Minimalist Abstract Prints

(After) Agnes Martin Agnes Martin Paintings from 2001, 2002 Offset Lithograph 21 × 21 × 3/10 inches This is a very rare invitation/poster published on the occasion of the exhibition ...

Minimalist screenprint by American artist Barbara Lynch Zinkel, inspired by Josef Albers' iconic "Homage to the Square". Date: 1987 Medium: Scr...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-light. Details: + Title: Blue Beaded Bracelet...

"Voices IX" Aquatint Etching • Image: 12”x 14” • Paper: 30”x 22” • 2001 Hand signed and numbered 2/2 on BFK Rives paper. Joe Novak (1930-2019) California Contemporary Minimalist. His work is about the exploration of color and light through abstraction, with tonal gradations that infuse them with a meditative quality. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. His artistic background and work link him closely with the first generation abstract expressionists of the New York School. Major influences include Jackson Pollock and Mark Rothko, and his mentors, Peter Busa...

Variant IV (from Ten Variants) Screenprint in brilliant Colors on wove paper, 1972 From “Josef Albers: Son Oeuvre et Sa Contribution à Figuration Visuelle Au Cours Du XXe Siècle” Pri...

Christopher Wool Christopher Wool (Hand Signed), 2015 Double sided offset lithograph poster. Hand signed by Christopher Wool 24 × 19 inches Sig...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist's most important color and shape theories. A copy of the colophon bearing Albers’ hand signature...

Passing Through 1A (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides...

Circulation (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides and 7....

Systems 2 (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides and 7.6 ...

To and Fro 2 (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides and 7...

"Voices XXI" Aquatint Etching • Monoprint Image: 12”x 14” • Paper: 30”x 22” • 2001 Hand signed and numbered 1/1 on BFK Rives paper. Joe Novak (1930-2019) California Contemporary Minimalist. His work is about the exploration of color and light through abstraction, with tonal gradations that infuse them with a meditative quality. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. His artistic background and work link him closely with the first generation abstract expressionists of the New York School. Major influences include Jackson Pollock and Mark Rothko, and his mentors, Peter Busa and Esteban Vicente, whom he met and befriended during the eighties while living and painting in East Hampton. During the nineties, while living and working in Santa Fe, New Mexico, Novak initiated a project called "Light Emanations", in which he created digital computerized programs of changing light levels and configurations on a selection of his large paintings, dramatically illustrating the effect of light changes on color perception. Novak's body of work is extensive and include painting on canvas, panel and paper as well as monotypes, drawings, assemblages, mixed media and prints. He has often worked in series, focusing on a particular medium for years. Among these are "Meditations" (color pencil drawings), "Voices" and "Voices 2" (color aquatint etchings), "Echoes" (painting assemblage with minerals) and "Colors" (350 miniature panel paintings). In recent years his paintings have become more gestural, often with musical allusions. His work bears a relationship to the Light & Space Movement and Minimalism artists James Turrell, Larry Bell, Craig Kauffman, Billy Al Bengston, Peter Alexander, Laddie John Dill, Lita Albuquerque. these are also anticipative of the aquatint etching works by Anish Kapoor. Color Gradient, Abstract Art, Land Art. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. Critic Christopher Knight wrote, Novak is an unabashed Color Field painter. His paintings and aquatints at Bert Green Fine Arts — the Santa Fe artist's third show there — feature works that will call to mind abstractions as diverse as those by Helen Frankenthaler, Mark Rothko and Morris Louis and the landscape abstractions of Joe Goode. Novak's work is in many public and private collections, including numerous museum collections. He spent his last years living in Palm Springs. Selected Group Exhibitions Bert Green Fine Art, Chicago, Illinois "Joe Novak/Huck Lewis-Bennett: A Collaboration", Stephen Archdeacon Gallery, Palm Springs Melissa Morgan Fine Art, Palm Desert, California "Cutting Edge", Zane Bennett Contemporary Art, Santa Fe, New Mexico "Non Objectivity", Pharmaka Gallery, Los Angeles, California Farrell Fischoff Gallery, Santa Fe, New Mexico Eagle Gallery, London, England EVO Gallery, Santa Fe, New Mexico Jill George...

Variant III (from Ten Variants) Screenprint in brilliant Colors on wove paper, 1972 From “Josef Albers: Son Oeuvre et Sa Contribution à Figuration Visuelle Au Cours Du XXe Siècle” Pr...

Passing Through 2A (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides...

Passing Through 1B (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the side...

Passing Through 1A (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides...

Junction 1 (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides and 7.6...

Passing Through 3 (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides ...

Junction 2 (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides and 7.6...

Brice Marden Lana 2 1966 Screenprint on paper 20 x 24 inches; 51 x 61 cm Edition of 11 Signed, titled, and numbered in graphite (lower recto) This silkscreen was printed by Brice...

"Array 350/Red" is an original woodcut print by Rupert Deese. It is printed in a limited edition of 20 on Arches Cover paper from a woodblock hand-cut by the artist. The paper size is 19" x 19" and the diameter of the image is 350 mm, whence the title. This print is one of a larger group of prints...

"Array 350/Blue" is an original woodcut print by Rupert Deese. It is printed in a limited edition of 20 on Arches Cover paper from a woodblock hand-cut by the artist. The paper size is 19" x 19" and the diameter of the image is 350 mm, whence the title. This print is one of a larger group of prints...

Artist: Gene Davis Title: Lilac Year: 1980 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 250 Paper Size: 21.75 x 30 inches

"BB" is a cast paper multiple made in an edition of 5. The graphic image is in black paper pulp over a white hand-formed sheet of cotton fiber paper. Though Lieberman's primary mediu...

With hand-drawn lines overlaying a field of narrow, vertical stripes, Tom Orr’s Waterfall prints capture the sense of movement and space of a cascade. Shimmering moire’ patterns and subtle tonal differentiations between the two sets of lines enhance this dynamic visual phenomenon. Orr has previously explored this theme in different media in gallery-based installations and public sculpture commissions. Tom Orr created the "Waterfall" series of etchings at Manneken Press in 2008. Each of the three prints in the series are hand-printed from two etched copper plates...

Artist: Kyohei Inukai, American (1913 - 1985) Title: Egg (Black) Year: circa 1970 Medium: Silkscreen, signed and numbered in pencil Edition: 25 Image Size: 26.5 x 20 inches Size: 35 ...

Artist: Agustin Fernandez, Cuban (1928 - 2006) Title: untitled (Moon) Year: 1971 Medium: Etching, signed and numbered in pencil Edition: 55/75 Image:...

Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...

Minimalist screenprint by American artist Barbara Lynch Zinkel, inspired by Josef Albers' iconic "Homage to the Square". Date: 1987 Medium: Scr...

"Big Butterfly" is a cast paper multiple made in an edition of 5. The graphic image is in black paper pulp over a white hand-formed sheet of cotton fiber...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Artist: Ibram Lassaw, American (1913-2003) Title: Process II Construction Year: 1970 Medium: Silkscreen, signed and numbered in pencil Edition: 9/100 Size: 19.5 x 25.5 in. (4...

"Grenade With Flowers" is a relief print with piercing printed in black ink on handmade Korean paper. This unique paper has natural fiber inclusions which were placed into the pulp d...

"Starfleet" is a relief print printed in black ink on handmade Korean paper. This unique paper has natural fiber inclusions which were placed into the pulp during the forming of the ...

"Three Eye" is a cast paper multiple made in an edition of 5. The graphic image is in black paper pulp over a white hand-formed sheet of cotton fiber paper....

A large, minimalist stripe print entitled "Black Watch III" by American Color Field artist, Gene Davis. The print is signed and numbered in pencil a...

TECHNICAL INFORMATION: Charles Hinman Lavender Triangle 2012 4 color screenprint 38 x 38 in. Edition of 15 Pencil signed, dated and numbered Condition: This work is in excellent co...

Artist: Josef Albers Title: Portfolio 2, Folder 21, Image 2 from Formulation: Articulation Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol paper Edition: 1000 Paper Size: ...

Artist: Nassos Daphnis, Greek (1914 - 2010) Title: SS 1-82 Year: 1982 Medium: Screenprint, signed and numbered in pencil Edition: 120, PP 5, HC Image: 28 x 23.5 inches Size: 35...

Artist: Antonio Calderara, Italian (1903 - 1978) Title: untitled from 9x5 Konkret Portfolio Year: 1973 Medium: Silkscreen on PVC foil, signed and numbered in pencil Edition: 25/200 S...

David Shapiro’s minimalist works are meditative and quiet. This beige piece has a reductive Zen quality. Shapiro was born in Brooklyn in 1944 and passed away in 2014. He did his und...

With hand-drawn lines overlaying a field of narrow, vertical stripes, Tom Orr’s Waterfall prints capture the sense of movement and space of a cascade. Shimmering moire’ patterns and subtle tonal differentiations between the two sets of lines enhance this dynamic visual phenomenon. Orr has previously explored this theme in different media in gallery-based installations and public sculpture commissions. Tom Orr created the "Waterfall" series of etchings at Manneken Press in 2008. Each of the three prints in the series are hand-printed from two etched copper plates...

SOL LEWITT (1928 – 2007) "Broken Gray Bands in Four Directions" Linocuts in colors on Somerset Velvet White paper, 2005 18 x 43-1/4 inches (45.7 x 109.9 cm) (sheet) T.P. 2/2 (aside from an edition of 50) Signed and numbered in pencil lower right Published by Pace Editions, New York Sol LeWitt was born on September 9th, 1928 in Hartford, Connecticut to Eastern European immigrants. LeWitt received a BFA from Syracuse University in 1949 (where he made his first prints) and then was drafted in the Korean War in 1951. During his service, he made posters for the Special Services and spent time in Japan, where he bought the first works that became the basis of a large personal art collection. In 1953, he moved to New York City, where he studied at the Cartoonists and Illustrators School (now the School of Visual Arts) and worked for Seventeen Magazine...

Edition of 15

CRIS GIANAKOS Send Our Boys Home, 1970 Silkscreen on wove paper 35 × 23 inches Edition 37/225 Pencil signed, dated and numbered from the edition of 225 on the recto Unframed Provenan...

This artwork "Untitled #1" c. 1980I is an original color silkscreen with embossing by noted artist Charles Hinman, b.1932. It is hand signed and numbered 52/100 in pencil by the artist. The artwork size is 20.5 x 22 inches, sheet size is 25.15 x 25.15 inches, framed size is 25.5 x 25.5 inches. Custom framed in a silver metal frame. The artwork is in excellent condition, the frame is in fair condition, it have some scratches. It can be shipped framed, or without the frame if requested. About the artist: Charles Hinman is a New York Minimal painter who pioneered shaped canvas paintings through his innovative use of shadow, light, and shape with complex mathematical formulae. Born and raised in Syracuse, New York, Hinman holds his BFA from Syracuse University and later moved to New York City to study at the Arts Student League of New York. His first studio in the early 1960s was shared with James Rosenquist in an old sail factory in the Coenties Slip in Lower Manhattan, and he later shared a studio with Robert Indiana on Spring Street. In 1965, he moved into his own studio and living space at 231A Bowery in the same building with artists Will Insley and Max Gimblett, where he resided for over fifty years. Hinman’s work has been included in era defining exhibitions alongside many of his Minimalist and Conceptual contemporaries. His art career began with a seminal exhibition at Sidney Janis Gallery, titled '7 New Artists', and thereafter a solo exhibition at Richard Feigen Gallery in 1964. This was followed by an historic exhibition at Tibor de Nagy Gallery in 1965, "Shape and Structure", curated by Frank Stella and MET Curator, Henry Geldzahler, which included artists, Donald Judd, Carl Andre and Will Insley. Charles Hinman’s artwork is exhibited internationally and collected by major institutions and private collectors across the world. His work is included in the permanent collections of the Whitney Museum of American Art, the Museum of Modern Art, the Los Angeles County Museum of Art, the Hirshhorn Museum and Sculpture Garden, the Denver Art Museum, the Nagaoka Museum in Japan, and the Tel Aviv Museum in Israel, among others. He is the recipient of a Guggenheim Fellowship and four Pollock-Krasner Foundation grants. SOLO EXHIBTIONS 2019 - Kreeger Museum, Washington, D.C. 2019 - Chromatic Eclipse, WESTWOOD GALLERY NYC, New York 2017 - Shaped Paintings, WESTWOOD GALLERY NYC, New York 2016 - Two Points on a Plane: The Paintings of Charles Hinman, Museum of Art, DeLand, FL 2013 - Charles Hinman - 6 Decades, Marc Straus, New York 2012 - Marc Straus, New York 2011 - Gems. Butler Institute of American Art, Youngstown, OH 2008 - Butler Institute of American Art, Youngstown, OH 2006 - Butler Institute of American Art, Youngstown, OH 2005 - Wooster Art Space, NYC 2004 - Margot Stein Gallery, Lake Worth, FL 2004 - Boca Raton Museum of Art, Boca Raton, FL 2001 - Landing Gallery, Boca Raton Museum of Art, Boca Raton, FL 1999 - Fairfield University Museum, Fairfield, CT 1999 - Gallery Camino Real, Boca Raton, FL 1998 - Bergen County Museum of Art, Paramus, NJ 1995 - Ewing Gallery, University of Tennessee, Knoxville, TN 1994 - Georgia Museum of Art, Athens, GA 1993 - Chassie Post Gallery, Atlanta, GA 1990 - North Carolina State University Museum, Raleigh, NC 1990 - Douglas Drake Gallery, NYC 1989 - Virginia Lust Gallery, NYC 1987 - Irving Feldman Galleries, West Bloomfield, MI 1985 - Gallery 99, Bay Harbor Island, FL 1984 - I. Irving Feldman Galleries, Southfield, MI 1983 - Galleri Bellman, NYC 1982 - Irving Feldman Galleries, Sarasota, FL 1981 - Medici-Berenson Gallery, Bay Harbor Island, FL 1981 - Laguna Gloria Art Museum, Austin, TX 1981 - Museum of Art, Fort Lauderdale, FL 1980 - Everson Museum of Art, Syracuse, NY 1979 - Grace Hokin Gallery, Chicago, IL 1979 - Donald Morris Gallery, Detroit, MI 1977 - Grace Hokin Gallery, Palm Beach, FL 1976 - Irving Galleries, Milwaukee, WI 1975 - Grace Hokin Gallery, Chicago, IL 1971 - Galerie Denise Rene', NYC 1970 - Donald Morris Gallery, Detroit, MI 1970 - Galerie Denise Rene'/Hans Mayer, Krefeld, West Germany 1969 - Lincoln Center Retrospective, NYC 1968 - Donald Morris Gallery, Detroit, MI 1967 - Richard Feigen Gallery, NYC 1967 - Biennale, San Marino, Italy 1966 - Tokyo Gallery, Tokyo, Japan 1966 - Richard Feigen Gallery, NYC and Chicago, IL 1966 - Contemporary Art, Museum of Contemporary Art, Nagoaka, Japan 1964 - Richard Feigen Gallery, NYC GROUP EXHIBITIONS 2014 - Xigue-Xigue, MARC STRAUS, NYC 2014 - The Shaped Canvas, Revisited., Luxembourg & Dayan, NYC 2014 - Shaped, Galleri Tom Christoffersen, Copenhagen, Denmark 2013 - On Deck, Marc Straus, NYC 2013 - Going Into the Dark, curated by Amalia Piccinini, The Painting Center, NYC 2011 - American Abstract Artists 75th Anniversary Exhibition, OK Harris Gallery, NYC 2011 - Structured Color, D. Wigmore Fine Art, Inc, NYC 2011 - Armory Show, NYC 2009 - Exploring Black and White: the 1930s through the 1960s, D. Wigmore Fine Art, Inc, NYC 2005 - Geometric Abstraction 1930-1980, Margot Stein Gallery, Lake Worth, FL 2004 - Blast from the Past, Pace Editions, NYC 2004 - Abstractions, Lee Hansley Gallery, Raleigh, NC 2004 - Current Work, Two-person Exhibition, Elaine Baker Gallery, Boca Raton, FL 2003 - Gallery Artists, Margot Stein Gallery, Lake Worth, FL,USA 2002 - Light and Shadow, curated by Corinne Robbins, Delaware Valley Arts Alliance, Narrowsburg, NY 2001 - XXXIII Festival International de la Peinture, Castle Museum, Cagnes-sur-Mer, France 2001 - Painted in New York City, curated by James Little, Hofstra University, Hempstead, NY 2000 - Foundation of a Century, Nassau County Museum of Art, Roslyn Harbor, NY 2000 - The Art of Absolute Desire, curated by James Little, 450 Broadway, NYC 1999 - Red, Mitchell Algus Gallery, NYC 1999 - The Armory Show, Mitchell Algus Gallery, The International Fair of New Art, NYC 1999 - Red, Black, White: Bolotowsky, Nevelson, Hinman, Weber Fine Art, Scarsdale, NY 1999 - Absolut Secret, curated by David McKee, D'Allenburg Fine Arts International, David McKee Gallery, New York Studio School, New York; Royal College of Art, London 1999 - Abstraction: New Directions for a New Millennium, Robert Kidd Gallery, Birmingham, MI 1998 - Recent Acquisitions , Boca Raton Museum of Art, Boca Raton, FL 1998 - Art Students League of New York: Instructors' Work, Gremillion Fine Art, Houston, TX 1998 - Gallery Artists, Lipworth International, Boca Raton, FL 1998 - Summer 1998 Exhibition, Space 504 Gallery, NYC 1997 - Abstractions: Charles Hinman and Manfred Mohr...

"Array 350/Yellow" is an original woodcut print by Rupert Deese. It is printed in a limited edition of 20 on Arches Cover paper from a woodblock hand-cut by the artist. The paper size is 19" x 19" and the diameter of the image is 350 mm, whence the title. This print is one of a larger group of prints...

"Array 350/Gray-Green" is an original woodcut print by Rupert Deese. It is printed in a limited edition of 20 on Arches Cover paper from a woodblock hand-cut by the artist. The paper size is 19" x 19" and the diameter of the image is 350 mm, whence the title. This print is one of a larger group of...

"Array 350/Blue-Green" is an original woodcut print by Rupert Deese. It is printed in a limited edition of 20 on Arches Cover paper from a woodblock hand-cut by the artist. The paper size is 19" x 19" and the diameter of the image is 350 mm, whence the title. This print is one of a larger group of...

Augmented (Hand painted) screenprint by Patricia A. Pearce (American, b. 1948). Presented in a new double mat of black and gray. Unsigned, but was acquired with a collection of Pearc...

Artist: Nassos Daphnis, Greek (1914 - 2010) Title: SS 7-78 Year: 1978 Medium: Silkscreen, signed and numbered in pencil Edition: 120 Image Size: 24 x 33 inches Size: 32 x 40....

This print was created by Welsh artist Gordon House (1932-2004). House was a designer and painter whose hard-edged abstract works reflected the dramatic tensions of his graphic desig...

Paul Pedulla hand-signed and numbered limited edition archival pigment print framed using all acid free materials. Framed in simple and clean white or bla...

Oxo Tower, Concrete By Michael Wallner [2020] limited_edition Concrete, steel Edition number 15 Image size: H:95 cm x W:65 cm Complete Size of Unframed Work: H:95 cm x W:65 cm x D:3...

From the portfolio "Formulation: Articulation", created by Josef Albers in 1972. In the portfolio, there were 127 screenprints, with only the colophon bearing Albers' signature and t...

TECHNICAL INFORMATION: Ellsworth Kelly Black Yellow 1970 - 72 Lithograph 34 x 39 3/4 in. Edition of 55 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art ...

Hand Signed. Edition of 22 prints. Good conditions. Image Dimensions: 12,2 x 10,2 cm. Giorgio Griffa (Torino, 1936), is one of the most original and famous italian painter, that fr...

Artist: Bruce Porter, American (1948 - ) Title: Untitled II Medium: Lithograph, signed and numbered in pencil Edition: 15 Image Size: 24 x 18 inches Size: 28 x 22 in. (71.12 x 55.88 cm)