2010s Portrait Photography

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Can a street photograph be a grab shot and precisely designed at the same time? Mitchell Funk says yes. He brings finely honed photography skills such as composition, intense lighting and design to highly charged subject matter. This Folsom Street Fair...

Bowie 2 Bowie By BATIK Signed Limited Edition Archival pigment pop art print of the infamous criminal arrest mugshot of David Bowie in 1976 BATIK is a London based fine artist an...

A model in Harlem, New York City in 1968. All available sizes and editions: 20" x 24", Edition of 25 + 3 Artist Proofs 24" x 34", Edition of 25 + 3 Artist Proofs "Eve Arnold, born ...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Nick Vedros Mother Daughter Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 1987 Size: 14x12in E...

Photography always has occupied a central place in Debra Pearlman's work. Her subjects are typically children caught unawares in action, revealing an array of ambiguous emotions. The...

Supermodel III C Print On Fuji Paper Collection: Dutch Masters One size: 44.5 x 34.5 Edition of 7 + 3 Artist Proofs, 8 left DUTCH MASTERPIECE These Self-portraits remind us of hist...

"THE MOONSHOT COLLECTION Emerging from a long evolution stretching back nearly 50 million years comes the horse, a wild beauty, grazing peacefully on the plains, and then suddenly br...

Revolver by Abi Polinsky Print on Hahnemüle Photo Rag paper. 2023 Framed. W 19.25" x H 23.5" Please contact us for shipping quotes and customization options. Shipping is not incl...

Untitled (Two Men on Chaise) Printed 2022 Signed and numbered, verso Cyanotype print toned with ammonia and tannic acid (Edition of 5) 7.5 x 9.25 inches, image This work is offer...

Nick Vedros Punker Chick Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 1990s Size: 14x13in Edition: 12 Signed, dated and numb...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

I did a photo session of a neighbour in my bombed-out office in a studio in Kharkiv. A Russian fighter jet dropped a bomb on March 2 on the roof of this 5-storey building and a neigh...

Drawing her inspiration from the grand masters of photography – Avedon, Lindbergh, Newton, or Toscani, amongst others – Cécile Plaisance uses lenticular printing to allow the viewer ...

Bowie 2 Bowie By BATIK Signed Limited Edition Archival pigment pop art print of the infamous criminal arrest mugshot of David Bowie in 1976 BATIK is a London based fine artist an...

Toner on book pages.

Carl 2021 Signed and numbered on label, verso Layered laser cut dye sublimation prints on aluminum (Edition of 3 + 2 APs) 32 x 24 inches $4,500, including framing This work is o...

Archival pigment print (Edition of 12) Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. Mariette Pathy Allen has been photographing the tra...

Lord Fauntleroy Ahmedabad Street Market - FRAMED SET OF 6 Pigment Prints Year: 2015 Visible Size: 9.25 x 9.25 inches (each) Framed: 10.6 x 10.6 inches (each) Signed: On Label Edition...

Lord Fauntleroy Ahmedabad 151209-582 Pigment Print Year: 2015 Visible Size: 9.25 x 9.25 inches Framed: 10.6 x 10.6 inches Signed: On Label Edition: 8 COA provided *White frame with...

Lord Fauntleroy Ahmedabad 151209-411 Pigment Print Year: 2015 Visible Size: 9.25 x 9.25 inches Framed: 10.6 x 10.6 inches Signed: On Label Edition: 8 COA provided *White frame with...

Lord Fauntleroy Ahmedabad 151209-427 Pigment Print Year: 2015 Visible Size: 9.25 x 9.25 inches Framed: 10.6 x 10.6 inches Signed: On Label Edition: 8 COA provided *White frame with...

Bowie 2 Bowie By BATIK Signed Limited Edition Archival pigment pop art print of the infamous criminal arrest mugshot of David Bowie in 1976 BATIK is a London based fine artist an...

Just ok (High Desert) - 2019 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory # 22192 Not mounted. Stefanie ...

2010 Signed and numbered, verso On the 10 year anniversary of Marina Abramović’s landmark performance The Artist is Present (2010), Marco Anelli ...

Photography has always occupied a central place in Debra Pearlman’s work, as direct street photography and as source material for paintings and photo-based objects. The subjects are ...

Archival pigment print Signed and numbered, verso 12 x 18 inches, image (Edition of 8 + 1 AP) 20 x 30 inches, image (Edition of 5 + 2 APs) This photograph is offered by ClampArt, ...

Rebirth C-print on Fuji Paper Collection: THE REBIRTH OF THE DUTCH FLOWER One size: 62.2 x 56.7 Edition of 8 + 2 Artist Proofs, 9 left THE REBIRTH OF THE DUTCH FLOWER COLLECTION Isa...

Archival pigment print ((Edition of 5 + 2 APs) Signed, titled, dated, and numbered, verso This artwork is offered by ClampArt, located in New York City. Please note that prices incr...

HRM Queen Elizabeth II visits a new maternity ward at the Lister Hospital in 2012 in Stevenage. The Queen was on a two day tour of the East Midlands as part of her Diamond Jubilee tour of the country. by Official Getty Images Royal Photographer Chris Jackson...

Archival pigment print Signed and numbered, verso 18 x 12 inches, image (Edition of 8 + 1 AP) 30 x 20 inches, image (Edition of 5 + 2 APs) This photograph is offered by ClampArt, ...

Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...

This floral landscape photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. Belg...

Archival pigment print Signed and numbered, verso 20 x 30 inches, image (Edition of 5 + 2 APs) 30 x 45 inches, image (Edition of 3 + 1 AP) This photograph is offered by ClampArt, ...

Black is beautiful, New York City, USA in 1968. All available sizes and editions: 24" x 20", Edition of 25 + 3 Artist Proofs 34" x 24", Edition of 25 + 3 Artist Proofs "Eve Arnold,...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Street art in Amsterdam, bike parked in front and fallen leaves on the ground

All For Love C-print on Fuji Paper Collection: FLOWER LOVE One size: 40.5 x 40.5 Edition of 8 + 2 Artist Proofs FLOWER LOVE Roses warm you heart, they inspire us to nurture and take...

2015, pigment print photograph, 14 x 11 inches, Edition of 12 William Wegman is a renowned photographer famous for his unique and artistic photographs of Weimaraner puppies. His app...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Archival pigment print 20 x 16 inches (Edition of 8) 29 x 24 inches (Edition of 8) This photograph is offered by ClampArt, located in New York City. During the 2012 football seas...

Fun Loving Criminals II By BATIK- Signed Limited Edition Archival pigment pop art print of infamous criminal arrest mugshots of Fifty Cent, Elvis Presley, David Bowie, Snoop Dog, ...

American Muslim minister and human rights activist Malcolm X in Chicago, Illinois in 1961. All available sizes and editions: 24" x 20", Edition of 25 + 3 Artist Proofs 34" x 24", Ed...

Archival pigment print, painted frame (Edition of 4 + 1 AP) Signed and numbered, verso This photograph is offered by ClampArt, located in New York City. Price includes mounting and ...

Vania (Sentenced for Murder): Men’s Prison Ukraine 2010 Signed and numbered, verso Archival pigment print (Total edition of 7 + 2 APs) This work is offered by CLAMP in New York City.

Monogrammed by hand Publisher: Griffelkunst Hamburg Condition: in mint condition Size: 11.5 × 8.6 on 15.4 × 12.5 inches Thorsten Brinkmann was born in Herne, Germany in 1971. He studied Visual Communication at Kunsthochschule Kassel and Fine Arts at Hochschule für Bildende Künste, Hamburg. Brinkmann is known internationally for his unconventional photographic portraits and still lifes, featured recently in T: The New York Times Style Magazine article, “Witty Photos That Play With Centuries-Old Artistic Tradition” (September 2015). Brinkmann has had solo exhibitions in Belgium, Germany, and Mexico. His work is represented in museums throughout Europe and was included in Beyond Borders, The Fifth Beaufort Triennial, Belgium (2015); and Dress Codes: The Third ICP Triennial of Photography and Video, International Center for Photography, New York (2009). Following his 2012 residency at The Andy Warhol Museum, Pittsburgh, Pennsylvania, Brinkmann undertook La Hütte Royal, a yearlong installation project of transforming a dilapidated house in the Troy Hill area of Pittsburgh into a permanent artwork. A self-proclaimed serialsammler (“serial collector”), Thorsten Brinkmann keeps whatever catches his eye as he sifts through the broken and discarded items sitting in purgatory on thrift store shelves...

Archival pigment print Signed and numbered, verso 18 x 12 inches, image (Edition of 8 + 1 AP) 30 x 20 inches, image (Edition of 5 + 2 APs) This photograph is offered by ClampArt, ...

Cabaret #4, 2006 - Miles Aldridge (Colour Photography) Signed in ink on artist’s label Chromogenic print 14 x 21 inches Edition of 10 Also available in the following sizes: 26 ½ × ...

2010 Signed and numbered, verso On the 10 year anniversary of Marina Abramović’s landmark performance The Artist is Present (2010), Marco Anelli reissues a new edition of “Portrait...

Bathers #1, 2015 - Miles Aldridge (Colour Photography) Signed and numbered in ink verso Screenprint with lithography in colours 34 ¼ × 26 ¼ inches Edition of 25 Miles Aldridge’s si...

Revive Portrait C-print on Fuji Paper Collection: THE REBIRTH OF THE DUTCH FLOWER One size: 44.5 x 40.5 Edition of 8 + 2 Artist Proofs THE REBIRTH OF THE DUTCH FLOWER COLLECTION Isa...

This selection is an intimate grouping of portraits of celebrities and tastemakers in the burgeoning cannabis industry. I’ve paired these with select portraits evoking the feeling of...

Catherine, Duchess of Cambridge and Prince William, Duke of Cambridge look through the clock at Musee d’Orsay during an official two-day visit to Paris France on March 18, 2017 by Official Getty Images Royal Photographer Chris Jackson...

Archival pigment print Signed and numbered on label, verso 12 x 18 inches (Edition of 10) 24 x 35.5 inches (Edition of 8) From the series, "Him" This artwork is offered by ClampAr...

This gorgeous artwork on paper was created initially with a screen print base of the model, then Rosie hand finishes the work with a unique splash and painted composition. Some call ...

Archival pigment print Signed and numbered on label, verso 12 x 18 inches (Edition of 10) 24 x 35.5 inches (Edition of 8) From the series, "Another November" This artwork is offer...

3-D, 2010 - Miles Aldridge (Colour Photography) Signed and numbered on reverse C-type print 32 x 32 inches Edition of 10 + 2 AP Miles Aldridge’s singular aesthetic is characterised ...

Besides being mysterious, cats are equally beautiful and unmatched in that regard with anyone else in the animal kingdom. Black Cat. Green Eyes was photogr...

THE REBIRTH OF THE DUTCH FLOWER COLLECTION Isabelle van Zeijl has turned her eye on 400 million flowers destroyed during quarantine. Using flowers salvaged from her local growers, Va...