Modern Art Animal Prints

Artist: Hunt Slonem Title: Lobster Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 250; AP 30 Image: 19 x 19 inches Paper Size: 22 x 30 inches

Sunset Goose Allen Friedman, American Date: 1979 Lithograph, signed and numbered in pencil Edition of 200, AP 45 Image Size: 24 x 18 inches Size: 29.5 in. x 22 in. (74.93 cm x 55.88 cm)

Law And Order by Harry Bunce [2021] limited_edition Original Print mounted on mountboard Edition number 24 Image size: H:59 cm x W:73 cm Complete Size of Unframed Work: H:59 cm x...

This Blue Dog work consists of dimensional dogs; 1 red dog between 2 blue dogs on a white background with Earth behind the head of the red dog. All the dogs have soulful yellow eyes...

(after) Raoul Dufy Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Di...

Lithograph in colors on paper. Hand signed, dated titled and numbered lower margin by Will Barnet. From edition of 300. Image size 40.25 x 30 inches. Sheet size 46.25 x 36 inches....

Mychael Barratt Anish Kapoor’s Dog Limited Edition Etching Edition of 100 Sheet Size: H 40cm x W 38cm Signed and titled Sold Unframed Please note that in situ images are purely an in...

This artwork titled "Le Cirque (The Circus) II" is an original colors lithograph on Arches paper by noted French artist Camille Hilaire, 1916-2004. It is hand signed and inscribed C/...

Regal Chief Michael Knigin, American (1942–2011) Date: 1979 Screenprint, signed, numbered, dated, and titled in pencil Edition of AP Image Size: 18 x 25.5 inches Size: 21.5 x 29.5 in...

Rainer Fetting, (Germany, 1949-) Wolf, 1984 Screenprint serigraph in colours, on wove paper, the full sheet. Hand signed and numbered 34.5 X 49 inches Rainer Fetting (Born 1949 in W...

Vicky Oldfield Buzzing Around Limited Edition Collagraph Print Edition of 30 Image Size: H 9.5cm x W 9.5cm Sheet Size: H 23cm x W 23cm x D 0.1cm Sold Unframed Please note that insitu...

Blue toned serigraph of a carousel with horses. The work is signed and numbered by the artist. It is not framed but comes with a white matte. Artist Biography: Barbara Maples...

BASQUIAT'S CAT, 2025 Silkscreen Image Size H 22 x 22cm Framed Size H 47 x 45cm Edition of 100 Additional information: Screen print on Paper Edition of 100 22 H x 22 W cm (8.66 x 8.6...

Original serigraph silkscreen prints by German/Canadian expressionist Yargo de Lucca (1925-2008) from the “Canada Suite” series, a hand-signed and numbered Inuit-inspired silkscre...

Stanley Whitney (b.1946) is a contemporary African-American abstract painter known for his signature composition of loose grids of saturated color. Whitney holds an MFA from Yale Uni...

Artist: Raymond Jennings Saunders, American (1934 - ) Title: Duck Out of Water Year: 1975 Medium: Lithograph with Screenprint and Collage, signed and numbered in pencil Edition: 200...

Artist: Alexander Calder (1898-1976) Title: Cinq Boules et Deux Serpents Year: 1965 Medium: Lithograph in colors on wove paper Edition: 90, plus proofs Size: 20.5 x 28.75 inches Cond...

Hand signed with initials, dated ‘72’ and numbered. Screen printed vacuum-formed relief. Published by Pace Editions, New York. Webel 1092. Edition 55/75 (there were also ten art...

Midcentury colorful representation of 4 coy fish by Chinese artist (signed and dated). Painted on silk. Framed and exhibited in Honk Kong. Numbered 13/30.

This Blue Dog work consists of 3 dogs each framed in black with multiple backgrounds. One dog is sitting on a purple moon with a black background, 1 dog is sitting behind an olive colored orb with a darker green tree and a light green background, and 1 dog is dressed in a red cape sitting atop 3 orange...

This Blue Dog work consists of 1 dog of varying shades of pinks and blues. There are several lines of yellow, red, pink, white and blue etched around the figure of the dog. The dog ...

"Bronx Zoo" lithograph and silk screen by Larry Rivers from "New York, New York" portfolio published by New York Graphic Society. Numbered 5/250, signed Larry Rivers and dated '83 lo...

Georges Braque - Original Lithograph 1963 Dimensions: 32 x 24 cm Andre Sauret, Monte Carlo The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote and Glass , then the packet envelope of tobacco Bock in 1912-1913, or an advertisement in Damier , 1913). Inputs and inclusions refer to an external object in the table, without “emulate” this object. Away from their appearances, objects are represented in closest essence of the objects in the real world sense. This is also the time of Synthetic Cubism that Braque invented paper sculpture. There are, unfortunately, and no one is living proof of a photograph makes it possible to realize: Paper and paperboard. Métamorphoses period(1961-1963). In 1961, Georges Braque worked on a Greek head for the Louvre, which obsesses him, and he wishes to free his mind. He tried several times to bring out the paint and the result was unsatisfactory. He thinks the ultimate metamorphosis its Greek head projected in three dimensions. He calls in his studio of Baron Heger Loewenfeld, master lapidary, and he communicates his enthusiasm during the “fateful encounter.” Nine months later, in honor of the eighty years of Georges Braque, Heger Loewenfeld offers the Master of the ring Circe: the famous Greek head finally exorcised, carved in an onyx. Braque Loewenfeld then asked to identify other issues that haunt him. From dated and signed by Georges Braque, Heger gouaches Loewenfeld shapes works in the fields of jewelery, lapidary art...

Zebra I (2022), work on paper, hand painted multiple, animal and foliage, neo impressionist, botanical, pastels, aqua and lime green, black and white zebra "Zebra I," (2022) by arti...

This Blue Dog work consists of a blue dog face looking through what appears to be a window framed in black. The dog has soulful yellow eyes. This pop art animal original silkscreen...

This artwork titled "Elephant Family" 1983 is an original large color serigraph on paper by noted American artist Leroy Neiman, 1921-2012. It is hand signed and numbered 63/300 in pe...

paper: 22 x 15 in. printed image: 4 3/4 x 6 in. english translation: Long Hand Crab Latin

Norman Akers Tears, 2018 Monotype on paper by renowned native American artist (Osage Indian) Signed and numbered 1/1 Frame included Monotype (unique) Pencil signed, numbered 1/1 and titled in graphite pencil on the front Published by Tamarind Institute, Albuquerque New Mexico with label from Chiaroscuro Contemorary Art, Santa Fe, NM Provenance Tamarind Institute Frame included Measurements: Frame: 18.5" vertical x 15.5" horizontal x .75 inches deth Artwork: 11.5" vertical x 8.5" horizontal Norman Akers (Native American, Osage), b. 1958 Biography Norman Akers was born and raised in Fairfax, Oklahoma. He is a member of the Osage Nation. He received a BFA in Painting from the Kansas City Art Institute in 1982, and a Certificate in Museum Studies from the Institute of American Indian Arts in 1983. In 1991, he received a MFA in Fine Arts from the University of Illinois, Urbana-Champaign. Akers had solo exhibitions at the Lawrence Arts Center, Lawrence, Kansas, Jan Cicero Gallery in Chicago, Illinois, and the Gardner Art Gallery, Oklahoma State University, Stillwater, Oklahoma. He has participated in numerous group exhibitions including, Unlimited Boundaries, The Dichotomy of Place in Contemporary Native American Art, Albuquerque Museum, Albuquerque, New Mexico, Who Stole the Tee Pee...

Merengue, 2017 Katherine Bernhardt Lithograph in colours, on Somerset Velvet Signed, dated and numbered from the edition of 100 Produced by Paupers Press, London Sheet: 70.5 × 97 c...

’3 Dogs’ By Tom Hammick Medium - Monoprinted lithograph Signed - Yes Edition - EV 11/15 Size - 505mm x 385mm Date - 2007 Condition - Excellent. 10 out of 10 Colour of print may not b...

Serigraph on paper Page Size: 12 x 12 in. Gold Leaf Frame Size: 21 x 21 in. Hand Signed, bottom right in black marker Hand Numbered, bottom left in black marker "180/300" This strik...

This artwork "titled "Horses #II" 1974 is an original color lithograph, with embossing by French/Vietnamese artist Hoi Lebadang, 1922-2015. It is hand signed and numbered 32/275 in p...

This Blue Dog work consists of a black and blue background. There is a yellow and pink box with a red outlined blue dog on the outside of the box. The dog has soulful yellow eyes. This pop art animal original silkscreen print on paper is guaranteed authentic and is hand signed by the artist. Artist: George Rodrigue Title: Blue Dog “Blue Label...

Francois-Xavier Lalanne (1927-2008) Le Canard, 2004 Original print (aquatint and soft varnish) hand signed in pencil by François Xavier Lalanne and untitle...

This Blue Dog work consists of a background of white and red with a lot of soulful yellow eyes of various sizes and 1 blue dog off-centered on the right. the dog also has soulful yel...

The Bird is an original screen print realized by Giselle Halff in the late 20th century. Good conditions. Hand-signed on the lower right. E.A. on the lower left. The artwork is d...

1. This Blue Dog work consists of a blue dog on a yellow background wearing a blue striped jacket, a white shirt, and a yellow necktie with black specks. The dog is also wearing an...

Hand signed numbered by the artist in pencil. Serigraph on Paper. Framed. Edition of 300. Artwork is in excellent condition. Certificate of authenticity included. All reasonable o...

Includes a Certificate of Authenticity

After Pablo Picasso The Human Comedy - Lithograph after an original drawing, as published in the journal "Verve" Printed signature and date Dimensi...

Victor Delfin, Peruvian (1927 - ) - Baby Condor, Year: 1979, Medium: Screenprint, signed and numbered in pencil, Edition: 200, AP 30, Image Size: 31.5 x 24 inches, Size: 35 in. ...

A gathering of prehistoric plants, fantastic animals, and people along with elements that represent fertility, seem to be craved as ancient drawings in stone. These lithographs, orig...

Wassily Kandinsky - Horse Knight - Original Etching 32 x 24 cm 1966 From the art review XXe siècle, San Lazzaro Unsigned and unumbered as issued

Henry Moore - Original Lithograph 1977 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

Horses 1963 is an original contemporary artwork realized by Marino Marini. Color etching and aquatint. Edition of 100 copies. On the back oh the artwork there is an inscription in ...

This artwork titled "Submerged Form" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British surrealist artist Graha...

This anthropomorphic floral composition titled "Mr. Sober 24/25) is a limited edition high-quality Dibond direct UV Original Print capturing the unique and vibrant essence of Natasha...

Andre Francois, Hungarian (1915 - 2005) - Cheval jaune et bleu, Year: circa 1960, Medium: Etching and Aquatint on Arches, signed and numbered in pencil, Edition: 6/50, Image Size:...

Numbered 18/20 Work on paper Red wooden frame with glass pane 44 x 59 x 1,5 cm

Horse is an original artwork realized in the half of 20th Century by Domenico Purificato. Mixed colored lithograph. Hand signed on bottom right c...

A gathering of prehistoric plants, fantastic animals, and people along with elements that represent fertility, seem to be craved as ancient drawings in stone. These lithographs, orig...

NU À LA ROSE is an original hand drawn limited edition lithograph by the Dutch artist known as CORNEILLE(Guillaume van Beverloo) an abstract expressionist who co-founded the 20th Ce...

Yinka Shonibare African Bird Magic (Sokoke Scops-Owl and Okuyi Mask), 2024 Screenprint with archival pigment print on Somerset Satin Enhanced 330gsm paper 74 x 60 cm - Paper 60 x 48 ...

This artwork titled "Bunter Reiter II" 1976, is an original color lithograph on wove paper by noted Italian artist Marino Marini, 1901-1980. It is hand signed and numbered 22/75 in p...

This Blue Dog work consists of 2 frames; one with the head of a blue dog with a purple background lurking over a fresh cooked hot dog. The second frame has a yellow dog...

This Blue Dog work consists of a blue dog draped in a hooded red cape on a blue background with a lighter blue half-moon behind the head of the dog. The dog has soulful yellow eyes. ...

Artist: Le Corbusier (Charles-Édouard Jeanneret) (Swiss-French, 1887-1965) Title: "Unité, Planche 19" (Set of 2) Portfolio: Unité *Signed by Le Corbusier in pencil lower right. It is...

Luis Camnitzer and Martin Buber (1878-1965), New York: JMB Publishers Ltd, 1970. Printed at The New York Graphic Workshop. Hand signed on Arches paper. (Edition 24/100, numbered on Justification page) Woodblock prints based on folktales from the Hasidic Jewish tradition in Eastern Europe, selected by Camnitzer from the early masters section of Buber’s Die chassidischen Bücher as translated by Olga Marx. German Expressionist style Jewish woodcuts...

"Floral Portrait with Tulip on Green Background" is an original limited edition high-quality Dibond direct UV Print of the Natasha Lelenco`s artwork titled "Scatsong". This piece, like the entire "Fetishes" series, is inspired by the idea of biophilia and the belief that, according to the artist, humanity must be repositioned as just one part of nature rather than its center. Based on Natasha Lelenco's original acrylic on canvas artwork created in 2021, each print, numbered 25 of 25, captures a vibrant fusion of floral elements and anthropomorphic forms. The result is a visually striking and emotionally resonant piece. It is worth noting that the original artwork from which this limited edition print is derived is still available and can be purchased on 1stdibs. Lelenco has subtly hand-finished each print, sometimes adding small details or enhancing the background colors. The prints are varnished, signed, and numbered on the back, and come ready to hang with a simple system that gives the impression of the artwork floating on the wall. Customers also have the option to frame it if they prefer. The artwork presents a striking silhouette composed of lush green leaves, a pink tulip, and other floral elements, set against a vivid green background. This combination of vibrant colors and intricate details showcases Lelenco's talent for transforming natural elements into extraordinary compositions, inviting viewers to explore the deeper connections between nature and human identity. The high-quality Dibond direct UV Print, finished and varnished by the artist herself, ensures durability and color quality, making this piece a lasting and valuable addition to any art collection. This edition is part of the "Fetiches" series, created by Lelenco since 2021, designed to work individually or as part of multiple panels with other pieces from the same series. Natasha Lelenco's "Fetiches" series blends portraiture and anthropomorphic forms through a meticulous accumulation of elements. These components intertwine with nuanced thematic exploration, touching upon both kitsch and popular iconography, while delving into the inseparable connection between humanity and the broader living community. Drawing from her personal biography, Lelenco constructs a dialogue between memory and imagery. Through a skillful process, she resurrects fragments of her past to craft fresh narratives that challenge conventional perceptions of existence. This narrative depth, coupled with psychological complexity, echoes classical influences, seamlessly bridging the gap between Renaissance portraiture and contemporary expression. Notably, Lelenco's "Fetiches" series reflects the artistic echoes of Italian painter Giuseppe Arcimboldo. Keywords: Scatsong, Floral Portrait, Green Background, Tulip, Biophilia, Anthropomorphic Art...

Image dimensions : 39 x 25 cm. Hand signed. Edition of 40 prints. Plate X from the series "Imagines".