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Andy WarholSigned Andy Warhol The Thirteen Most Wanted Men (Dossier No. 2357)1967
1967
About the Item
Andy Warhol The Thirteen Most Wanted Men (Dossier No. 2357) screen-print & exhibition catalog:
Scarce 1967 Warhol Sonnabend exhibition catalog which includes the sought-after Andy Warhol screen-print of 'Most Wanted Man #11', John Joseph H., Jr. A super rare example signed in 4 places by Andy Warhol (front cover, John Joseph screen-print, inside flap & back cover). Published on the occasion of: Andy Warhol The Thirteen Most Wanted Men held April 1967 at Galerie Ilena Sonnabend, Paris.
Medium: staple-bound exhibition catalog containing 6 text leaves and 1 black-and-white screen-print. 1967.
Dimensions:
Book: 7.25 x 10.25 inches folded closed (opening to 10.25 x 14 inches).
Print: 8¼ h × 6⅝ w in (21 × 17 cm).
Hand-signed in black marker by Warhol on the front & back cover; on the John Joseph screen-print & inside flap.
Condition:
Book: good overall vintage condition; minor wear commensurate with age & medium including some spotting & surface wear; black marker across several names in index (left inside cover); overall well-preserved bold signatures; book overall well-intact.
Screen-print: Very good overall vintage condition; crisp, bold signature.
Published by: Galerie Ileana Sonnabend, Paris, France 1967.
Provenance: Collection Robert William Burke, Paris Private Collection.
Further Background:
"Most Wanted Men No. 11, John Joseph H., Jr — is the artist’s haunting reminder of the dark underside of America during a time when, outwardly at least, the country was projecting a confident, forward-looking culture. Like any good detective story, the origins of Andy Warhol’s Most Wanted series involve a series of dramatic twists and turns. At the beginning of 1963, the architect Philip Johnson approached Andy Warhol, along with Ellsworth Kelly, Roy Lichtenstein, Robert Indiana, Peter Agostini, John Chamberlain, James Rosenquist, Robert Mallary, and Alexander Lieberman, to create a mural-sized work to adorn the outside of the Panoramic Cinema Theater, a centrepiece of the New York State Pavilion at the World’s Fair, which was to be held the following year.
Warhol decided to reproduce, on a monumental scale, 13 mugshots of various criminals taken from a booklet entitled The Thirteen Most Wanted Men produced by the New York Police Department. Some of the mugshots were..., that the NYPD considered to be its most dangerous criminals.
Warhol’s exact reasons for choosing this subject matter are unclear. According to John Giorno, a member of the artist’s inner circle, the idea came from the painter Wynn Chamberlain, whose lover at the time was an NYPD officer who, according to Giorno, ‘obtained’ a large envelope filled with various crime photos, mug shots and archival photographs which he passed on to Warhol.
Of the mugshots that Warhol selected, the one of John Joseph Henehan Jr. is perhaps the most enigmatic... with his good looks and chiselled features, Henehan wouldn’t have looked out of place in one of the era’s teen heart-throb magazines.
This outward appearance, however, hides a darker, violent character, evidenced by the description of Henehan’s crime in the original police booklet. On 28 February, 1959, Henehan Jr. and three accomplices walked into a liquor store in Queens, New York, and robbed the cashier at gunpoint. They took $350 from the register, $70 from the store owner and $450, a watch and a ring from an unlocked safe.
Henehan was a familiar face to his local police precinct as three years previously, aged 19, he had been arrested in possession of a gun and given parole. Two years later he was arrested again, this time for the possession of a small amount of heroin and drug paraphernalia, but was later acquitted. Indicted for the Queens robbery of the liquor store by a grand jury, he absconded before the trial and was wanted by the F.B.I. on a charge of unlawful flight from custody. As such, the Thirteen Most Wanted Men series was controversial from the start.
Later in 1964, Warhol made a series of nearly two dozen larger than life-size canvases featuring 13 of these ‘most wanted’ men, many of which were exhibited at the Sonnabend Gallery in Paris in 1967. Part of this important series, Most Wanted Men No. 11, John Joseph H., Jr. is one of only six subjects that Warhol made in two versions, with the other housed in the permanent collection of the Museum für Moderne Kunst, Frankfurt am Main.
Despite its dark subject matter, Most Wanted Men No. 11, John Joseph H., Jr. also falls squarely within Andy Warhol’s Pop vernacular. Just as he did with his paintings of Liz Taylor, Campbell’s Soup cans and Coca-Cola bottles, Warhol seeks to embrace the entire range of Americana." (source: Christies)
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Obsessed with celebrity, consumer culture, and mechanical reproduction, Pop Art king, Andy Warhol created some of the 20th century’s most iconic images. Warhol was widely influenced by popular & consumer culture, with this being evident in some of his most famous works: 32 Campbell's soup cans, Brillo pad box sculptures, and portraits of Marilyn Monroe & Mick Jagger, for example. Rejecting the standard painting and sculpting modes of his era, Warhol embraced silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. The artist mentored Keith Haring and Jean-Michel Basquiat and continues to influence contemporary art around the world: His most bold successors include Richard Prince, Takashi Murakami, and Jeff Koons. Warhol has been the subject of exhibitions at the Whitney Museum of American Art, Museum of Modern Art, Tate Modern, and Centre Pompidou, among other institutions.
- Creator:Andy Warhol (1928 - 1987, American)
- Creation Year:1967
- Dimensions:Height: 10.25 in (26.04 cm)Width: 7.25 in (18.42 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:NEW YORK, NY
- Reference Number:1stDibs: LU354312375072
Andy Warhol
The name of American artist Andy Warhol is all but synonymous with Pop art, the movement he helped shape in the 1960s. He was phenomenally prolific, and the archive of original photography, prints, drawings, paintings and other art that he left behind is beyond vast.
Andy Warhol is known for his clever appropriation of motifs and images from popular advertising and commercials, which he integrated into graphic, vibrant works that utilized mass-production technologies such as printmaking, photography and silkscreening. Later in his career, Warhol expanded his oeuvre to include other forms of media, founding Interview magazine and producing fashion shoots and films on-site at the Factory, his world-famous studio in New York.
Born and educated in in Pittsburgh, Warhol moved to New York City in 1949 and built a successful career as a commercial illustrator. Although he made whimsical drawings as a hobby during these years, his career as a fine artist began in the mid-1950s with ink-blot drawings and hand-drawn silkscreens. The 1955 lithograph You Can Lead a Shoe to Water illustrates how he incorporated in his artwork advertising styles and techniques, in this case shoe commercials.
As a child, Warhol was often sick and spent much of his time in bed, where he would make sketches and put together collections of movie-star photographs. He described this period as formative in terms of his skills and interests. Indeed, Warhol remained obsessed with celebrities throughout his career, often producing series devoted to a famous face or an object from the popular culture, such as Chairman Mao or Campbell’s tomato soup. The 1967 silkscreen Marilyn 25 embodies his love of bright color and famous subjects.
Warhol was a prominent cultural figure in New York during the 1960s, ’70s and ’80s. The Factory was a gathering place for the era’s celebrities, writers, drag queens and fellow artists, and collaboration was common. To this day, Warhol remains one of the most important artists of the 20th century and continues to exert influence on contemporary creators.
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