Abstract Prints

This abstract landscape limited edition print by Tony Iadicicco features a blue monochromatic palette. It has an abstracted landscape composition, with three stark blue horizon lines...

Engraving, 1991 Handsigned by the artist in pencil and numbered 12/16 76.00 cm. x 56.50 cm. 29.92 in. x 22.24 in. (paper) 64.50 cm. x 50.50 cm. 25.39 in. x 19.88 in. (image) LCD2884

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limite...

United Europe - France 1 is a color etching and aquatint on paper, realized in 1994 by the Italian graphic master Piero Dorazio (Rome, 1927 - Perugia, 2005). Signed and dated in pen...

Blind Walls in Paris is a colored lithograph on paper realized by Sante Monachesi in 1975. Hand-signed on the lower right by pencil. Numbered on the lower left, the edition of 32/1...

Untitled Color lithograph, 1972 Unsigned Edition: From: Fresh Air School, Exhibition of Paintings Large Edition (2000?) Published by the Carnegie Institute Museum of Art, 1973 Printe...

This abstract limited edition print by contemporary artist Teodora Guererra features a cool blue, white, and muted green palette, with energetic strokes throughout the composition. T...

This abstract limited edition print by Teodora Guererra features a warm palette, with thin layers of warm grey and burnt sienna tones layered over top of one another. White is layere...

Wood engraving, 1966 Handsigned by the artist in pencil and numbered 58/60 Publisher : Louis Broder (Paris) Printer : Féquet & Baudier (Paris) 54.00 cm. x 44.00 cm. 21.26 in. x 17.3...

Joe Tilson Crete Senesi Set of Five- 1995 Print - color screenprint and woodcut Paper Size 35 x 24 1/2 inches Edition: Signed in pencil, dated and marked 19/45 Excellent Condition ...

This colorful abstract original lithograph was printed in 1967 at the Atelier Mourlot in NYC. When The Mourlot Studio decided to open a branch in New York City, after a successful exhibition organized by the Smithsonian Institute in 1963, it commissioned several famous International artists to create a series of original Lithographic posters to celebrate the event. Artists such as Calder, Buffet and Max Ernst created images. Ref. cat: Miro Lithographs III #443 Certificate of Provenance: Each individual work of art carefully curated by Mourlot Editions comes with a Certificate of Provenance, signed, dated, stamped, and numbered by Eric Mourlot...

In the Bleak Midwinter by Shirley Kirkcaldy This is an evocative limited edition Giclee print of Dartmoor in the midst of winter. Edition of 125 prints. Each print is numbered, titl...

This work is from the series Formulation Articulation consisting of 127 original silkscreens, selected from forty years of Albers' study of the conceptual relationship between color ...

SAM FRANCIS 1923-1994 San Mateo, California 1923 – 1994 Santa Monica (American) Title: Untitled (SF-341), 1989 Technique: Original Hand Signed, Inscribed and Numbered Lithograph in...

Richard Anuszkiewicz Celebrate New York (hand signed limited edition poster), 1974 Silkscreen on wove paper Hand-signed by artist, signed, dated and inscribed "to Lowell" on the fron...

Signed in pencil, lower right, 'Jacques Villon' (French, 1875-1963) and with number and limitation, '19/150', lower left. Additionally signed in plate, lower left, 'Jacques Villon', ...

Anne Yokeles Persian Garden, ca. 1970 3D Color Silkscreen w/ Arches paper backing Hand-signed by artist in pencil, titled and numbered 37/100 on backing sheet of Arches paper. 23 x 2...

Les Squales is an artwork realized by Jean Dubuffet in 1959. Sheet 9 for the portfolio "Eaux, Pierres, Sable". Lithograph. Artist Proof. Signed, dated and titled. On buff BFK Riv...

Giuseppe Capogrossi - Stencil 1958 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. Giuseppe Capogrossi B. 1900, ROME; D. 1972, ROME Giuseppe C...

Abstract Composition is a lithograph realized by Alberto Magnelli in 1948. Hand-signed. The artwork is depicted in a well-balanced composition.

Jasper Johns Vintage Poster (Hand Signed and Inscribed), 1971 Limited edition vintage poster. Hand signed, uniquely inscribed and dated...

Etching and aquatint, 1960 Handsigned by the artist in pencil and numbered 31/50 61.00 cm. x 50.00 cm. 24.02 in. x 19.69 in. (paper) 42.00 cm. x 42.50 cm. 16.54 in. x 16.73 in. (im...

ARTIST BIO Rebecca Kamen, artist, and lecturer on the intersections of art and science, seeks ‘the truth’ through observation. Her artwork is informed by wide-ranging research into cosmology, history, philosophy, and by connecting common threads that flow across various scientific fields to capture and re-imagine what the scientists see. Kamen has exhibited and lectured both nationally and internationally. As catalysts for her artwork, she has investigated scientific rare books and manuscripts...

"Justo Barboza (Argentina, 1938) 'Sin título (azul turquesa)', 1998 silkscreen on paper Guarro Geler 27.6 x 19.7 in. (70 x 50 cm.) Edition of 30 Unframed ID: BAR1437-018-015 Hand-sig...

Luis Gordillo (Spain, 1934) 'Sin título', 2000 engraving on paper 15 x 10.7 in. (38 x 27 cm.) Edition of 75 ID: GOR1205-013-000_2 Hand-signed by author

At the Edge by Shirley Kirkcaldy [2018] This is a superior quality limited edition Giclee print inspired by the coastline near Cape Cornwall. Reproduced from an original mixed media...

’Complementaries’ By Yutaka Takayanagi. Medium - Relief and lithographic print Edition - 19/20 Signed - Yes Size - 615mm x 780mm Date - 1976 Condition - Good. 9 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...

And You Child, the Prophet of the Most High  is a colored lithograph from the original gouache on heavy rag paper from Salvador Dali’s five volume Biblia Sacra Suite published in ...

Vintage Poster Exhibition Galerie Maeght is a vintage Lithograph and Offset poster realized after Joan Mirò (1893-1983) in 1978. Good conditions. Joan Miró i Ferrà (20 April 1893 –...

’Untitled’ By Yutaka Takayanagi. Medium - Relief with lithographic print Edition - 4/50 Signed - Yes Size - 790mm x 570mm Date - 1977 Condition - Excellent. 10 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...

Robert Vale Faro, 'Kindergarten', color lithograph, 1945, edition 12. Signed, dated, titled, and numbered '99' and '5/12' in pen. A fine, richly-inked impression, with fresh colors, on heavy, coated off-white wove paper; the full sheet with margins (1/2 to 1 1/2 inch), in excellent condition. Scarce. Matted to museum standards, unframed. Image size 13 1/2 x 7 9/16 inches (343 x 192 mm); sheet size 17 x 12 1/4 inches (432 x 311 mm). ABOUT THE ARTIST Robert Vale Faro (1902-1988) was a well-known modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan. Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller, and Anne Ryan as New York members and Francine Felsenthal of Chicago. The Brooklyn Museum mounted a show of Vanguard artists' work in 1946, which subsequently toured several other institutions in the United States. Faro's visionary graphics from the 1940s are a sophisticated blend of Abstract Expressionism, Surrealism, and Indian Space...

Lithograph, 1958 Handsigned by the artist in pencil Edition : 125 + 10 EA Publisher : L'Oeuvre Gravée (Zurich) Printer : Mourlot (Paris) Catalog : Prudhomme 27 51.00 cm. x 67.00 cm....

Herbert BAYER Two Triangulated Squares, 1975 Screenprint, ed. 0f 50 32 x 32 inches

Justo Barboza (Argentina, 1938) 'Estribo', 1998 silkscreen on paper Guarro Geler 27.6 x 19.7 in. (70 x 50 cm.) Edition of 30 Unframed ID: BAR1437-004-030 Hand-signed by author

John Plumb 'Colour Step C' 1971 Medium Type: Screen Print Size-Width Size-Height: 22'' x 30'' Signed Edition Size: Signed in pencil, titled and marked 18/75 John Plumb is one o...

Signed color lithograph by French artist André Masson (1896-1987). Title of work is Judith and Holofernes. Work is signed and numbered 74/150 in ...

Perla Krauze (Mexico, 1953) 'El exilio de los sentidos', 2004 engraving on paper 15 x 15 in. (38 x 38 cm.) Edition of 75 ID: KRA1662-001-075-4 Hand-signed by author

Stanley Boxer Hand Signed and Inscribed Abstract Expressionist Poster, 1979 Offset Lithograph Poster Hand signed and warmly inscribed by ...

Joan Miro was a Spanish Surrealist artist, world-renowned for his unique art style that blended surrealist fantasy and modern life. This lithograph is part of the series "Lithographs...

Myriam Bat-Yosef Surrealist abstract lithograph print in colorful abstract shapes and shades Hand signed and dated 1971. sheet measures 9.25 X 9.25 inches The envelope and the Peter Buch poster is just for provenance and is not included in this sale. Myriam Bat-Yosef, whose real name is Marion Hellerman, born on January 31, 1931 in Berlin, Germany to a Jewish family from Lithuania, she is an Israeli-Icelandic artist who paints on papers, paintings, fabrics, objects and human beings for performances. Myriam Bat-Yosef currently lives and works in Paris. In 1933, her family fleeing the Nazi Holocaust, Miriam Bat-Yosef emigrates to Palestine and settles in Jaffa. In 1936, she suffers a family tragedy, her father, militant Zionist, is called to fight, still recovering from an operation of appendicitis. The incision will become infected, antibiotics did not exist yet, and her father will die in the hospital after 9 months of suffering. Myriam and her mother leave Palestine to live in Paris for three years. French is Myriam's first school language. In 1939, still fleeing Nazism, she returned to Palestine, leaving France by the last boat from Marseille. She moved to Tel Aviv with her mother, aunt and maternal grandmother. In 1940, she began attending the Academy of Fine Arts in Tel Aviv and took her name as an artist, Bat-Yosef, which means Joseph's daughter in Hebrew, as a tribute to her father. In 1946, Myriam graduated as a kindergarten teacher but wanted to be an artist. Her mother enrolled her in an evening school to prepare a diploma of art teacher. At 19, she performs two years of military service in Israel. In 1952, with a pension of $50 a month that her mother allocated, she went to study at the Beaux-Arts in Paris. To survive, she has several activities while studying. In 1955, she had her first solo exhibition, at the Israeli Club on Wagram Avenue in Paris. Many artists, such as Yaacov Agam, Yehuda Neiman Avigdor Arikha, Raffi Kaiser, Dani Karavan and sculptors Achiam and Shlomo Selinger attended the opening . In 1956, she enrolled at the School of Fine Arts in Florence. This is where she meets the painter Errô. They share an icy studio in winter. Myriam moves to Milan with friends. She organizes a joint exhibition with Erro, one room each, at the Montenapoleone gallery. Her works are admired by the sculptor Marino Marini and the painters Renato Birolli and Enrico Prampolini. Myriam and Erro exhibit in Rome, Milan, Florence and meet many personalities: Alain Jouffroy and his wife, the painter Manina, Roberto Matta and his wife Malitte, textile artist who was one of the founders of the Pompidou Center. Back in Paris, Myriam and Erro get married, which allows Myriam to avoid being called into the Israeli army during the Suez Canal War. In 1957, Myriam and her husband went to Iceland. Myriam works in a chocolate factory. Having enough money, she starts producing art again. She exhibited in Reykjavik's first art gallery. She meets the artist Sigridur Bjornsdottir, married to the Swiss painter Dieter Roth . In 1958, Myriam and her husband leave for Israel. They exhibit in Germany, then in Israel. Back in Paris, the couple became friends with artists of the surrealist movement, such as Victor Brauner, Hans Bellmer, the sculptor Philippe Hiquily, Liliane Lijn, future wife of Takis and photographer Nathalie Waag. Erro and Myriam have a daughter on March 15, 1960, named Tura, after the painter Cosmè Tura, but also close to the Icelandic Thora or the Hebrew Torah. Bat-Yosef’s complex trajectory throughout the 20th century is linked as much to the transnational history of what was for a time called the School of Paris as it is to a certain legacy of Surrealism. Her work features the same idea of resolving antinomies that also defined the spirit of surrealism, and is enhanced with her readings of the Kabbalah and her spiritual grounding in Taoism. However, while there are reasons for her approach to be associated with the process of the ready-made, it is important to consider the immediate intrication of these works with her practice of performance, during which the body itself is also painted – a feminist response to Yves Klein’s Anthropometries (1960) and an echo of the happenings which Jean-Jacques Lebel organised at the time in Paris. In 1963, Erró told Myriam that if she wants to be a painter, she can not be his wife. Myriam chose to be a painter and the couple divorced in 1964. Since that time, Myriam Bat-Yosef has exhibited in many countries: Europe, United States, Japan, etc. Although long in the shadows, the work of Myriam Bat-Yosef has been greeted by many artists and personalities: Anaïs Nin, Nancy Huston, André Pieyre of Mandiargues, José Pierre, René de Solier , Jacques Lacarrière, Alain Bosquet, Pierre Restany, Sarane Alexandrian and Surrealist André Breton who, after a visit to her studio, confided to having been intrigued by its phantasmagorical dimension. She was included in the book Pop Art and Beyond: Gender, Race, and Class in the Global Sixties by Mona Hadler and Kalliopi Minioudaki. Extract "World Citizen, Artist of the Pop Era Sarah Wilson; Why do we know so little of Myriam Bat-Yosef, the most important female Israeli artist of the Pop era? Issues of identity and sexuality feature constantly in her work. She exhibited internationally from Reykjavik to Tokyo; she had two shows at Arturo Schwarz’s famous Dada/surrealist gallery in Milan; she participated in feminist art events in Los Angeles. Above all, in 1971, she conceived Total Art, a Pop Gesamtkunstwerk inside and outside the Israel Museum, Jerusalem. Painter, performer, and installation artist, she was also a lover, wife, and mother. Of Lithuanian-Jewish descent, she was close to the family of philosopher Emmanuel Levinas. An émigré in Paris she would repudiate a national passport, participating in Garry Davis’s short-lived “World Citizens” movement. She continues the lineage of women surrealist artists: Valentine Hugo, Leonor Fini, Dorothea Tanning, Leonora Carrington, Unica Zürn, Jane Graverol, Toyen, Alice Rahon...

Lithograph, 1961 Handsigned by the artist in pencil Publisher : Nouveau Cercle parisien du Livre (Paris) Printer : Mourlot (Paris) Catalog : Vallier 171 The work we propose is one of the four lithographs taken from the illustrated book "Descente aux Enfers" written by Marcel Jouhandeau and published by the Nouveau Cercle Parisien du Livre in 1961. The novelist retraces the itinerary of his return to his native town, Guéret, through encounters with the people he knew as a child. Anxiety intrudes as he ventures into this place, the first theater of his inspiration. Between nostalgia, melancholy and hope, the novel echoes the personal torments of the author, torn between his homosexuality and his Catholic education. If God seems to haunt him, introspection and morality obsess him: "If man does not understand hell, it is because he has not understood his own heart...". The image of a flight of birds as created by Braque might seem dissonant with Jouhandeau's text. However, for Braque the bird is not an imitation of the animal but a form that conveys a meaning, it is a sign, as he reminds us: "We must not imitate what we want to create. It is then that this bright orange bird flight...

Engraving Handsigned by the artist in pencil and numbered 22/25 86.50 cm. x 38.00 cm. 34.06 in. x 14.96 in. (paper) 56.50 cm. x 20.50 cm. 22.24 in. x 8.07 in. (image) Arches Paper ...

Etching on paper, épreuve d'artiste, 1973 LESZEK RÓZGA (1924-2015). He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art...

This is a large hand painted Edition, truly brings impact to your space! wowing the visitors and delight your daily life. A Limited Edition of only 3 is the best alternative to this ...

Justo Barboza (Argentina, 1938) 'Sin título (rosa rojo)', 1998 silkscreen on paper Guarro Geler 27.6 x 19.7 in. (70 x 50 cm.) Edition of 15 Unframed ID: BAR1437-019-015 Hand-signed b...

Untitled (Undertow Variant) Etching and aquatint printed in colors Signed and numbered in pencil (see photos) Edition: 30 (9/30) see photo Condition: Excellent Image: 7 7/8 x 7" She...

The painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

Aquatint, 1979 Edition : 27/75 Publisher : La Jeune Gravure Contemporaine (Paris) Catalog : n° 380 50.00 cm. x 65.00 cm. 19.69 in. x 25.59 in. (paper) 40.00 cm. x 56.00 cm. 15.75 i...

A Woman Clothed with the Sun, 1967 is a colored lithograph from the original gouache on heavy rag paper from Salvador Dali’s five volume Biblia Sacra Suite published in Rome b...

Robert Motherwell Spoleto Festival, 1968 Silkscreen on American Etching Paper Signed and numbered 71/150 in graphite pencil on the front Literature: Reference: Fig 60 in Motherwell "...

This work is from the series Formulation Articulation consisting of 127 original silkscreens, selected from forty years of Albers' study of the conceptual relationship between color ...

City 7. 1964, paper, monotype, 44x63 cm Soikans Nikolay, pseudonym Niklo de Martell (till 1953.) 1926. 9 IX Ludza – 1980. 21 II Lester, Great Britain – graphic artist. He was born a...

Justo Barboza (Argentina, 1938) 'Sin título (verde rosa)', 1998 silkscreen on paper Guarro Geler 27.6 x 19.7 in. (70 x 50 cm.) Edition of 15 Unframed ID: BAR1437-020-015 Hand-signed ...

This abstract landscape limited edition print by Tony Iadicicco features a blue monochromatic palette. It has an abstracted landscape composition, with several stark horizon lines an...

Edition of 25 Unframed Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed) His work has been s...

Anne Youkeles' work blurs the line between painting and sculpture. Her works on paper, like "Mon Plaisir" (My Pleasure), are made with several folded pieces of paper, cut, colored, a...

Artist: Robert Natkin, American (1930 - 2010) Title: Intimate Lighting I Year: 1972 Medium: Screenprint on Cream Arches Paper, signed, dated and numbered in pencil Edition: 42/150 Si...