Modern Art Animal Prints

Marino Marini - Knight - Original Lithograph 1970 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

Hand signed numbered by the artist. Artwork is in excellent condition. Certificate of Authenticity included. Edition of 300. All reasonable offers will be considered.

After Marc Chagall - Lithograph From the deluxe art review, Derrière le Mirroir, printed by Charles Sorlier 1964 Printed signature Dimensions: 38 x...

Woodcut, 2019. Signed in pencil and numbered from the edition of 15.

Original Lithograph by Jean Cocteau Title: The Elegant Toreador 1961 Dimensions: 28 x 38 cm Lithograph made for the portfolio "Gitans et Corridas" published by Société de D...

César Baldaccini Original Etching Dimensions: 56.5 x 40 cm Signed and Numbered Edition of 99 It is the only original etching ever made by César. César Baldaccini was born in Marseille in 1921. At the age of 12, he left the school to help his father, cooper. At 15 years old, he studied at the Art college of Marseille. He took evening drawing teachings, and then was interested in sculpture until 1939. In 1942, César received a scholarship and went to Paris. He studied ten years at the School of Beaux-Arts; he worked in the studios of Gaumont and Alfred Jeanniot and was named “Grand Massier” (teacher) of this school. At that time, he was living in the same house as Alberto Giacometti. In 1944, short of resources, he went to Marseille, then return to Paris, next year. With the 50s, he made discovered his work through his first exhibitions. One of its works (« The fish ») obtained a place in the Museum of Modern Art in Paris (1955). Henceforth, he exhibited ceaselessly, participating in numerous “Salons” in France and abroad. César received numerous prices there. He got personal exhibitions everywhere (Japan, the United States, Holland, France, Italy, etc.). Important retrospectives came, later. In 1970, he was named professor a foreman to the School of Beaux-Arts in Paris. During his all life, Caesar was stimulated by « the love of the profession » and by an extraordinary will to innovate. The humor of the man did not miss and was noticed through his work. Pablo Picasso was his major reference, also Alberto Giacometti, Germaine Richier, Pablo Gargallo and Julio Gonzales...

This Blue Dog work consists of a single pale blue dog on a red background. There are soulful yellow eyes on the dog and scattered on the background in various sizes. This pop art a...

After Pablo Picasso The Human Comedy - Lithograph after an original drawing, as published in the journal "Verve" Printed signature and date Dimensi...

"Palepai" is an original color woodcut by Carol Summers. The artist signed the piece in the lower right and wrote the title and the edition number lower left. Palepai are weavings fr...

Original Lithograph by Jean Cocteau Title: Europe's Agriculture Signed in the stone/printed signature Dimensions: 33 x 46 cm Luxury impression from the portfolio published by Sciaky....

This Blue Dog work consists of a blue background. This picture is multi-dimensional with butterflies, blue dogs, a gondola, Earth and an Egyptian. Celebrating Y2K! A Unique One of A...

Artist: Pablo Picasso (after) Medium: lithograph, Arches paper Portfolio: Le Goût de Bonheur Year: 1970 Edition: Total of 1998 copies (666 each in German, French and English) Sheet S...

This Blue Dog work consists of a blue background. This picture is multi-dimensional with butterflies, blue dogs, a gondola, Earth, and an Egyptian. The dogs all have soulful yellow ...

Artist: Pablo Picasso (after) Medium: lithograph, Arches paper Portfolio: Le Goût de Bonheur Year: 1970 Edition: Total of 1998 copies (666 each in German, French and English) Sheet S...

Marino Marini - Horse and Rider - Original Lithograph 1963 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

This vintage color lithograph on paper is after a watercolor by Marc Chagall titled Femme au bouquet de fleurs (Lady with Flower Bouquet). Signed on ...

François Xavier Lalanne Cerberus - 2005 Signed Pigment printing Dimensions: 28 x 38 Engraving dimensions: 18.5 x 23

Artist: Pablo Picasso (after) Medium: lithograph, Arches paper Portfolio: Le Goût de Bonheur Year: 1970 Edition: Total of 1998 copies (666 each in German, French and English), reprod...

Marino Marini - Knight - Original Lithograph 1968 Dimensions: 32 x 48 cm From the art review XXe siècle Unsigned and unumbered as issued

20" x 10" Unframed Giclee on Canvas by 195 Hand Signed by Ron Burns

Paul Guiramand Rencontre des cavaliers, 1983 Lithograph Hand signed low right Edition EA Image 64 x 44.2 cm Sheet 73 x 56 cm Unframed

Tony Scherman (1950 - 2023) is one of the most collected and cherished Canadian artists. He is renowned internationally for his work, typically executed in encaustic, a mix of wax an...

Marino Marini - Horses - Original Lithograph 1951 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

(after) Marc Chagall Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Dimensions:...

(after) Bernard Buffet Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Dimension...

Lithograph after Georges Braque From the deluxe art review, Derrière le Mirroir 1964 Printed signature Dimensions: 38 x 28 cm DLM No. 148, 1964 Edition: Foundation Maeght at Saint P...

Antoni Clavé - Original Lithograph - For Alexander Pushkin's Queen of Spades Dimensions: 325 x 247 mm. 1946 Original lithograph of Antoni Clavé Edition: 300 The Queen of Spades. Tr...

(after) Jean Lurçat Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Dimensions: ...

Artist: Pablo Picasso (after) Medium: lithograph, Arches paper Portfolio: Le Goût de Bonheur Year: 1970 Edition: Total of 1998 copies (666 each in German, French and English) Sheet S...

Stanley Whitney (b.1946) is a contemporary African-American abstract painter known for his signature composition of loose grids of saturated color. Whitney holds an MFA from Yale Uni...

Original print from feathers and stencil on five layers of Japanese paper, limited edition. Framed size: 75 x 74 cm

GPBF, 2022 Eddie Martinez Screenprint in colours, on Arches BFK White 300gsm wove Signed, titled and numbered from the edition of 125 From the portfolio Greenpeace 50 Years Printed ...

Linocut in colors on wove paper, signed and dated in pencil lower right and numbered 'III 50/50' on the verso, published by Maximilian Verlag/Sabine Knust, Munich, the full sheet, fr...

Screen print with hand finished background. Hand signed and numbered by DALeast. Edition PP of 5 (outside the main edition of 50). Sheet size 17 x 30 inches. Frame size approx 23...

Lithograph in colors on paper. Hand signed and numbered in pencil. From the edition of 100. Artwork is in excellent condition. Certificate of Authenticity included. All reasonabl...

Serigraph on paper. Hand signed and numbered by the artist. Image size: 27.5 x 31.5 in. Matted size: approx. 37 x 47 in. Edition of 300. Artwork appears to be in excellent conditio...

This original lithograph is hand signed in pencil by the artist "Riopelle" at the lower right corner. It is also hand numbered in pencil from the edition of 75, at the lower left cor...

Hand signed numbered by the artist in pencil. Serigraph on Paper. Framed. Edition of 300. Artwork is in excellent condition. Certificate of authenticity included. All reasonable o...

This Blue Dog work consists of a blue dog sitting right side up on a background of an upside down blue sky, green grass and a red tree. The dog has soulful yellow eyes. This pop ar...

This original lithograph is hand signed in pencil by the artist "Riopelle" at the lower right corner. It is also hand numbered in pencil from the edition of 75, at the lower left cor...

This lithograph in colours is hand signed in pencil by the artist "Zao Wou-Ki" in Chinese and Pinyin at the lower left margin. It is also hand numbered in pencil from the edition of ...

TIEFENG JIANG “Mountain Ghost” Circa 1990s Serigraph on paper. Signed and numbered ##/293. Image Size: Approximately 32” x 32” Framed: 43.5” x 43.5”x 2.25” Tie Feng Jiang was born i...

Woman with Black Swans by Georges Manzana Pissarro (1871-1961) Monotype 26.4 x 19.5 cm (10 ³/₈ x 7 ⁵/₈ inches) Signed lower right, Manzana Executed circa 1908 Artist biography: Like...

This Blue Dog work consists of 5 blue dog heads nestled in the leafy section of a black tree. The background is green, red and purple with 4 flower sprigs. The dogs all have soulfu...

Serigraph on paper. Hand signed and numbered by the artist. Artwork appears to be in excellent condition. Artwork has not been examined outside the matting. Artwork size: 30 x 33 in....

Kenny Scharf 1997-1998: A set of 2 individual hand-signed Kenny Scharf exhibition catalog's published on the occasion(s) of: Kenny Scharf Tony Shafrazi Gallery, New York 1998: 100+ pages with bold, bright colors & superb overall print quality; features essays by Carter Ratcliff & Robert Farris Thompson; interview and texts by Tony Shafrazi, Dennis Hopper & Kenny Scharf. A definitive survey of the artist's early work & life. Hand-signed, inscribed & dated '98 by Scharf on the interior 1st page. 1st edition, 1998. Limited edition of 2000. Kenny Scharf Pop Surrealist: Salvador Dali Museum...

This Blue Dog work consists of 1 dog on a white background. There is a dark fuchsia pink tree and a brown moon behind the dog. The dog has soulful eyes. T...

Nature is a central theme in Alejandra's work, and with this surreal vibrant landscape, we can notice her profound curiosity about the cycles that occur in the natural world that tur...

A gathering of prehistoric plants, fantastic animals, and people along with elements that represent fertility, seem to be craved as ancient drawings in stone. These lithographs, orig...

This Blue Dog work consists of a white background with a blue female with dog ears, red lips, yellow, orange and black hair, wearing a black shirt/sweater, centered between 2 blue do...

A gathering of prehistoric plants, fantastic animals, and people along with elements that represent fertility, seem to be craved as ancient drawings in stone. These lithographs, orig...

This Blue Dog work consists of a single dog with soulful yellow eyes sitting on the right side of a pink, white and red background covered in the dog's soulful yellow eyes scattered ...

This Blue Dog work consists of a pink and red split background with the moon in the top left corner. There are 4 scattered dogs all with soulful yellow eyes. This pop art animal original silkscreen print...

This Blue Dog work consists of a white background with a blue and white female with yellow and black hair centered between 2 blue dogs. All 3 have soulful yellow eyes. This pop art...

Alfred Manessier - Original Lithograph Colorful Abstraction 1962 From XXe Siecle Dimensions: 32 x 24 Edition: G. di San Lazzaro. Unsigned and unumbered as issued

Alfred Manessier - Lithograph 1962 From the art periodical XXe Siecle (no. 20) Dimensions: 32 x 24 Edition: G. di San Lazzaro. Unsigned and unnumbered as issued

Max Ernst (after) - Blue Bird - Stencil Published in the deluxe art review, XXe Siecle, 1958 Dimensions: 32 x 25 cm Publisher: G. di San Lazzaro. Max Ernst was born in Bruhl, a place near Cologne, in Germany. He was raised in a strict Catholic family, and both of his parents were disciplinarians who were dedicated to training their children into God-fearing and talented individuals. Although his father was deaf, Ernst learned so much from him, particularly when it comes to painting. In fact, much of his early years were lived under the inspiration of his father who was also a teacher. He was the one who introduced painting to Ernst at an early age. In 1914, Ernst attended the University of Bonn where he studied philosophy. However, he eventually dropped out of school because he was more interested in the arts. He claimed that his primary sources of interest included anything that had something to do with painting. Moreover, he became fascinated with psychology, among other subjects in school. Primarily, Ernst's love for painting was the main reason why he became deeply interested with this craft and decided to pursue it later on in his life. During his early years, he became familiar with the works of some of the greatest artists of all time including Claude Monet, Paul Cezanne and Vincent van Gogh. He was also drawn to themes such as fantasy and dream imagery, which were among the common subjects of the works of Giorgio de Chirico. During World War I, Ernst was forced to join the German Army, and he became a part of the artillery division that exposed him greatly to the drama of warfare. A soldier in the War, Ernst emerged deeply traumatized and highly critical of western culture. These charged sentiments directly fed into his vision of the modern world as irrational, an idea that became the basis of his artwork. Ernst's artistic vision, along with his humor and verve come through strongly in his Dada and Surrealists works; Ernst was a pioneer of both movements. It was Ernst's memories of the war and his childhood that helps him create absurd, yet interesting scenes in his artworks. Soon, he took his passion for the arts seriously when he returned to Germany after the war. With Jean Arp, a poet and artist, Ernst formed a group for artists in Cologne. He also developed a close relationship with fellow artists in Paris who propagated Avant-Garde artworks. In 1919, Ernst started creating some of his first collages, where he made use of various materials including illustrated catalogs and some manuals that produced a somewhat futuristic image. His unique masterpieces allowed Ernst to create his very own world of dreams and fantasy, which eventually helped heal his personal issues and trauma. In addition to painting and creating collages, Ernst also edited some journals. He also made a few sculptures that were rather queer in appearance. In 1920s, influenced by the writings of psychologist Sigmund Freud, the literary, intellectual, and artistic movement called Surrealism sought a revolution against the constraints of the rational mind; and by extension, they saw the rules of a society as oppressive. Surrealism also embraces a Marxist ideology that demands an orthodox approach to history as a product of the material interaction of collective interests, and many renown Surrealism artists later on became 20th century Counterculture symbols such as Marxist Che Guevara. In 1922 Ernst moved to Paris, where the surrealists were gathering around Andre Breton. In 1923 Ernst finished Men Shall Know Nothing of This, known as the first Surrealist painting. Ernst was one of the first artists who apply The Interpretation of Dreams by Freud to investigate his deep psyche in order to explore the source of his own creativity. While turning inwards unto himself, Ernst was also tapping into the universal unconscious with its common dream imagery. Despite his strange styles, Ernst gained quite a reputation that earned him some followers throughout his life. He even helped shape the trend of American art during the mid-century, thanks to his brilliant and extraordinary ideas that were unlike those of other artists during his time. Ernst also became friends with Peggy Guggenheim, which inspired him to develop close ties with the abstract expressionists. When Ernst lived in Sedona, he became deeply fascinated with the Southwest Native American navajo art. In fact, the technique used in this artwork inspired him and paved the way for him to create paintings that depicted this style. Thus, Ernst became a main figure of this art technique, including the rituals and spiritual traditions included in this form of art. Pollock, aside from the other younger generations of abstract expressionists, was also inspired by sand painting of the Southwest...

Image Size: 8.5" x 6" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando 2015

From the ' Ventanas' series. Lithograph on paper. Hand signed, dated and numbered by the artist. Edition PA of 12. Sheet size: 31.5 x 24. Additional images available upon request. Ce...

Ernesto Garcia Peña (Cuba, 1949) 'Our time" (from Porfolio Grabados Cubanos)', 1977 linocut print on paper Canson 320 g. 23.6 x 17.6 in. (59.8 x 44.6 cm.) Edition of 200 Ref: GAE-309...