. If you wish the artw...

Artwork is Lambda c-printed on Dibond. Ready to hang. Museum quality. Limited Edition 8 plus 2 AP's. Best deco. 100x80 cm. Artwork comes with an international certificate of authe...

Archival pigment print Signed and numbered on label, verso 17 x 22 inches, sheet size (Edition of 15) 27 x 38 inches, sheet size (Edition of 9) 40 x 57 inches, sheet size (Edition of 3) From the series, "New York Unseen" This artwork is offered by ClampArt, located in New York City. Marc Yankus’ fine art and publishing experience span a period of more than thirty years. His work has been included in exhibitions at The Brooklyn Museum, Brooklyn, New York; Exit Art, New York City; The Library of Congress, Washington, DC; and ClampArt, New York City. Yankus’ artwork has graced the covers of books by Salman Rushdie, Philip Roth...

"Southern Red Oak #1, Atlanta, GA" is a nocturne photograph of an urban tree featuring hues of blue, green, orange and yellow. This listing is for a framed print. Additional unframed...

Artwork is lambda c-printed on alu-dibond ; museum quality. Ready to hang. 120x80 cm. Artwork comes with an international certificate of authenticity, signed by the artist. If you ...

Artwork is Lambda c-printed mounted on Dibond. Ready to hang. Museum quality. Limited Edition 8 plus 2 AP's. Artwork comes with an international certificate of authenticity, signed...

'Kingston Studios' by Alain Le Garsmeur Limited Edition Archival Pigment Print Channel One Recording Studios, Kingston, Jamaica 1983. Paper size : 40x30 inches / 101 x 76 cm Lim...

'Harlem Buildings' 1978 by Alaine Le Garsmeur Limited Edition Archival Pigment Print Building façade on the streets of Harlem, New York City, USA 1978. Paper size : 40x30 inche...

Photograph is lambda c-printed mounted on aluminium dibond. Print is 100 cm wide and 80 cm high. Edition 8 plus 2 AP's. Artwork comes with an international certificate of authe...

This listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essick is a photographer, author and drone pilot who specializes in nature and environmental themes. His latest series, "Memorial Drive," documents the thoroughfare that stretches between the Georgia State Capitol and the Confederate monument at Stone Mountain. Originally known as East Fair Street, Memorial Drive was one of the first roads in Atlanta, and connected the downtown commercial districts to the residential neighborhoods of East Lake and Kirkwood. In 1930, it was expanded all the way to Memorial Hall in Stone Mountain Park with the use of convict labor. The now 15-mile-long thoroughfare took on a new symbolic meaning to physically connect the State Capitol with the Confederate monument at Stone Mountain. According to an article in The Atlanta Constitution on February 2, 1930, Memorial Drive was “another step in the effort of Atlanta and Georgia to honor the memory of the heroes of the confederacy.” In the years since, Memorial Drive has acquired even more history. The street passes through communities of a wide diversity of people. These neighborhoods have seen cycles of development, economic decline, redevelopment and in some recent cases complete gentrification. People from all over the world as well as those from just across town have come to live and work on or near Memorial Drive. The street’s story is complex and of interest not only to developers and realtors, but also urban planners, sociologists, community activists, business owners, residents and even artists. Peter used a drone to take many of the photographs in the series, using a survey approach, he hopes to peak a viewers’ interest with the wide array of subjects. Named one of the forty most influential nature photographers in the world by Outdoor Photography...

Digital C-print (Edition of 10) Signed, dated, and numbered, verso 30 x 35.5 inches, sheet 22 x 27 inches, image This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. To commemorate the 400th anniversary of Henry Hudson...

Digital C-print (Edition of 10) Signed, dated, and numbered, verso 30 x 35.5 inches, sheet 22 x 27 inches, image This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Joshua Lutz is an American artist working with large-format photography and video. Lutz began photographing the Meadowlands ten years ago as a a documentary study of the 32-square-miles of marshy wilderness that sits between New Jersey and New York (while ostensibly searching for the remains of Jimmy Hoffa...