Prints and Multiples

111.8 x 140.3 cms (44 x 55.25 ins) Edition of 50 Impressed with Solo Press stamp and the printer’s stamp. Lithograph (from three plates) with hand colouring in gouache (two greys...

Lithograph from a stone printed in sepia and green, with hand colouring in two shades of blue gouache. On Velin Arches mould-made paper (300 gsm) Signed and dated 77 in pencil, lower...

Lithograph from five zinc plates, using tusche and crayon with splatter, printed in red, orange, green, black, and pink. On J Green paper (250 gsm) Signed, numbered and dated '68 in ...

80 x 94 cms (31.5 x 37 ins) Edition of 100

Artist: Robert Motherwell (American, 1915-1991) Title: "Peace Portfolio I: Untitled" Portfolio: Peace Portfolio I *Signed and numbered by Motherwell in...

Artist: Robert Motherwell (American, 1915-1992) Title: "Greenwich Arts Council" *Issued unsigned, though signed by Motherwell in the plate (printed signature) center right Year: 1976 Medium: Original Lithograph, Exhibition Poster on Strathmore paper Limited edition: 700. (There was also a signed and numbered edition of 42) Printer: Tyler Graphics, Ltd., Mount Kisco, NY Publisher: Greenwich Arts Council, Greenwich, CT Reference: "The Prints of Robert Motherwell - A Catalogue Raisonné 1943-1984" - Belknap Appendix: No. 28, page 282; "Robert Motherwell - The Complete Prints 1940-1991" - Engberg No. 202 Sheet size: 37.25" x 23" Condition: Never framed, has been professionally stored away for decades. Some minor edge wear. In excellent condition Rare Notes: Printed in three colors: black, green, and cream. Poster produced for a special exhibition "Sculpture 76" at The Greenwich Arts Council, Greenwich, CT from June - October, 1976. The image featured on this poster is Motherwell's 1972 acrylic painting on paper "Greenwich Sculpture". Artist's copyright lower left and printer's imprint lower right. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: Robert Motherwell was born January 24, 1915, in Aberdeen, Washington. He was awarded a fellowship to the Otis Art Institute in Los Angeles at age 11, and in 1932 studied painting briefly at the California School of Fine Arts in San Francisco. Motherwell received a B.A. from Stanford University in 1937 and enrolled for graduate work later that year in the Department of Philosophy at Harvard University, Cambridge, Massachusetts. He traveled to Europe in 1938 for a year of study abroad. His first solo show was presented at the Raymond Duncan...

Robert Motherwell Roots of Abstract Art in America, from the VIP hand signed limited edition, 1966 Lithograph and offset lithograph Pencil signed and numbered 46/100 on the front Fra...

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of abstract painters that radically defined Modern painting in Ameri...

Artist: Robert Motherwell Title: Tricolor (from XXe Siecle) Medium: Lithograph Date: 1973 Edition: Unnumbered Frame Size: 18 1/2" x 16 1/2" Sheet Size: 12 1/2" x 10 1/2" Signature: U...

Signature: Signed "R. Motherwell" in pencil lower right Inscriptions: Numbered in pencil lower right; workshop chop mark lower right Edition: 16

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American abstract painters that radically defined abstraction and established New York City as the center of the art world for the second half of the 20th century. Motherwell was also the unofficial spokesman of the New York School, writing, teaching, and lecturing on behalf of the movement, his fellow artists, and the merits of abstraction. His work appears in museum collections around the world and is instantly recognizable for its boldness and black forms. Yet in addition to his impressive paintings, Motherwell is also revered as a printmaker. He is one of the most innovative and prolific printmakers of the 20th century. He was always searching for new techniques, whether at his own printmaking atelier or collaborating with others, to expand his ideas and express his aesthetic. In the 1960s, Motherwell visited Italy on vacation with his then-wife, Helen Frankenthaler. Motherwell became enamoured with the Italianate landscape and the mountainous terrain of the Liguria region, which inspired a series of paintings, "Summertime in Italy...

Robert Motherwell Return, from the Octavio Paz Suite, 1988 Lithograph and chine appliqué on watermarked Japanese Gampi hand made paper applied on Arches paper Hand-signed by artist, ...

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American artists that radically defined abstraction and establish...

Robert Motherwell was an American artist and seminal Abstract Expressionist painter. Today, his works are held in the collections of the Art Institute of Chicago, the National Galler...

A very good impression of this color lithograph with Chine applique. One of ten Roman numeral artist's proofs, aside from the edition of 50. Signed and numbered IX/X in pencil by Mot...

Howard Hodgkin (1932-2017), one of Britain’s greatest contemporary artists became best known for his vibrantly colored paintings that chronicle his personal experiences. IN TANGIER...

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American abstract painters that radically defined abstraction and...

Primal Sign II, 1979-1980 Etching, aquatint 23 x 10’’ Edition of 45

Lithograph and chine appliqué 64.5 x 54 cms (25 3/8 x 21 1/4 ins) Edition 50 Paper: Arches paper; Japanese Gampi handmade paper Other Collaborators: Image transferred from Mylar to...

A superb impression of this scarce color aquatint and lift-ground etching on German Etching paper. Signed and numbered 27/36 in pencil, lower right. Printed by Catherine Mousley in t...

Robert Motherwell Black for Mozart 1991 Lithograph and collage, Edition 23/40 162.6 x 104.1 cms (64 x 41 ins) RM15195 Paper: White Tyler Graphics Ltd. (TGL) handmade paper; white Ri...

HOWARD HODGKIN Blue Skies, Nothing but Blue Skies, 2002 Screenprint in Colors, Scrunched Up and Presented in a Box 5 3/25 × 6 3/10 x 2 inches Edition of 500 (unnumbered) Momart is a British company specialising in the storage, transportation, and installation of works of art. Today, the company is best known for two things: its annual artist Christmas Card, and a 2004 warehouse fire that destroyed irreplaceable art works including Tracey Emin's famous "Everyone I Have Ever Slept With. Momart's clients include the Royal Academy of Arts, Victoria & Albert Museum, National Gallery, Tate Modern, Tate Britain and Buckingham Palace. The tradition of the MOMART "Christmas card" (which would later morph into actual artist-designed work) goes back to 1984 when the first object – a festive card – was designed for the company by Bruce McLean. Since then Momart collaborated on this project with many of the top British and international artists. The complete series of Momart Christmas cards is now part of the permanent collections of the Victoria and Albert Museum and the Tate. The present item is the vintage 2002 MOMART Christmas card, designed by Howard Hodgkin. It is a rich blue screenprint, scrunched up in a box - with the printed text MOMART CHRISTMAS CARD 2002 inside the box, the artist's name and work title, "Blue Skies, Nothing But Blue Skies" and a credit at the bottom "With thanks to Gagosian Gallery London and Peter B. Willberg." And that's the MOMART "gift". Very cool and collectible! Unnumbered, but known to have been issued in an edition of 500 About Howard Hodgkin For an artist, time can always be regained . . . because by an act of imagination you can always go back. —Howard Hodgkin One of England’s most celebrated contemporary painters, Howard Hodgkin (1932–2017) was deeply attuned to the interplay of gesture, color, and ground. His brushstrokes, set against wooden supports, often continue beyond the picture plane and onto the frame, breaking from traditional confines. Embracing time as a compositional element, his work is testament to his immersion in the intangibility of thoughts, feelings, and fleeting private moments. Hodgkin was born in London and grew up in Hammersmith Terrace. During World War II he was evacuated to Long Island, New York, for three years. In the Museum of Modern Art, New York, he saw works by School of Paris artists such as Henri Matisse, Édouard Vuillard, and Pierre Bonnard, which he could not easily have seen then in London or Paris. Back in England in 1943, Hodgkin ran away from Eton College and Bryanston School, convinced that education would impede his progress as an artist, though he encountered inspiring teachers at both schools. He then attended Camberwell School of Arts and Crafts (1949–50) and Bath Academy of Art, Corsham (1950–54). Hodgkin never belonged to a school or group. While many of his contemporaries were drawn to Pop or the School of London, he remained independent, initially marking his outsider status with a series of portraits of contemporary artists and their families. His first solo exhibition was at Arthur Tooth and Sons in London in 1962. Two years later he first visited India, following his interest in Indian miniatures, which began during his time at Eton. Collecting Indian art would remain a lifelong passion, which he initially supported by dealing in picture frames. In 1984 Hodgkin represented Britain at the Biennale di Venezia. His exhibition Forty Paintings reopened the Whitechapel Gallery, London, in 1985, and he won the Turner Prize the same year. In 1998 Hodgkin joined Gagosian, and the gallery presented his first show in the United States since his critically acclaimed 1995–96 exhibition at the Metropolitan Museum of Art, New York, which had traveled to the Modern Art Museum of Fort Worth, Texas; Kunstverein für die Rheinlande und Westfalen, Düsseldorf; and Hayward Gallery, London. His first full retrospective opened at the Irish Museum of Modern Art, Dublin, in 2006 and traveled to Tate Britain, London, and Museo Nacional Centro de Arte Reina Sofía, Madrid. In the autumn of 2016 Hodgkin visited India for what was to be the last time, completing six new paintings before his return to London. These works were shown at England’s Hepworth Wakefield in 2017, in Painting India, a show that focused on the artist’s long-standing relationship with the Indian subcontinent. Starting in the 1950s, Hodgkin maintained a parallel printmaking practice, translating his visual language into works on paper. Exploring the interactions of color and space on a grander scale, he produced theatrical set designs for Ballet Rambert, the Royal Ballet, and the Mark Morris Dance Group...

A very good impression of this color screenprint on J. B. Green paper. Initialed and numbered 134/150 in pencil by Motherwell. Printed by Kelpra Studio, London. Published by Marlboro...

A superb impression of this color aquatint and lift-ground etching on German Etching paper. Signed and numbered 22/50 in pencil by Motherwell. Printed by Catherine Mosley in the arti...

A very good impression of this lithograph by Motherwell. Initialed and numbered 40/150 by the artist in pencil. Printed by Tyler Graphics Ltd., New York, with the blind stamp lower r...

Robert Motherwell The Poet's Eye 1990 Aquatint and carborundum in black and blue, on J. Whatman paper, Edition of 35 Image size: 45.1 x 60.3 cms (17 3/4 x 23 3/4 ins) Sheet size: 64....

Robert Motherwell Elegy Black Black 1983 Lithograph in colors, on TGL handmade paper, Edition of 98< AP XI/XVI 38.1 x 95.9 cms (15 x 37 4/5 ins) extract from the catalogue raisonné...

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American abstract painters that radically defined abstraction and...

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American artists that radically defined abstraction and establish...

Robert Motherwell Pull Out All Flags (Engberg, Banach 263), 1980 Aquatint and etching in colors, on German Etching paper, with full margins Hand-signed by artist, Pencil signed and n...

Here we are in Croydon by Howard Hodgkin highlights the artist's abstract black and white brushwork which became increasingly spontaneous and loose towards the end of the 1970s when ...

This screen print by Robert Motherwell, Untitled (from the Flight Portfolio) was printed on Arches Imperial paper in 1970. The print is hand signed in pencil and numbered 239/250 by ...

Robert Motherwell American - La France Variation VIII Lithograph in colors from five aluminum plates with collage in Arches, 1984 Arches collaged on Oatmeal Australian Bemboka hand...

Very large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles. Striking print to hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is more painterly, expressionist, and abstract. Paper 45 x 55 in. / 114.3 x 139.7 cm. Souvenir by Howard Hodgkin. Screenprint on Arches aquarelle mould-made paper. Signed by the artist with initials and dated 80 in pencil lower center, numbered in pencil lower left. This bold Howard Hodgkin print layers five shades of black, with a wide variety of marks including some from the artist’s fingerprints and hand. Scribbles and lines of grey loosely define what could be an interior space with furniture. As is typical of his prints, there is a sense of space, and of the passage of time, expressed through shapes that seem to recede through the picture, deep black shades and, unusually for Hodgkin’s work, the white of the paper showing through. The last photograph displays these rich surface textures on the sheet at an angle. Catalogue reference: Elizabeth Knowles...

Original color lithograph, 1983. Edition of 150 signed and numbered impressions on Arches paper. Art and Sport portfolio: The Yugoslav Olympic Committee of the Winter Olympic Games Sarajevo 1984 wished to give a certain cultural-artistic accent to this world festivity. The admire of the Olympic idea, those who have a liking for the Olympic winter sports and the art connected with them will be, in agreement with the art publisher Visconti Art Lazo Vujić, honored by creations contributed by world known prominent artist. A portfolio containing sixteen original prints, handsigned and numbered by the artists, is published in a limited edition of 200 originals by each artist. Names like Dorazio, Folon, Greco, Helnwein, Hodgkin, Hwang, Kolar, Moore, Paladino, Pistoletto, Rosenquist, Santomaso, Stupica, Twombly and Warhol guarantee the high quality of the artistic idea and its realization. The size of the original print is 85 x 62 cm. The edition of the original graphic portfolio will be accompanied by limited editions of art posters of the same size, not numbered, but each of them carrying an impression of the inscription “Olympic Games Sarajevo 1984” and its logotype. The themes proposed by the artists are either winter sports, the Olympic idea or the town of Sarajevo. All the artists remain faithful to their own specific expression, using the formal elements of the language developed through the years of their creative presence in world’s art. So every print included in the portfolio is at the same time a particular contribution to the continuity of their artistic orientation, the theme being an additional iconographic impulse to their visual research. The symbiosis of the Olympic idea and art is certainly an interesting creative proposal that will fascinate art-collectors and sport-lovers as well. Howard Hodgkin was a British painter and printmaker, famous for his abstractions. He became a prominent artist for painting on wooden supports such as drawing boards...

This vibrant abstract orange and green print is part of a group of soft-ground etchings (Artist and Model, Artist and Model (in green and yellow), These…Plants) by Howard Hodgkin. The two versions of Artist and Model are printed from the same plates, but in different colors. In this iteration, green watercolor contrasts beautifully with marigold orange, crimson, and terra cotta red. Seen in all three prints is a bust in silhouette before a window. Artist and Model is a surprising name, as Hodgkin never painted or drew from a model. Signed by the artist with initials, dated 1980, and numbered lower center in red crayon. Soft-ground etching with hand coloring in a yellow watercolor wash and green gouache on Stoneridge mould-made etching paper. Edition 100. Howard Hodgkin was introduced to the etching technique used in Artist and Model (in green and yellow) at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Catalogue reference: Elizabeth Knowles...

Robert Motherwell The Quarrel (Belknap 294; Engberg & Banach 318), 1983 Lithograph in colors on Arches cover mould paper Hand signed and numbered 1/100 in graphite on the front with publisher's distinctive blind stamp. Accompanied by original Tyler Graphics label 40 × 25 1/2 inches Unframed Hand signed and numbered in graphite on the front with publisher's distinctive blind stamp. The work has been removed from its original frame, but the back board has been kept bearing the original label from the publisher, Tyler Graphics, New York. There is no better art work for kissing and making up than "The Quarrel"! This rare Robert Motherwell lithograph...

Artist: Howard Hodgkin Title:Tropic Fruit Medium: Color screenprint Year: 1981 Initialed and dated lower center 'HH 81' and numbered lower right, '80/100' aside from the artist's pro...

A very good impression of this color screenprint on J. B. Green paper. Initialed and numbered 115/150 in pencil. Printed by Kelpra Studio, London, with the ink stamp verso. Published...

A very good impression of this color lithograph on TGL handmade paper. Initialed and numbered 6/40 in pencil. Printed and published by Tyler Graphics, Ltd., Mount Kisco, with the bli...

Robert MOTHERWELL Tricolor with Dollar, 1973 Original lithograph (Printed in Mourlot workshop) Printed signature in the plate On heavy paper 31 x 24 cm (c. 12 x 10 inch) Edited by ...

Artist: Robert Motherwell, American (1915 - 1991) Title: No. 10 from Three Poems, collaboration with Octavio Paz Year: 1987 Medium: Lithograph on Japon with Chine Colle Edition: 750 ...

No. 1 from Three Poems (Red Wind) by Robert Motherwell, American (1915–1991) Portfolio: Three Poems - Octavio Paz Date: 1988 Lithograph on Masa Dosa paper, mounted to board Edition o...

Initialled and dated in pencil, numbered from the edition of 75 (there were also 25 artist's proofs). Printed by Jack Shirreff at the 107 Workshop, Wiltshire. Commissioned and publi...

This classic lithograph by renowned artist Robert Motherwell was created for the 1981 art Chicago show at Navy Pier. Motherwell was known for his bold forms and vibrant colors, makin...

Screenprint from 20 screens with embossing. On Velin Arches mould-made paper Based on 'Lotus', textile dyes on hand-made Indian paper, 1978 Signed and dated in pencil, lower centre. ...

Robert Motherwell Spoleto Festival, 1968 Silkscreen on American Etching Paper Signed and numbered 71/150 in graphite pencil on the front Literature: Reference: Fig 60 in Motherwell "...

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of abstract painters that radically defined Modern painting in Ameri...

Robert Motherwell Untitled (from Portfolio 9), 1967 Lithograph, 1967 22.25 x 17.25 in. (56.52 x 43.82 cm.) Signed; lower left with artist's trademark initials; numbered, Publisher...

Artist: Robert Motherwell (American, 1915-1991) Title: "Untitled (Red)" Portfolio: London Series I *Signed by Motherwell in pencil lower right. It is also signed in the plate (printed signature) upper left Year: 1971 Medium: Original Screenprint on J. B. Green Double Elephant paper Limited edition: 32/150, (there were also 10 artist's proofs) Printer: Chris Prater of Kelpra Studio, London, UK Publisher: Marlborough Graphics, Inc., New York, NY Reference: Belknap No. 62, page 176-177; Engberg No. 90 Framing: Within its original frame - the artwork is floated, framed in a gold contemporary moulding with black fabric matting and gold filet Framed size: 51.38" x 38.38" Sheet size: 41.25" x 28.25" Image size: 36.25" 24.13" Condition: In excellent condition Rare Notes: Provenance: one owner ever - private collection - Detroit, MI; acquired from GMB Gallery Inc., Birmingham, MI in 1982 retaining its original receipt and appraisal. Numbered by Motherwell in pencil lower right. Comes from Motherwell's 1970-1971 "London Series" portfolio of five screenprints, (Belknap No. 60-64, page 176-177). The five works include "Untitled (Orange...

Artist: Howard Hodgkin Title: Red Palm Year: 1986-87 Medium: Lithograph in colors with hand-coloring on Buff Arches paper Edition: 85; hand signed, dated and numbered in pencil Shee...

Robert Motherwell Summer Light Series: Pauillac, No.2 1973 Lithograph, screenprint, pochoir, and collage, Edition of 55 91.4 x 45.7 cms (36 x 18 ins) RM12795

Robert Motherwell Limited Edition Lithograph as Exhibition Catalogue Cover, Signed and Dedicated to Jacqueline Brody (Editor of the Print Collectors' Newsletter), 1974 Lithograph on Limited Edition Catalogue, Ink Signed and Dedicated 10 x 24 inches Boldly signed n 1974 and dedicated in black felt tip pen to Jacqueline Brody, editor of the Print Collectors Newsletter from 1972 - 1996. This poignant 1974 Robert Motherwell lithograph...

French Revolution Bicentennial Suite III is a 1988 aquatint with photoengraving and collage elements by Robert Motherwell. French Revolution Bicenten...

Etching and aquatint with carborundum and hand-colouring in tempera on wove paper. Signed and dated in pencil, numbered from the edition of 100. Printed by Jack Shirreff at 107 Work...

A very good impression of this color aquatint and lift-ground etching and aquatint on Arches Cover paper. Signed and numbered 15/100 by Motherwell. There are 20 artist proofs, number...

Lithograph from three aluminium plates using tusche washes, printed in transparent dark green, light green, and fire red, with hand colouring in gouache (an orange to red blend, pink, green, and deep red). On buff Velin Arches mould-made paper (300 gsm) Signed with initials, numbered and dated 82 in pencil, lower centre Published by Bernard Jacobson Ltd. Exhibition History: 'Howard Hodgkin: Views. An Exhibition of Early Prints', Bernard Jacobson Gallery, London, 02 March - 02 April 2013 'London, Henri Matisse: The Goldfish Bowls and Other Prints (LOPF)', Bernard Jacobson Gallery, London, 1 - 28 May 2021 'Howard Hodgkin Recollections’, Bernard Jacobson Gallery, London, 21 April - 14 May 2022 Literature: Frances Spalding, 'Howard Hodgkin: Tate Gallery and Bernard Jacobson', Arts Review, vol. 34, no. 20, 24 September 1982, p. 484; Elizabeth...

Artist: Robert Motherwell, American (1915 - 1991) Title: No. 6 from Three Poems, collaboration with Octavio Paz Year: 1987 Medium: Lithograph on Japon with Chine Colle Edition: 750 I...