1990s Abstract Prints

Phatyos experiments with the mounded form of the Thai pagoda (stupa), which originally derived from a pile of ashes or the burial site of a sacred person. Through the tangible pagod...

1990 Lithograph, screenprint on paper and metalised PVC on paper S. 59 1/8 x 75 in. (150.2 x 190.5 cm) Edition of 68 Signed, dated and numbered in pencil, lower margin

TECHNICAL INFORMATION: Victor Vasarely Sinlag II 1990 Cast paper relief in colors 29 3/4 x 29 3/4 in. Edition of 120 Pencil Signed and Numbered Acc...

1999-2001 Etching and lithograph in colors, on Somerset Satin paper Sheet: 22 x 30 in. Edition of 45 Signed, dated and numbered in pencil, lower margin

1993 Etching in colors, on Rives BFK paper Image/sheet: 47 x 29 1/2 in. (119.4 x 74.9 cm) Edition of 35 Signed and numbered in pencil, lower margin

1993 Offset lithograph on paper Sheet: 46 4/5 x 31 1/5 in. Edition unknown Unsigned

1996 Oil-based woodcut in colors Sheet: 22 1/2 x 22 1/2 in. Edition of 60 Signed and numbered in pencil, lower right

1996-98 Three aquatints printed from two to three plates each on Twinrocker handmade rag paper Sheet: 19 3/4 x 15 3/4 in. (50.2 x 40 cm), each Edition of 60 Each numbered and estate ...

Ross Bleckner Just Because #3 1997 17-color screenprints Size: 33 x 42 inches (84 x 107 cm) Edition: 75 Suite of 3 also available

Ross Bleckner Just Because 1997 17-color screenprint Size: 33 x 42 inches (84 x 107 cm) Edition: 75 Suite of 3 also available

Ross Bleckner Just Because 1997 17-color screenprint Size: 33 x 42 inches (84 x 107 cm) Edition: 75 Suite of 3 also available

1990 Lithograph in colors, on wove paper Sheet: 32 3/10 x 23 3/5 in. Edition of 75 Signed and numbered in pencil Unframed

1990 Screenprint in colors, on wove paper Sheet: 33 1/2 x 25 3/5 in. Edition of 60 Signed and numbered in pencil Unframed

1990 Screenprint in colors, on wove paper Sheet: 25 3/5 x 33 1/2 in. Edition of 60 Signed and numbered in pencil Unframed

1993 Etching with aquatint in colors, on Somerset paper Sheet: 54 x 29 3/4 inches Edition of 25, AP Signed, dated and numbered in pencil

Untitled, 1991 Etching in colors, on wove paper Sheet: 47 x 28 in. (119.4 x 71.1 cm) Edition of 20 Signed and numbered in pencil Framed, mint condition

1997 Aquatint on Awa Kozo paper Sheet: 21 x 24 3/4 in. Edition of 60 Signed and numbered in pencil Unframed, mint condition

Pierre SOULAGES The Color Black, 1999 Original Screen Print (printed in Michel Caza workshop) On heavy paper 119 x 84 cm (c. 47 x 33 in) REFERENCES : Catalog raisonné BNF #117 Edit...

Oil-based woodcut printed in colours. Signed in pencil and numbered from the edition of 40. Printed on Awa Kozo paper by Kevin Oster, Watanabe Studio Ltd., New York. Published by ...

Tiefeng Jiang Title: The Stone Forest Edition: 9/20 Super Low Edition! Medium: Serigraph on hand-made paper Measurement...

Three aquatints printed from two to three plates each on Twinrocker handmade rag paper Sheet: 19 3/4 x 15 3/4 in. (50 x 40 cm), each Edition of 60 Each print numbered and estate sign...

Set of six linocuts on rag paper Sheet: 20 x 20 in. (51 x 51 cm), each Edition of 50 Each signed and numbered in pencil Published by Edition Schellmann, Munich and New York

Aquatint on rag paper Sheet: 21 x 24 3/4 in. (53 x 63 cm) Edition of 60 + 10AP Signed and numbered in pencil on lower margin Published by Edition Schellmann, Munich and New York

Etching on Zerkall rag paper Sheet: 38 3/4 x 27 1/2 in. (98 x 69.5 cm) Edition of 60 Signed and numbered in pencil on lower margin Published by Edition Schellmann, Munich and New York

Etching on rag paper Sheet: 32 x 24 3/4 in. (82 x 63 cm) Edition of 99 Signed and numbered in pencil on lower margin Published by Edition Schellmann, Munich and New York

Original lithograph printed in 6 colors (light yellow, golden yellow, yellow-green, light ultramarine blue, purple, red on PTI #120 Waterleaf wove paper Hand-signed in pencil lower ...

A 12-color silkscreen from the signed and numbered edition of 75. Beautifully framed. James Brown's artwork can be found on the collections of: Centre National d'Art et de Culture G...

A 12-color silkscreen from the signed and numbered edition of 75. Beautifully framed. James Brown's artwork can be found on the collections of: Centre National d'Art et de Culture G...

Composition 4: Blue Modernist Abstract is an original hand drawn, color lithograph/linocut by the New York artist Bruce Porter, printed from hand carved linoleum blocks and hand draw...

Composition 2: Beige Pink Modernist Abstract by the artist Bruce Porter, printed using traditional hand lithography and linoleum cut techniques on archival printmaking paper, 100% ac...

Original aquatint printed in 20 colors from 4 steel-faced copper plates on BFK Rives wove paper Hand-signed in pencil in the margin lower right Sam Francis. A superb artist’s proof...

Woodcut Year: 1989 Signed, dated and titled by hand Size: 14.4 × 27.3 on 16.4 × 38.4 inches COA provided Carsten Nicolai (b. 1965 in Karl-Marx-Stadt (Chemnitz), Germany) is one of t...

Dimensions : Image 7 7/8” x 5 7/8”, Paper 16” x 12” Printed at Alfred University Press, Alfred, NY Chop mark: Alfred University Press Signed: Pencil 15/20 Voulkos ‘98 Peter Voulkos (popular name of Panagiotis Voulkos; January 29, 1924 – February 16, 2002) was an American artist of Greek descent. He is known for his abstract expressionist ceramic sculptures, which crossed the traditional divide between ceramic crafts and fine art. While his early work was fired in electric and gas kilns, later in his career he primarily fired in the anagama kiln of Peter Callas...

Alexander Kosolapov Malevich, 1990 silkscreen on paper 22x30 inches Edition of 100 signed and numbered

Original lithograph printed in six colors (light yellow, golden yellow, yellow-green, light ultramarine blue, purple, red on PTI #120 Waterleaf wove paper. Hand-signed in pencil l...

Original lithograph printed in five colors (yellow, red, green, ultramarine blue, thalo blue) on PTI #120 Waterleaf wove paper. Hand-signed in pencil lower left Sam Francis. A su...

riginal etching printed in 18 colors on BFK Rives wove paper.  Hand-signed in pencil in the margin lower right Sam Francis. A superb artist’s proof impression of the definitive...

Original etching printed in seventeen colors on BFK Rives wove paper. Hand-signed in pencil in the margin lower right Sam Francis.  A superb artist’s proof impression of the d...

Original aquatint printed in 15 colors on Fabriano wove paper.  Hand-signed in pencil in the margin lower right Sam Francis.  A superb impression of the definitive state, fro...

Richard Diebenkorn woodcut on echizen kozo washi paper 37 x 25" 1987 signed by artist *edition of 200 Framed in a beautiful maple frame. museum plexi glass PERFECT condition! Richard Diebenkorn (1922–1993) maintained his love of vivid color and structured composition in both his abstract and representational works. Born in Portland, Oregon in 1922, Diebenkorn moved with his family to San Francisco in 1924. After attending Stanford University from 1940 to 1942, he joined the U.S. Marine Corps, where he concentrated on art classes. In the winter of 1944, when he was stationed in Virginia, he frequently visited The Phillips Collection, where he was inspired by the paintings of Henri Matisse and Paul Cezanne. He particularly admired Matisse’s technique of structuring space through planes of color, merging indoor and outdoor space. Returning to San Francisco in 1946, Diebenkorn enrolled at the California School of Fine Arts, where he studied with David Park, an expressionist artist from the Bay Area. Awarded a fellowship the same year, he moved East, living and working in Woodstock, New York, visiting New York City, and making many contacts. After returning to San Francisco, where he defined himself as a leading Bay Area artist, he was appointed to the faculty at the California School of Fine Arts in 1947, a position he held for two years; his fellow teachers included Elmer Bischoff, Edward Corbett, Hassel Smith, and Clyfford Still. Diebenkorn had his first one-person show in 1948 at the California Palace of the Legion of Honor. After receiving a degree from Stanford University in 1949, he was awarded an M.F.A. from the University of New Mexico, Albuquerque in 1951. He briefly taught at the University of Illinois at Urbana 1952-53, settling shortly thereafter in Berkeley, California. Diebenkorn often titled his works after places that provided him with inspiration, such as his Berkeley paintings...

OTONO FLORAL, 1995 Hand-painted, 15-color silkscreen with poured resin 40 x 30 inches (102 x 76 cm) Edition of 80 "Sexual Spring-like Winter" is a large painterly work, created with...