Modern Art Animal Prints

David Gilhooly (1943-2013). Bugs, 2001 Etching on wove paper Artist's Proof XV/X (6/10) numbered in pencil lower left Signed and dated in pencil lower right Dimensions: With Frame ...

Robert Greenhalf Berwick’s Swans and Lapwings Limited Edition Print Woodcut on Paper Edition of 100 Paper Size: H 38.5cm x W 41 cm Image Size: H 27.5c...

Regal Chief Michael Knigin, American (1942–2011) Date: 1979 Screenprint, signed, numbered, dated, and titled in pencil Edition of AP Image Size: 18 x 25.5 inches Size: 21.5 x 29.5 in...

The print has been singed and dated by hand in pencil by the artist, Paul Bartlett, in the bottom right hand corner and has been named and edition in the bottom left hand corner also...

'Couture' by Faile, 2022 24 x 26 Inches Archival pigment print on 280gsm Entrada Cotton Rag fine art paper. Limited Edition of 300 Hand-signed by the artist duo bottom right. Artist...

Hand signed numbered by the artist. Artwork is in excellent condition. Certificate of Authenticity included. Edition of 300. All reasonable offers will be considered.

Mychael Barratt Anish Kapoor’s Dog Limited Edition Etching Edition of 100 Sheet Size: H 40cm x W 38cm Signed and titled Sold Unframed Please note that in situ images are purely an in...

Vicky Oldfield Buzzing Around Limited Edition Collagraph Print Edition of 30 Image Size: H 9.5cm x W 9.5cm Sheet Size: H 23cm x W 23cm x D 0.1cm Sold Unframed Please note that insitu...

Law And Order by Harry Bunce [2021] limited_edition Original Print mounted on mountboard Edition number 24 Image size: H:59 cm x W:73 cm Complete Size of Unframed Work: H:59 cm x...

The Paint Horse: Van Gogh is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 174/275 (there were also 100 Roman an...

Les Papillons Fernand Leger, French (1881–1955) Date: 1948 Lithograph on Arches (unsigned) Image Size: 20 x 16 inches Size: 25.75 x 19.5 in. (65.41 x 49.53 cm) Printer: Mourlot, Pari...

Thierry Noir, Crocodile, 2013 Screenprint in colours on 300gsm Somerset Textured paper Edition of 50 60 x 60 cm (23.62 x 23.62 in) Hand-signed and numbered from an edition of 50...

This Blue Dog work consists of a black and blue background. There is a yellow and pink box with a red outlined blue dog on the outside of the box. The dog has soulful yellow eyes. This pop art animal original silkscreen print on paper is guaranteed authentic and is hand signed by the artist. Artist: George Rodrigue Title: Blue Dog “Blue Label...

"Two Horses from Homage to Marino Marini" is an original color lithograph signed in stone by Marino Marini. It depicts a horse and rider in abstracted contour lines and black shapes ...

Stanley Whitney (b.1946) is a contemporary African-American abstract painter known for his signature composition of loose grids of saturated color. Whitney holds an MFA from Yale Uni...

Ducks is an original woodcut print realized by Giselle Halff. Good condition, no signature. Included a white cardboard passpartout (39x29 cm).

Artist: Salvador Dali Medium: Heliogravure Title: A Caucus Race and a Long Tale Portfolio: 1969 Alice in Wonderland Year: 1969 Edition: 2430/2500 Frame Size: 24 1/4" x 19 1/2" Sheet ...

Victor Delfin, Peruvian (1927 - ) - Baby Condor, Year: 1979, Medium: Screenprint, signed and numbered in pencil, Edition: 200, AP 30, Image Size: 31.5 x 24 inches, Size: 35 in. ...

Hand signed numbered by the artist in pencil. Artwork is in excellent condition. Certificate of Authenticity included. Edition of 575. All reasonable offers will be considered.

1. This Blue Dog work consists of a blue dog on a yellow background wearing a blue striped jacket, a white shirt, and a yellow necktie with black specks. The dog is also wearing an...

This artwork "Landscape with Deer Herds" c.1970 is an original color lithograph by French/Vietnamese artist Hoi Lebadang, 1922-2015. It is hand sig...

Lithograph after Salvador Dali Title: S.N.C.F Blind stamped signature Dimensions: 46.5 x 34 cm Edition: 1700 Numbered in pencil 1969 References : Catalogue raisonne Michler & Lopsi...

Max Ernst - Composition - Original Lithograph 1958 Dimensions: 32 x 24 cm XXe siècle Unsigned and unnumbered, as issued Max Ernst was born in Bruhl, a place near Cologne, in Germany. He was raised in a strict Catholic family, and both of his parents were disciplinarians who were dedicated to training their children into God-fearing and talented individuals. Although his father was deaf, Ernst learned so much from him, particularly when it comes to painting. In fact, much of his early years were lived under the inspiration of his father who was also a teacher. He was the one who introduced painting to Ernst at an early age. In 1914, Ernst attended the University of Bonn where he studied philosophy. However, he eventually dropped out of school because he was more interested in the arts. He claimed that his primary sources of interest included anything that had something to do with painting. Moreover, he became fascinated with psychology, among other subjects in school. Primarily, Ernst's love for painting was the main reason why he became deeply interested with this craft and decided to pursue it later on in his life. During his early years, he became familiar with the works of some of the greatest artists of all time including Claude Monet, Paul Cezanne and Vincent van Gogh. He was also drawn to themes such as fantasy and dream imagery, which were among the common subjects of the works of Giorgio de Chirico. During World War I, Ernst was forced to join the German Army, and he became a part of the artillery division that exposed him greatly to the drama of warfare. A soldier in the War, Ernst emerged deeply traumatized and highly critical of western culture. These charged sentiments directly fed into his vision of the modern world as irrational, an idea that became the basis of his artwork. Ernst's artistic vision, along with his humor and verve come through strongly in his Dada and Surrealists works; Ernst was a pioneer of both movements. It was Ernst's memories of the war and his childhood that helps him create absurd, yet interesting scenes in his artworks. Soon, he took his passion for the arts seriously when he returned to Germany after the war. With Jean Arp, a poet and artist, Ernst formed a group for artists in Cologne. He also developed a close relationship with fellow artists in Paris who propagated Avant-Garde artworks. In 1919, Ernst started creating some of his first collages, where he made use of various materials including illustrated catalogs and some manuals that produced a somewhat futuristic image. His unique masterpieces allowed Ernst to create his very own world of dreams and fantasy, which eventually helped heal his personal issues and trauma. In addition to painting and creating collages, Ernst also edited some journals. He also made a few sculptures that were rather queer in appearance. In 1920s, influenced by the writings of psychologist Sigmund Freud, the literary, intellectual, and artistic movement called Surrealism sought a revolution against the constraints of the rational mind; and by extension, they saw the rules of a society as oppressive. Surrealism also embraces a Marxist ideology that demands an orthodox approach to history as a product of the material interaction of collective interests, and many renown Surrealism artists later on became 20th century Counterculture symbols such as Marxist Che Guevara. In 1922 Ernst moved to Paris, where the surrealists were gathering around Andre Breton. In 1923 Ernst finished Men Shall Know Nothing of This, known as the first Surrealist painting. Ernst was one of the first artists who apply The Interpretation of Dreams by Freud to investigate his deep psyche in order to explore the source of his own creativity. While turning inwards unto himself, Ernst was also tapping into the universal unconscious with its common dream imagery. Despite his strange styles, Ernst gained quite a reputation that earned him some followers throughout his life. He even helped shape the trend of American art during the mid-century, thanks to his brilliant and extraordinary ideas that were unlike those of other artists during his time. Ernst also became friends with Peggy Guggenheim, which inspired him to develop close ties with the abstract expressionists. When Ernst lived in Sedona, he became deeply fascinated with the Southwest Native American navajo art. In fact, the technique used in this artwork inspired him and paved the way for him to create paintings that depicted this style. Thus, Ernst became a main figure of this art technique, including the rituals and spiritual traditions included in this form of art. Pollock, aside from the other younger generations of abstract expressionists, was also inspired by sand painting of the Southwest...

Hand signed numbered by the artist. Artwork is in excellent condition. Certificate of Authenticity included. Edition of 300. All reasonable offers will be considered.

This artwork titled "Le Cirque (The Circus) II" is an original colors lithograph on Arches paper by noted French artist Camille Hilaire, 1916-2004. It is hand signed and inscribed C/...

This Blue Dog work consists of 1 dog of varying shades of pinks and blues. There are several lines of yellow, red, pink, white and blue etched around the figure of the dog. The dog ...

"Bronx Zoo" lithograph and silk screen by Larry Rivers from "New York, New York" portfolio published by New York Graphic Society. Numbered 5/250, signed Larry Rivers and dated '83 lo...

In the Beginning, 2019 6-colour lithograph printed with Marinoni lithographic press, hand cut on BFK Rives 300 g paper 93 cm x 75 cm Edition of 99 Signed by the artist, numbered and ...

Georges Braque - Original Lithograph 1963 Dimensions: 32 x 24 cm Andre Sauret, Monte Carlo The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote and Glass , then the packet envelope of tobacco Bock in 1912-1913, or an advertisement in Damier , 1913). Inputs and inclusions refer to an external object in the table, without “emulate” this object. Away from their appearances, objects are represented in closest essence of the objects in the real world sense. This is also the time of Synthetic Cubism that Braque invented paper sculpture. There are, unfortunately, and no one is living proof of a photograph makes it possible to realize: Paper and paperboard. Métamorphoses period(1961-1963). In 1961, Georges Braque worked on a Greek head for the Louvre, which obsesses him, and he wishes to free his mind. He tried several times to bring out the paint and the result was unsatisfactory. He thinks the ultimate metamorphosis its Greek head projected in three dimensions. He calls in his studio of Baron Heger Loewenfeld, master lapidary, and he communicates his enthusiasm during the “fateful encounter.” Nine months later, in honor of the eighty years of Georges Braque, Heger Loewenfeld offers the Master of the ring Circe: the famous Greek head finally exorcised, carved in an onyx. Braque Loewenfeld then asked to identify other issues that haunt him. From dated and signed by Georges Braque, Heger gouaches Loewenfeld shapes works in the fields of jewelery, lapidary art...

"Delacroix's Tiger" by LeRoy Neiman Media: Serigraph on Paper Image Dimensions: 28 5/8 x 38 1/8" Year Produced: 1977 Edition Size: 300 Numbered, 50 Artists Proofs, 6 Printers Proofs ...

Hand signed numbered by the artist in pencil. Serigraph on Paper. Framed. Edition of 300. Artwork is in excellent condition. Certificate of authenticity included. All reasonable o...

Merengue, 2017 Katherine Bernhardt Lithograph in colours, on Somerset Velvet Signed, dated and numbered from the edition of 100 Produced by Paupers Press, London Sheet: 70.5 × 97 c...

Francois-Xavier Lalanne (1927-2008) Le Canard, 2004 Original print (aquatint and soft varnish) hand signed in pencil by François Xavier Lalanne and untitle...

Hand signed with initials, dated ‘72’ and numbered. Screen printed vacuum-formed relief. Published by Pace Editions, New York. Webel 1092. Edition 55/75 (there were also ten art...

This piece is an original etching by Salvador Dali from the "After 50 Years of Surrealism" portfolio, which consists of 12 original etchin...

Waha Waharangin Sergio Gonzales-Tornero, Chilean (1927–2020) Date: 1983 Screenprint, signed, numbered, titled and dated in pencil Edition of 250 Image Size: 24 x 30 inches Size: 28 x...

Raoul DUFY Colorful Birds on Blue Background, 1965 Lithograph (Mourlot workshop) Unsigned On vellum 30 x 24 cm (c. 11.8 x 9.4 in) INFORMATION : Posthumous published lithograph pub...

Pierre AMBROGIANI (1907-1985) Wolves, 1974 Original Lithograph (Gourdon Workshop) Signed with the artist's stamp On vellum 38 x 28 cm (c. 14.9 x 11 in) Excellent condition

Amador Montes (Mexico, 1975) 'Debajo de la piel IV', 2021 Mixed media, etching, aquatint woodcut on paper 49 x 118 in. (124 x 300 cm.) Edition of 30 Ref...

This Blue Dog work consists of 2 frames; one with the head of a blue dog with a purple background lurking over a fresh cooked hot dog. The second frame has a yellow dog...

ARTIST: Salvador Dali TITLE: Saint Martin MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Jean Schneider, Basel/Berggruen, Paris EDITION NUMBER: Epreuve d'artiste MEASUREMENTS:...

Barnet, Will. THE CAT. Szoke 120, Cole 117, Johnson 100. Color Lithograph, 1956. Edition of 12, titled and signed in pencil. Printed on Rives paper by Barnet. Estate of the artist v...

Seven colour silkscreen print on Somerset Tub White 410gsm paper. Edition 113/250. Signed and numbered by the artist.

François Xavier Lalanne Cerberus - 2005 Signed Pigment printing Dimensions: 28 x 38 Engraving dimensions: 18.5 x 23

Lithograph on Sicar paper 310 gr/m2, paper size 35cm x 50cm, work size 24cm x 38cm. Excellent condition, no defects. Cynthia Segato was born in Rome in 1958. She graduated in Astron...

Artist: Guillaume Azoulay, Moroccan (1949 - ) Title: Epuise II Year: 1986 Medium: Silkscreen with Gold Leafing, Signed and numbered in pencil Edition: 175 Size: 28.5 in. x 35 in. (7...

This Blue Dog work consists of 5 blue dogs in a row; alternating blue and red, 3 blue, 2 red with a split font background ranging from Blue to Fuchsia to 2 shades of pink. All Blue...

Ernesto Garcia Peña (Cuba, 1949) 'Our time" (from Porfolio Grabados Cubanos)', 1977 linocut print on paper Canson 320 g. 23.6 x 17.6 in. (59.8 x 44.6 cm.) Edition of 200 Ref: GAE-309...

This Blue Dog work consists of a blue dog draped in a hooded red cape on a blue background with a lighter blue half-moon behind the head of the dog. The dog has soulful yellow eyes. ...

’3 Dogs’ By Tom Hammick Medium - Monoprinted lithograph Signed - Yes Edition - EV 11/15 Size - 505mm x 385mm Date - 2007 Condition - Excellent. 10 out of 10 Colour of print may not b...

Artist: Joan Miro Title: Joan Miro (Plate 6) Medium: Original lithograph Portfolio: Joan Miro Year: 1956 Edition: Unnumbered Framed Size: 15 1/2" x 14 1/4" Sheet Size: 9" x 7 3/4" Si...

Judith Bledsoe, American (1938 - 2013) - Zebras, Year: circa 1980, Medium: Lithograph and Blind Embossing, signed and dedicated in pencil, Edition: EA, Image Size: 9.5 x 17.5 i...

ARTIST: Salvador Dali TITLE: Tauramachie Surrealiste The Giraffe on Fire MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: LXIV/C MEASUREMENTS: 20" x 26" YEAR: 1970 FRAMED:...

Numbered 18/20 Work on paper Red wooden frame with glass pane 44 x 59 x 1,5 cm

Includes a Certificate of Authenticity

This piece titled "Breeze Before the Leap" is an original print by Jun Lee and is made by reduction woodcut. This piece measures 44.25"h x 31.25"w fr...

This Blue Dog work consists of 2 frames of Blue Dogs. One side has a red background with a sitting blue dog. The dog has soulful yellow eyes. The other side has a yellow background...

This Blue Dog work consists of a single dog with soulful yellow eyes sitting on the right side of a pink, white and red background covered in the dog's soulful yellow eyes scattered ...