Plant Color Photography

Massachusetts Hero A heron in his chosen hunting spot on a New England summer morning in Marion, Massachusetts USA. by Stuart Möller Born in Kabul, part German and Anglo-Indian an...

This work is offered by CLAMP in New York City. Signed on label, verso

Star Ship (Zuma Beach) - 1999 20x24cm, Edition of 10 plus 2 Artists Proofs. Archival C-Print, based on the Polaroid. Signature Label and Certificate. Artist Inventory # 926. Not mo...

Side Effects (The Girl Behind the White Picket Fence) - 2013 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and certificate. Artist Inventory #13303. Not mounted. Offered is a piece from the movie: The Girl Behind the White Picket Fence. Written and directed by Stefanie Schneider A tale told with blemished and expired Polaroid film about the hopes and dreams of a newly orphaned girl after losing her parents who lived in the Californian desert in an old travel trailer. -filmed with Polaroid film stock and Super-8 footage, overlaid with poetic voice-over monologue - this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girl's journal. (Palms Springs life magazine / Caroline Ryder) Stefanie Schneider By Caroline Ryder Inside the trailer are period accents—a vintage radio, vintage fridge, little crocheted doilies, and dusty gilt-framed photographs. It’s a surreal home-sweet-home, an Americana fantasy as imagined by German artist and experimental filmmaker Stefanie Schneider whose work is so inspired by the desert landscape, she made it her home in 2005. “There’s a completely different light here than in Germany, a beautiful light,” says Schneider, whose property in Morongo is dotted with vintage trailers. They surround her midcentury home and serve as sets for her photoshoots or as guest lodgings for her friends from Hollywood and Berlin. “But what I really love about the desert is the desolation,” she continues. “The sense of hope for something that might or might not come. It’s easy to see our dreams projected in the desert.” Famed for shooting trailer park chic fine art photographs exclusively on vintage Polaroid film, Schneider recently completed her most ambitious project to date—a feature film made entirely of Polaroid stills (4000 images in total), the story set around her magnificent 1950s trailer. The film, called “The Girl Behind The White Picket Fence” tells the story of a broken-hearted girl who lives in the trailer. Her name is Heather, and she is played by model Heather Megan Christie, girlfriend of actor Joaquin Phoenix, and former partner of Red Hot Chili Peppers singer Anthony Kiedis, with whom she has a son. Heather stars opposite Kyle Larson (who plays ‘Hank’), a real-life gypsy fisherman who catches crab in Alaska when he’s not surfing in Southern California. Neither of the two had ever acted before, and never in the history of movie-making has a director shot a film entirely on Polaroid film. “There was great difficulty shooting a film this way,” says Schneider, who, with her long straight hair, wide innocent eyes, and thick-framed glasses, conjures an art-house Gretel. “If I had used a regular camera I would have had 36 exposures per minute, much faster and easier than using the old Polaroid camera which takes a long time to shoot one frame. Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.” Individually, the Polaroid photographs that comprise 29 PALMS, CA stand alone, but together and in sequence, filmed with super 8 and 16mm film stock and overlaid with poetic voice-over monologues, they create a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick. Gus Van Sant, and pages torn from a lonely girl’s journal. The idea to shoot a movie in this way came about in 2004 when Schneider was working with leading German director Mark Forster (Monster’s Ball, Finding Neverland, Quantum of Solace) on his film Stay. She had met Forster at director Wim Wender’s birthday party in Hollywood. A few years later, Forster asked Schneider to shoot Polaroids of scenes from Stay as he filmed; he used those photographs for dream and memory sequences in the movie. For the first time, Schneider saw her Polaroids strung together in sequence, moving with rhythm like a flipbook, in the context of a story. When Forster urged her to consider making a feature film using that technique, the seed of 29 PALMS, CA was sown. She mentioned the idea to her good friend German actor Udo Kier, who also gave the idea a big thumbs up, and agreed to play the part of a mysterious shaman in the film. Thanks to her strong reputation in the art world and her Hollywood connections, getting talented people on board was the easy part (for a while, Charlotte Gainsbourg was pegged to play the starring role, although she pulled out two weeks before shooting commenced because she was pregnant and not fit to travel to the desert.) The hard part was finding the perfect trailer—and bringing it to the desert. “This trailer almost killed us,” says Schneider’s partner Lance Waterman, who lives and works with Schneider in Morongo Valley. After finding it on eBay, the couple drove to Utah to pick it up, the plan being to tow it all the way back to the high desert themselves. Bad idea. “We were driving down a hill with this enormous trailer behind us when we realized that if we wanted to stop, there would be no way to do so without the trailer crushing us,” says Waterman. Adds Schneider: “Lance was even giving me instructions on how to jump out of the truck if we needed to.” Thankfully the road leveled and as soon as they were able to slow down and pull over, they called a professional towing company, which transported the trailer the remaining distance to Morongo Valley. Filming took place in Spring 2011 and 2012. Schneider recently submitted the film to major film festivals in Europe and the US, and it will be broadcast in 2013 by leading German television channel, Arte. While Schneider may come from a long tradition of photographers-turned-filmmakers—Stanley Kubrick started out as a photographer, as did Ken Russell (Tommy, Women in Love) and Larry Clark, who was a controversial fine art photographer before directing smash hit Kids—she does not see her future in Hollywood, directing blockbusters. Not necessarily. “I don’t think I want to make more films,” she says. “The actors were saying they would love to work with me again, and were asking if I would like to make other movies. But being on movie sets is far too stressful, and at least with this, I was in complete power of what was going on creatively. That said, if this gets a lot of acclaims…we can always think again. One should never say never.” Film features original soundtrack with songs by Adam Weiss, Daisy McCrackin, Billy Harvey, Sophie Huber, Zoe Bicat, Max Sharam, Cheyenne Randall...

FLORA ODYSSEY N°6 by Allan Forsyth [2021] Limited edition Archival Chromagenic Photographic Print Edition of 12 Image size: H:100 cm x W:100 cm Complete Size of Unframed Work: H:100...

Digital C-print Signed and numbered on label, verso 14 x 11 inches (Edition of 5) 24 x 20 inches (Edition of 5) 40 x 30 inches (Edition of 5) This photograph is offered by ClampAr...

Droplets 1 - Limited edition pigment print - Limited Editions of 5 Close-up of dewdrops on a spider's web. Signed + numbered by artist with certificate of authenticity. Archival pigment print available sizes ( Image size , the white margin is not counted): 33.3 x 50 cm / 12.99 x 19.68 in. - Edition of 5 50 x 75 cm / 19.68 x 29.53 in. - Edition of 5 67.7 x 101.60 cm / 26,373 x 40 in. - Edition of 5 This print that is being offered is a high-quality Archival Pigment print, which has been printed on fiber-based paper. The paper used is Hahnemühle Photo Rag® Baryta 315 gsm, which is a premium quality paper that is acid-free and lignin-free. This ensures that the print will remain in pristine condition for years to come. The Hahnemühle Photo Rag® Baryta paper is a museum-quality paper that is highly resistant to aging. It is a popular alternative to analogue baryta paper, which is known for its ability to produce rich, deep blacks and vibrant colors. The Hahnemühle Photo Rag® Baryta paper is no different, as it produces stunningly vivid and lifelike prints. Overall, this Archival Pigment print is a stunning piece of art that is sure to impress. The combination of high-quality paper and inks ensures that the print will remain in pristine condition for many years, making it a great investment for any art collector or enthusiast. Sam Thomas...

Memory Gaps (The Girl Behind the White Picket Fence) - 2013 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and certificate. Artist Inventory #13359. Not mounted. Offered is a piece from the movie: The Girl Behind the White Picket Fence. Written and directed by Stefanie Schneider A tale told with blemished and expired Polaroid film about the hopes and dreams of a newly orphaned girl after losing her parents who lived in the Californian desert in an old travel trailer. -filmed with Polaroid film stock and Super-8 footage, overlaid with poetic voice-over monologue - this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girl's journal. (Palms Springs life magazine / Caroline Ryder) Stefanie Schneider By Caroline Ryder Travel up a bumpy dirt road in Morongo Valley, the trail strewn with rocks, and you’ll come upon a gigantic 1950s trailer in pristine condition, ringed by a white picket fence, with cottontail rabbits hopping among neat little rose bushes that bloom in spite of the broiling desert heat. Inside the trailer are period accents—a vintage radio, vintage fridge, little crocheted doilies, and dusty gilt-framed photographs. It’s a surreal home-sweet-home, an Americana fantasy as imagined by German artist and experimental filmmaker Stefanie Schneider whose work is so inspired by the desert landscape, she made it her home in 2005. “There’s a completely different light here than in Germany, a beautiful light,” says Schneider, whose property in Morongo is dotted with vintage trailers. They surround her midcentury home and serve as sets for her photoshoots or as guest lodgings for her friends from Hollywood and Berlin. “But what I really love about the desert is the desolation,” she continues. “The sense of hope for something that might or might not come. It’s easy to see our dreams projected in the desert.” Famed for shooting trailer park chic fine art photographs exclusively on vintage Polaroid film, Schneider recently completed her most ambitious project to date—a feature film made entirely of Polaroid stills (4000 images in total), the story set around her magnificent 1950s trailer. The film, called “The Girl Behind The White Picket Fence” tells the story of a broken-hearted girl who lives in the trailer. Her name is Heather, and she is played by model Heather Megan Christie, girlfriend of actor Joaquin Phoenix, and former partner of Red Hot Chili Peppers singer Anthony Kiedis, with whom she has a son. Heather stars opposite Kyle Larson (who plays ‘Hank’), a real-life gypsy fisherman who catches crab in Alaska when he’s not surfing in Southern California. Neither of the two had ever acted before, and never in the history of movie-making has a director shot a film entirely on Polaroid film. “There was great difficulty shooting a film this way,” says Schneider, who, with her long straight hair, wide innocent eyes, and thick-framed glasses, conjures an art-house Gretel. “If I had used a regular camera I would have had 36 exposures per minute, much faster and easier than using the old Polaroid camera which takes a long time to shoot one frame. Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.” Individually, the Polaroid photographs that comprise 29 PALMS, CA stand alone, but together and in sequence, filmed with super 8 and 16mm film stock and overlaid with poetic voice-over monologues, they create a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick. Gus Van Sant, and pages torn from a lonely girl’s journal. The idea to shoot a movie in this way came about in 2004 when Schneider was working with leading German director Mark Forster (Monster’s Ball, Finding Neverland, Quantum of Solace) on his film Stay. She had met Forster at director Wim Wender’s birthday party in Hollywood. A few years later, Forster asked Schneider to shoot Polaroids of scenes from Stay as he filmed; he used those photographs for dream and memory sequences in the movie. For the first time, Schneider saw her Polaroids strung together in sequence, moving with rhythm like a flipbook, in the context of a story. When Forster urged her to consider making a feature film using that technique, the seed of 29 PALMS, CA was sown. She mentioned the idea to her good friend German actor Udo Kier, who also gave the idea a big thumbs up, and agreed to play the part of a mysterious shaman in the film. Thanks to her strong reputation in the art world and her Hollywood connections, getting talented people on board was the easy part (for a while, Charlotte Gainsbourg was pegged to play the starring role, although she pulled out two weeks before shooting commenced because she was pregnant and not fit to travel to the desert.) The hard part was finding the perfect trailer—and bringing it to the desert. “This trailer almost killed us,” says Schneider’s partner Lance Waterman, who lives and works with Schneider in Morongo Valley. After finding it on eBay, the couple drove to Utah to pick it up, the plan being to tow it all the way back to the high desert themselves. Bad idea. “We were driving down a hill with this enormous trailer behind us when we realized that if we wanted to stop, there would be no way to do so without the trailer crushing us,” says Waterman. Adds Schneider: “Lance was even giving me instructions on how to jump out of the truck if we needed to.” Thankfully the road leveled and as soon as they were able to slow down and pull over, they called a professional towing company, which transported the trailer the remaining distance to Morongo Valley. Filming took place in Spring 2011 and 2012. Schneider recently submitted the film to major film festivals in Europe and the US, and it will be broadcast in 2013 by leading German television channel, Arte. While Schneider may come from a long tradition of photographers-turned-filmmakers—Stanley Kubrick started out as a photographer, as did Ken Russell (Tommy, Women in Love) and Larry Clark, who was a controversial fine art photographer before directing smash hit Kids—she does not see her future in Hollywood, directing blockbusters. Not necessarily. “I don’t think I want to make more films,” she says. “The actors were saying they would love to work with me again, and were asking if I would like to make other movies. But being on movie sets is far too stressful, and at least with this, I was in complete power of what was going on creatively. That said, if this gets a lot of acclaims…we can always think again. One should never say never.” Film features original soundtrack with songs by Adam Weiss, Daisy McCrackin, Billy Harvey, Sophie Huber, Zoe Bicat, Max Sharam, Cheyenne Randall...

Digital C-print Signed and numbered, verso 24 x 30 inches (Edition of 10) 30 x 40 inches (Edition of 3) This photograph is offered by ClampArt, located in New York City. Please no...

Series: Infinite Flowers Fine Art Print mounted on dibond perspex face in white tray frame Available sizes and editions: 32" x 32", Edition of 12 42" x 42", Edition of 8 Since this ...

Archival pigment print Signed and numbered, verso 20 x 24 inches (Edition of 5) $2,900 30 x 40 inches (Edition of 3) $5,200 40 x 50 inches (Edition of 2) $9,400 This photograph is...

High Desert (29 Palms, CA) - 1999 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid, Signature label and Certificate. Artist inventory Numbe...

Series: Infinite Flowers Fine Art Print mounted on dibond perspex face in white tray frame Available sizes and editions: 32" x 32", Edition of 12 42" x 42", Edition of 8 Isabelle v...

Il Pellicano Tennis 1955 (printed later) C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. An Aston Martin DB6 sports car dr...

The Wind 1944 Toni Frissell’s daugther Sidney on the beach as the Wind from A Child’s Garden of Verses, Southampton, Long Island, USA, 1944...

Evening Light Portal - 2021 40x30cm, Edition of 10. Giclée Print on Hahnemühle Fine Art Baryta, based on a Fuji Peel Apart Instant Film (not mounted). Signed on back with Certifi...

Flowers - Signed limited edition archival pigment print, 2015 - Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Aci...

Black Parrot Tulips Edition of 25 signed and numbered by the artist The most well-known meaning of tulips is perfect and deep love. As the tulip is a classic flower that has been lo...

Rising Lily Edition of 25 signed and numbered by the artist A beautiful study of the lily as it unfolds its buds. JJK is a pseudonym for one of the world's most successful photo ar...

Red Note Edition of 25 signed and numbered by the artist This still-life picture of a Music Note consists of an olive, mint leaf and a toothpick. It was shot on Polaroid Polachrome ...

Chromogenic print on Kodak Endura paper Signed and numbered on label, verso 24 x 20 inches (Edition of 4) 61 x 50 inches (Edition of 6) This photograph is offered by ClampArt, loca...

Boys Play with Hoops by Steve McCurry depicts two children running along a dirt path in Madagascar, with Baobab trees towering in the distance. 24 x 20 in. Edition of 30 Printed on ...

Chromogenic print on Kodak Endura paper Signed and numbered on label, verso 24 x 20 inches (Edition of 4) 61 x 50 inches (Edition of 6) This photograph is offered by ClampArt, loca...

Wildflower (The Last Picture Show) - 2005, 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Art...

Ocotillo (The Last Picture Show) - 1999, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist...

Four Buddhist nuns in traditional dress outside a school near Inle Lake, in the Taunggyi District of Shan State, Myanmar (Burma), May 1971. Gorgeous print measuring 24 x 20" inches...

St. Luke's Episcopal Church and Rectory, the saltbox replica that was installed recently, Gardiner Mill, The Rev. Thomas James historical marker- first pastor of the town church, (16...

Abaco Islander, 1986 Author Chester Thompson at work in his coconut grove on the Abaco Islands of the Bahamas, March 1986. His ancester Wyannie Malone settled on the islands in 178...

A Chalet In Winter 1955 A group of skiers pass a chalet at the St. Anton ski resort, Austria, 1955 by Toni Frissell 40 x 60" inches / 101 x 152 cm paper size Archival pigment pr...

Brunch At Brennans, 1960 Sunday brunch at Brennan’s restaurant, New Orleans. 20x20” / 51 x 51 cm - paper size Estate Stamped Collection Edition to 150 Photo by Slim Aarons Pr...

Morning Training At Saratago 1960 A racehorse at morning training, Saratoga, USA, 1960 by Toni Frissell 48 x 72" inches / 121 x 182 cm paper size Archival pigment print unframe...

Presented by The Merchant House Gallery, Amsterdam (www*merchanthouse*nl). Please note: We have a special deal / discount through Fedex. Shipping prices are negotiable. Dry print on...

Sex Flower A pink hibiscus flower photographed following rain. by Stuart Möller Born in Kabul, part German and Anglo-Indian and having grown up all over the world, Stuart Möller ...

Allan Forsyth Flame Flight Limited Edition Archival Chromagenic Photographic Print Edition 12 Sheet Size: H 118cm x W 100cm x D 2cm Diasec Framed Allan Forsyth is an artist who expl...

In The Bunker 1959 A caddy watches a golfer playing a shot, Hong Kong, 1959 by Toni Frissell 20 x 24" inches / 51 x 60 cm paper size Archival pigment print unframed (framing a...

Orchard - Limited edition archival pigment print - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then printed on Ha...

Capote At Home Author Truman Capote (1924 – 1984) relaxes with a book and a cigarette in his cluttered apartment, Brooklyn Heights, New York. 1958. 12 x 12” / 30 x 30 cm paper siz...

Hawaiian Scenes 1957 Boys in a waterfall, Hawaii by Toni Frissell 40 x 30" inches / 101 x 76 cm paper size Archival pigment print unframed (framing available see examples - pl...

An Alpine Scene In Winter 1955 The St. Anton ski resort, Austria, 1955. by Toni Frissell 40 x 30" inches / 101 x 76 cm paper size Archival pigment print unframed (framing availab...

An Icy Drive 1955 Cars parked at the foot of a ski slope at the Stowe Mountain resort, Vermont, USA, 1955. by Toni Frissell 40 x 30" inches / 101 x 76 cm paper size Archival pigm...

Vacancy (Instantdreams) - 1998 Edition of 5, 58x57cm. Analog C-Print, hand-printed by the artist on Archive Fuji Chrystal Paper, based on the Polaroid. Artist inventory number: 1...

Palm Frond (Life on Mars) - 2023 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and certificate. Artist Inventory 22308. ...

Palm Springs Palm Trees (Californication) - 2023 50x49cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

Palm Springs Palm Trees (Californication) - 2023 50x49cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

Wood - Signed limited edition archival pigment print - Edition of 8 Photography and Bichromate print : 2012 Pigment print : 2018 Several negatives was used to create a handma...

Merle Oberon Indian-born actress Merle Oberon (1911 – 1979) with her husband, Italian industrialist Bruno Pagliai, in the garden of their home in Acapul...

Still life and nude- Signed limited edition archival pigment print, Edition of 5 This print that is being offered is a high-quality Archival Pigment print which has been printed ...

Untitled - Cricket on the Nose Scene - (29 Palms, CA) - 2009 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signatu...

1969, Swedish actress Britt Ekland in Porto Ercole, Italy. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the ...

'Cocteau Collector' August 1982: Art collector Sylvia Coca sits in front of one of Jean Cocteau's murals in Marbella. Paper Size 24x20 inches / 60 x 50 cm Estate Stamped Colle...

Shattered (Heather's Dream) - 2013 part of "The Girl Behind the White Picket Fence" 38x48cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certifi...

Archival pigment print Signed and numbered, verso 11 x 14 inches (Edition of 15) 20 x 24 inches (Edition of 10) This photograph is offered by ClampArt, located in New York City. Pl...

Archival pigment print Signed and numbered, verso 11 x 14 inches (Edition of 15) 20 x 24 inches (Edition of 10) This photograph is offered by ClampArt, located in New York City. Pl...

Mid Century Modern Palm Springs Architecture. Steve McQueen. Classic Vintage 356 Porsche, Midnight Modern Series Architecture Palm Springs. Archival Inkjet Print on Cotton Paper. Mi...

'Orange Poppies' Analogue colour floral photography. London, United Kingdom 2024. Limited edition of 20. Printed on the finest archival Hahnemühle Photo Rag paper, these limited ...

Frozen XVI (Stranger than Paradise) - 2001 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Invento...

Madama Butterfly is an original artwork realized by the Italian artist and photographer Angelo Cricchi in 2010. Original Digital Photograph on paper...

Archival pigment print Signed and numbered, verso 16 x 24 inches (Edition of 10) 20 x 30 inches (Edition of 7) 30 x 45 inches (Edition of 3) This photograph is offered by ClampArt, located in New York City. While working as a Guggenheim fellow to document Vietnamese war amputees in 2012, Pipo Nguyen...