Small Abstract Prints

This artwork titled "Centre Noeuds" plate #1, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 171, 1968. Published by Aim...

Abstract French etching in blues and reds, circa 1981. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. ...

"Miró Lithographe I - Plate X" is an original lithograph realized by Joan Miró in 1972. Perfect conditions. It comes from the set of 11 lithographs realized for the catalogue "Miró ...

"Miró Lithographe I - Plate VIII"  is a lithograph realized by  Joan Miró  in 1972.  Good conditions. It comes from the set of 11 lithographs realized for the catalogue "Miró Litho...

Hand signed and numbered. Edition of 85 prints. Very good conditions. Ref: Joan Miró. Catalogue raisonné des livres illustrés, Patrick Cramer Editeur, 1989, n. 200/17

Lithograph on papier Kitakata à la main, mounted on papier Cartiere Enrico Magnani à la main paper, as issued. Paper Size: 23.5 x 19 inches. Inscription: Unsigned and unnumbered, as ...

This Limited Edition abstract print, "Lemon Lime Goodness," by Sofie Swann measures 20" x 16" and is an edition of 95. Printed on canvas, this gicl...

"Original Lithograph III" is an original color lithograph by Joan Miro, published in "Miro Lithographs III, Maeght Publisher" in 1977. It depicts M...

This poster was produced in 1973 to promote a Richard Hamilton exhibition at the Davison Art Center, Wesleyan University, Middletown, Connecticut, USA. The poster reproduces The cri...

Two Women's Torses is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1952. Signed o the plate on the lower. The print suite was ...

Untitled is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1975. Signed o the plate on the lower. The print suite was realized i...

Monotype

Lithograph, 1951 Edition : 57/200 Publisher : Guilde internationale de la Gravure (Genève) Printer : Jean Bruller (Paris) Catalog : Sapphire E7 56.00 cm. x 38.00 cm. 22.05 in. x 14....

Artist: Joan Miro, After, Spanish (1893 - 1983) Title: Cartones 17: Personnage et Oiseau Year: 1965 (after a 1963 original) Medium: Pochoir Edition: 1200 Size: 12.5 in. x 8.75 in. ...

Alistair Grant Jeremiah - 1968 Print - etching, with Aquatint   16'' x 24'' inches Edition: signed and numbered in pencil 17/50 Alistair Grant was a great and justly-revered experim...

Ronald Brooks (R.B.) Kitaj BAGHDAD, 1972 Six Color Screenprint and Photoscreenprint 20 × 14 1/2 inches Pencil signed and numbered 1/125 Printed at Kelpra Studio, London Published by ...

Phototype on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition; never framed or matted. Notes: From the volume, La Fleur de Barbe, 1960. Published by Jean Dubu...

Linocut on vélin vergé ancien paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Pougny, dix linogravures originales, 1964. Published by Au Vent d'Arle...

Abstract Composition is a woodcut print on paper realized by an Anonymous artist in the 1950s. Hand-signed, illegible, and numbered, edition of 50/100 prints. Good conditions. The...

Woods Etching and aquatint printed in colors, 1985 Signed, titled & numbered in pencil Edition: 15 (12/15) Printed on BFK RIVES paper Provenance: GE Art Program, (label included), se...

Composition is an original colored etching artwork on cardboard realized by Leo Guida in 1971. Hand-signed in pencil and dated on the lower left, titled on the lower right. The sta...

Lithograph, 1957 Handsigned by the artist in pencil and Annotated "HC" Publisher : Galerie de France (Paris) Printer : Mourlot (Paris) 48.00 cm. x 38.00 cm. 18.9 in. x 14.96 in. (p...

Abstract Composition is an artwork realized by Salvatore Provino. Screen print on paper. Hand-signed on the lower right corner. Numbered on the lower left, edition of 75. Very go...

Joan Miró Litografia Original IX (Abstract, Modern, Surrealism, Colorful, Iconic) Color Lithograph Year: 1975 Size: 13.25 x 20 inches (33.65 x 50.8 cm) Catalogue Raisonné: Queneau, M...

Warren Rosser Passing Over Year: 2014 Lithograph Edition: 38 Paper: Arches Cover, White Paper Size: 22 x 17.5 inches Image Size: 19 x 13.5 inches (irregular) Signed and numbered by h...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Derrière le miroir, N° 193-194. Publis...

Mechanical Parrots is a contemporary artwork realized by the artist Fifo Stricker in 1997. Mixed colored aquatint and etching.  Hand signed and dated by the artist on the lower rig...

Hilliard Dean, '#9', color lithograph, 1970, edition 7. Signed, titled, and annotated 'Ed 7' in pencil. A fine impression, with fresh colors, on Arches, ...

Naghi Nagashian (Iran b. 1948), "Black & White Woodcut Composition" Edition 55/100, Abstract Woodcut signed and numbered in Pencil, 20.50 x 17, Late 20th Century, 1965 Colors: Blac...

Hand signed, numbered and dated on verso. Landscape 8, from Ten Landscapes (C. 58). Iridescent silver Mylar collage on opaque black Rowlux and gray moire Rowlux. The full sheet, moun...

The beauty of repeated geometric form is a motif that has played a central role in Havens’ work. Dynamic and colorful compositions play with line and shape to suggest larger spaces,...

Lithograph and stencil on papier a la cuve du moulin Richard de Bas spécialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued. Good ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, Hommage à Aimé et Marguerite M...

Giclée print on Archival Matte Paper with Archival Pigment Ink. In 2017 she was awarded the New York State Council for the Arts/New York Foundation for the Arts Fellowship grant for...

Edition Details: Year: 2019 Class: Art Print Status: Official Released: 10/01/19 Run: 1,000 Technique: Fine Art Lithograph Paper: 80# archival qual...

This Limited-Edition abstract print, by Sofie Swann is an edition of 95. Printed on canvas, this giclee ships framed in a white floater frame wired and ready to hang. Other floater f...

Richard Serra Early Work (Hand Signed), 2013 Offset lithograph (Hand Signed by Richard Serra) Boldly signed by Richard Serra on the front 18 × 24 inches Unframed This print was published on the occasion of the eponymous exhibition at David Zwirner in 2013. It depicts Richard Serra in his studio in 1968. The print was hand signed by the artist on the occasion of his opening at Zwirner Richard Serra Biography Richard Serra was born in 1938 in San Francisco and lives and works in New York and the North Fork of Long Island. His first significant solo exhibition was held at the Leo Castelli Warehouse, New York, in 1969. His first solo museum exhibition took place at the Pasadena Art Museum in 1970. Serra has since participated in numerous international exhibitions, including documenta (1972, 1977, 1982, and 1987) in Kassel, Germany; the Venice Biennales of 1980, 1984, 2001, and 2013; and the Whitney Museum of American Art’s Annual and Biennial exhibitions of 1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006. Solo exhibitions of Serra’s sculptural work have been held at numerous public institutions worldwide, including, among others, the Museum Boijmans Van Beuningen, Rotterdam, 1980; Musée National d’Art Moderne, Paris, 1984; Museum Haus Lange, Krefeld, 1985; The Museum of Modern Art, New York, 1986; Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, 1987; Städtische Galerie im Lenbachhaus, Munich, 1987; Stedelijk Van Abbemuseum, Eindhoven, 1988; Kunsthaus Zürich, 1990; CAPC Musée d’Art Contemporain, Bordeaux, 1990; Museo Nacional Centro de Arte Reina Sofía, Madrid, 1992; Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 1992; Dia Center for the Arts, New York, 1997; Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; Trajan’s Market, Rome, 2000; Pulitzer Foundation for the Arts, St. Louis, 2003; and Museo Archeologico Nazionale di Napoli, Naples, 2004. In 2005, The Matter of Time, a series of eight large-scale works by Serra from 1994 to 2005, was installed permanently at the Guggenheim Museum Bilbao, and in 2007, The Museum of Modern Art, New York, presented the retrospective Richard Serra Sculpture: Forty Years. Promenade, a major site-specific installation, was shown at the Grand Palais, Paris, for MONUMENTA 2008. In 2011, the artist’s large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. In 2014, the Qatar Museum Authority presented a two-venue retrospective survey of Serra’s work at the QMA Gallery and the Al Riwaq exhibition space, Doha, and East-West/West-East, 2014, was permanently installed in the Brouq Nature Reserve in the Zekreet Desert, Qatar. In June 2020, a new major sculpture by Serra was installed on the West Quad of Kenyon College, in Gambier, Ohio. In June 2022, the Glenstone Museum in Potomac, Maryland, will inaugurate a new building specially conceived to house a recent large-scale forged steel sculpture by Serra. Museum exhibitions that have focused on the artist’s drawings include Richard Serra: Tekeningen/Drawings 1971–1977, Stedelijk Museum, Amsterdam, The Netherlands, 1977; Richard Serra: Zeichnungen 1971–1977, Kunsthalle Tübingen, Germany, 1978; Richard Serra: Drawings, Louisiana Museum, Humlebaek, Denmark, 1986; Richard Serra: Tekeningen/Drawings, Bonnefantemuseum, Maastricht, The Netherlands, 1990; Richard Serra: Drawings, Serpentine Gallery, London, 1992; Richard Serra: Drawings and Prints, The National Museum of Art, Osaka, Japan, 1994; Richard Serra: Rio Rounds, Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; and Richard Serra: Drawings: Work Comes Out of Work, Kunsthaus Bregenz, Austria, 2008. A major traveling retrospective dedicated to the artist’s drawings was presented at The Metropolitan Museum of Art, New York; the San Francisco Museum of Modern Art; and The Menil Collection, Houston (which was the organizing venue), in 2011–2012. The Courtauld Gallery, London, presented Richard Serra: Drawings for The Courtauld in 2013, and Richard Serra: desenhos na casa da Gávea was on view at Instituto Moreira Salles, Rio de Janeiro, in 2014. Richard Serra: Drawings 2015–2017, a significant overview of the artist’s recent works on paper, was on view at the Museum Boijmans Van Beuningen, Rotterdam, in 2017. Serra/Seurat. Drawings, an exhibition pairing a selection of Serra’s recent drawings alongside those by Georges Seurat, was presented at the Guggenheim Bilbao in 2022. Four Rounds: Equal Weight, Unequal Measure, Serra’s monumental sculpture which debuted at David Zwirner in 2017, is now on long-term view at Glenstone Museum, Potomac, Maryland, in a new building that was designed by Thomas Phifer in collaboration with the artist. Serra has been the recipient of many notable prizes and awards, including a J. Paul Getty Medal (2018) awarded in honor of extraordinary contributions to the practice, understanding, and support of the arts; the Chevalier de l’Ordre national de la Légion d’honneur, Republic of France (2015); Orden de las Artes y las Letras de España, Spain (2008); Orden pour le Mérite für Wissenschaften und Künste, Federal Republic of Germany (2002); Leone d’Oro for lifetime achievement, Venice Biennale, Italy (2001); Praemium Imperiale, Japan Art Association (1994); Carnegie Prize (1985); a National Endowment for the Arts Fellowship (1974); and a Fulbright Grant (1965). In 2013 in New York, David Zwirner presented Richard Serra: Early Work, a critically acclaimed exhibition that brought together significant works from 1966 to 1971. The accompanying catalogue extensively covers this period of the artist’s career with a compendium of archival texts and photographs and an essay by Hal Foster...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. Giclée print on Archival Matte Paper with Archival Pigment Ink. This print is available in another size, please contact the gallery for more information. Johanna’s work has been featured in a wide variety of publications from The Guardian and Marie Claire to Vice and Creative Review. Her work has also been included in several books about Illustration, Art and Collage including The American Illustration...

Artist: Henri Matisse (after) Medium: Lithograph Title: Fleurs de Neige Portfolio: The Last Works of Henri Matisse Year: 1958 Edition: 2000...

Bright and colorful abstract lithograph by French artist Chevolleau, 1965. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Mat fits a st...

Untitled, 2020 by Chin Chih Yang is a signed limited edition print on archival paper: 28/75 - edition number, date of creation, and artist's signature on recto (front of work) - in m...

Günther Förg (German, 1952-2013) Coda, 1996-98 Medium: Three etchings on Rives BFK rag paper Dimensions: 50 × 40 cm (19 7/10 × 15 7/10 in) Edition of 60: Hand-signed and numbered (ea...

"Up Against the War Motherland" UC Berkeley Workshop April 26, 1970 Screenprint on computer paper 14.75"x22" unframed Unsigned Poster is printed on tracto...

Colorful Cat Face - Transfer Monotype in Water Based Ink on Paper Original transfer monotype painting by California artist Heather Speck (American, 20th...

Lithograph and stencil on vélin paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Picasso: Fifteen Drawings, 1946. Published by Pantheon Books, Inc., ...

Maurice de Vlaminck (French 1876 - 1958), "Place de L'Eglise ( A Lithograph from Notre Pain Quotidien)" Abstract/ Post-Impressionist Lithograph, 17 x 20, Late 20th Century, 1963 Colors: Black and White Maurice was three years old when his family moved from Paris to Vésinet. He first pursued the same musical career as his parents, who were both musicians, leaving his home as a trained double-bass player in 1892 to move to Chatou near Versailles. After absolving his military service in Vitré Maurice Vlaminck worked as a musician until he accidentally met André Derain in 1900. It was Derain who kindled Vlaminck's artistic ambitions. He decided to become a painter and rented an old hut in which he and Derain shared a studio. A crucial turning point in Vlaminck's artistic development was a visit to a van Gogh...

Die Noten is a screen print realized by Paolo Minoli in 1992. Hand-signed and dated in pencil on the lower right. Numbered "Artist's proof" on the lower left, Edition 7/20 prints. ...

Héliogravure on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Joan Miró, Femmes, 1965. Published by Maeght Éditeur, Paris; printed ...

Joaquín the friend of the family is an original lithograph print on paper realized by Gérard Titus-Carmel in 1967. Hand-signed on the lower, and dated, n...

Linocut on vélin vergé ancien paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Pougny, dix linogravures originales, 1964. Published by Au Vent d'Arle...

This compelling singular signed print–one of a kind was created by the Czech born artist Joseph Drapell. The form is reminiscent of the popular sixties’ art game called Spirograph. B...

"Julio Girona (Cuba, 1914-2002) 'Anda, dime', 1999 silkscreen on paper 20.1 x 14.1 in. (50.8 x 35.6 cm.) Edition of 47 ID: GIR1066-004-047" "Julio Girona...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. Giclée print on Archival Matte Paper with Archival Pigment Ink. In 2017 she w...

This Limited-Edition abstract print, "A Summer Day in Nantucket," by Sofie Swann is an edition of 95. Printed on canvas, this giclee ships fr...

ED: 22/60 Work on paper Golden wooden frame with glass pane

Image dimensions: 23.7 x 17.7 cm Untitled is an amazing original black and white etching and aquatint on paper, realized by the Italian artist Cesare Peverelli ( Milan, 1922-Paris, 2000). Hand-signed and numbered in pencil and in Arabic numerals on lower margin. From an edition of 100 prints. This is a really beautiful synthetic and geometrical composition, in which the artist exercises his hatching and his mix with the dots with excellent results. In excellent conditions. This is a perfect artwork for your home decor, could adapt to your sophisticated furniture ! Cesare Peverelli (Milan, 1922 - Paris, 2000) Cesare Peverelli began his artistic career in 1939 when he attended the Brera Academy of Fine Arts and was a pupil of Achille Funi and Carlo Carrà. Through Ennio Morlotti he came into contact with the Corrente group, preferring however to the chromatic lighting of the neo-cubism the tonalism of Giorgio Morandi. He tied himself to the Argine Numero magazine and was in 1946 among the signatories of the Oltre Guernica poster. In 1947, at the Italian art exhibition today. Turin Prize, he won the Grosso Award, met Cesare Pavese and began to collaborate with the Einaudi publishing house, and produced the cover of La nausea by Jean Paul Sartre (1948). In search of an engagé painting not dominated by ideologies, he was one of the founders in 1946 of the Numero Pittura magazine and with Roberto Crippa he opened the Painting gallery, where in 1949 he held a solo show accompanied by a poem by Aimé Césaire...

Mixed media print on paper by young Polish artist Berenika Korecka-Sowinska who graduated in 2009 from Academy of Fine Arts in Warsaw

Born in Amityville, NY, in 1952, Tom Butter received his B.F.A. from Philadelphia College of Art in 1975 and his M.F.A. from Washington University, St. Louis, two years later. Since ...

Agnes Mills (American, 1915-2008) Guignol Intermezzo, 1982 Hand colored etching (UNIQUE) Sight: 13 3/4 x 11 1/4 in. Framed: 19 1/2 x 17 x 3/4 in. Titled lower right Inscribed "AP" bo...