1990s Abstract Prints

Etching in colors on vélin de Lana Royal paper. Paper Size: 11.93 x 9.81 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Heart of Darkness, 1992. Publ...

Juan Genovés (Spain, 1930-2020) 'Untitled', 1996 engraving, aquatint on paper 15.8 x 11.9 in. (40 x 30 cm.) Edition of 150 ID: GEN1205-005-1 Hand-signed by author ___________________...

Frank Stella challenges the narrative possibilities of abstraction in this tribute to the literary work “Moby-Dick”. Rather than plainly depicting scenes of the novel, Stella instead...

Untitled (Flower) By Jeff Koons Jeff Koons is an American contemporary artist celebrated for his large-scale, meticulously crafted sculptures that often blur the boundaries between...

RICHARD ANUSZKIEWICZ Grey Tinted Rainbow, 1992 Assemblage with 14 Color Silkscreen and Lithograph Pencil signed and numbered 11/40 on the front Frame included: elegantly framed in a ...

Peter Halley Cell with Explosions I, 1993 Line Engraving on Japanese Wahon Creme Kozo Paper with glazed surface Hand signed and numbered 49/50 by the artist on lower front Original frame included: matted and framed in a wood frame Rarely to market, this hand signed and numbered 1993 Peter Halley print is held in its original 1990s vintage frame. It's on elegant Japanese Wahon cream paper which is 100% Kozo paper with glazed surface. The specs on the paper are part of the design process. Measurements: Frame: 19 x 19 x 1 inches Visible: 12 1/4 x 12 1/4 inches Sheet: 15 7/8 x 15 1/4 inches Peter Halley Biography Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

NATURAL BEAUTY by the self taught African American artist William Tolliver (b.1951-2000) is an original hand drawn limited edition lithograph printed in 25 colors on archival printma...

Medium: lithograph (after the gouache). Printed in 1992 by l'Imprimerie Karcher and published by Nouvelles Editions Seguier in an edition of 1000 for the Sol LeWitt "Black Gouaches" ...

Lithograph, 1999 Handsigned by the artist in pencil and annoted EA VII/XV Printer : Clot, Bramsen & Georges 65.00 cm. x 48.00 cm. 25.59 in. x 18.9 in. (paper) 39.00 cm. x 39.00 cm. ...

Joseph Beuys Blatt auf Karteikarte (from Columbus: In Search of a New Tomorrow), 1992 Color silkscreen on vellum parchment paper, held in original portfolio sleeve Signed by Eva Beuy...

A six block woodcut published in an edition of only 23. It is signed and archivaliity David Kapp is best known for his paintings of the contemporary urban landscape. His paintings ...

The Hour Is Devoted to Revenge, 1999 Louise Bourgeois Letterpress and lithograph in colours, on two sheets of smooth wove Arches Signed with initials, inscribed ‘AP' Numbered 15 asi...

SALE ONE WEEK ONLY Soft pastel colors in floating smudges lay between and around lyrical abstract geometric and organic forms giving a diaphanous color and shape harmony to the work...

Offset lithograph in colours on Coventry Smooth 290-gram paper, 1994, signed in pencil and numbered from the edition of 175, printed by Team Litho, New York, published by Achenbach A...

Louise Bourgeois Homely Girl, A Life, Volumes I and II (Literary books with 10 original etchings) Hand signed by both artist Louise Bourgeois and Pulitzer winning playwright Arthur M...

Medium: lithograph (after the gouache). Printed in 1992 by l'Imprimerie Karcher and published by Nouvelles Editions Seguier in an edition of 1000 for the Sol LeWitt "Black Gouaches" ...

Woodcut, collagraph and photo-engraving in colors, on Rives Lightweight Cream paper, with full margins. Hand signed, dated and numbered lower front by Jim Dine. From the edition of...

Anish Kapoor Untitled (with Curls), from 15 Etchings (from the Equitable Assurance Gallery collection), 1996 Etching on Zerkall paper Pencil signed and numbered 21/30 on the front; b...

Untitled is an original artwork realized by Sam Francis in 1992. Mixed colored lithograph on velin paper. Hand signed and numbered oon the lower margin. Edition of 12/50 The Litho...

ZAO Wou-Ki (1920-2013) Shakespeare: A Woman's face, 1994 Original aquatint etching (Atelier Lacourière er Frélaut) Signed in pencil Justified BAT (Bon à tirer) On Moulin du Gué vell...

Etching realized by Fausto Maria Franchi in 1992. Edition of 181/200. Hand signed and numbered in pencil. Excellent condition.

Medium: lithograph (after the gouache). Printed in 1992 by l'Imprimerie Karcher and published by Nouvelles Editions Seguier in an edition of 1000 for the Sol LeWitt "Black Gouaches" ...

Frank Stella Raft of the Medusa, Part IV (Casino Knokke poster, Hand signed by Frank Stella), 1991 Offset lithograph (hand signed in black marker by Frank Stella) Signed in black mar...

Etching realized by Fausto Maria Franchi in 1997. Edition of 78/200. Hand signed and numbered in pencil. Excellent condition.

The Hour Is Devoted to Revenge, 1999 Louise Bourgeois Letterpress and lithograph in colours, on two sheets of smooth wove Arches Signed and inscribed A/P An artist’s proof aside fro...

Artist: David Diao, Chinese-American (1943-) Title: Barnett Newman: The Paintings (Yellow) Year: 1992 Medium: Screenprint, signed and numbered in pencil Image: 15 x 39 inches Size: 3...

Peter Halley, Frank Kozik Halley/Kozik, 1997 Offset Lithograph. Hand signed by both Peter Halley and Frank Kozik on the lower front. Edition 75/100 22 1/2 × 35 inches Unframed This color lithograph was created on the occasion of the Peter Halley and Frank Kozik exhibition at Wooster Gardens from May 3 - June 14, 1997. Hand signed by both artists on the lower front and is annotated as a study proof: S/P 75/100. Frank Kozik was born in Madrid, Spain in 1962 . At the age of 14 he moved to the United States and settled in Austin, Texas. Credited with single handedly reviving the “lost” art of the concert poster, his creative career rose largely out of his enthusiasm for Austin’s growing underground punk rock scene in the mid-eighties. Starting with black and white flyers for friends’ bands posted on telephone poles, his reputation grew as an artist whose work was graphically compelling as well as culturally gripping. This exhibition was an installation featuring an eight-year survey of punk rock posters...

Aquatint, 1991 Handsigned by the artist in pencil and numbered 37/80 125.00 cm. x 88.00 cm. 49.21 in. x 34.65 in. (paper) 98.00 cm. x 66.00 cm. 38.58 in. x 25.98 in. (image) In thi...

Günther Förg (Germany, 1952-2013) 'Erker-Gallery', 1995 Original poster from exhibition of 1995 lithograph on paper 36.5 x 22.6 in. (92.7 x 57.4 cm.) Unframed Ref: FOR100-201 Günthe...

Etching Ed. EA Olivier Debré is a French abstract painter born in Paris in 1920. He is one of the main representatives of lyrical abstraction, along with Hans Hartung, Pierre Soulag...

Set of four screenprints by Mel Bochner, Barry LeVa, Sol LeWitt, and Robert Mangold. Sol Lewitt's tight crosshatching over teal, Mel Bochner's tessellated blue houses, Barry Le Va's...

Screen print on aluminum. Hand signed and dated lower front by John 'Crash' Matos. Hand numbered 2/5 on verso. Artwork size: 40 x 40 x 2 inches. Artwork is in excellent condition...

LANDLINES is an original limited edition lithograph from the Sacred Garden Series of works by the British artist David Leverett, printed using hand lithography techniques on archival...

"Orange Row", Abstract Geometric Minimalist Composition w Ovals, Limited Edition Delicate and perfect ovals in orange, yellow, red, and blue are purposefully arranged on lined paper...

Lynda Benglis Untitled, 1995 Letterpress on Somerset Paper Edition 91/100 Pencil signed and numbered from the edition of 100, top recto. Framed Measurements: Sheet: 6 inches by 6 inc...

Fletcher Benton Etching on wove paper in artist's frame Signed by the artist with his printed signature in graphite, signed by the artist with his hand signature also in graphite, nu...

Etching realized by Fausto Maria Franchi in 1994. Edition of 43/200. Hand signed and numbered in pencil. Excellent condition.

Etching realized by Fausto Maria Franchi in 1996. Edition of 68/100. Hand signed and numbered in pencil. Excellent condition.

Etching realized by Fausto Maria Franchi in 1999. Edition of 64/250. Hand signed and numbered in pencil. Excellent condition.

Etching realized by Fausto Maria Franchi in 1995. Edition of 60/100. Hand signed and numbered in pencil. Excellent condition.

Ivan Chermayeff Lincoln Center Film Festival Poster (Hand Signed by Ivan Chermayeff), 1999 Offset Lithograph Poster (Hand Signed) - Framed Boldly ...

Okaga - Red, Blue and Green Composition, Year: 1998, Medium: Screenprint Monoprint, signed and dated in pencil, Size: 13 x 11.25 in. (33.02 x 28.58 cm)

Ross Bleckner "PS III" 1997 Screenprint 42 x 33 inches Edition of 75 unframed

"Verbindunden-Verletzungen" ("Injuries-Connections") is an original screen print on hand-made Japanese paper from 1998 by internationally acclaimed German ZERO group artist Günther U...

"Irregular Arcs from Four Sides" colorful, geometric abstract etching with aquatint in colors on Somerset paper with full margins. Signed and numbered PP 2/3 in pencil on front lower...

DONALD BAECHLER Birds, 1995 Lithograph on wove paper 11 63/100 × 7 47/50 inches Hand signed, dated and numbered 9/20 on the front; bears the publishers' blind stamp lower left Publis...

Gerhard Richter Fra van Gogh Til Gerhard Richter (From Van Gogh to Gerhard Richter) - Hand signed by Gerhard Richter, 1994 Offset lithograph (Hand Signed) Hand signed in black marker...

Ross Bleckner THE WATER LILIES (C.M.) Year: 2019 Medium: Archival pigment print on Innova Etching Cotton Rag 315 gsm fine art paper Size: 42 x 70 inches (107 x 178 cm) Edition: 30 Price: $7,000 Also sold as a set with Floating Red Glowing and contemplative, Ross Bleckner’s work blends abstraction with recognizable symbols to create meditations on perception, transcendence and loss. Ross Bleckner was born in 1949 in New York and grew up in the prosperous town of Hewlett Harbor on Long Island. The first art exhibition he saw—The Responsive Eye, a show of Op art on view at the Museum of Modern Art in New York in 1965—had a strong impact on him. He decided to become an artist when he was in college, studying with Sol LeWitt and Chuck Close at New York University, where he earned a BA in 1971. Two years later, he completed an MFA at the California Institute of the Arts in Valencia, where he met David Salle. After moving back to New York, Bleckner purchased and moved into a Tribeca loft building in 1974. Painter Julian Schnabel rented three floors of the building, and the Mudd Club, a nightclub frequented by musicians and artists, occupied space there from 1977 to 1983. Bleckner sold the building in 2004. His first solo exhibition was held in 1975 at Cunningham Ward Gallery in New York. In 1979 he began his long association with Mary Boone Gallery in New York, which championed several of the so-called art stars of the 1980s. In 1981 Bleckner met Thomas Ammann, an important Swiss art dealer who went on to collect his work. Bleckner’s early 1980s Stripe...

Zao WOU-KI Abstract composition, 1996 Original etching and aquatint Unsigned as issued On vellum 34 x 30 cm (c. 14 x 12") Excellent condition REFERENCES : Agerup #380/86 This etch...

Andrés Nagel - UNTITLED 5 Date of creation: 1991 Medium: Etching and collage on Paper Edition: 75 Size: 98 x 69 cm Condition: In very good conditions and never framed Observations: E...

Artist/Designer; Manufacturer: Claes Oldenburg (1929-2022) Marking(s); notes: signed, blind stamp; ed. 95/97; 1997 Materials: lithograph on St. Armand Special Etching paper Dimensio...

Artist: Al Held, American (1928 - 2005) Title: Scholes II Year: 1991 Medium: Silkscreen, signed and numbered in pencil Edition: 80 Image Size: 23 x 29 inches Size: 29 x 34 in. (73.66...

Martel Wiegand Untitled Linoleum Cut on light paper 1996 30.51 x 26.77 inches (77.5 x 68 cm) Edition: Unique Signed and dated by hand COA provided *Condition: Storage marks, creasin...

STEVE KAUFMAN – "ABRAHAM LINCOLN" ⚜ Serigraph on Canvas ⚜ Initialed Verso ⚜ Edition 48/50 AP ⚜ Black Float Frame VIBRANT POP ICONOGRAPHY OF AN AMERICAN LEGEND This bold 1990 serigra...

Donald Sultan Serious Fun! at Lincoln Center (Hand Signed, dated and inscribed by Donald Sultan), 1993 Lithographic Poster on heavy wove paper. (hand signed, dated & inscribed) 36 × 24 1/4 in 91.4 × 61.6 cm Signed, dated 2016 and inscribed on lower right front. Inscription reads as follows: For Kevin New York 2016 Published by Vera List Program, Lincoln Center This large, striking limited edition lithographic poster on heavy wove (lithographic) paper was printed in 1993 by the Vera List print program to raise funds for Lincoln Center. The edition is typically unsigned; however, this work is, exceptionally, boldly signed and inscribed in black marker by Donald Sultan in 2016 for the present owner. The inscription reads as follows: For Kevin New York 2016 Donald Sultan signed...

Tracey Emin Every Bodies Been There (signed twice), 1998 Lithograph on paper Underneath that existing plate signature, Tracey Emin has, exceptionally hand signed and dated the work f...

Nancy Spero Airborne, 1998 Mixed Media: Silkscreen with collage additions on Somerset velvet paper 30 × 22 inches Edition of 50 Signed, dated and numbered from the limited edition of only 50 on the front Unframed Very poignant imagery: an airborne angel grabs the hand of a nude female; underneath are figures that recall the four horsemen of the apocalypse...

Aquatint made on zinc plate on Magnani-Pescia paper 310 gr/m2, paper size 75cm x 55cm, work size 55cm x 40.5 cm. Excellent condition, slight signs of use, no defects. Grafica Lombar...

Josep Guinovart - IMATGES I TERRA II Date of creation: 1991 Medium: Hand colored etching on paper Edition: 50 + 10 H.C. Size: 76 x 57 cm Condition: In very good conditions and never ...

The painting is being offered with a work and authenticity certificate