Prints and Multiples

Soft-ground etching from one copper plate printed in black. On buff BFK Rives mould-made paper Signed, numbered and dated '79 in red crayon, lower centre Published by Petersburg Press Exhibition History: 'Howard Hodgkin Recollections’, Bernard Jacobson Gallery, London, 21 April - 14 May 2022 Literature: Jacqueline Brody, 'Howard Hodgkin, Alone in the Museum of Modern Art and Not Quite Alone in the Museum of Modern Art (1979)', The Print Collector's Newsletter, vol. 10, no. 3, July-August 1979, p. 93; Pat Gilmour, 'Howard Hodgkin', The Print Collector's Newsletter, vol. 12, no. 1, March-April 1981, p. 4 (ill.); 'Prints by Six British Painters: Stephen Buckley, Robyn Denny, Howard Hodgkin, John Hoyland, Richard Smith, John Walker', Tate Gallery, London, 1981-82 (n.p.); 'The Tate Gallery: Illustrated Catalogue of Acquisitions 1980-82', London, 1984, p. 261; Mary Rose...

Donald Sultan (Born 1951) Black Lemon on Yellow, 2018 Color silkscreen with enamel inks and tar-like texture on 2-ply museum board 39 x 39 in. Edition of 40 Signed by artist

111.8 x 140.3 cms (44 x 55.25 ins) Edition of 50 Impressed with Solo Press stamp and the printer’s stamp. Lithograph (from three plates) with hand colouring in gouache (two greys...

Donald Sultan (Born 1951) Lantern Flowers (Red and Black), 2017 Color silkscreen with over-printed flocking on Rising, 2-ply museum board 32 x 32 in. Edition 34 of 50 Signed by artis...

Lithograph from one zinc plate printed in green with hand colouring in yellow gouache. On Velin Arches mould-made paper (300 gsm) Signed with initials and dated 78 in pencil, lower c...

This piece is unframed.

This piece is unframed.

Lithograph from a stone printed in sepia and green, with hand colouring in two shades of blue gouache. On Velin Arches mould-made paper (300 gsm) Signed and dated 77 in pencil, lower...

80 x 94 cms (31.5 x 37 ins) Edition of 100

Lithograph from five zinc plates, using tusche and crayon with splatter, printed in red, orange, green, black, and pink. On J Green paper (250 gsm) Signed, numbered and dated '68 in ...

Donald Sultan Yellow Roses, April from Fruit and Flowers II, 1992 Color Screenprint Signed in Pencil, DS and 34/100 Printed by Watanabe Studio, Brooklyn Published by Parasol Press, L...

Five Lemons A Pear and Egg : Fruits and Flowers Suite 1994 Print - Screen Print Paper size 22.75'' x 21.75'' inches Image size 12" x 12" inches Edition: signed in pencil, titled, d...

Artist: Donald Sultan Title: Visual Poetics Portfolio: Visual Poetics Medium: Screenprint Date: 1998 Edition: 170/395 Frame Size: 19 1/4" x 19 1/4" Sheet Size: 16 1/4" x 16 1/4" Sign...

Howard Hodgkin (1932-2017), one of Britain’s greatest contemporary artists became best known for his vibrantly colored paintings that chronicle his personal experiences. IN TANGIER...

Acanthus Print - Screen Print Paper size 22.75'' x 21.75'' inches Image size 12" x 12" inches Edition: signed in pencil, titled, dated and marked 38/125 Donald Sultan The work of...

Donald Sultan (b. 1951) is an important painter, sculptor, and printmaker, who rose to prominence in the late 1970s as part of the “New Image” movement. He’s known for his monumental...

Donald Sultan Serious Fun! at Lincoln Center (Hand Signed, dated and inscribed by Donald Sultan), 1993 Lithographic Poster on heavy wove paper. (hand signed, dated & inscribed) 36 × 24 1/4 in 91.4 × 61.6 cm Signed, dated 2016 and inscribed on lower right front. Inscription reads as follows: For Kevin New York 2016 Published by Vera List Program, Lincoln Center This large, striking limited edition lithographic poster on heavy wove (lithographic) paper was printed in 1993 by the Vera List print program to raise funds for Lincoln Center. The edition is typically unsigned; however, this work is, exceptionally, boldly signed and inscribed in black marker by Donald Sultan in 2016 for the present owner. The inscription reads as follows: For Kevin New York 2016 Donald Sultan signed...

Donald Sultan is an American painter, sculptor, and printmaker. He is particularly well-known for large-scale still life paintings, and one of the first to employ a wide range of ind...

Color silkscreen with enamel inks, flocking, and over printed flocking on Somerset 500 gsm Satin Radiant White with deckle edges. Edition of 60

Artist: Sultan, Donald Title: Red Poppies, Sept. 7, 2022 Date: 2022 Medium: color silkscreen with enamel inks and flocking on 2-ply museum board Unframed Dimensions: 30" x 30" F...

Artist: Sultan, Donald Title: Yellow Poppies, Aug. 17,2022 Date: 2022 Medium: color silkscreen with enamel inks and flocking on 2-ply museum board Unframed Dimensions: 30" x 30"...

French Iris I Reducutve color woodcut, 1982 Unsigned Stamped verso “Imprimerie Arnera Archives/Non Signe” From: Tramp Picture series "The printer was Claude Jinchat at Imprimerie Arn...

Poles and Cypresses Woodcut printed in black, 1982 Unsigned From: Tramp Picture series "The printer was Claude Jinchat at Imprimerie Arnéra, Vallauris. The set was published by Blum ...

Color silkscreen with enamel inks, flocking, and over printed flocking on Somerset 500 gsm Satin Radiant White with deckle edges. Edition of 60

Color silkscreen with enamel inks, flocking, and over printed flocking on Somerset 500 gsm Satin Radiant White with deckle edges. Edition of 60

Cypresses Reductive color woodcut in colors, black, green & brown, 1982 Unsigned From: Tramp Picture series "The printer was Claude Jinchat at Imprimerie Arnéra, Vallauris. The set w...

Artist: Donald Sultan (1951) Title: Red Poppies Year: 2012 Medium: Silkscreen with Tar & Flocking on Museum Board Edition: 1/75, plus proofs Size: 23 x 39 inches Condition: Excellent...

Artist: Sultan, Donald Title: Blue Poppies, Sept. 7, 2022 Series: Poppies Date: 2022 Medium: Color Silkscreen with Enamel Inks and Flocking on 2-Ply Museum Board Unframed Dimens...

Artist: Donald Sultan Title: Yellow and Black Poppies Portfolio: Four Poppies Medium: Silkscreen with overprinted flocking on 4-ply Rising Museum Board Dat...

Donald Sultan Wallflower 31, 2008 Edition: 35/190 Sheet Size: 54.7 x 61.5 cm Image Size: 34.3 x 40.5 cm Signed right margin and numbered low left Printed and Published: Har-El, Print...

French Stacks Linocut printed in color Unsigned Stamped verso “Imprimerie Arnera Archives/Non Signe” Printer: Jaime Arnera, Vallarius, France (their stamp verso) Condition: Printed ...

HOWARD HODGKIN Blue Skies, Nothing but Blue Skies, 2002 Screenprint in Colors, Scrunched Up and Presented in a Box 5 3/25 × 6 3/10 x 2 inches Edition of 500 (unnumbered) Momart is a British company specialising in the storage, transportation, and installation of works of art. Today, the company is best known for two things: its annual artist Christmas Card, and a 2004 warehouse fire that destroyed irreplaceable art works including Tracey Emin's famous "Everyone I Have Ever Slept With. Momart's clients include the Royal Academy of Arts, Victoria & Albert Museum, National Gallery, Tate Modern, Tate Britain and Buckingham Palace. The tradition of the MOMART "Christmas card" (which would later morph into actual artist-designed work) goes back to 1984 when the first object – a festive card – was designed for the company by Bruce McLean. Since then Momart collaborated on this project with many of the top British and international artists. The complete series of Momart Christmas cards is now part of the permanent collections of the Victoria and Albert Museum and the Tate. The present item is the vintage 2002 MOMART Christmas card, designed by Howard Hodgkin. It is a rich blue screenprint, scrunched up in a box - with the printed text MOMART CHRISTMAS CARD 2002 inside the box, the artist's name and work title, "Blue Skies, Nothing But Blue Skies" and a credit at the bottom "With thanks to Gagosian Gallery London and Peter B. Willberg." And that's the MOMART "gift". Very cool and collectible! Unnumbered, but known to have been issued in an edition of 500 About Howard Hodgkin For an artist, time can always be regained . . . because by an act of imagination you can always go back. —Howard Hodgkin One of England’s most celebrated contemporary painters, Howard Hodgkin (1932–2017) was deeply attuned to the interplay of gesture, color, and ground. His brushstrokes, set against wooden supports, often continue beyond the picture plane and onto the frame, breaking from traditional confines. Embracing time as a compositional element, his work is testament to his immersion in the intangibility of thoughts, feelings, and fleeting private moments. Hodgkin was born in London and grew up in Hammersmith Terrace. During World War II he was evacuated to Long Island, New York, for three years. In the Museum of Modern Art, New York, he saw works by School of Paris artists such as Henri Matisse, Édouard Vuillard, and Pierre Bonnard, which he could not easily have seen then in London or Paris. Back in England in 1943, Hodgkin ran away from Eton College and Bryanston School, convinced that education would impede his progress as an artist, though he encountered inspiring teachers at both schools. He then attended Camberwell School of Arts and Crafts (1949–50) and Bath Academy of Art, Corsham (1950–54). Hodgkin never belonged to a school or group. While many of his contemporaries were drawn to Pop or the School of London, he remained independent, initially marking his outsider status with a series of portraits of contemporary artists and their families. His first solo exhibition was at Arthur Tooth and Sons in London in 1962. Two years later he first visited India, following his interest in Indian miniatures, which began during his time at Eton. Collecting Indian art would remain a lifelong passion, which he initially supported by dealing in picture frames. In 1984 Hodgkin represented Britain at the Biennale di Venezia. His exhibition Forty Paintings reopened the Whitechapel Gallery, London, in 1985, and he won the Turner Prize the same year. In 1998 Hodgkin joined Gagosian, and the gallery presented his first show in the United States since his critically acclaimed 1995–96 exhibition at the Metropolitan Museum of Art, New York, which had traveled to the Modern Art Museum of Fort Worth, Texas; Kunstverein für die Rheinlande und Westfalen, Düsseldorf; and Hayward Gallery, London. His first full retrospective opened at the Irish Museum of Modern Art, Dublin, in 2006 and traveled to Tate Britain, London, and Museo Nacional Centro de Arte Reina Sofía, Madrid. In the autumn of 2016 Hodgkin visited India for what was to be the last time, completing six new paintings before his return to London. These works were shown at England’s Hepworth Wakefield in 2017, in Painting India, a show that focused on the artist’s long-standing relationship with the Indian subcontinent. Starting in the 1950s, Hodgkin maintained a parallel printmaking practice, translating his visual language into works on paper. Exploring the interactions of color and space on a grander scale, he produced theatrical set designs for Ballet Rambert, the Royal Ballet, and the Mark Morris Dance Group...

Donald Sultan Peppers, 1989 Screenprint 23 x 22 inches Numbered from the edition of 100 in lower right corner Titled, signed, and dated by the artist in left margin

Donald Sultan Wallflower 25, 2008 Edition: 51/190 Sheet Size: 54.7 x 61.5 cm Image Size: 34.3 x 40.5 cm Signed right margin and numbered low left Printed and Published: Har-El, Print...

Donald K. Sultan (b. 1951) Untitled, from Wallflowers Screenprint in colors on wove paper, 2008 24-1/4 x 21-5/8 inches (61.6 x 54.9 cm) (sheet) Ed. 53/190 Initialed, numbered, date...

Here we are in Croydon by Howard Hodgkin highlights the artist's abstract black and white brushwork which became increasingly spontaneous and loose towards the end of the 1970s when ...

This is a screenprint in black and blue with flocking on museum board, Edition of 30, Signed, titled and dated in pencil, numbered PP 3/3, a printer's proof 57.8 x 57.8 inches is th...

Donald Sultan (American, b. 1951) "Fish (From Fruit and Flowers Portfolio)" 1990 Screenprint in colors on Arches 88 paper Pencil initialed, titled, and dated left of image Edition 61...

Very large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles. Striking print to hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is more painterly, expressionist, and abstract. Paper 45 x 55 in. / 114.3 x 139.7 cm. Souvenir by Howard Hodgkin. Screenprint on Arches aquarelle mould-made paper. Signed by the artist with initials and dated 80 in pencil lower center, numbered in pencil lower left. This bold Howard Hodgkin print layers five shades of black, with a wide variety of marks including some from the artist’s fingerprints and hand. Scribbles and lines of grey loosely define what could be an interior space with furniture. As is typical of his prints, there is a sense of space, and of the passage of time, expressed through shapes that seem to recede through the picture, deep black shades and, unusually for Hodgkin’s work, the white of the paper showing through. The last photograph displays these rich surface textures on the sheet at an angle. Catalogue reference: Elizabeth Knowles...

Donald Sultan Yellow Roses, 1992 Screenprint in colors on wove paper Pencil signed, titled, dated and numbered by Donald Sultan on the front Frame Included This work is floated and f...

Donald Sultan Tulips, 1990 Silkscreen on wove paper 23 × 22 inches Pencil signed, titled and dated and numbered 22/125 on the front margins Unframed Richly colored silkscreen of tuli...

Original color lithograph, 1983. Edition of 150 signed and numbered impressions on Arches paper. Art and Sport portfolio: The Yugoslav Olympic Committee of the Winter Olympic Games Sarajevo 1984 wished to give a certain cultural-artistic accent to this world festivity. The admire of the Olympic idea, those who have a liking for the Olympic winter sports and the art connected with them will be, in agreement with the art publisher Visconti Art Lazo Vujić, honored by creations contributed by world known prominent artist. A portfolio containing sixteen original prints, handsigned and numbered by the artists, is published in a limited edition of 200 originals by each artist. Names like Dorazio, Folon, Greco, Helnwein, Hodgkin, Hwang, Kolar, Moore, Paladino, Pistoletto, Rosenquist, Santomaso, Stupica, Twombly and Warhol guarantee the high quality of the artistic idea and its realization. The size of the original print is 85 x 62 cm. The edition of the original graphic portfolio will be accompanied by limited editions of art posters of the same size, not numbered, but each of them carrying an impression of the inscription “Olympic Games Sarajevo 1984” and its logotype. The themes proposed by the artists are either winter sports, the Olympic idea or the town of Sarajevo. All the artists remain faithful to their own specific expression, using the formal elements of the language developed through the years of their creative presence in world’s art. So every print included in the portfolio is at the same time a particular contribution to the continuity of their artistic orientation, the theme being an additional iconographic impulse to their visual research. The symbiosis of the Olympic idea and art is certainly an interesting creative proposal that will fascinate art-collectors and sport-lovers as well. Howard Hodgkin was a British painter and printmaker, famous for his abstractions. He became a prominent artist for painting on wooden supports such as drawing boards...

This vibrant abstract orange and green print is part of a group of soft-ground etchings (Artist and Model, Artist and Model (in green and yellow), These…Plants) by Howard Hodgkin. The two versions of Artist and Model are printed from the same plates, but in different colors. In this iteration, green watercolor contrasts beautifully with marigold orange, crimson, and terra cotta red. Seen in all three prints is a bust in silhouette before a window. Artist and Model is a surprising name, as Hodgkin never painted or drew from a model. Signed by the artist with initials, dated 1980, and numbered lower center in red crayon. Soft-ground etching with hand coloring in a yellow watercolor wash and green gouache on Stoneridge mould-made etching paper. Edition 100. Howard Hodgkin was introduced to the etching technique used in Artist and Model (in green and yellow) at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Catalogue reference: Elizabeth Knowles...

A very good impression of this color screenprint on Somerset Satin White paper. Initialed and dated in pencil, and titled and numbered 80/100 in pencil. Printed by Watanabe Studio, N...

Artist: Howard Hodgkin Title:Tropic Fruit Medium: Color screenprint Year: 1981 Initialed and dated lower center 'HH 81' and numbered lower right, '80/100' aside from the artist's pro...

Sultan, an internationally recognized artist who rose to prominence in the late 1970s as part of the “New Image” movement, is known for elevating the still-life tradition through the...

Set of three aquatints on Twinrocker handmade paper. Each initialed, titled and dated in pencil, left margin, and numbered 17/53 in pencil. Printed by I.M.E. Studios, New York. Publi...

Sultan, an internationally recognized artist who rose to prominence in the late 1970s as part of the “New Image” movement, is known for elevating the still-life tradition through the...

Screenprint from 20 screens with embossing. On Velin Arches mould-made paper Based on 'Lotus', textile dyes on hand-made Indian paper, 1978 Signed and dated in pencil, lower centre. ...

Artist: Sultan, Donald Title: Lantern Flowers, May 10, 2012 - Red Series: Lantern Flowers, May 10, 2012 Date: 2012 Medium: Color silkscreen with o...

Born in 1951 in Asheville, North Carolina, Donald Sultan rose to prominence in the 1980's as a painter and draftsman of subjects such as lemons and flowers. The work of Donald Sultan...

Sultan’s artworks are rich in color and texture. He is known for his iconic, abstract poppy flowers. The poppies are large in scale and overlay a minimal background, often made from ...

DONALD SULTAN (b. 1951) Two Pears a Lemon and an Egg Screenprint in colors on Arches 88 paper, 1994 Sheet Size: 22” x 23”, full margins. Impression 67...

For more than thirty years, Donald Sultan has experimented with and expanded still life painting. He takes familiar objects such as flowers, fruits, playing cards, and factory sites,...

A silkscreen, pencil signed print of Donald Sultan's iconic "Poppy Series," numbered 40/80. Features his signature bright yellows and oranges in a particularly minimalist design.

Initialled and dated in pencil, numbered from the edition of 75 (there were also 25 artist's proofs). Printed by Jack Shirreff at the 107 Workshop, Wiltshire. Commissioned and publi...

Donald Sultan is an American painter, sculptor, and printmaker. He is particularly well-known for large-scale still life paintings, and one of the first to employ a wide range of ind...

Artist: Donald Sultan Title: Silver Poppies, Aug 17, 2022 Portfolio: Poppies Portfolio Medium: Silkscreen with overprinted flocking on 4-ply Rising Museum Board Date: 2022 Edition: 5...