Modern Portrait Photography

Norman Parkinson Jerry Hall in Feathered Dior 1975 C print Estate stamped and numbered edition of 21 on verso Caption: Jerry Hall is photographed wearing a one-shouldered satin colu...

Slim Aarons Estate Print - Capucine French actress Capucine, (Germaine Lefebvre) (1933 – 1990) fanning herself at a New Years Eve party held at Romanoffs in Beverly Hills. (Photo b...

Massive Attack Massive Attack, Berlin, 1998. by Kevin Westenberg- Signed Limited Edition Kevin Westenberg is famed for his creation of provocative an...

Winter Suntans Young women enjoy a relaxing sunbathe in snowy Gstaad. Slim Aarons Chromogenic C print Printed Later Slim Aarons Estate Edition Produced utilising the only origi...

The Beatles 1963 Abbey Road Studios London England. The first major group portrait of the Beatles was taken by Terry O’Neill during the recording of their first hit single and album...

David Lynch Film director David Lynch, Cannes, 2001 by Kevin Westenberg- Signed Limited Edition Kevin Westenberg is famed for his creation of provocativ...

This piece is an original photograph from the original negative, shot by Laszlo Willinger c. 1939, and printed in the 1980's. This photograph depicts American actress and pin-up mod...

Oberon's Lunch Film star Merle Oberon and lunch guests at her villa, La Consentida, Acapulco. The star is second from the right facing the camera. Circa 1966. Slim Aarons Chromogen...

By photographer Reg Lancaster, English actress Jane Birkin and French singer-songwriter Serge Gainsbourg, at home in Paris, 1969. As an authorized Getty Images Gallery partner, we ...

This piece is a photolithograph from the original negative by Laszlo Willinger, originally taken in 1942 and printed at a later date. It depicts German actress, Marlene Dietrich...

Nick Cave by Kevin Westenberg- Signed Limited Edition Kevin Westenberg is famed for his creation of provocative and electrifying images of world-class musicians, artists and movie ...

Hotel Sports Holidaymakers water-skiing in front of the Carlton Hotel, Cannes. Slim Aarons Chromogenic C print Printed Later Slim Aarons Estate Edition Produced utilising the o...

Rare Vintage Silver Gelatin and Polaroid Photograph Prints in Polaroid Photo Album. These measure 10 x 8 4.25 x 3.25. it is a folder titled on it Custom Print by Polaroid the album i...

'Hotel du Cap Eden-Roc' Slim Aarons - Limited Edition Estate Stamped Print Guests standing by a white Rolls-Royce convertible courtesy car at the Hotel du Cap Eden-Roc, Antibes, Fra...

Koo Stark Black and white silver gelatin portrait photograph of photographer Horst P. Horst, official 80th birthday image. Frame: 17 1/4 x 23 1/4 inches Sight: 10 1/4 x 13 1/4 inches Condition: Good. Kathleen Norris Stark (born April 26, 1956), better known as Koo Stark, is an American photographer and actress, known for her relationship with Prince Andrew. She is a patron of the Julia Margaret Cameron Trust, which runs the museum of the Victorian pioneer photographer. Early life and education Stark was born in New York. Her parents were Wilbur Stark, a writer and producer, and Kathi Norris, a writer and television presenter in New York City. She is the youngest of three children, the others being Pamela and Brad. At the time of her birth, the family was living in the city's Manhattan borough.[1] Her grandfather, Edwin Earl Norris, was a cabinetmaker and musician, playing the French horn and the viola in the Newark Symphony Orchestra. Her mother's family were Presbyterians.[2][3] After a divorce in the 1960s, her mother remarried.[4] Koo Stark attended the Hewitt School in New York and the Glendower Preparatory School in Kensington, London. After training at a stage school, she began her film acting career. (she acted in the original Star Wars!) Stark also began to work as a fashion model, particularly for Norman Parkinson. In February 1981, she was at the National Theatre as an understudy in the Edward Albee play Who's Afraid of Virginia Woolf? Stark has worked as a photographer since the 1980s, and may have been the first person to turn the tables on the pursuing paparazzi by taking photos of them. Prince Andrew has told how in 1983 a photographic printer, Gene Nocon, invited Stark to take photographs of people taking photos of her, for his exhibition, Personal Points of View, planned for October. She persuaded Nocon to include Andrew's work as well. Her early photographs led to a book deal, for which she took lessons from Norman Parkinson. She travelled to Tobago, where he lived, and he became her mentor. Her book Contrasts (1985) included about a hundred of her photographs. She went on to study the work of leading photographers, including Angus McBean, whom she met and photographed, developing her interests in photography to include reportage, portraits, landscapes, still life, and other work. The book Contrasts was launched at Hamiltons Gallery, London, in September 1985, at an exhibition of the same name. In 1994, the Gallery Bar at the Grosvenor House Hotel in Park Lane hosted an exhibition called 'The Stark Image', forty photographs by Stark, including several previously unpublished. In 1998, her work was featured at the Como Lario in Holbein Place, Belgravia. In July 2001 she had an exhibition called 'Stark Images" at the Fruitmarket Gallery in Edinburgh, duplicated from June to July 2001 at Dimbola Lodge on the Isle of Wight. A solo exhibition of portraits was at the Winter Gardens, Ventnor, from September to October 2010,[29] and another at Dimbola Lodge from February to April, 2011. On 22 April 1987, a charity auction at Christie's, St James's, for the Campaign to Protect Rural England, featured signed work by David Bailey, Patrick Lichfield, Don McCullin, Terence Donovan, Fay Godwin, Heather Angel, Clive Arrowsmith, Linda McCartney, Koo Stark, and fifteen others, Views by Stark, including some of Kirby Muxloe Castle, were in G. H. Davies's England's Glory (1987), a CPRE book launched at the same time. Pictures by Stark have appeared in Country Life and other magazines. Several of her portraits are in the National Portrait Gallery, and work is also in the collections of the Victoria and Albert Museum, both in London. A Leica user, Stark has said her camera transcends mere function and is a personal friend. A solo exhibition hosted by the Leica gallery in Mayfair in May 2017 was entitled Kintsugi, a Japanese word for a way of renovating things that have been broken. Stark explained the title: "Kintsugi is a way of learning to see individual beauty, and to appreciate the value of experience and honesty. It is the antithesis of digital, airbrushed, Photoshop-homogenised 'beauty'." In August the exhibition was repeated in Manchester, to mark the opening of a new Leica store there. Stark has been a practising Buddhist since meeting the Dalai Lama. She continues to live in London and is a member of the Chelsea Arts Club. She is a Patron of the Julia Margaret Cameron Trust, at Dimbola Lodge on the Isle of Wight, home of the Victorian pioneer photographer Julia Margaret Cameron. Stark met Prince Andrew in February 1981, and they were close for some two years, before and after his active service in the Falklands War. Tina Brown has claimed that this was Andrew's only serious love affair. In October 1982 they took a holiday together on the island of Mustique. According to Lady Colin Campbell, Andrew was in love, and the Queen was "much taken with the elegant, intelligent, and discreet Koo". However, in 1983, after 18 months of dating, they split up under pressure from the Queen. In 1997, Prince Andrew became the godfather of Stark's daughter, and in 2015, when the Prince was accused by Virginia Roberts over the Jeffrey Epstein connection, Stark came to his defence, stating that he was a good man and she could help to rebut the claims. Photographic exhibitions 'Contrasts', Hamiltons Gallery, Carlos Place, London, September 1985 'The Stark Image', Gallery Bar at Grosvenor House Hotel, London, 1994 'Stark Images', Dimbola Lodge, Isle of Wight, June to July 2001 'Stark Images', Fruitmarket Gallery, Market Street, Edinburgh, July 2001 'Portraits by Koo Stark', Winter Gardens, Ventnor, Isle of Wight, September to October 2010 'Koo Stark: Contrasts', Dimbola Lodge, Isle of Wight, February to April, 2011 'Kintsugi', Leica gallery, Bruton Place, Mayfair, May 2017 'Kintsugi', Leica store, Police Street, Manchester, August 2017 'Kintsugi Portraits', San Lorenzo, Beauchamp Place, London SW3, November 2017 Horst Paul Albert Bohrmann (1906 – 1999), who chose to be known as Horst P. Horst, was a German-American fashion and Fine Art photographer. The younger of two sons, Horst was born in Weißenfels-an-der-Saale, Germany, to Klara (Schönbrodt) and Max Bohrmann. His father was a successful merchant. In his teens, he met dancer Evan Weidemann at the home of his aunt, and this aroused his interest in avant-garde art. In the late 1920s, Horst studied at Hamburg Kunstgewerbeschule, leaving there in 1930 to go to Paris to study under the architect Le Corbusier. While in Paris, he befriended many people in the art community and attended many galleries. In 1930 he met Vogue photographer Baron George Hoyningen-Huene, a half-Baltic, half-American nobleman, and became his photographic assistant, occasional model, and lover. He traveled to England with him that winter. While there, they visited photographer Cecil Beaton, who was working for the British edition of Vogue. In 1931, Horst began his association with Vogue, publishing his first photograph in the French edition of Vogue in December of that year. It was a full-page advertisement showing a model in black velvet holding a Klytia scent bottle. His first exhibition took place at La Plume d'Or in Paris in 1932. It was reviewed by Janet Flanner in The New Yorker, and this review, which appeared after the exhibition ended, made Horst instantly prominent. Horst made a portrait of Bette Davis the same year, the first in a series of public figures he would photograph during his career. Within two years, he had photographed Noël Coward, Yvonne Printemps, Lisa Fonssagrives, Count Luchino Visconti di Modrone, Duke Fulco di Verdura, Baron Nicolas de Gunzburg, Princess Natalia Pavlovna Paley, Daisy Fellowes, Princess Marina of Greece and Denmark, Cole Porter, Elsa Schiaparelli, and others like Eve Curie. Horst rented an apartment in New York City in 1937, and while residing there met Coco Chanel, whom Horst called "the queen of the whole thing". He would photograph her fashions for three decades. He met Valentine Lawford, British diplomat in 1938, and they lived together until Lawford's death in 1991. Horst adopted a son, Richard J. Horst, whom they raised together. In 1941, Horst applied for United States citizenship. In 1942, he passed an Army physical, and joined the Army on July 2, 1943. On October 21, he received his United States citizenship as Horst P. Horst. He became an Army photographer, with much of his work printed in the forces' magazine Belvoir Castle. In 1945, he photographed United States President Harry S. Truman, with whom he became friends, and he photographed every First Lady in the post-war period at the invitation of the White House. In 1947, Horst moved into his house in Oyster Bay, New York. He designed the white stucco-clad building himself, the design inspired by the houses that he had seen in Tunisia during his relationship with Hoyningen-Huene. Horst is best known for his photographs of women and fashion, but is also recognized for his photographs of interior architecture, still lifes, especially ones including plants, and environmental portraits. One of the great iconic photos of the Twentieth-Century is "The Mainbocher Corset" with its erotically charged mystery, captured by Horst in Vogue’s Paris studio in 1939. Designers like Donna Karan continue to use the timeless beauty of "The Mainbocher Corset" as an inspiration for their outerwear collections today. His work frequently reflects his interest in surrealist style and surrealism and his regard of the ancient Greek ideal of physical beauty. Horst P Horst signed color photograph in color. Horst is listed as one of the best photographers ever along with Diane Arbus, Ansel Adams, and Robert Mapplethorpe His method of work typically entailed careful preparation for the shoot, with the lighting and studio props (of which he used many) arranged in advance. His instructions to models are remembered as being brief and to the point. His published work uses lighting to pick out the subject; he frequently used four spotlights, often one of them pointing down from the ceiling. Only rarely do his photos include shadows falling on the background of the set. Horst rarely, if ever, used filters. While most of his work is in black & white, much of his color photography includes largely monochromatic settings to set off a colorful fashion. Horst's color photography did include documentation of society interior design, well noted in the volume Horst Interiors. He photographed a number of interiors designed by Robert Denning and Vincent Fourcade of Denning & Fourcade and often visited their homes in Manhattan and Long Island. After making the photograph, Horst generally left it up to others to develop, print, crop, and edit his work. One of his most famous portraits is of Marlene Dietrich, taken in 1942. She protested the lighting that he had selected and arranged, but he used it anyway. Dietrich liked the results and subsequently used a photo from the session in her own publicity. In the 1960s, encouraged by Vogue editor Diana Vreeland, Horst began a series of photos illustrating the lifestyle of international high society which included people like: Consuelo Vanderbilt, Marella Agnelli, Gloria Guinness, Baroness Pauline de Rothschild and Baron Philippe de Rothschild, Helen of Greece and Denmark, Baroness Geoffroy de Waldner, Princess Tatiana of Sayn-Wittgenstein-Berleburg, Lee Radziwill, Duke of Windsor and Duchess of Windsor, Peregrine Eliot, 10th Earl of St Germans and Lady Jacquetta Eliot, Countess of St Germans, Antenor Patiño, Oscar de la Renta and Françoise de Langlade, Desmond Guinness and Princess Henriette Marie-Gabrielle von Urach, Andy Warhol, Nancy Lancaster...

Nicholsons 1959 Slim Aarons Estate Stamped Cafe Nicholson in New York, 1959. Produced from the original transparency Certificate of authenticity supplied Archive stamped and numb...

Luxury Dining 1955 Slim Aarons Diners in a grand ballroom during a fashion show, circa 1955. Silver Gelatin Print Produced from the original transparency Certificate of authentic...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Peter and Britt, 1967 Sharing a lilo, film stars Peter Sellers (1925 - 1980) and his glamorous wife model and actress, Britt Ekland spend their holiday on...

Slim Aarons Estate Print - Mazatlan Mansion - Oversize Eldorado, the Redo family villa in Mazatlan, Mexico, January 1984. (Photo by Slim Aarons) Chromogenic print paper size 24 x...

'Ava Gardner Portrait' Limited Edition silver gelatin print ca 1950 Portrait of the actress Ava Gardner circa 1950. (photo by Pictorial Press / Alamy Archives) (photo by Pictorial...

Pete Doherty, by Kevin Westenberg, 2008 Archival Pigment Print, Signed Limited Edition Print size 152 x 101 cm signed numbered edition size 3 only th...

Plantation Cocoyer People relaxing in the bar at Plantation Cocoyer, Cocoyer Beach, Haiti, February 1981. Paper size 20 x 30 inches / 51 x 76 cm Estate Stamped Collection Edition...

This poignant black-and-white photograph captures the iconic jazz singer Ella Fitzgerald in a moment of deep introspection during a live performance in East Germany (DDR) in 1967. In this striking image, Fitzgerald is seen gently resting her hand against her cheek, a gesture that conveys vulnerability and emotional depth. Her eyes, half-closed, reflect a connection to the music and a moment of personal reflection. Dressed in an elegant black gown, she embodies sophistication and grace, accentuated by her signature hairstyle. The presence of multiple microphones in the frame emphasizes her engagement with the audience, drawing them into her heartfelt performance. The contrasting shadows and highlights enhance the mood of the photograph, creating a dramatic yet intimate atmosphere. This image beautifully encapsulates Fitzgerald's ability to convey powerful emotions through her artistry, making it an exceptional piece for any collector or admirer of music history. About Tassilo Leher: Born in the dark years of World War II, Tassilo Leher became an icon of photographic art in divided Germany. As the son of war correspondent Karl Leher, whose lens captured moments of contemporary history, he was born in 1940 in the heart of Berlin. He shared not only the studio in the picturesque Prenzlauer Berg with his father, but also the mysterious world of the darkroom. While Karl Leher, an early riser, made use of the morning hours, Tassilo found his creative flow only by midday, often working late into the night. His camera knew no bounds: from the dazzling stars of East German show business like Phudys, Karat, Hildegard Kneef, Manfred Krug, Bubi Scholz, to international greats such as Dean Reed, Karel Gott, Jiri Korn, and Costa Cordalis – all found themselves in front of his lens. The Friedrichstadt-Palast and numerous film sets became his stages, where he played with light and shadow to perfectly frame famous...

This photo shows the French singer Gilbert Bécaud during a concert in East Berlin in 1964. In the image, Bécaud is captured in a dramatic moment, standing on stage and reaching upwards with his right arm, his fingers forming a sharp, expressive gesture. He is dressed in a dark suit, accentuated by a white shirt cuff. His face is turned upwards, seemingly caught in an intense emotional performance. The stark contrast of his figure against the deep black background highlights the emotional energy of the moment, which was characteristic of Bécaud's passionate and dynamic stage presence. Known for his exuberant and engaging performances, Bécaud, often referred to as "Monsieur 100.000 Volts" due to his electrifying stage persona, was immensely popular in the 1960s, and this concert in East Berlin would have been a rare cultural exchange during the Cold War era. His concerts were often marked by his powerful voice and the high emotional intensity of his performances, which captivated audiences across the world. The print is new, Highest Quality on Hahnemühle FineArt Baryta. More sizes up to 150x150 cm available on request. About Tassilo Leher: Born in the dark years of World War II, Tassilo Leher became an icon of photographic art in divided Germany. As the son of war correspondent Karl Leher, whose lens captured moments of contemporary history, he was born in 1940 in the heart of Berlin. He shared not only the studio in the picturesque Prenzlauer Berg with his father, but also the mysterious world of the darkroom. While Karl Leher, an early riser, made use of the morning hours, Tassilo found his creative flow only by midday, often working late into the night. His camera knew no bounds: from the dazzling stars of East German show business like Phudys, Karat, Hildegard Kneef, Manfred Krug, Bubi Scholz, to international greats such as Dean Reed, Karel Gott, Jiri Korn, and Costa Cordalis – all found themselves in front of his lens. The Friedrichstadt-Palast and numerous film sets became his stages, where he played with light and shadow to perfectly frame famous...

This photo shows the French singer Gilbert Bécaud during a concert in East Berlin in 1964. In the image, Bécaud is captured in a dramatic moment, standing on stage and reaching upwards with his right arm, his fingers forming a sharp, expressive gesture. He is dressed in a dark suit, accentuated by a white shirt cuff. His face is turned upwards, seemingly caught in an intense emotional performance. The stark contrast of his figure against the deep black background highlights the emotional energy of the moment, which was characteristic of Bécaud's passionate and dynamic stage presence. Known for his exuberant and engaging performances, Bécaud, often referred to as "Monsieur 100.000 Volts" due to his electrifying stage persona, was immensely popular in the 1960s, and this concert in East Berlin would have been a rare cultural exchange during the Cold War era. His concerts were often marked by his powerful voice and the high emotional intensity of his performances, which captivated audiences across the world. The print is new, Highest Quality on Hahnemühle FineArt Baryta. More sizes up to 150x150 cm available on request. About Tassilo Leher: Born in the dark years of World War II, Tassilo Leher became an icon of photographic art in divided Germany. As the son of war correspondent Karl Leher, whose lens captured moments of contemporary history, he was born in 1940 in the heart of Berlin. He shared not only the studio in the picturesque Prenzlauer Berg with his father, but also the mysterious world of the darkroom. While Karl Leher, an early riser, made use of the morning hours, Tassilo found his creative flow only by midday, often working late into the night. His camera knew no bounds: from the dazzling stars of East German show business like Phudys, Karat, Hildegard Kneef, Manfred Krug, Bubi Scholz, to international greats such as Dean Reed, Karel Gott, Jiri Korn, and Costa Cordalis – all found themselves in front of his lens. The Friedrichstadt-Palast and numerous film sets became his stages, where he played with light and shadow to perfectly frame famous...

This photo shows the French singer Gilbert Bécaud during a concert in East Berlin in 1964. In the image, Bécaud is captured in a dramatic moment, standing on stage and reaching upwar...

Hammond in Cardin, 1962 C print Estate stamped and numbered edition of 21 on verso British model Celia Hammond wearing a pink coat by French fashion designer Pierre Cardin for Queen...

By photographer John Minihan, Yves Saint Laurent, French designer with two fashion models, Betty Catroux (left) and Loulou de la Falaise, outside his 'Riv...

'Pulitzer On The Beach' Slim Aarons Limited Edition Estate Stamped Print Premium Rates Apply. Patsy Pulitzer (nee Patsy Bartlett) at Palm Beach, Florida, circa 1955. (Photo by Slim Aarons/Hulton Archive/Getty Images) Silver Gelatin Print Produced from the original negative Certificate of authenticity supplied Archive stamped Numbered in ink on front Printed 2021 Various sizes and frame options available FRAMING: Please note that this piece is unframed – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. Keywords 1950s 50s woman model aesthetic luxury high society black and white beach...

Blur Damon Albarn, London, 1999. by Kevin Westenberg- Signed Limited Edition Kevin Westenberg is famed for his creation of provocative and electrifying...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 6.5 x 7 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. “Madelyn Meatyard was an indulgent model. The role her husband usually chose for her was that of mother, posing with one or more of her three children. Here, he stations her before an arched window. The pious atmosphere created by this framing is contradicted by Madelyn’s everyday dress and by the dilapidated Venetian blinds behind her. Unlike a traditional religious icon, this Madonna gazes sternly into space, while her small child stands facing the maternal loins from which she sprang. Many photographers prior to Meatyard—such as Alfred Stieglitz, Edwards Weston and Harry Callahan—had produced series based on their beguiling wives.” —Judith Keller, Ralph Eugene Meatyard (London: Phaidon Press Limited, 2002), pp. 86-87 An optician by trade, Ralph Eugene Meatyard was a self-described “dedicated amateur” photographer. He pursued his own vision to produce an exquisitely enigmatic, widely admired body of work. Meatyard began taking photographs in 1950, roaming the backwoods and towns in Kentucky, experimenting with framing, multiple exposures, and blurring to produce haunting, abstracted images of natural and manmade environments. In the late 1950s, he began incorporating monstrous, oversized latex masks...

Old Days  - Sheeps is a black and white vintage photo, realized in the early 20th century.  It belongs to a historical album including historical moments, royal families, and politi...

Bono by Kevin Westenberg- Signed Limited Edition Kevin Westenberg is famed for his creation of provocative and electrifying images of world-class musicians, artists and movie stars...

Untitled (Three Cowboys on Horseback) depicts 3 cowboys riding horses out in a Western landscape. The figures are silhouetted by the harsh sunlight. One of the cowboys is swinging hi...

This photo shows the French singer Gilbert Bécaud during a concert in East Berlin in 1964. In the image, Bécaud is captured in a dramatic moment, standing on stage and reaching upwar...

Red Hot Chili Peppers Anthony Kiedis, Red Hot Chili Peppers on stage, Vancouver, 1992 by Kevin Westenberg- Signed Limited Edition Kevin Westenberg is ...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Slim Aarons Estate Print - Junior Skier (New England Skiing) - Oversize A freckled member of the Junior Skiing Program in North Conway, New Hampshire, 1955. (Photo by Slim Aarons) ...

Helen Dzo Dzo Kaptur, 1970 Chromogenic Lambda Print Estate edition of 150 Former fashion model Helen Dzo Dzo Kaptur and other guests at the Kaufmann Desert House in Palm Springs, Ca...

Movie star Marilyn Monroe is seen in a candid moment on the street in March 1955 in New York City, New York. (Photo by Ed Feingersh) A beautiful Limited Edition (ed size 300) s...

RED-HEADED WOMAN, Jean Harlow, 1932 / Everett Collection. stunning and vivid colourised photograph of the first sex symbol, Jean Harlow. Large Oversize print (photo The Everett Co...

Coldplay by Kevin Westenberg- Signed Limited Edition Kevin Westenberg is famed for his creation of provocative and electrifying images of world-class musicians, artists and movie s...

Thom Yorke by Kevin Westenberg- Signed Limited Edition Kevin Westenberg is famed for his creation of provocative and electrifying images of world-class mu...

Slim Aarons - Family Snapper - Estate Stamped Babe Paley (Mrs William Paley) by the pool. Her husband, William Paley is snapping the photographer at their cottage, Round Hill, Jamai...

Pearl Jam Pearl Jam on Stage by Kevin Westenberg- Signed Limited Edition Kevin Westenberg is famed for his creation of provocative and electrifying images...

Depeche Mode by Kevin Westenberg- Signed Limited Edition Kevin Westenberg is famed for his creation of provocative and electrifying images of world-clas...

Slim Aarons Estate Print - Catherine Wilke - Oversize Catherine Wilke joins the topless sunbathers on the island of Capri. (Photo by Slim Aarons) Chromogenic print paper size 30 ...

Yayoi Kusama by Kevin Westenberg- Signed Limited Edition Kevin Westenberg is famed for his creation of provocative and electrifying images of world-class musicians, artists and movie stars...

Bryan Ferry by Kevin Westenberg- Signed Limited Edition Kevin Westenberg is famed for his creation of provocative and electrifying images of world-class ...

Portrait of Pink Floyd's David Gilmour 2015 by Kevin Westenberg Archival Fine Art pigment print - signed, limited edition of 8 only. DAVID GILMOUR. LO...

Slim Aarons Estate Print - Winter Suntans - Oversize Young women enjoy a relaxing sunbathe in snowy Gstaad. (Photo by Slim Aarons) Chromogenic print paper size 40 x 30" inches / 101 x 76 cm unframed printed later edition size 150 only certificate of authenticity supplied numbered in ink & blind embossed stamped Slim Aarons signature on front Authorised and issued by the Slim Aarons Archive & Estate c/o The Getty Archive London England and produced utilizing the original transparency. winter snow snowy travel vacation resort relaxing leisure 1960s 60s fashion...

'Montgomery Clift' Oversize Limited Edition silver gelatin print A gorgeously insightful portrait of the first rebel of Hollywood and greatly respe...

Pete Doherty, by Kevin Westenberg, 2008 Archival Pigment Print, Signed Limited Edition Print size 152 x 101 cm signed numbered edition size 3 only th...

The Souk  is a black and white vintage photo, realized in 1925. The photo depicts the chinese city, Wuchow. The work is glued on cardboard. Total dimensions: 39x29cm. Good conditi...

Kennedy Unpublished Beach -- The Kennedys at Hyannis Beach Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on Hahnem...

Slim Aarons - Hotel Du Cap-Eden-Roc - Estate Stamped Limited Edition Estate Stamped Print (edition size 1/150). Guests standing by a white Rolls-Royce convertible courtesy car at th...