Silhouette Color Photography

Signed by the photographer

Signed by the photographer

Erik MADIGAN HECK (*1983, United States) Waterfall by Night, 2022 Chromogenic print 137.2 x 91.4 cm (54 x 36 in.) Edition of 5 plus 2 artist's proofs Print only Signed by the artist ...

Erik MADIGAN HECK (*1983, United States) Aberglasney Gardens, Wales, 2021 Chromogenic print 137.2 x 91.4 cm (54 x 36 in.) Edition of 5 plus 2 artist's proofs Print only Signed by the...

A Binding Moment Archival Pigment Print Available Sizes: 16” x 20” Edition of 25 with 3 Artist Proofs 20” x 24” Edition of 10 with 3 Artist Proofs 30” x 40” Edition of 7 with 3 Ar...

Glowing Available Sizes: 16” x 20” Edition of 25 with 3 Artist Proofs 20” x 24” Edition of 10 with 3 Artist Proofs 30” x 40” Edition of 7 with 3 Artist Proofs Artist Poem on "Glow...

The Gold of the Moment Available Sizes: 16” x 20” Edition of 25 with 3 Artist Proofs 20” x 24” Edition of 10 with 3 Artist Proofs 30” x 40” Edition of 7 with 3 Artist Proofs Artis...

EXILE Archival Pigment Print Available Sizes: 16” x 20” Edition of 25 with 3 Artist Proofs 20” x 24” Edition of 10 with 3 Artist Proofs 30” x 40” Edition of 7 with 3 Artist Proofs...

Justin Solomon "Wrestling Under the Sunset," sounds very romantic, 2018 Archival pigment print 26 1/2 x 40 inches (67.3 x 101.6 cm) Edition 1/5

Erik MADIGAN HECK (*1983, United States) Not Titled Yet, 2023 Chromogenic print Sheet 152.4 x 122.6 cm (60 x 48 1/4 in.) Edition of 9 plus 2 artist's proofs (#1/9) print only Origin...

EMMA SUMMERTON (*1970, Australia) Messages 04:19, 2023 Archival pigment print on Hahnemühle paper in white distance frame Sheet 23.2 x 27.4 cm (9 1/8 x 10 3/4 in.) Frame 24.6 x 28.7 ...

Erik MADIGAN HECK (*1983, United States) Not Titled Yet, 2022 Chomogenic print Sheet 152.4 x 101.6 cm (60 x 40 in.) Edition of 9 plus 2 artist's proofs (#2/9) Print only Originally...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

This is one of most fun series I’ve ever made, and it’s not without its challenges, I worked for months testing the exact camera, film, and light combination to create a texture and image that I had never seen before, using a Hassablad and Ilford film I found a tone I had dreamed of for months of quarantine. I’ve spent the majority of my photography career avoiding harsh shadows in an image, but the series changed all that it was no longer about avoiding the darkness but creating it, telling a story from a graphical view, allowing only shadows and lines to create the narrative, a new step for me, but one I’ve fallen in love with. This series has made me think differently...

This photograph titled "Return From The Bardos Into The Wede" is an original artwork by Shawn Theodore measuring 18"h x 24"w on Canson Infinity Platine Fibre Rag 310gsm. This piece is part of a solo exhibition of new photographic work by interdisciplinary artist Shawn Theodore titled "Night Stars". This is an edition of 8 with 2 APs. Additional limited edition sets also available. Shawn Theodore (b. 1970, Germany) is an award-winning photographer whose work opens broad conversations regarding the role of the photographer in the shaping of agency and imagery, engages in new forms of storytelling, and impacts the trajectory of the collective black consciousness. Theodore has participated in exhibitions at various institutions, galleries and fairs, including the African American Museum in Philadelphia (2017, 2018), Mennello Museum of American Art (2018), The Barnes Foundation (2017, 2018, 2019), Steven Kasher Gallery (2018), AIPAD (2018, 2019), Hudson Valley Community College (2018), Catherine Edelman Gallery (2017), The Bakalar & Paine Galleries at MassArt (2017), Snap! Orlando (2018), Richard Beavers Gallery (2018), PRIZM Art Fair, Scope Art Fair, Philadelphia Photo...

NICK KNIGHT (*1958, Great Britain) Gold Kate, British Vogue, 2000 Screen print on foil Sheet 101.6 x 76.2 cm (40 x 30 in.) Edition of 3; Ed. no. 2/3 (last edition available) Print only Nick Knight is among the world’s most influential and visionary photographers. He has worked on a range of often controversial issues during his career – from racism, disability, ageism, and more recently fat-ism. He continually challenges conventional ideals of beauty. Knight made fashion history in November 1993 by adapting ring-flash photography to capture Linda Evangelista for a landmark, post-grunge cover of British Vogue. Since then, his work has graced no fewer than 36 covers. He has shot advertising campaigns for Jil Sander, Louis Vuitton, Calvin Klein, Yves Saint Laurent, Vivienne Westwood, Alexander McQueen and Christian Dior to name a few. He has also shot record covers for David Bowie, Paul Weller, George Michael and Massive Attack. Knight’s work has been exhibited at institutions such as the Victoria & Albert Museum, Saatchi Gallery, The Photographers’ Gallery, the Hayward Gallery and recently the Tate Modern. Knight has also turned his hand to directing music videos - Pagean Poetry by Björk in 2001 being his first and, most recently, Kanye West’s Bound 2. He directed the video for Lady Gaga’s hit single Born This Way in 2011. Both the song and the video aimed to empower and show solidarity within minority groups, a common theme in Knight’s work. The work is one of a recently published series of prints that took 10 years to produce due to the long development process they triggered. Inspired by 16th century...

Emma SUMMERTON (*1970, Australia) Miami Blue, 1999 Archival pigment print on Hahnemühle Paper 100 x 120 cm (39 3/8 x 47 1/4 in.) Edition of 5, plus 2 AP; Ed. no. 3/5 Print only Aust...

All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certific...

I'D RATHER LOOK AT CLOUDS "…Here we go alone and like it better so...Now lying recumbent…this incessant making up of shapes and casting them down…this incessant ringing up and down of curtains of light and shade, this interminable experiment with gold shafts and blue shadows, with viewing the sun and unveiling it, with making rock ramparts and wafting them away – this endless activity…One should not let this gigantic cinema [of clouds] play perpetually to an empty house…" Virginia Woolf On Being Ill This series began from my bed photographing clouds tripping along the horizon of the Jemez Mountains of New Mexico, home to Los Alamos National Laboratory. I had just moved to my small studio perched high that I’d cobbled together over several years. My casual cloud gazing immediately became part of a pain-lessening arsenal - and how lucky for me living in an amphitheatre with an unexpected generous subject – a nearly 24-hour a day theater. The title of this series comes from an exchange with a friend about war...

From the "Horizon" series. Archival digital pigment print. Available a few various sizes: 24 x 30 inches (edition of 15) 32 x 40 inches (edition of 7) 40 x 50 inches (edition of...

From the "Horizon" series. Archival digital pigment print. Available a few various sizes: 24 x 30 inches (edition of 15) 32 x 40 inches (edition of 7) 40 x 50 inches (edition of...