Abstract Expressionist Abstract Prints

Pat Steir (born 1940) is an American painter and printmaker. Her early work was loosely associated with Conceptual Art and Minimalism, however, she is best known for her abstract dri...

A very good impression of this early lithograph on Arches. Initialed, dated and numbered 5/100 in pen and black ink. Printed and published by Original Press, San Francisco, with the ...

This is a unique monotype, signed and dated lower right. The image measures 21.75 x 23.75 inches inches and it is currently unframed. Pat Passlof was bor...

Stanley Boxer, (1926–2000) Date: 1990 Screenprint, signed and dated verso in pencil Edition of 7/20 Size: 38.5 x 26 in. (97.79 x 66.04 cm)

Graham Fransella Figure and Creek (etching) 88 x 140 cm

Artist: Arthur Secunda, American (1927 - ) Title: Winter Sunset Year: 1973 Medium: Stone Lithograph, signed and numbered in pencil Edition: 99 Paper Siz...

Albert Oehlen (German, b. 1954) Meditation über Bürokratische Tendenzen bei TzK, 2020 Medium: Lithograph on paper Dimensions: 36.2 × 30.6 cm (14 3/10 × 12 in) Edition of 100: Hand-si...

Artist: Charlie Hewitt, American (1946 - ) Title: Untitled - H Year: circa 1995 Medium: Woodblock, Signed and Numbered in Pencil Edition: 100 Image Size: 16 x 20 inches Size: 19 in. ...

Abstract Expressionist monoprint by American artist Robert Kuszek. This print is on thick paper, and the images are textured and embossed. The piece is signed in the lower right-hand...

Maurice Mourlot - Portrait - Original Lithograph 1956 Signed in the plate Dimensions: 22 x 16 cm Publisher: Sauret. Frontispice of Kim

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled 4 Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 20 Size: 22 x 30 in. (55.88 x 76.2 cm)

Chris Keegan Boom Limited Edition Silkscreen Print Edition of 50 Sheet Size: H 56cm x W 40cm x D 0.1cm Sold Unframed Please note that in situ images are purely an indication of how a...

Artist: Paul Jenkins, American (1923 - 2012) Title: Earth Day Year: 1971 Medium: Lithograph on Mourlot watermarked Wove Paper, signed in the plate and in ink lower left Size: 29 in. ...

Abstract black and white lithograph titled by the artist "Here She Is." It is edition 1 of 4 and it is signed by the artist and titled. Work is framed in a metal frame with a white m...

This lithograph was created by American artist Jasha Green (1923-2006). Known for his abstract expressionist vision, some of his prints also show his appreciation for op art and surrealism...

Artist: Jose Guinovert, Spanish (1927 - 2007) Title: Untitled Year: circa 1970 Medium: Serigraph, signed and numbered in pencil Edition: 57/75 Paper Size: 20 x 27.5 in. (50.8 x 69.8...

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled 5 Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: AP Image Size: 21.5 x 25.5 inches Size: 22.5 x ...

Caviar20 is excited to be offering this evocative print by the inimitable Louise Nevelson - one of the most revered and unique sculptors of the 20th century. Nevelson is renowned for her mysterious and complex artworks. She was an active printmaker, experimenting with different techniques and approaches while working with some of the best print-making studios in the United States and Italy. Many of the leading, ground-breaking American abstract artists experienced success in post-war Europe. Nevelson was notably well-embraced in Italy arguably because of parallels to Arte Povera in her work. She had an important and enduring connection to Italy, beginning with representing America at the Venice Biennale in 1962. Nevelson would then exhibit at the legendary Studio Marconi in Milan during the succeeding decades. This fruitful relationship led Nevelson to start working with Italian printmakers during the 1970s. This impressive aquatint is a paradigm of both the era and Nevelson's later printmaking, notable for its use of metallic elements, color, and collage. This work features unexpected shades of magenta, lime green, and rust, which punctuate her signature monochromatic black forms that sweep the surface of the page creating an intriguing architectural form. This work is an example from Nevelson's 1973 portfolio, "Aquatints Portfolio (B. 116)" which comprised six aquatints with metallic elements. Click here to see another example from this body of work. Over the last few years, there has been tremendous momentum in both interest and appreciation of Nevelson's work. In May of 2021, a new auction record of $1.35 million was established for one of Nevelson's signature white construction sculptures...

Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 362 Year: 1971 Medium: Screenprint, signed and numbered in pencil Edition: AP 35 Image Size: 25 x 20 inches Size: 29 in...

Willibrord Haas Arches and Stripes (Bögen und Streifen) (Post-war Abstraction, Joseph Beuys, German painter) Color Etching Year: 1986 Size: 15.4×19.3 on 25.4×31.3in Edition: 30 Si...

Willibrord Haas Arches and Stripes (Bögen und Streifen) (Post-war Abstraction, Joseph Beuys, German painter) Color Etching Year: 1986 Size: 15.4×19.3 on 25.4×31.3in Edition: E.A. (...

Artist: William Taggart, American (1936 - 2007) Title: New Deal Year: 1978 Medium: Screenprint, signed and numbered in pencil Edition: AP 30 Paper Size: 24 in...

Artist: Darryl Hughto, American (1943 - ) Title: Ontario Year: circa 1981 Medium: Screenprint, Signed and Numbered in Pencil Edition: 180 Size: 42 in. x 29.5 in. (106.68 cm x 74....

Pietro Consagra (Italian, 1920-2005). Hand signed in pencil and numbered limited edition color lithograph on Magnani paper. Embossed stamp with limited edition numbers in pencil to lower left, and having artist pencil signature to lower right. (from a limited edition of 80 with 15 artist's proofs) Published by Stamperia 2RC, Rome Italy and Marlborough Gallery, Rome, Italy. Abstract Modernist work in colors, produced in the style of the Forma art movement of Postwar Italy, of which the artist was a prominent member. Pietro Consagra (1920 – 2005) was an Italian Post war artist working in painting, printmaking and sculpture. In 1947 he was among the founding members of the Forma 1 group of artists, proponents of structured abstraction. (similar to the Art Informel and Art Brut in France and the Brutalist artists) Consagra was born on 6 October 1920 in Mazara del Vallo, in the province of Trapani in south-western Sicily, to Luigi Consagra and Maria Lentini. From 1931 he enrolled in a trade school for sailors, studying first to become a mechanic, and later to become a captain. In 1938 he moved to Palermo, where he enrolled in the liceo artistico; despite an attack of tuberculosis, he graduated in 1941, and in the same year signed up at the Accademia di Belle Arti, where he studied sculpture under Archimede Campini. After the Invasion of Sicily and the Allied occupation of Palermo in 1943, Consagra found work as a caricaturist for the American Red Cross club of the city; he also joined the Italian Communist Party. Early in 1944, armed with a letter of introduction from an American officer, he travelled to Rome. There he came into contact with the Sicilian artist Concetto Maugeri, and through him with Renato Guttuso, who was also Sicilian and who introduced him to the intellectual life of the city and to other postwar artists such as Leoncillo Leonardi, Mario Mafai and Giulio Turcato. Consagra signed up at the Accademia di Belle Arti di Roma in September 1944 and studied sculpture there under Michele Guerrisi, but left before completing his diploma. In 1947, with Carla Accardi, Ugo Attardi, Piero Dorazio, Mino Guerrini, Achille Perilli, Antonio Sanfilippo and Giulio Turcato, Consagra started the artist's group Forma 1, which advocated both Marxism and structured abstraction. Steadily Consagra's work began to find an audience. Working primarily in metal, and later in marble and wood, his thin, roughly carved reliefs, began to be collected by Peggy Guggenheim and other important patrons of the arts. He showed at the Venice Biennale eleven times between 1950 and 1993, and in 1960 won the sculpture prize at the exhibition. During the 1960s he was associated with the Continuità group, an offshoot of Forma I, and in 1967 taught at the School of Arts in Minneapolis. Large commissions allowed him to begin working on a more monumental scale, and works of his were installed in the courtyard of the Foreign Ministry in Rome and in the European Parliament, Strasbourg. His work is found in the collections of The Tate Gallery, London, in Museo Cantonale d'Arte of Lugano and the Museum of Modern Art, Paris, and the National Gallery of Art in Washington, D.C.. Consagra returned to Sicily where he sculpted a number of significant works during the 1980s. With Senator Ludovico Corrao, he helped created an open-air museum in the new town of Gibellina, after the older town had been destroyed in the earthquake of 1968. Consagra designed the gates to the town's entrance, the building named "Meeting" and the gates to the cemetery, where he was later buried. In 1952 Consagra published La necessità della scultura ("the need for sculpture"), a response to the essay La scultura lingua morta ("sculpture, a dead language"), published in 1945 by Arturo Martini. Other works include L'agguato c'è ("the snare exists", 1960), and La città frontale ("the frontal city", 1969). His autobiography, Vita Mia, was published by Feltrinelli in 1980. In 1989 a substantial retrospective exhibition of work by Consagra was shown at the Galleria Nazionale d'Arte Moderna in Rome; in 1993 a permanent exhibition of his work was installed there. In 1991 his work was shown in the Hermitage Museum in St. Petersburg. In 2002 the Galerie der Stadt Stuttgart opened a permanent exhibition of his work. He was one of ten artists invited by Giovanni Carandente, along with David Smith, Alexander Calder, Arnaldo Pomodoro, Lynn Chadwick, and Beverly Pepper, to fabricate works in Italsider factories in Italy for an outdoor exhibition, "Sculture nella città", held in Spoleto during the summer of 1962. He was included in the The 1962 International Prize for Sculpture the jury included Argan, Romero Brest and James Johnson Sweeney the former director of the Solomon R. Guggenheim Museum in New York. The participants included Louise Nevelson and John Chamberlain for the United States; Lygia Clark for Brazil; Pietro Consagra, Lucio Fontana, Nino Franchina, and Gió Pomodoro for Italy; Pablo Serrano for Spain; and Eduardo Paolozzi, William Turnbull, and Kenneth Armitage for England. Gyula Kosice, Noemí Gerstein, Julio Gero, Naum Knop...

Artist: Tereza (Terry) Haass, Czech/American (1923 - 2016) Title: Offrende a l'Invisible Year: circa 1960 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 14/25 ...

Artist: Paul Burlin, American (1886 - 1969) Title: untitled from Drawings Portfolio Year: 1968 Medium: Silkscreen on Paper, signed and numbered in pencil Edition: 31/50 Paper Size: ...

Artist: Lamar Briggs, American (1935 - ) Title: Bird of Paradise Year: 1976 Medium: Lithograph on Somerset Paper, signed and numbered in pencil Edition: 200 Paper Size: 21 x 29 inches

Sam Francis Untitled, from Michael Walberg Poemes dans le Ciel (Lembark 272) 1986 Lithograph 30 x 22 in. H.C. (Edition of 20) Pencil signed and numbered

Artist: Domenick Turturro, Italian/American (1936 - 2002) Title: The Dream Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 300 Image Size: 23 x 29 inches Size: ...

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 20 Size: 35 x 45 inches

Artist: Charlie Hewitt, American (1946 - ) Title: Untitled - E Medium: Woodblock, Signed and Numbered in Pencil Edition: 100 Size: 20 in. x 24 in. (50.8 cm x 60.96 cm)

This lithograph was created by American artist Jasha Green (1923-2006). Known for his abstract expressionist vision, some of his prints also show his appreciation for op art and surrealism...

This artwork "Untitled, Bird" 1991, is an original colors woodcut monoprint on artisanal hand made paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed and dated in...

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled 1 Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 20 Size: 22 x 30 in. (55.88 x 76.2 cm)

This artwork titled "Secrets Series" c.1980, is an original woodcut monoprint with embossing on thick Wove paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed, tit...

This artwork titled "Secrets Series" c.1980, is an original woodcut monoprint with embossing on thick Wove paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed, tit...

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled 9 Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 70 Image Size: 20 x 29 inches Size: 27.25 x 37 ...

Artist: Don Wyman Title: Sockdolaga Year: 1972 Medium: Serigraph, signed and dated in pencil Edition: Trial Proof Paper Size: 22 x 27.5 inches [55.88 x 69.85 cm]

Artist: K.B. Hwang Title: Daybreak Year: Circa 1970 Medium: Mezzotint, signed and numbered in pencil Edition: AP Paper Size: 30 x 22 inches

Zao Wou-ki - Original Lithograph 1962 From La tentation de l’Occident Dimensions: 39 x 28.5 cm Publisher: Les Bibliophiles Comtois Edition of 170 Reference: Jørgen Ågerup 137 - 146...

Okaga - Abstract Composition II, Year: 1998, Medium: Screenprint Monoprint, signed and dated in pencil, Size: 13.5 x 17.75 in. (34.29 x 45.09 cm)

Aquatint in colours, 1972, on Guarro paper, signed and inscribed in pencil aside from the edition of 75, published by Editorial Gustavo Gili, Barcelona, 75.7 x 100.5 cm. (29.8 x 39.6...

Number 1 in an edition of 40. Titled lower left margin: "Sense of Summer"; numbered lower left margin: "1/40"; signed lower right margin: "Ruth Eckstein". From the estate of the arti...

David Morris Magnetar Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 9248...

Harold Town (1924-1990) remains one of the most accomplished and fascinating characters from the "Painters Eleven" group. While Town coined the group's name (based on the number of artists who simply attended their first meeting) his output was diverse, ever-changing and not restricted to painting. Somewhat ironically, Town's first significant body of work, which established his reputation, was a group of monotypes - which he called "Single Autographic Prints" Town was introduced to lithography by fellow Painters Eleven member Oscar Cahen...

David Morris Shofukan Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 9248...

David Morris Mirage Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 924802...

David Morris Freddie Freeloader Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided ...

Eduard Franoszek, "Fragil" Edition 96/100, Abstract Lithograph signed, titled and numbered in Pencil, 15.25 x 20.50 Print, Mid to Late 20th Century, 1963 Colors: Blue, White, Black

Decorative, abstract lithograph, signed and numbered, 67/90 MANRIQUE Dimensions with frame.

Henri Michaux - Original Lithograph 1952 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. From the art review XXème siècle Unsigned and unumbered as issued

The final print of Sam Francis. L’étoile (SF-364) 1995. Museum glass anti-reflective. Artwork size : 127 x 78,5 cm Frame size : 147x98x4 cm Edition 6/50 artist blindstamp signature. Stamped by the Publisher. Artist's Proofs: 8 ex. Sam Francis Archive Number: SF-364. Free shipment worldwide. Publisher: The Litho Shop, Santa Monica. Sam Francis’s paintings are a journey into a dream, a voyage into the landscapes of the soul where colours are lights on fire. Alongside names such as Jackson Pollock, Willem de Kooning and Franz Kline, Sam Francis is an artist who has succeeded in demonstrating a total mastery of abstract expressionism’s impassioned and spontaneous genre. The explosions of colour – red, blue, green and yellow – the streaks, strokes and bold lines of his pictures are the physical synthesis of the deepest crevices of the soul. His colours create rhythmical motifs that, characteristically enough, can be called the “musicality” of his paintings. The work of Sam Francis provides a visible meeting place for the conscious and the unconscious. His pictures are the cross-fertilisation of what has already been experienced with what exists still only as desire, a struggle between melancholy and merrymaking. Influenced by C.G. Jung, the father of psychoanalysis, Sam Francis spent a large portion of his life exploring the premise that dreams, instincts and intuition provide, the keys which unlock the mysteries and meaning of our inner lives. He was also fascinated by the four ancient elements – earth, water, air and fire – which developed into a leitmotif in his work. Sam Francis was born in San Mateo in California, USA in 1923. After starting to paint at the age of around twenty, he soon found himself increasingly consumed by the power of art. He spent much of the 1950s in Paris, from where he not only made frequent excursions to a number of European cities, but also embarked on many journeys to South America and Asia. He continued to move from place to place, primarily in the USA and Japan, right up until his death in 1994. Sam Francis’s first...

Jean Miotte - Original Signed Etching 1994 Dimensions: 41 x 33 cm Signed and numbered in pencil Edition: /60 From Près du mur

Digital print on canvas. Edition 1 of 5. The frame is for illustrative purposes only.

Charles Lapicque - Composition - Original Lithograph Published in the deluxe art review, XXe Siecle 1951 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Unsigned and unnumbered...

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American abstract painters that radically defined abstraction and...

Ed Moses has been a prominent figure in the Los Angeles art scene for almost six decades.

Zao Wou-ki - Original Lithograph 1962 From La tentation de l’Occident Dimensions: 39 x 28.5 cm Publisher: Les Bibliophiles Comtois Edition of 170 Reference: Jørgen Ågerup 137 - 146...

Charles Lapicque Original Handsigned Lithograph Dimensions: 56 x 38 cm Edition: EA 14/20 Hand Signed and Numbered Charles Lapicque was one of the great painters of the “Ecole de Paris...

This artwork titled "Paysage" c.1980 is an original lithograph on Arches paper by noted French abstract expressionist artist Francois Rouan, b.1943. It ...