Vertical Abstract Prints

Etching and aquatint, 1972 Handsigned by the artist in pencil and numbered 73/150 Publisher : Pierre Belfond, Paris Printer : Atelier Bellini, Paris Catalog : [Agerup 224] 51.50 c...

18OC1G-2018 (Abstract print) Aquatinte on BFK Rives paper - Unframed. Clément's work fluctuates between painting and sculpture, a back and forth that both results from, and contrib...

'Sun tree lithograph' After Salvador Dali (1904 - 1989) signed print on thick paper , unframed print: 16 x 12.5 inches provenance: private collection condition: very good and sound c...

Lithograph on vélin Chiffon de Mandeure paper. Signed in the plate and unnumbered, as issued. Good condition. Notes: From the album, Lithographies et Eaux-Fortes Originales, Livres I...

Sam Gilliam Buoy Landscape IV, 1982 Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper 31 1/2 × 24 inches Hand signed and numbered 3/25 in graphite pencil Hand-signed by artist, Signed by artist, numbered, and dated in pencil and blind-stamped by printer-publisher on lower right, titled in pencil on lower left, recto Unframed with elegant deckled edges Rare vintage intaglio and relief, all from deeply etched copper plates. Other works from this series are in the permanent collections of major museums & institutions like the Smithsonian, so they are quite scarce on the open market. Steven M. Andersen (Printer) Philip Barber (Printer) Hang Nguyen (Printer) Stephanie Nowack (Printer) Michael Reid (Printer) Daniel Rounds (Printer) Vermillion Editions Limited (Publisher) Sam Gilliam Biography: Sam Gilliam was one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam pursued a pioneering course in which experimentation was the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions took on an increasing variety of forms, moods, and materials. In addition to a traveling retrospective organized by the Corcoran Gallery of Art, Washington, D.C. in 2005, Sam Gilliam was the subject of solo exhibitions at the Museum of Modern Art, New York (1971); The Studio Museum in Harlem, New York (1982); Whitney Museum of American Art, Philip Morris Branch, New York (1993); J.B. Speed Memorial Museum, Louisville, Kentucky (1996); Phillips Collection, Washington, D.C. (2011); and Kunstmuseum Basel, Switzerland (2018), among many other institutions. A semi-permanent installation of Gilliam’s paintings opened at Dia:Beacon in August 2019. His work is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Art Institute of Chicago. Sam Gilliam, Green April, 1969, acrylic on canvas, 98 x 271 x 3 7/8 inches (248.9 x 688.3 x 9.8 cm), Collection of Kunstmuseum Basel, Basel, Switzerland, Courtesy of David Kordansky Gallery, Los Angeles, photography by Lee Thompson...

Etching and aquatint on Japan paper, realized in 1972 and published by Georges Visat, Paris. Edition of 100. Hand signed and numbered in pencil. Sheet a little browned, except for...

Lithograph, stencil on vélin paper. Paper Size: 12.375 x 8.687 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and...

Keith Haring Paris, 1987: Well-suited for framing, this vibrant oversized illustrated bag was designed by Keith Haring during his lifetime for the P...

Henry Miller (American, 1891-1980) Dream of Spring, circa 1966 Color lithograph on wove paper Signed and titled, annotated 'Artist's Proof' (Aside from the edition of 200) Image: 14i...

This reproduction is from Richard Artschwager's 1985 exhibition at Leo Castelli Gallery, showcasing an abstract work on paper. The artwork features a yellow shape that appears to be ...

Composition is an interesting b/w lithograph realized by the Italian artist Pietro Annigoni in 1973. Hand-signed and numbered.Edition,77/100. Good Co...

Artist: Pablo Picasso Title: La Danse (frontispiece) Portfolio: Picasso Lithographe III Medium: Transfer lithograph printed in colors Date: 1956 Edition: 3000 Frame Size: 19 1/2" x 1...

RETNA Skateboard (Blue with red back) and embossed COA hand signed by RETNA, 2018 Silkscreen on Maplewood skate deck. Accompanied by Certificate of Authenticity hand signed by RETNA on Embossed Letterhead 32 × 8 1/2 inches Edition of 100 Accompanied by embossed Certificate of Authenticity hand signed by RETNA Limited edition of only 100 - not to be confused with sthe larger edition of 250. This work is accompanied an embossed Certificate of Authenticity, issued by the sponsor "Beyond the Streets...

Jasper Johns Graphics and Drawings at the Louisiana Museum, Leo Castelli Collection (Hand Signed by Jasper Johns), 1992 Offset lithograph (Hand Signed and dated by Jasper Johns) Signed and dated 7 March 1997 in black ink on the front (see close up photo) Jasper Johns ink signature and date are on the outer yellow circle - see close up photo Extremely rare collectible...

Univers is an original etching print on paper realized by Nina Mauli in the late 20th century. Hand-signed on the lower right in pencil. Numbered, edition of 78/99 prints. Very go...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró XIV Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Condition: In ...

Hans Bellmer, 'Blue Eyes', engraving and drypoint, edition 99, 1971. Flahutez 89. Signed and numbered '74/99' in pencil. A fine impression, on Arches cream wove paper; the full sheet...

Abstract yellow and black Rene Ricard print with hand painted poetry on handmade paper. Printed in black ink at the top of the sheet and framed with a thin line, the artist's loose h...

An encaustic (pigmented beeswax) monotype on Kawashi paper. The monotype can be oriented vertically or horizontally. Price shown is the unframed price. Laura Moriarty is engaged in ...

Artist: Kazuhide Yamazaki (Japanese-American, 1951-2023) Title: "Morning Rush" *Signed and dated by Yamazaki in pencil lower right Year: 1984 Medium: Original Monotype on Arches pape...

Etching, 1976 Handsigned by the artist in pencil and numbered 16/50 Publisher : Sala Gaspar (Barcelone) Printer : Torralba, Rubi (Barcelone) Catalog : Dupin 343 105.00 cm. x 90.00 cm...

Artist: Pablo Picasso (1881-1973) Title: Le Peintre Year: 1982 Medium: Lithograph on Arches paper Size: 29.25 x 21 inches Edition: 1000, plus proofs Condition: Good Inscription: Sign...

Color softground etching with aquatint and spitbite aquatint. Edition 50

CORITA KENT (Sister Mary Corita) 1918–1986 WORKING ON IT INCESSANTLY, ca. 1970 Color serigraph. Signed and numbered in ink 200/. In generally good condition. Image 22 3/8 x 11 1/2, sheet 23 x 12 1/4 inches. Provenance: Marjorie Kauffman Graphics on original period label. Sister Corita is highly important in the development of modern use of serigraphy with highly charged social and political content expressed in strong colors and dynamic composition. She often made biblical and well as literary references as a major part of the composition. She taught printmaking at Immaculate Heart...

Artist Georges Rouault (1871, France - 1958, France) Main title "Des ongles et du bec" Etching and aquatint on wove paper. Creation date 1926 / 1948 Publisher: Etoile Filante, P...

Mark Tobey, American (1890 - 1976) - Liberation, Year: 1973, Medium: Color Etching on Richard de Bas, Image Size: 10.75 x 9.25 inches, Size: 26.25 x 20 in. (66.68 x 50.8 cm)

Eduardo Chillida (Spain, 1924-2002) 'Bilbao – Mundial 1982', 1982 silkscreen on japanese paper 37.5 x 23.7 in. (95 x 60 cm.) Edition of 150. P/A: 25, H.C.: 50 Publisher: Maeght Unframed ID: CHI1038-010 Hand-signed by author ____________________________________________________ He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements. Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes. Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own. His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production. The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999). Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...

Jack Levine Vintage 1970s Kennedy Galleries poster (Hand signed and warmly inscribed), 1972 Offset lithograph poster (Signed, dated and inscribed in black marker by Jack Levine) Sign...

Raymond Pettibon 1982: Rare original punk flyer featuring artwork by Pettibon for a gig by Hari-Kari, Wasted Youth at Dancing Waters, in downtown San Pe...

Artist: Gene Davis (1920-1985) Title: Royal Curtain Year: 1980 Medium: Silkscreen on Arches paper Edition: 41/250, plus proofs Size: 30 x 21.5 inches Condition: Good Inscription: Sig...

Mark TOBEY (1890-1976) Blue Composition, 1976 Original color screenprint Signed with the artist's stamp Numbered / 77 copies On Auvergne vellum 64.5 x 50.5 cm INFORMATION: Authenti...

Composition is a splendid lithograph realized by Raoul Ubac in 1965. The artwork is from Derriere Le Miroir. Fondation Maeght - Inauguration., n.155. Printed by Ateliers de Maeght, Paris, 1965 Special issue of the magazine, published on the occasion of the inauguration of the Marguerite et Aimé Maeght Foundation...

Silkscreen on handmade Hahnemühle paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, The Poems, 1960. Published and printed by Tiber Press, New York un...

Artist: Pablo Picasso (1881-1973) Title: Paloma Bleu Year: 1982 Medium: Lithograph on Arches paper Size: 29.5 x 21.25 inches Edition: 143/500;500, plus proofs Condition: Good Inscrip...

The Offs (first pressing), 1984 Vinyl Record and Offset Lithograph Album Cover 12 1/4 × 12 3/25 inches Unframed CD Presents, Ltd. – CD 025 Provenance Plastic Fantastic Records, Bryn ...

Four color process print on vélin paper. Paper size: 10.75 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, George Condo, Drawing Paintings, 201...

A superb impression of this color aquatint. From an unnumbered edition of 280. Printed by Lacouriere, Paris. Published by Vollard, Paris. From "Cirque de l'Étoile Filante." Catalogu...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered. Notes: From the folio, Derrière le miroir, N° 151-152, 1965. Published by Aimé Maeght, Éd...

Sitting in a chair and wearing a green dress, the woman in this Pablo Picasso print is reduced to a series of geometric shapes. Her figure is fragmented into triangles and quadrilate...

This artwork titled "Secrets Series" c.1980, is an original woodcut monoprint with embossing on thick Wove paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed, tit...

Four color process print on vélin paper. Paper size: 10.75 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, George Condo, Drawing Paintings, 201...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série, XXXIIIe Année, N°37, Dé...

Silkscreen screenprint. Hand signed and numbered. A pyramid or ziggurat in vibrant colors of blue, red, yellow, orange and green on heavy paper Joseph Charles Tilson RA (born 24 Au...

Caviar20 is thrilled to be offering the work of Louise Nevelson. "Moon Garden" is a superb example of one of her impressive molded reliefs in black paper pulp. Although Nevelson is...

Wassily Kandinsky (Russia, 1866-1944) Centenaire Kandinsky. Fondation Maeght, 1977 lithograph on paper 23.7 x 17.8 in. (60 x 45 cm.) Excellent condition, unframed Ref: KAN100-202 Wa...

Jean Arp, French (1886 - 1966) - La Cathedrale est Un Coeur, Portfolio: Vers Le Blanc Infini, Year: 1960, Medium: Etching on BFK Rives, Edition: 349/499, Image Size: 10.5 x 8.25...

Lithograph on vélin d’Arches paper. Paper Size: 19.5 x 14.125 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and ...

Joan Miró "Le Pitre Rose", 1974 Original etching and aquatint From the edition of 50 on arches paper, hand signed and numbered 9/50. Sheet measures: 55 x...

Arnulf RAINER (1929) Abstract : Informal Composition, 1986 Original vintage lithographic poster (Edited by Maeght-Long) Printed signature...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting “Femme dans un Fauteuil”, which recently sold at auction for $10 million USD. The original painting was completed in 1948. In the 1970’s after Picasso’s death, Marina Picasso, his granddaughter, authorized the creation of this lithograph by Laurent Marcel Salinas, who worked closely with Picasso during his lifetime. The limited edition print run was completed and published by Marina Picasso in conjunction with Jackie Fine Arts in 1982. The lithograph is printed on French Arches paper, ink-stamped by the Estate verso, and hand-signed by Marina Picasso on the recto. The embossed seal of the Estate is lower right and the printer’s chop, lower left. Femme dans un Fauteuil Pablo Picasso (After), Spanish (1881–1973) Portfolio: Marina Picasso Estate Lithograph Collection...

Round Dance is an original etching contemporary artwork realized by Marino Marini in 1963. Good conditions. Edition of 100 copies. The artwork is depicted in a well-balanced compo...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, La Comédie Humaine, Suite d...

Lithograph, 1959 Handsigned by the artist in pencil and numbered 10/100 Publisher : Éditions L'Oeuvre Gravé Printer : Jean Pons (Paris) Catalog : [Polieri 1751 p.610-611] 65.00 cm. x...

Artist: James Coignard (French, 1925-2008) Title: "Espace - Ecriture (Space - Writing)" *Signed by Coignard in pencil lower right Year: 1983 Medium: Original Hand-Embellished Carboru...

Colorful vintage poster for the 1980 Democratic National Convention, held in Madison Square Garden in New York.Concentric lines of orange and bright green interweave with strokes of ...

'Russian - Russe - Russisch' Late 19th century interior design chromolithograph, from Racinet’s ‘L’Ornement Polychrome’, 1887. Published in Paris. Albert Racinet's 'L' Ornement Pol...

Paul Charlot ( French, 1906- 1985) was a French painter and printmaker influenced by the intense use of colors in Fauvism and the whimsical biomorphic abs...

Larry Zox (1937-2006) Three Square Composition, 1978 Print, Silkscreen, on Arches archival paper - 1978 52 " x 25 " inches Signed in pencil and marked VIII/LV Unframed.  Larry Zox i...

Screen print realized by Antonio Vangelli in the mid-20th Century. Edition of 17/30, hand signed and numbered in pencil. Includes a blue wooden frame cm. 74x53.5 Very good condition.

Original AIR FRANCE EUROPE, Editions Perceval, artist: Jacques Nathan Garamond. Professional acid-free archival linen backed vintage travel post...