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Joan MiróMiró Lithographe II - Plate IV - Lithograph by J. Mirò - 19751975
1975
About the Item
"Miró Lithographe II - Plate IV" is an original lithograph realized by Joan Miró in 1975. Perfect conditions.
It comes from the set of 11 lithographs realized for the catalogue "Miró Lithographe II" edited by Graphis Arte, Livorno and Toninelli Arte Moderna, Milano, in 1975.
Reference: Patrick Cramer, Joan Miró, Catalogue Raisonné des Livres Illustrés, Editeur P. Cramer, Genève 1989, n. 198.
While Joan Miró (1893-1983) rejected any formal association with movements or groups, including the Surrealists, André Breton recognised him as “the most Surrealist of us all”. His artistic approach encouraged the free play of associations, and envisaged “accidents” to provoke reactions closely connected to subconscious experiences. Miró’s famous motifs consist of freely reshaped fragments cut from catalogues for machinery on canvases to form black silhouettes – solid or in outline, with dramatic accents of white and red.
- Creator:Joan Miró (1893 - 1983, Catalan)
- Creation Year:1975
- Dimensions:Height: 13.39 in (34 cm)Width: 10.24 in (26 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: M-949521stDibs: LU65037330052
Joan Miró
With his wide-ranging oeuvre, comprising strikingly original paintings, prints, ceramics, sculptures, metal engravings and murals, Catalan modernist Joan Miró was a critical force in moving 20th-century art toward complete abstraction. Although often considered an early Surrealist because of his nonobjective imagery and evocation of the subconscious, he defies neat categorization.
Miró’s identity is largely rooted in the city of his birth: Barcelona. To this day, a number of his public artworks can be found there, including the 72-foot-tall statue Dona i Ocell (Woman and Bird), 1983. Female and avian forms, along with bright colors and the theme of Catalan pride, are recurring elements in his work.
The radical visual world Miró created with his expressive lines, signature symbols and biomorphic shapes influenced such American Abstract Expressionists as Jackson Pollock and Color Field painters like Mark Rothko and Barnett Newman.
Mirò continued to work and experiment until his death at the age of 90 in 1983. Five years before that, he was quoted saying, “I painted these paintings in a frenzy, with real violence so that people will know that I am alive, that I’m breathing, that I still have a few more places to go. I’m heading in new directions.”
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