1990s Abstract Prints

Artist: Robert Indiana Title: Indiana in Lewiston Medium: Silkscreen on wove paper Date: 1991 Edition: 150 Sheet Size: 46 1/2" x 26 3/4" Signed: Hand signed in pencil

Martel Wiegand Untitled Linoleum Cut on light paper with centerfold as issued 1996 19.48 x 26.96 inches (49.5 x 68.5 cm) Edition: Unique Monogrammed and dated by hand COA provided *...

Jacques POLI Coherence : abstract Original lithograph Handsigned in pencil Numbered /100 copies On Arches vellum 77.5 x 57.7 cm (c. 30.3 x 22.4 in) Excellent condition

Etching realized by Fausto Maria Franchi in 1997. Edition of 78/200. Hand signed and numbered in pencil. Excellent condition.

Martel Wiegand Untitled (Abstract, Modern, Beige, Brown, Linocut) Linoleum Cut on light paper with centerfold as issued 1996 19.48 x 25.36 inches (49.5 x 69.5 cm) Edition: Unique Mon...

Etching realized by Fausto Maria Franchi in 1992. Edition of 181/200. Hand signed and numbered in pencil. Excellent condition.

Abstract geometric color composition Artist: Eve Sonneman Lithograph, 1999 Image Size 25 x 22" Hand signed, dated,and numbered from limited edition. This is from a show at Sidney Janis Gallery and is from the estate of Joan Sonnabend. Eve Sonneman (born in Chicago on 1946) is an American photographer and artist. She did a series of similar sequences in color and black and white and for diptychs. She was included in the show EYE OF THE BEHOLDER Photographs from the Avon Collection The exhibition addressed the diverse and changing concepts of beauty as expressed by women through photography. It included such masters of the form as Berenice Abbott, Marina Abramovic, Ellen Carey, Lotte Jacobi, Barbara...

Etching realized by Fausto Maria Franchi in 1996. Edition of 68/100. Hand signed and numbered in pencil. Excellent condition.

VARIOUS ARTISTS AUFBRUCH AUS MOSKAU MOCKBA - PORTFOLIO OF TWENTY (20) ORIGINAL LIMITED EDITION SIGNED GRAPHICS, 1990 20 Limited edition, hand signe...

Etching realized by Fausto Maria Franchi in 1999. Edition of 64/250. Hand signed and numbered in pencil. Excellent condition.

Francesco Clemente Francesco Clemente Watercolors (Hand Signed), 1992 Offset Lithograph exhibition announcement (Hand Signed) 23 × 18 inches Hand signed in...

Dale Hickey, Australia (Born 1937). Lithograph. Signed Lower Right. Numbered Lower Left 1 / 30. Described in the Middle To LA. Described on the Back and Dated 1991. In Original Frame...

Etching in colors on vélin de Lana Royal paper. Paper Size: 11.93 x 9.81 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Heart of Darkness, 1992. Publ...

Roberto Marfil (Mexico, 1958) 'Ritmos I', 1998 silkscreen on canvas 21.3 x 28.8 in. (54 x 73 cm.) Edition of 75 ID: MAR1213-001-075 Unframed Hand-signed by author

José Niebla (Spain, 1945) 'Ofrena', 1991 silkscreen on canvas 27.6 x 19.7 in. (70 x 50 cm.) Edition of 150 ID: NIE1205-003-150_4 Hand-signed by author

Martel Wiegand Untitled Linoleum Cut on light Paper 1996 19.68 x 27.55 inches (50 x 70 cm) Edition: Unique Signed and dated by hand COA provided Martel Wiegand (born August 4, 1922,...

Rosemarie Tissi, Swiss (1937 - ) - The Letter M, Portfolio: The Alphabet Portfolio, Year: 1994, Medium: Screenprint, Image Size: 34 x 22 inches, Size: 35 x 23 in. (88.9 x 58.42 ...

Paul Davis, American (1938 - ) - The Letter J, Portfolio: The Alphabet Portfolio, Year: 1995, Medium: Screenprint, Image Size: 30.5 x 22 inches, Size: 35 x 23 in. (88.9 x 58.42 ...

Paul Davis, American (1938 - ) - The Letter D, Portfolio: The Alphabet Portfolio, Year: 1995, Medium: Screenprint, Image Size: 34 x 22 inches, Size: 35 x 23 in. (88.9 x 58.42 cm...

Prizma VI Color silkscreen Signed and titled by hand Size: 20.3 × 20.3 on 28.9 × 25.0 inches COA provided Marko Spalatin was born in Zagreb, Croatia. He immigrated to the US in his ...

Burkhart Beyerle Berweg Linoleum Cut on light Paper 1990s 17.32 x 24.01 inches (44 x 61 cm) Edition: 14 Signed, numbered and titled by hand COA provided Burkhart Beyerle is a German...

Tracey Emin Hello Willow, from the Estate of Andy Warhol curator Tim Hunt and his widow, bestselling author Tama Janowitz, 1997 Monotype on paper. Created expressly for Willow, the d...

Julian Schnabel, American (1951 - ) - Tibet House, Year: 1995, Medium: Screenprint, signed and numbered in pencil, Edition: 26/200, Size: 57.85 x 42 in. (146.94 x 106.68 cm), Fra...

Eduardo Chillida (Spain, 1924-2002) 'Estampa VI', 1998 It belongs to the folder "La indetenible quietud" that includes 6 etchings by Eduardo Chillida and 32 poems by Clara Janés. aqu...

Martel Wiegand Untitled Linoleum Cut on light paper 1996 30.51 x 26.77 inches (77.5 x 68 cm) Edition: Unique Signed and dated by hand COA provided *Condition: Storage marks, creasin...

Peter Blake V is for Valentine (from the Alphabet Series), 1991 Silkscreen in colors on wove paper 40 2/5 × 30 3/5 inches Hand signed, titled and numbered 49/95 on the front Published by Waddington Graphics and Corianda Studios from the Alphabet Series Unframed An exquisite print with romantic imagery in a sweet, romantic pastel pink. 'V for Valentine' is from Blake's 1991 series of alphabet letters. This tender and sentimental piece comprises a collection of antique valentine...

Larry Rivers What Did I Do? The Unauthorized Biography, 1992 Lithograph on wove paper Hand signed, numbered 3/325 and dated on lower right front Frame In...

Etching realized by Fausto Maria Franchi in 1994. Edition of 43/200. Hand signed and numbered in pencil. Excellent condition.

"Julio Girona (Cuba, 1914-2002) 'Anda, dime', 1999 silkscreen on paper 20.1 x 14.1 in. (50.8 x 35.6 cm.) Edition of 47 ID: GIR1066-004-047" "Julio Girona...

Namiko Prado Arai (Mexico, 1963) 'Untitled 10 (Bruñidor)', 1998 engraving on paper Guarro Biblos 250g. 21.1 x 24.5 in. (53.5 x 62 cm.) ID: PRA-312 Hand-signed by author Unframed

Ivan Chermayeff Lincoln Center Film Festival Poster (Hand Signed by Ivan Chermayeff), 1999 Offset Lithograph Poster (Hand Signed) - Framed Boldly ...

Peter Halley Painting as Sociogram: The Kitakyushu Municipal Museum of Art, Japan (Hand Signed), 1997 Double-sided offset lithograph poster (hand signed by Peter Halley) 11 3/4 × 8 1...

Fascinating black and white abstract woodcut of a figure and a stalk of corn backed by a long tiled hallway, 1995. Signed and dated lower right. Titled "Oro Humano Aureo Divino" lowe...

Rich monotype abstract in tones of dark purples and blues by American artist Kismine Varner, 1990. Signed in pencil lower right. Original artwork on paper displayed on a white mat...

Compelling pop art silkscreen of hot lips and target after Andy Warhol titled "Casualty" by David Mar(American, 20th Century). Edition 3/3. Signed and dated "Mar 1991" below lower ed...

Alford lives and paints on the Galisteo plain just southwest of Santa Fe. His home and studio are situated on a land swell from which the view can only be described as wholly open, e...

Leonardo Gotleyb (Argentina, 1958) 'Luz de luna', 1999 woodcut on paper Velin Arches 300 g. 27.6 x 19.7 in. (70 x 50 cm.) Edition of 25 ID: GOT-302 Unframed

Namiko Prado Arai (Mexico, 1963) 'Untitled 9 (Bruñidor)', 1998 engraving on paper Guarro Biblos 250g. 21.1 x 24.5 in. (53.5 x 62 cm.) ID: PRA-311 Hand-signed by author Unframed

Paul Brach Corona I Year: 1995 4 Color Lithograph Edition: 20 Paper: Rives BFK, White Paper Size: 29.75 x 29.5 inches Image Size: Same Signed and numbered by hand COA provided -----...

Namiko Prado Arai (Mexico, 1963) 'Untitled', 1998 engraving on paper Guarro Biblos 250g. 14 x 25.6 in. (35.5 x 65 cm.) Edition of 12 ID: PRA-302 Hand-signed by author Unframed

Fanciful aquatint etching of whimsical figures surrounding a tunnel backed by fiery hues of red and yellow by artist Imelda Teran, circa 1995. Signed lower right. Original artwork...

A six block woodcut published in an edition of only 23. It is signed and archivaliity David Kapp is best known for his paintings of the contemporary urban landscape. His paintings ...

Fine Art print/ Hahnemuehle Paper, limited edition of 5, author Rudolf Fila - Hommage for F.X. Messerschmidt, end of the 20th Century, Gallery certificate.

Fine Art print/ Hahnemuehle Paper, limited edition of 5, author Rudolf Fila - Hommage for F.X. Messerschmidt, end of the 20th Century, Gallery certificate.

Artist: Robert Rauschenberg (1925-2008) Title: Tribute 21 (Human Rights) Year: 1994 Medium: Lithograph on Arches paper Edition: 20/50, plus proofs Size: 40.75 x 27 inches Condition: ...

Artist: David Leverett, British (1932 - ) Title: Greenfields: Sacred Garden Series Year: 1990 Medium: Lithograph, Signed and Numbered in Pencil Edition: 44/250 Image Size: 22.75 x 30.75 inches Sheet: 27 x 35 inches Provenance: Merrill Chase Galleries...

Emily Mason Untitled (For Douglas), 1990 Carborundum etching and monotype on paper Pencil signed, dated and inscribed "For Douglas" Vintage wood frame included This work was created ...

Frank Stella Raft of the Medusa, Part IV (Casino Knokke poster, Hand signed by Frank Stella), 1991 Offset lithograph (hand signed in black marker by Frank Stella) Signed in black mar...

Peter Halley Museum of Folkwang, Essen, Germany (Hand Signed by Peter Halley), 1998 Offset lithograph poster (hand signed by Peter Halley) 33 × 24 inches Unframed Alpha 137 Gallery is honored to offer this historic offset lithograph of legendary American artist Peter Halley's 1998- exhibition at the Museum of Folkwang, Essen, Germany,which the artist hand signed in black marker. Shown here is a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective...

Roberto Marfil (Mexico, 1958) 'Medea', 1997 watercolor on paper 15.4 x 18.6 in. (39 x 47 cm.) ID: MAR1213-002-001 Unframed Hand-signed by author

Peter Halley Cell with Explosions I, 1993 Line Engraving on Japanese Wahon Creme Kozo Paper with glazed surface Hand signed and numbered 49/50 by the artist on lower front Original frame included: matted and framed in a wood frame Rarely to market, this hand signed and numbered 1993 Peter Halley print is held in its original 1990s vintage frame. It's on elegant Japanese Wahon cream paper which is 100% Kozo paper with glazed surface. The specs on the paper are part of the design process. Measurements: Frame: 19 x 19 x 1 inches Visible: 12 1/4 x 12 1/4 inches Sheet: 15 7/8 x 15 1/4 inches Peter Halley Biography Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

Modern French abstract serigraph of shapes and elements in bold strike figures, circa 1990. Signed lower right. 115/130 Original artwork on paper displayed on a white mat with a g...

Beautifully detailed abstract etching artist proof by French artist Oiseau de Terre, circa 1990. Signed lower right. Original artwork on paper displayed on a white mat with a gold...

Howard Hodgkin Put Out More Flags, 1992 Lift-ground etching and aquatint from one copper plate, with carborundum from three aluminium plates, printed in black and three shades of gr...

Artist: Joe Tilson, British (1924 - ) Title: Conjunction, Wood Tiger, Cardo Year: 1996 Medium: Woodcut with Screenprint, signed and numbered in pencil Edition: AP 1/10 Size: 21 x 29...

Bright monotype abstract in red and orange tones by American artist Kismine Varner, 1990. Signed lower right. Original artwork on paper displayed on a white mat with a gold border...

Joan Brossa (Spain, 1919-1998) 'Laberint Poema visual de Joan Brossa', 1996 engraving, silkscreen on paper 15.8 x 11.9 in. (40 x 30 cm.) Edition of 150 ID: BRO1205-005-150_3 Hand-sig...

Namiko Prado Arai (Mexico, 1963) 'Untitled 1', 1998 engraving on paper Guarro Biblos 250g. 15.6 x 21.1 in. (39.5 x 53.5 cm.) ID: PRA-303 Hand-signed by author Unframed

Namiko Prado Arai (Mexico, 1963) 'Untitled 8 (Bruñidor)', 1998 engraving on paper Guarro Biblos 250g. 21.1 x 24.5 in. (53.5 x 62 cm.) ID: PRA-310 Hand-signed by author Unframed

Anniversary. 1997, pressed cardboard, acrylic, collage, 122x118 cm ALEKSANDRS DEMBO (1931. Paris – 1999. Riga) Born in 1931 in Paris, France, died in 1999 in Riga, Latvia. Professio...