Medium Abstract Prints

Lithograph, 1954 Handsigned by the artist in pencil and numbered 59/75 Publisher : Galerie Louise Leiris (Paris) Printer : Mourlot (Paris) Catalog : Saphire 138 50.00 cm. x 65.00 cm....

Letter V, from the Alphabet series,  is a lithograph, realized by Rafael Alberti in 1972. Hand-signed and dated on the lower right margin.  Numbered on the lower left. Edition of 1...

printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...

This artwork "Untitled VII" is a monotype on paper by noted artist Tracey Adams, born 1954. It is hand signed in pencil at the lower right corner by the artist. The image size is 15....

Lithograph Handsigned by the artist in pencil and numbered 119/150 Printer : Frédéric Possot, Paris 54.00 cm. x 75.50 cm. 21.26 in. x 29.72 in. (paper) Certificate of authenticity L...

Artist: Nancy Genn Title: Oraibi #4 Year: 1980 Medium: Lithograph and Chine Colle, signed and numbered in pencil Edition: 6/20 Size: 25 x 30 in. (63.5 x 76.2 cm)

Vie diffuse - From Sols, Terres is an original black and white lithograph realized by Jean Dubuffet (1901 Le Havre - Paris 1985). The artwork is the plate n. 2 from the portfolio So...

Composition is a contemporary artwork realized by Umberto Mastroianni. Mixed colored litograph. Hand-signed by the artist on the lower left in pencil. Numbered on the lower right in...

Pietro Consagra (Italian, 1920-2005). Hand signed in pencil and numbered limited edition color lithograph on Magnani paper. Embossed stamp with limited edition numbers in pencil to lower left, and having artist pencil signature to lower right. (from a limited edition of 80 with 15 artist's proofs) Published by Stamperia 2RC, Rome Italy and Marlborough Gallery, Rome, Italy. Abstract Modernist work in colors, produced in the style of the Forma art movement of Postwar Italy, of which the artist was a prominent member. Pietro Consagra (1920 – 2005) was an Italian Post war artist working in painting, printmaking and sculpture. In 1947 he was among the founding members of the Forma 1 group of artists, proponents of structured abstraction. (similar to the Art Informel and Art Brut in France and the Brutalist artists) Consagra was born on 6 October 1920 in Mazara del Vallo, in the province of Trapani in south-western Sicily, to Luigi Consagra and Maria Lentini. From 1931 he enrolled in a trade school for sailors, studying first to become a mechanic, and later to become a captain. In 1938 he moved to Palermo, where he enrolled in the liceo artistico; despite an attack of tuberculosis, he graduated in 1941, and in the same year signed up at the Accademia di Belle Arti, where he studied sculpture under Archimede Campini. After the Invasion of Sicily and the Allied occupation of Palermo in 1943, Consagra found work as a caricaturist for the American Red Cross club of the city; he also joined the Italian Communist Party. Early in 1944, armed with a letter of introduction from an American officer, he travelled to Rome. There he came into contact with the Sicilian artist Concetto Maugeri, and through him with Renato Guttuso, who was also Sicilian and who introduced him to the intellectual life of the city and to other postwar artists such as Leoncillo Leonardi, Mario Mafai and Giulio Turcato. Consagra signed up at the Accademia di Belle Arti di Roma in September 1944 and studied sculpture there under Michele Guerrisi, but left before completing his diploma. In 1947, with Carla Accardi, Ugo Attardi, Piero Dorazio, Mino Guerrini, Achille Perilli, Antonio Sanfilippo and Giulio Turcato, Consagra started the artist's group Forma 1, which advocated both Marxism and structured abstraction. Steadily Consagra's work began to find an audience. Working primarily in metal, and later in marble and wood, his thin, roughly carved reliefs, began to be collected by Peggy Guggenheim and other important patrons of the arts. He showed at the Venice Biennale eleven times between 1950 and 1993, and in 1960 won the sculpture prize at the exhibition. During the 1960s he was associated with the Continuità group, an offshoot of Forma I, and in 1967 taught at the School of Arts in Minneapolis. Large commissions allowed him to begin working on a more monumental scale, and works of his were installed in the courtyard of the Foreign Ministry in Rome and in the European Parliament, Strasbourg. His work is found in the collections of The Tate Gallery, London, in Museo Cantonale d'Arte of Lugano and the Museum of Modern Art, Paris, and the National Gallery of Art in Washington, D.C.. Consagra returned to Sicily where he sculpted a number of significant works during the 1980s. With Senator Ludovico Corrao, he helped created an open-air museum in the new town of Gibellina, after the older town had been destroyed in the earthquake of 1968. Consagra designed the gates to the town's entrance, the building named "Meeting" and the gates to the cemetery, where he was later buried. In 1952 Consagra published La necessità della scultura ("the need for sculpture"), a response to the essay La scultura lingua morta ("sculpture, a dead language"), published in 1945 by Arturo Martini. Other works include L'agguato c'è ("the snare exists", 1960), and La città frontale ("the frontal city", 1969). His autobiography, Vita Mia, was published by Feltrinelli in 1980. In 1989 a substantial retrospective exhibition of work by Consagra was shown at the Galleria Nazionale d'Arte Moderna in Rome; in 1993 a permanent exhibition of his work was installed there. In 1991 his work was shown in the Hermitage Museum in St. Petersburg. In 2002 the Galerie der Stadt Stuttgart opened a permanent exhibition of his work. He was one of ten artists invited by Giovanni Carandente, along with David Smith, Alexander Calder, Arnaldo Pomodoro, Lynn Chadwick, and Beverly Pepper, to fabricate works in Italsider factories in Italy for an outdoor exhibition, "Sculture nella città", held in Spoleto during the summer of 1962. He was included in the The 1962 International Prize for Sculpture the jury included Argan, Romero Brest and James Johnson Sweeney the former director of the Solomon R. Guggenheim Museum in New York. The participants included Louise Nevelson and John Chamberlain for the United States; Lygia Clark for Brazil; Pietro Consagra, Lucio Fontana, Nino Franchina, and Gió Pomodoro for Italy; Pablo Serrano for Spain; and Eduardo Paolozzi, William Turnbull, and Kenneth Armitage for England. Gyula Kosice, Noemí Gerstein, Julio Gero, Naum Knop...

Joan Miro Miro Lithographe II, Plate VIII Artist: Joan Miro Medium: Original lithograph Title: Plate VIII Portfolio: Miro Lithographe II Year: 1975...

Abstract composition is a colored etching realized by Hsiao Chin in 1977. The artwork is hand-signed and dated in pencil on the lower right. Numbered on the lower left.  Edition of...

Harvey Konigsberg ( American b. 1940 ) "One on One" (Artist Proof), Figurative Abstract Lithograph, 30 x 21, Late 20th Century Colors: Black and White Harvey Konigsberg was born in...

Uprising is a contemporary artwork realized by Arthur Secunda in 1979. Mixed colored etching. Hand signed on the lower margin. Numbered and titled on the lower left margin. Editi...

Bernhard Heiliger Untitled Gestural Abstraction Year: 1967 Lithograph on BK Rives Signed, numbered and inscribed in pencil Edition: 100 + H.C. Size: 20.5 × 12.9 on 25.5 × 19.7 inches...

Domenick Turturro, American (1936 - 2002) - Fire, Year: circa 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 40 AP, Image Size: 23 x 30 inches, Size: 26 x 3...

Giuseppe Uncini - Drawings and Projects  is an offset on paper realized by the Italian artist Giuseppe Uncini in 1976, for the Exhibition in the Rondanini Art Gallery. Giuseppe Unci...

This artwork "Untitled" c.1990, is an original colors woodcut monoprint on artisanal hand made paper by noted American artist Ruth Leaf, 1923-2015. It is unsigned as issue. The image...

Artist: Alberto Magnelli, Italian (1888 - 1971) Title: VI from La Magnanerie de la Ferrage Year: 1971 Medium: Linocut on Japon, signed in pencil Edition: Pour Leon Amiel Image Size: ...

Lithograph realized by Nicolas Carrino in 1970. Edition of 150 pieces plus 30 pieces in Roman Numbers. One of the 30 specimen in roman numbers. Excellent condition.

Engraving, 1970 Handsigned by the artist in pencil and numbered 11/60 55.50 cm. x 75.00 cm. 21.85 in. x 29.53 in. (paper) 40.00 cm. x 56.20 cm. 15.75 in. x 22.13 in. (image) Certif...

Photography / fine art print, limited 1/5, signed by the author.

Artist: Robert Natkin, American (1930 - 2010) Title: Intimate Lighting I Year: 1972 Medium: Screenprint on Cream Arches Paper, signed, dated and numbered in pencil Edition: 42/150 Si...

Abstract composition in purple in an original screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 18/100 Handsigned in pencil on the right lower margin. Excell...

Artist: Jacques Villon, After, French (1875 - 1963) Title: Composition Year: 1927 (printed circa 1965) Medium: Aquatint Etching, Signed and dated '27' in the plate Image: 19 x 13.5 i...

Space Balls Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, including a...

Abstract landscape print of a country farm in earth tones of beige, orange, and brown 12 x 24 inch image on 22 x 30 inch Rives BFK paper, unframed Rives BFK paper is made of cotton,...

Image dimensions: 60 x 55.5 cm. Pinkish Lines is an elegant giclée print realized by the contemporary artist Dadodu in 2016. This original artwork represents The Birth of Venus by ...

The Mill of Don Quixote is an Original Etching realized by Plinio Mesciulam in 1973. Very good condition on a white cardboard. Hand-signed and numbered by the artist on the lower m...

Lithograph Handsigned by the artist in pencil and numbered 1/20 66.00 cm. x 51.00 cm. 25.98 in. x 20.08 in. (paper) 55.00 cm. x 45.00 cm. 21.65 in. x 17.72 in. (image) LCD5252

This abstract portrait limited edition print by Ned Martin is part of the artist's Spirits Through Time series. It features a warm and earthy palette. It depicts a portrait of a woma...

In a symphony of colour and form, Alice Teichert created more than 40 black ink and acrylic drawings on mylar which she transferred to silk screens. ‘The Text is Still Unwritten’ is ...

Carnivalesque Composition is a colored screen print on paper, realized in 1973 by the Italian artist Wladimiro Tulli. Hand-signed on the lower right. Numbered, edition of 97/100. ...

Silkscreen on paper. with some sort of experimental poured stuff on it. there is some loss to the margin but the image is strong. edition 2/6. During the 1930s, Lawrence Edward Kupferman was employed by the WPA Works Progress Administration, making a series of etchings and dry points, mostly of the facades of houses. His style changed completely in the 1940s, becoming first political and expressionist, and later abstract expressionist. He served as chairman of the department of painting at the Massachusetts College of Arts.He studied at the Boston Museum School with Philip Leslie Hale and H. Alden Ripley (1929-1931); Massachusetts School of Art with Ernest L. Majors and Otis Philbrick (1931-1935). Kupferman took motifs from tangible and sensed realities. His atmospheres symbolize cosmic space. Existence is spiritualized as a connected covenant with all of creation. Veil-like, mysterious lines move like vapors over washes of opaque translucent colors that blend, erupt or fade into seas of time-like space and souls become one with an ever-moving, deepening milieu. He admitted, "My figures journey to greet an eternal fellowship with nature’s every particle. . . . "Around 1941, I started to pour paint onto canvases in Provincetown. Jackson Pollock came into my studio to observe how I let paint take on a liquid life or path of its own. Those ethereal poured paintings may have stimulated Pollock's more frantic splashed-on techniques” Kupferman said thoughtfully.Some critics gave him credit for having been one of the pioneering fathers of the poured painting technique. As early as 1943, the Museum of Modern Art, the Whitney Museum of American Art and various publications acknowledged him as a humanistic innovator whose work bluntly exposes humans to themselves. Kupferman, Jack Levine (b. 1915), Hyman Bloom (b. 1913) and David Aronson (b. 1923) founded the "The Boston Urban Jewish School," whose roots ran deep into traditional Hebraic scholarship."Throughout my career," Kupferman admitted, "Boston was a mental and physical prison in which genuineness and spontaneity in art was absent. I summered in Provincetown for artistic sanity. Mark Rothko, Hans Hofmann, Adolph Gottlieb, William Baziotes, Leo Manzu, Byron Brown...

Irena Snarska (b. 1934, d. 2013) Irena Snarska was born in 1934 in Lviv. She studied at the Faculty of Interior Architecture at the Academy of Fine Arts in Warsaw. Between 1956 and 1...

Red Abstract is a contemporary artwork realized by Le Pond in 1970s. Mixed colored lithograph. Hand signed on the lower margin. Numbered on the lower margin. Edition of 45/100

The Faceless, Unforgettable Three - Modernist Color Lithograph (5/100) Three faceless figures, created by Simon Avissar (Israeli, 1938-2020), in a cool, muted color palette of purple and teal, layered against a speckled background with a sense of light surrounding them. Presented in a new taupe-colored mat. Mat size: 30"H x 24"W Paper size: 25.5"H x 19"W Avissar, Simon (Israeli, 1938-2020) is a Postwar & Contemporary painter born in Casablanca. As a tireless nomad, he exhibited for the first time in 1961, in Jaffa, where he lived and worked for some time. He then moved to Paris, settling into a studio in Montparnasse and began with an exhibition of his work at the Galerie Charpentier in 1964, and after exhibited at Abel Rambert, the Galerie de l’Elysée, and the Galerie Bénézit in the 14 years he lived there. He then moved to the United States, including Washington, New York, and Lose Angeles, while continuing to travel to South America, Australia, and South Africa, exhibiting in many places he visited. His work integrates the contributions of the avant-garde with cubist simplification, chromatic audacity, and abstract geometry. Education 1959-1960 School of Arts Appliques, Paris, France 1959-1961 L'Ecole des Beaux Arts, Paris, France 1962-1963 Bezalel Academy of Art & Design, Jerusalem Awards 1964 The French Ambassador’s Special Award Environmental Sculptures...

Artist: Christian Fossier, French (1943 - 2013) Title: Untitled II Year: 1971 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 128/150 Image Size: 21 x 28.5 inch...

Red Six is a lithograph realized by the Italian painter  Lorenzo Indrimi in the 1970s. The artist found inspiration in the most primitive human experiences. This print is a hand-si...

Robert Indiana HOPE, 2008 Oil silkscreen in colors on watermarked Coventry archival paper 25 × 19 inches Edition 138/200 Signed, dated and number...

Letter T  is a black and white lithograph on heavy paper, realized by the Spanish poet  Rafael Alberti  (Puerto de Santa Maria,1902 – 1999) in 1972. From  "Il Lirismo dell'Alfabeto"...

White Finger Ball  is an abstract silk-screen and copperplate engraving print on heavy paper, realized in 1973 by the Japanese artist Shu Takahashi. Unsigned, and not numbered, this...

Composition is an original etching by the artist Luigi Boille. It is in excellent conditions. This artwork is a beautiful coloured etching, representing an abstract composition in ...

Abstract composition is a colored screen print realized by the contemporary artist Giulio Turcato (Mantova, 1912 - Roma, 1995) in 1973. Good conditions. Edition 14/100. Giulio Tur...

Brown Composition is a colored serigraph on paper, realized in the 1970s by the Italian artist Wladimiro Tulli. Hand-signed on the lower right and numbered in pencil on the lower ma...

Limited edition of 100 prints, numbered and hand signed. Excellent condition.

printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...

Martin Noel "Letchkov" Year: 1994 Color woodcut on handmade paper Size: 27.75 x 22.5 inches (70 x 60 cm) Signed by hand, lower center Publisher: Edition by Griffelkunst-Vereinigung, ...

Artist: Josef Albers (German-American, 1888-1976) Title: "MMA-3 Variant" Series: MMA (Metropolitan Museum of Art) *Unsigned edition Year...

Palm Trees is an etching realized in 1977 by the artist Eduard Bargheer.  Hand-signed, dated on the lower right margin. Artist's proof. Good conditions.

Red Six is a lithograph realized by the Italian painter  Lorenzo Indrimi in the 1970s. The artist found inspiration in the most primitive human experiences. This print is a hand-si...

Carnivalesque Composition is a colored screen print on paper, realized in the 1970s by the Italian artist Wladimiro Tulli. Hand-signed on the lower right and numbered in pencil on th...

Lithograph realized by Giulio Marelli in 1970 ca. Edition of 150 in arab numbers and XXV in roman numbers. Hand signed and numbered in pencil. Very g...

Abstract Composition is a colored screen print realized by the contemporary artist Giulio Turcato 1973. Hand-signed in pencil on the lower right. Numb...

Peasant, fine art print, limited edition 10, signed by the author.

Asteroid is an original lithograph, realized by Vito Apuleo in the 1970s. Hand-signed on the bottom right. Artist's proof as hand written by the artist on...

Flying Carpet is an original Contemporary artwork realized in 1984 by the italian Contemporary artist Leo Guida (1992 - 2017). Original colored etch...

Craig McPherson captures a night view of the neon lights from commercial signs reflected in the water at Ocean Terminal in Kowloon, as seen from the terminal of the Star Ferry to cen...

This print depicts the tangle of barbed wire encircling curling and twisting neon, with lengths of wood at the center. The dark paper sets off the electric blue, and captures the ori...

Lithograph realized by Giulio Marelli in 1970 ca. Edition of 150 in arab numbers and XXV in roman numbers. Hand signed and numbered in pencil. Very g...

JACEK SOWICKI (born in 1948) He studied at the Academy of Fine Arts in Cracow and graduated from the Academy Of Fine Arts in Warsaw in 1973. In 1984-89 he run the graphics atelier at...