2010s Portrait Photography

Sony - Signed limited edition archival pigment print, 2019 - Edition of 5 Sonia Rolland in Downtown Los Angeles for DIOR This is an Archival Pigment print on fiber based paper ( ...

Anne Rixt Kuik graduated in 2017 at The Classical Academy of Arts in Groningen. She then went for study to Australia and Florence (Italy). Anne Rixt as a little child visited the Rij...

Eva - Signed limited edition archival pigment print - Edition of 5 Eva Longoria in DOORS project Cannes 2016, France Cannes Festival, The International Film Festival This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity. Signed + numbered by artist with certificate of authenticity. Archival pigment print available sizes : 40 x 27 cm / 15,75 x 10,63 in - Edition of 10 60 x 40 cm / 23,62 x 15,75 in. - Edition of 5 Laurent Campus...

Hommage a René Gruau II • Paris, 2011 • Edition of 18 prints in 3 sizes. All prints are numbered and signed. Printed on Hahnemühle Archival Paper. Three different sizes are available...

Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Christopher Anderson...

Giclée Fine Art Archival Fiber Print, Resin Encapsulated, Custom Double Shadow Box Frame. 24x36” print, 29x41” in the custom frame. Series of 10. Custom size and framing options avai...

BROOKE SHADEN "Chasing" 2014 Photo on Velvet Fine Art Paper, ed of 15 10 x 10 inches (Unframed) Channeling the light and darkness inherent in humanity through her self-portraits, fi...

Nick Vedros Dog Owner and Dog Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 1980s Size: 13.2x12in Edition: 15 Signed, dated a...

Nick Vedros Tim (Portrait) Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 2000s Size: 12x12in Edition: 15 Signed, dated and nu...

Nick Vedros Kansas couple Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 2000s Size: 14x11in Edition: 12 Signed, dated and num...

Nick Vedros Hoop Girl Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 2000s Size: 11x11.2in Edition: 1...

Nick Vedros Contemplating Pin-Ups Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 1990s Size: 12x10in Edition: 15 Signed, dated...

Nick Vedros Towner (Portrait) Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 2000s Size: 10x10in Edition: 15 Signed, dated and...

Nick Vedros Brian (Portrait) Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 1980s Size: 12x8in Edition: 12 Signed, dated and n...

Nick Vedros Ford Wins Nomination Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 1976s Size: 10x15in Edition: 12 Signed, dated ...

Nick Vedros Homeless Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 1990s Size: 10x13in Edition: 12 Signed, dated and numbered...

Nick Vedros Dancer Study Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 2000s Size: 8x14in Edition: 15 Signed, dated and numbe...

Nick Vedros Dales Bait Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 1990s Size: 8x11in Edition: 12 Signed, dated and numbere...

Nick Vedros Snowman Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 10x8in Edition: 12 Signed, dated and numbered by hand on label Stamped COA provided Ref...

Nick Vedros Dancing Dog Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 10x12in Edition: 10 Signed, dated and numbered by hand ...

Nick Vedros Gnome Journey Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 11x17in Edition: 12 Signed, dated and numbered by han...

Untitled 11 by Abi Polinsky 2022 — Unframed. Edition 1 of 1 for each size. 30" x 40" 45" x 60" — Please contact us for shipping quotes and customization options. Shipping is n...

Broken Dream by Abi Polinsky 2022 Broken Dream plays with the notion of photography as a mechanical reproduction of fact. The double exposure and surreal colors conjure a hyperreal...

MOBY, 1999 Archival pigment print - Hahnemühle photo rag Size: 76 x 91.5 cm, Edition of 3 + 2AP, MAKiNG iT: the Seattle indie scene, 1992-2008 MAKiNG iT is a celluloid recording ...

Capuchin 2 - Signed limited edition archival pigment print - Edition of 3 A series of three portrait images of a Capuchin monkey in a stylised painterly style. This portraits are...

Antinoe - Signed limited edition archival pigment print, 2015 - Edition of 10 Asno Egypt during Coptic Revolutions In assignment for ARTE& LE LOUVRE 2012 This is an Archival P...

Raphael Macek Adornay 2020 - Afresco series 90 x 60 inches Archival Pigment Print Edition of 7 Framed Large-scale photograph from the Equine Beauty series. The legendary and compl...

Biblioteca St. Emmeram III, Regensburg, Germania 2016 C print signed and numbered edition of 5 The photographer is based in Florence, and is fascinated how his architectural subject...

Cabaret #3, 2006 - Miles Aldridge (Colour Photography) Signed and numbered on reverse Chromogenic print 37 × 27 ¾ inches Edition of 10 Also available in the following sizes: 60 × 45...

" Leopard #1 ” - Signed limited edition archival pigment print - Edition of 10 A series of studio portraits of a panther, or black leopard. Panthers are more commonly known thes...

“ Antinoe” - Signed limited edition archival pigment print, 2015 - Edition of 5 Asno Egypt during Coptic Revolutions In assignment for ARTE& LE LOUVRE 2012 This is an Archival...

"What Grandmother Bequeathed to Me" is a cyanotype on cotton fabric. It has an edition of 10. Tokie Rome-Taylor is inspired by the works of Harmonia Rosales, Kehinde Wiley, Tawny Chatmon, Ayana V. Jackson, Omar Victor Diop, Deborah Roberts...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

Sepia photography 2/5 Hand-signed and dated by the artist Françoise Benomar “What photography has to say” " I photograph so that the favorable idea...

Kampos Project 1, 2016 Archival pigment print on Hahne Muehle 200 gm Edition of 7 20 x 35 cm - $1200 40 x 60 cm - $1900 70 x 90 cm - $2900 Stratis Vogiatzis was born on 12th of Jan...

Hand colored silver gelatin photograph by Houston, TX artist Jim Reitz. The work features a man casually leaning against a building and looking at the camera...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender-neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This, of course, can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form, they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Fun Loving Criminals II By BATIK- Signed Limited Edition Archival pigment pop art print of infamous criminal arrest mugshots of Fifty Cent, Elvis Presley, David Bowie, Snoop Dog, ...

Tufnell's focus is primarily on sculpture, and he typically works with a variety of materials, including wood, metal, and found objects. While some of his sculptures do incorporate h...

Darth Elvis By BATIK Signed Limited Edition BATIK is a London based fine artist and image maker. Produced directly in the artist's studio Certificate of...

A model in Harlem, New York City in 1968. All available sizes and editions: 20" x 24", Edition of 25 + 3 Artist Proofs 24" x 34", Edition of 25 + 3 Artist Proofs "Eve Arnold, born ...

Monogrammed by hand Publisher: Griffelkunst Hamburg Condition: in mint condition Size: 11.5 × 8.6 on 15.4 × 12.5 inches Thorsten Brinkmann was born in Herne, Germany in 1971. He studied Visual Communication at Kunsthochschule Kassel and Fine Arts at Hochschule für Bildende Künste, Hamburg. Brinkmann is known internationally for his unconventional photographic portraits and still lifes, featured recently in T: The New York Times Style Magazine article, “Witty Photos That Play With Centuries-Old Artistic Tradition” (September 2015). Brinkmann has had solo exhibitions in Belgium, Germany, and Mexico. His work is represented in museums throughout Europe and was included in Beyond Borders, The Fifth Beaufort Triennial, Belgium (2015); and Dress Codes: The Third ICP Triennial of Photography and Video, International Center for Photography, New York (2009). Following his 2012 residency at The Andy Warhol Museum, Pittsburgh, Pennsylvania, Brinkmann undertook La Hütte Royal, a yearlong installation project of transforming a dilapidated house in the Troy Hill area of Pittsburgh into a permanent artwork. A self-proclaimed serialsammler (“serial collector”), Thorsten Brinkmann keeps whatever catches his eye as he sifts through the broken and discarded items sitting in purgatory on thrift store shelves...

Monogrammed by hand Publisher: Griffelkunst Hamburg Condition: In mint condition Size: 8.6 × 11.5 on 12.5 × 15.4 inches Thorsten Brinkmann was born in Herne, Germany in 1971. He studied Visual Communication at Kunsthochschule Kassel and Fine Arts at Hochschule für Bildende Künste, Hamburg. Brinkmann is known internationally for his unconventional photographic portraits and still lifes, featured recently in T: The New York Times Style Magazine article, “Witty Photos That Play With Centuries-Old Artistic Tradition” (September 2015). Brinkmann has had solo exhibitions in Belgium, Germany, and Mexico. His work is represented in museums throughout Europe and was included in Beyond Borders, The Fifth Beaufort Triennial, Belgium (2015); and Dress Codes: The Third ICP Triennial of Photography and Video, International Center for Photography, New York (2009). Following his 2012 residency at The Andy Warhol Museum, Pittsburgh, Pennsylvania, Brinkmann undertook La Hütte Royal, a yearlong installation project of transforming a dilapidated house in the Troy Hill area of Pittsburgh into a permanent artwork. A self-proclaimed serialsammler (“serial collector”), Thorsten Brinkmann keeps whatever catches his eye as he sifts through the broken and discarded items sitting in purgatory on thrift store shelves...

Charles Lutz's series of color photographs titled "Modern Beauty" is a captivating exploration of femininity and aesthetics, drawing inspiration from the iconic photographers Erwin B...

Adoring fans clamor for an autograph from Oprah Winfrey at the Bud Billiken Parade in Chicago. Every summer since 1929, “The Bud” has united African-Americans throughout the city of Chicago in music, dance, food, and laughter. It is a parade that openly and emphatically praises the historic roots of the South Side of Chicago. This casual look into Oprah's early life is an Artist Proof. It is matted and framed in a simple black metal frame measuring 16.25h x 20.25w inches. Richard Shay Oprah Winfrey at the Bud Billiken Parade, Chicago, 1984 archival pigment print 12h x 16w in 30.48h x 40.64w cm A.P. RSY016 Richard Shay grew up in Deerfield, Illinois where his father, the famed photojournalist, Art Shay and his wife Florence had moved to raise their family. Surrounded by the influence of his larger-than-life dad, Richard would go on to follow in his father's path. After traveling the world in his early 20's, Richard returned to Chicago and began photographing at The Oprah Winfrey Show. He became the family photographer for basketball player and Chicago treasure, Michael Jordan. He would go on to tour the US and Russia with The Smashing Pumpkins...

Edition of 10 Signed and numbered in pencil, and blind stamp on print margin by Cheryl Medow Signed, titled, dated, and print type in pencil on print verso by Cheryl Medow Paper size...

Fierce friends - Maya Angelou, Quincy Jones and Oprah Winfrey - are pictured here in 1993 at the 65th birthday celebration for Ms. Angelou. Oprah said of Angelou - she was my mentor, mother, sister and friend. This A.P. photograph is matted and framed in a simple black frame measuring 20.25h x 16.25w inches. Richard Shay Oprah Winfrey, Quincy Jones & Maya Angelou at Maya's 65th Birthday Celebration, 1993. archival pigment print 12h x 16w in 30.48h x 40.64w cm A.P. RSY018 Richard Shay grew up in Deerfield, Illinois where his father, the famed photojournalist, Art Shay and his wife Florence had moved to raise their family. Surrounded by the influence of his larger-than-life dad, Richard would go on to follow in his father's path. After traveling the world in his early 20's, Richard returned to Chicago and began photographing at The Oprah Winfrey Show. He became the family photographer for basketball player and Chicago treasure, Michael Jordan. He would go on to tour the US and Russia with The Smashing...

This publicity photo of Oprah Winfrey and famed choreographer Michael Peters was for a fantasy sequence with two of the stars from the hit musical "Dreamgirls". Oprah had been heard saying this was the best thing since 64 Crayola Crayons and that she cried tears of joy upon hearing the news that this would become a reality. She became a "Dreamgirl" for the day but the metaphor of her "dream" life is what is so intriguing about this photograph. This piece is matted and framed in a simple black frame measuring 16.25h x 20.25w inches. Richard Shay Oprah Rehearses Dream Girls with Michael Peters, 1984 archival pigment print 12h x 16w in 30.48h x 40.64w cm A.P. RSY003 Richard Shay grew up in Deerfield, Illinois where his father, the famed photojournalist, Art Shay and his wife Florence had moved to raise their family. Surrounded by the influence of his larger-than-life dad, Richard would go on to follow in his father's path. After traveling the world in his early 20's, Richard returned to Chicago and began photographing at The Oprah Winfrey Show. He became the family photographer for basketball player and Chicago treasure, Michael Jordan. He would go on to tour the US and Russia with The Smashing Pumpkins...

As the personal photographer for this much loved Chicago icon, Richard Shay captured MJ on his 40th birthday celebration. This Artist Proof is matted and framed in a simple black frame measuring 16.25h x 20.25w x 1d inches. Richard Shay Michael Jordan on His 40th Birthday, 2003 archival pigment print 12h x 16w in 30.48h x 40.64w cm A.P. RSY006 Richard Shay grew up in Deerfield, Illinois where his father, the famed photojournalist, Art Shay and his wife Florence had moved to raise their family. Surrounded by the influence of his larger-than-life dad, Richard would go on to follow in his father's path. After traveling the world in his early 20's, Richard returned to Chicago and began photographing at The Oprah Winfrey Show. He became the family photographer for basketball player and Chicago treasure, Michael Jordan. He would go on to tour the US and Russia with The Smashing Pumpkins...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

inkjet print on satin paper, laminated in luster matte. Edition of 5 from the portrait series titled WEAVING STREETS printed upon order

Petrovsky Palace, Moscow, 2015 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. 39.5 x 47.5 inches 47.5 x 59 inches 71 x 88.5 inches framing op...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Portrait photographer, Jerry Siegel's most recent body of work titled "REVEAL" is about transformation. "We live in a world of costumes - presenting ourselves how we want others to p...

This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...

This artwork is offered in 3 sizes. The price of the artwork increases with the edition. Please contact us to inquire about the current edition number, availability, and price. Thi...

C-print on Fuji Paper 7 + 3AP, 10 left "CAMOUFLAGED BEAUTY COLLECTION Van Zeijl's love for nature and metamorphosis is also identifiable in the rebellious way she reshapes the dress...

62.2 x 51.1 in, 6 + 2AP 44.5 x 31.5 in, 8 + 2AP "THE MOONSHOT COLLECTION Emerging from a long evolution stretching back nearly 50 million years comes the horse, a wild beauty, grazi...