Animal Prints

David Shrigley Human Behaviour and Animals and Existentialism, 2022 The complete suite of 8 digital posters on 200gsm Munken Lynx wove paper 27 3/5 × 19 7/10 in / 70 × 50 cm Limit...

11 Colour Screenprint on Somerset Tub Sized 410gsm Paper
 hand-signed and numbered 76 x 56 cm Edition 77 of 125
 published by Jealous Gallery and comes with publisher COA David Shri...

The ‘Mickey’ is of a matching set with ‘Mickey’ and ‘Minnie’ by Master Contemporary Artist, Damien Hirst. Created in 2016 as part of a limited edition series. Damien Hirst’s ‘Mickey’...

David Shrigley, I am Elegant, 2021 Screenprint in colours on wove paper 76 x 56 cm (30 x 22 in) Edition of 125 Hand-signed and numbered on the reverse David Shrigley British ar...

Lithograph on papier bouffant des Papeteries de Casteljoux paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Eaux-fortes originale pour des textes de ...

David Shrigley, Be Yourself Just Be Yourself, 2025 22 colour screenprint with varnish overlay on Somerset Tub Sized 410 gsm paper 56 x 76 cm (22.04 x 29.92 in) Edition of 125 Han...

11 Colour Screenprint on Somerset Tub Sized 410gsm Paper
 hand-signed and numbered 76 x 56 cm Edition 77 of 125
 published by Jealous Gallery and comes with publisher COA David Shri...

David Shrigley, Balance The Ball On Your Nose, 2022 Screen print on paper 56 x 75 cm (22.04 x 29.52 in) Edition of 125 Hand-signed and numbered by the artist David Shrigley Brit...

Artist: PABLO PICASSO (AFTER ) Title: 'DON QUIXOTE' Year: 1955 Published by: Combat Pour La Paix, Paris Medium: Lithograph on arches paper (Blind stamp JPG attached) Printed by Mourl...

Artist: PABLO PICASSO (AFTER ) Title: La Colombe Bleu Year: 1961 Published by: Combat Pour La Paix, Paris Medium: Offset Lithograph Printed by Mourlot Edition: 200 plus EA Size: 20 ...

This is a contemporary black and white photograph of Northern California Wild Mustangs. "They represent the ultimate expression of American freedom" 36 x 48 Archival paper and inks ...

David Shrigley Everything is Good, 2023 Screenprint on 300gsm BFK Rives paper 76 x 56 cm Edition of 125 Hand-signed and numbered by the artist published by NGV David Shrigley is a B...

This is a contemporary black and white photograph of Northern California Wild Mustangs. "They represent the ultimate expression of American freedom" Unsigned print. Printed on lust...

This is a contemporary black and white photograph of Northern California Wild Mustangs. "They represent the ultimate expression of American freedom" Unsigned 40 x 60 Framing availab...

ARTIST: Salvador Dali TITLE: Celestial Elephant or Space Elephant MEDIUM: Lithograph SIGNED: Hand Signed PUBLISHER: Levine and Levine for DALART EDITION NUMBER: I 285/350 MEAS...

Snow Geese (Wyoming) Drypoint, c. 1947 Signed in pencil lower right (see photo) Title in pencil lower left (see photo) Note: This image is reprodcued in a Photogravure for Ducks Unlimited in 1947. This is the first original drypoint version. Condition: Excellent Image/Plate size: 8 3/8 x 6 7/8 inches Reference: Archives West #101 Kleiber 134 Hans Kleiber (1887-1967) Hans Norbert Kleiber, painter, etcher, illustrator, and naturalist, was born in Cologne, Germany on August 24, 1887. He emigrated from Germany to the United States in 1900, settling in Massachusetts before moving to Wyoming. Kleiber first worked in lumber camps before working for the United States Forest Service from 1906 until 1924. One of his duties as a ranger was to monitor the logging camps in the Bighorn Mountains. Kleiber was primarily self-taught as an artist and it was in the 1920s that he began devoting himself to art. It appears that he first began to work in watercolor and oil but was producing etchings and drypoints as early as 1924. He traversed the mountains of Wyoming, Montana, and Idaho, and his subjects are drawn from the pristine landscapes and wildlife. Kleiber's first exhibition of his etchings was mounted in 1928 at Goodspeed's Book Shop in Boston. His etching, Crossing the Platte, was included in the 1939 New York World's Fair exhibition, American Art Today. There was an exhibition of fifty of his etchings at the National Museum in 1944, and an exhibition of his watercolors was mounted at the Grand Central Galleries in New York in 1950. Kleiber was a member of the Society of American Etchers and the California Society of Printmakers. He received a silver medal in 1931 from the Printmakers Society of California for his print, Leaving the High Country...

This lithograph is hand signed and numbered.Gustavo Novoa was born in 1941 in Santiago, Chile. He attended the Academy of Fine Arts and Law School there, only to learn that structur...

Two cheetahs, lying in tall grass, occupy the foreground of an engraving defined by clean, refined outlines. Their posture—both relaxed and tinged with alertness—reflects the inheren...

NORBERTINE VON BRESSLERN-ROTH (1891 1978) KAMPF (BATTLE - LOBSTER and OCTOPUS) c. 1928 Color linoleum cut Signed in pencil. Image 8 5/8 x 8 11/16” In excellent condition and full ...

'Katzen' (Cats) German wood-engraving, circa 1895. 240mm by 155mm (sheet)

David Shrigley, The Elephant, 2023 Screenprint in colours on wove paper 56 x 76 cm (22 x 29 9/10 in) Edition of 125 Hand-signed and numbered on the reverse David Shrigley Briti...

A rare original artist signed color lithograph, "Little Owl", by Bernard Buffet (1928-1999), circa 1968. This is an original 1960's picture by the celebrated French Modernist/Express...

Printer’s ink from rubber stamp on vélin d’Arches Satine paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Publi...

David Shrigley I Will Not Allow The Dark Skies To Affect Me, 2024 Screenprint on 300gsm BFK Rives paper 76 x 56 cm Edition 80 of 125 Hand-signed and numbered by the artist published...

Head Portrait of a Dog English School, 19th century oleograph on paper on board, framed glass covered framed: 13 x 11.5 inches board: 9.5 x 8 inches Provenance: private collection, E...

Screen print on silk scarf. Edition size unknown, as they were intended as holiday gifts. Scarf size 35.5 x 36 inches. Frame size: approx 40 x 40.5 inches. Printed by Rupert Jasen...

Artist: Slonem, Hunt Title: White Bunnies I Series: Bunnies Date: 2017 Medium: Lithograph on Paper Unframed Dimensions: 24" x 16" Framed Dimensions: 29" x 22" x 1.25" Signatur...

This is a contemporary photograph of an African Lion. 40x60 Signed and numbered Edition of 10 Archival Pigment print. Framing available. Inquire for rates. FREE SHIPPING Shane Ru...

David Shrigley I'm Sorry I Can't Promise It Won't Happen Again, 2021 8 colour screenprint with a varnish overlay on Somerset Satin Tub sized 410 gsm 75 x 56 cm Edition of 125 + 4 APs...

Mariano Rodriguez Gallo, 1984 Serigraph Ed. VII of XXV 29 x 22 in

"The Scar by China Miéville is a novel which has been a part of my life for many years, and has travelled as my companion through since adolescence. I've attempted to depict the Avan...

(after) Alexander Calder "Calder's Circus" offset lithograph on wove paper after drawings by the artist Published by Art in America and Perls gallery in 1964 (from drawings done in the 1930's) these range slightly in size but they are all about 13 X 17 inches (with minor variations in size as issued.) These have never been framed. The outer folio is not included just the one lithograph. James Sweeny from the introduction “The fame of Calder’s circus spread quickly between the years 1927 and 1930. All the Paris art world came to know it. It brought him his first great personal success. But what was more important, the circus also provided the first steps in Calder’s development as an original sculptor” Clive Gray wrote ”A visit to the studio of Alexander Calder led to the chance discovery of some hundred masterful circus drawings completed over thirty years ago. We publish, for the first time, a choice of sixteen from that group.” With signed introduction by Miro. These whimsical drawings, done in the style of wire sculpture, include acrobats, clowns, jugglers, trapeeze artists, an elephant, dog and lion. they are great. Alexander Calder is widely considered to be one of the most important American sculptors of the 20th century. He is best known for his colorful, whimsical abstract public sculptures and his innovative mobiles, kinetic sculptures powered by motors or air currents, which embraced chance in their aesthetic. Born into a family of accomplished artists, Calder's work first gained attention in Paris in the 1930s and was soon championed by the Museum of Modern Art in New York, resulting in a retrospective exhibition in 1943. Major retrospectives were also held at the Solomon R. Guggenheim Museum (1964) and the Museum of Contemporary Art, Chicago (1974). Calder’s work is in many permanent collections, most notably in the Whitney Museum of American Art, but also the Guggenheim Museum; the Museum of Modern Art; the National Gallery of Art, Washington, D.C.; and the Centre Georges Pompidou. He produced many large public works, including .125 (at JFK Airport, 1957), Pittsburgh (Carnegie International prize winner 1958, Pittsburgh International Airport) Spirale (UNESCO in Paris, 1958), Flamingo and Universe (both in Chicago, 1974), and Mountains and Clouds (Hart Senate Office Building, Washington, D.C., 1976). Although primarily known for his sculpture, Calder was a prodigious artist with a restless creative spirit, whose diverse practice included painting and printmaking, miniatures (such as his famous Cirque Calder), children’s book illustrations, theater set design, jewelry design, tapestry and rug works, and political posters. Calder was honored by the US Postal Service with a set of five 32-cent stamps in 1998, and received the Presidential Medal of Freedom, posthumously in 1977, after refusing to receive it from Gerald Ford one year earlier in protest of the Vietnam War. Calder moved to New York and enrolled at the Art Students League, studying briefly with Thomas Hart Benton, George Luks, Kenneth Hayes Miller, and John Sloan. While a student, he worked for the National Police Gazette where, in 1925, one of his assignments was sketching the Ringling Bros. and Barnum & Bailey Circus. Calder became fascinated with the action of the circus, a theme that would reappear in his later work. In 1926, Calder moved to Paris, enrolled in the Académie de la Grande Chaumière, and established a studio at 22 rue Daguerre in the Montparnasse Quarter. In June 1929, while traveling by boat from Paris to New York, Calder met his future wife, Louisa James (1905-1996), grandniece of author Henry James and philosopher William James. They married in 1931. While in Paris, Calder met and became friends with a number of avant-garde artists, including Fernand Léger, Jean Arp, and Marcel Duchamp. Cirque Calder (on view at the Whitney Museum of American Art at present) became popular with the Parisian avant-garde. He also invented wire sculpture, or "drawing in space," and in 1929 he had his first solo show of these sculptures in Paris at Galerie Billiet. Hi! (Two Acrobats) in the collection of the Honolulu Museum of Art is an early example of the artist's wire sculpture. The painter Jules Pascin, a friend of Calder's from the cafes of Montparnasse, wrote the preface to the catalog. A visit to Piet Mondrian's studio in 1930, where he was impressed by the environment-as-installation, "shocked" him into fully embracing abstract art, toward which he had already been tending. Dating from 1931, Calder’s sculptures of discrete movable parts powered by motors were christened “mobiles” by Marcel Duchamp, a French pun meaning both "motion" and "motive." At the same time, Calder was also experimenting with self-supporting, static, abstract sculptures, dubbed "stabiles" by Jean Arp in 1932 to differentiate them from mobiles. Public commissions increasingly came his way in the 1960s. Notable examples are .125 for JFK Airport in 1957, Spirale for UNESCO in Paris 1958 and Trois disques, commissioned for Expo 67 in Montreal, Quebec, Canada. Calder's largest sculpture at 25.7 meters high was El Sol Rojo, constructed outside the Aztec Stadium for the 1968 Summer Olympics "Cultural Olympiad" events in Mexico City. Many of his public works were commissioned by renowned architects; I.M. Pei commissioned his La Grande Voile (1966), a 25-ton, 40-foot high stabile for the Massachusetts Institute of Technology. Part of Calder's repertoire includes pivotal stage sets for more than a dozen theatrical productions, including Nucléa, Horizon, and most notably, Martha Graham’s Panorama (1935), a production of the Erik Satie symphonic drama Socrate (1936), and later, Works in Progress (1968). In addition to sculptures, Calder painted throughout his career, beginning in the early 1920s. He picked up his study of printmaking in 1925, and continued to produce illustrations for books and journals.As Calder’s professional reputation expanded in the late 1940s and 1950s, so did his production of prints. Masses of lithographs based on his gouache paintings hit the market, and deluxe editions of plays, poems, and short stories illustrated with fine art prints by Calder became available for sale. One of Calder's most celebrated and unconventional undertakings was a commission from Dallas-based Braniff International Airways to paint a full-size Douglas DC-8-62 four-engined jet as a "flying canvas." Calder created over 2,000 pieces of jewelry over the course of his career, many of them as gifts for friends and relatives. For his lifelong friend Joan Miró, he set a shard of a broken porcelain vessel in a brass ring. Peggy Guggenheim received enormous silver mobile earrings and later commissioned a hammered silver headboard...

Silkscreen in colours on wallpaper. Inscription: printed, “Andy Warhol” in margin, as issued. Excellent condition. Notes: Published by Leo Castelli Gallery, New York; printed by Bill...

Marc CHAGALL (1887-1985) Bible : Simeon, Angels and Red Birds, 1962 Lithograph (Mourlot workshop) Unsigned On Vellum 32.5 x 24 cm INFORMATION: Lithograph produced by Chagall in 196...

Monkeys Wood-engraving with original colouring. 1879. 160mm by 245mm (sheet). Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.

Artist: PABLO PICASSO (AFTER ) Title: 'La Ronde de la Jeunesse (The Youth Circle)' Year: 1961 Published by: Combat Pour La Paix, Paris Medium: Lithograph on wove paper Printed by Mourlot Edition: 200 plus EA Size: 26 x 20 inches Signed and numbered in pencil by the master CERTIFICATE OF AUTHENTICITY INCLUDED ARTWORK IS IN EXCELLENT CONDITION Through the use of crisp vibrant colors and the fluid use of line, Picasso creates a sense of optimistic energy that is focused around the dove of peace in Pablo Picasso La Ronde de la Jeunesse...

Screenprint in colours 76 x 56 cm Edition 34 of 125 published by DDT, comes with COA David Shrigley is known for his distinctive and darkly humorous drawings, animations, and sculp...

Sila Sehrazat Yucel is a talented artist based in Istanbul. Her background in landscape and interior architecture shapes her creative vision. With experience as an art director in ci...

14-colour screenprint with a varnish overlay
 75 x 56 cm
 Edition of 72 of 125 + 12 AP Signed and numbered by the artist published by Nicolai Wallner

Original antique French lithograph travel poster: Metropole Messageries Maritimes Union Francaise. Artist: Poulain. This unicorn-style sea creature is intertwined between t...

Artist: PABLO PICASSO (AFTER ) Title: La Colombe de L'avenir Year: 1962 Published by: Combat Pour La Paix, Paris Medium: Lithograph on Rives BFK paper Printed by Mourlot Edition: 200...

After Pablo Picasso (Spanish, 1881-1973) La Grande Maternité 1963 pencil signed and annotated 'E.A.' (aside from the edition of 200), with margins Editions Combat de la Paix, Paris P...

Seals Wood-engraving with original colouring. 1879. 160mm by 245mm (sheet). Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.

Artist: Pablo Picasso Title: La Pique (I) Portfolio: A Los Toros Avec Picasso Medium: Transfer lithograph Date: 1961 Edition: Unnumbered Frame Size: 18 1/4" x 20 3/4" Sheet Size: 9 1...

Artist: Joan Miro Title: Joan Miro (Plate 5) Medium: Original lithograph Portfolio: Joan Miro Year: 1956 Edition: Unnumbered Framed Size: 16 1/4" x 22" Sheet Size: 9" x 14 3/4" Signa...

David Shrigley I am the Moth, You are the Flame, 2022 Linocut on Somerset Tub Sized 300gsm paper Signed by the artist and numbered 65 x 50 cm (25 5/8 x 19 3/4 in) Edition 23 of 100 ...

An original signed drypoint etching with color pochoir by Spanish artist Salvador Dali titled "La Cerf Malade", depicting a stag deer, from the Portfolio: Le Bestiaire de la Fontaine...

Francisco Toledo Venados (Deer), circa 1975-1985 Color etching and aquatint Plate: 8 13/16 x 11 11/16 inches Sheet: 15 x 20 7/16 inches Edition A/P (Artist Proof) This limited editi...

Screen print on Saunders Waterford 300gsm paper Hand-signed, dated, and numbered by the artist 45 x 62 cm Edition 78 of 300 The print was editioned by master printer, Kip Gresham at The Print Studio, Cambridge for Kettle's Yard. It was made using an original drawing ‘cut’ into an acrylic sheet. The image is then reversed when printed. Description from the publisher: "Drawing has been fundamental to Ai Weiwei’s artistic practice from an early age. He also has a longstanding love of cats, and they appear frequently in the artist’s social media posts. Many cats used to roam his studio in Beijing. As part of the Kettle’s Yard exhibition, Ai’s ‘Cats wallpaper...

Artist: Pablo Picasso Title: La Pique (I), Jeu de la Cape (III), Les Banderilles (IV) Portfolio: A Los Toros Avec Picasso Medium: Set of three transfer lithographs Date: 1961 Edition...

Artist: Salvador Dali Medium: Heliogravure Title: The Queen's Croquet Ground Portfolio: 1969 Alice in Wonderland Year: 1969 Edition: 2430/2500 Frame Size: 24 1/4" x 19 1/2" Sheet Siz...

Artist: Salvador Dali Medium: Heliogravure Title: The Mock Turtle's Story Portfolio: 1969 Alice in Wonderland Year: 1969 Edition: 2430/2500 Frame Size: 24 1/4" x 19 1/2" Sheet Size: ...

Asiatic Elephants Wood-engraving with original colouring. 1879. 160mm by 245mm (sheet). Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.

SHARING THE CHORES is a hand drawn, limited edition lithograph by the acclaimed Charleston SC artist JONATHAN GREEN printed using hand lithography techniques on archival Arches paper...

Original, Linen backed New Orleans Jazz & Heritage Festival poster from 1983. A fun image with a crawfish holding an umbrella with streamers. 1983 JAZZ & HERITAGE FESTIVAL PRO-MO ...

Mid Century Nocturnal Horses with Riders Under Moonlight Lithograph Limited Edition Compelling nocturnal lithograph of two women on horseback by ...

Silkscreen Edition of 100 51.3 x 51.3 (20.2 x 20.2 in) Signed, numbered and dated on the front Mint. Minor imperfections may appear due to the production process

Mickalene Thomas Portrait de Priscilla Le Petit Chien, 2012 Pigment print on 100% cotton rag paper Edition 141/150 Frame included with official COA affixed to the back Hand numbered ...

Original vintage poster Carthusia Capri (Italy) perfume vintage poster. Artist: Mario Laboccetta. "CARTHUSIA I PROFUMI DI CAPRI" Size 26.5" x ...

Silkscreen in colours on wallpaper. Inscription: printed, “Andy Warhol” and “© Copyright Factory Additions 1971” in margins, as issued. Excellent condition. Notes: Published by Facto...

Barbed Wire Dove Collage, 2023 Screen print by Shepard Fairey on thick cream Speckletone paper 45.72 x 60.96 cm 18 x 24 inches Signed by Shepard Fairey Numbered edition of 450

Canadian Geese in Flight Drypoint printed with plate tone in the sky c. 1940's Signed in pencil lower right Condition: Excellent Image/Plate size: 8 3/8 x 10 1/4 inches Provenanc...

The 'I Love You' Butterfly in bright red and gold color scheme is a limited edition silkscreen print by Damien Hirst. This uplifting and pop art work features a gilded 24K gold leafe...

Mallard Drakes (Louisiana Honkers) Drypoint, c. 1940 Signed in pencil lower right (see photo) Titled in pencil lower left (see photo) Note: A famous image by Kleiber. It is was made in a hand colored version which commands a large premium. Condition: Excellent Image/Plate size: 9 7/8 x 7 7/8 inches Hans Kleiber (1887-1967) Hans Norbert Kleiber, painter, etcher, illustrator, and naturalist, was born in Cologne, Germany on August 24, 1887. He emigrated from Germany to the United States in 1900, settling in Massachusetts before moving to Wyoming. Kleiber first worked in lumber camps before working for the United States Forest Service from 1906 until 1924. One of his duties as a ranger was to monitor the logging camps in the Bighorn Mountains. Kleiber was primarily self-taught as an artist and it was in the 1920s that he began devoting himself to art. It appears that he first began to work in watercolor and oil but was producing etchings and drypoints as early as 1924. He traversed the mountains of Wyoming, Montana, and Idaho, and his subjects are drawn from the pristine landscapes and wildlife. Kleiber's first exhibition of his etchings was mounted in 1928 at Goodspeed's Book Shop in Boston. His etching, Crossing the Platte, was included in the 1939 New York World's Fair exhibition, American Art Today. There was an exhibition of fifty of his etchings at the National Museum in 1944, and an exhibition of his watercolors was mounted at the Grand Central Galleries in New York in 1950. Kleiber was a member of the Society of American Etchers and the California Society of Printmakers. He received a silver medal in 1931 from the Printmakers Society of California for his print, Leaving the High Country...

Lithograph on papier bouffant des Papeteries de Casteljoux paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Eaux-fortes originale pour des textes de ...

After Pablo Picasso (1881-1973) "La Folie" (Carnaval - Carnival), 1958 Lithograph in colors on Arches paper, with full margins Size: 25.5 x 19.5 Edition size: 300 numbered 1-300, 50...

'Wading Egret', color woodblock, c. 1900 - 1910. Signed 'Koson' in black ink with the artist’s red seal beneath, lower left. A superb, skillfully-inked impression, with fresh colors,...

The Patient Traveler by Maggie Taylor is a limited-edition, color photomontage image. Maggie Taylor is a Florida-based artist who creates complex photomontage compositions with a fl...

Jamie Wyeth Unsettled (hand signed and inscribed by Jamie Wyeth), 2024 Offset lithograph poster (signed and inscribed to Kevin in black marker) Boldly signed and inscribed "for Kevin" on the lower front. Accompanied by documentation of the event at Rizzoli's where Jamie Wyeth signed...

Artist: PABLO PICASSO (AFTER ) Title: Vive le Paix (Long Live Peace) Year: 1954 Published by: Combat Pour La Paix, Paris Medium: Lithograph on Lana paper (Blind stamp JPG attached) P...

Young Love Walking to School Norman Rockwell American (1894–1978) Date: ca 1970 Lithograph on paper, signed and numbered in pencil Edition of AP Size: 16 x 20 in. (40.64 x 50.8 cm)...

Original offset lithograph poster printed on acid-free archival paper Shane Russeck Gallery in Los Angeles, CA. Dimensions: 36"x48" sheet. Photograph © Shane Russeck Excellen...

This is a contemporary black and white photograph of American Wild Mustangs. "They represent the ultimate expression of American freedom" - Wild Horses Printed in archival luster pa...