Modern Art Animal Prints

Artist: Pablo Picasso (after) Medium: lithograph, Arches paper Portfolio: Le Goût de Bonheur Year: 1970 Edition: Total of 1998 copies (666 each in German, French and English) Sheet S...

Elegant etching of pair of swans by French artist Francois Soulas, 1969. Signed in pencil lower right. Original artwork on paper displayed on a white mat with a gold border. Mat f...

Hand signed. Edition of 75 prints. Published by Crommelynck, Paris, in 1970. Bibliography: Toninelli n. 101. Image dimensions : 44 x 39 cm.

Hand signed. Edition of 40 prints. Plate III from the series: Imagines. Image Dimension : 41 x 37 cm.

Hand signed. Edition of 75 prints. Published by Crommelynck, Paris, in 1970. Bibliography: G. Guastalla, G. Guastalla, Marino Marini. Catalogo ragionato dell'Opera grafica (Incisi...

"Blue Bunny" is an original woodcut print signed by the artist Santiago Moix. It depicts a blue rabbit juggling yellow apples. 26 1/2" x 25 7/8" art 29 1/8" x 29 3/4" frame Santia...

Image dimensions : 39 x 25 cm. Hand signed. Edition of 40 prints. Plate X from the series "Imagines".

This vintage color lithograph on paper is after a watercolor by Marc Chagall titled Femme au bouquet de fleurs (Lady with Flower Bouquet). Signed on ...

Artist: Le Corbusier (Charles-Édouard Jeanneret) (Swiss-French, 1887-1965) Title: "Unité, Planche 3" (Set of 2) Portfolio: Unité *Signed by Le Corbusier in pencil lower right. It is ...

(after) Marc Chagall Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Dimensions:...

"Man's Best Friend" is an original color collograph in blue and red by Joseph Rozman. It depicts an animal in red on the right and a figure among abstract shapes in blue on the left....

Lovely etching of cattle and ranchers on mountain pass trail, 1991. Signed lower left. 20/50 Original artwork on paper displayed on a white mat with a gold border. Archival plasti...

Joyful image of a woodcut print of a Reindeer pulling a Laplander Sami in his Pulk (small toboggan), a traditional scene in Lapland folklore and history by Yuri Mot. Signed indistinc...

Bright and lively etching colored with watercolor, pastel and acrylics of an anthropomorphic cat-woman by Mexican artist Ana May, 2012. Signed lower right. Original artwork on paper...

Bright and lively etching colored with watercolor, pastel and acrylics of an anthropomorphic lioness-woman by Mexican artist Ana May, 2012. Signed lower right. Original artwork on p...

’3 Dogs’ By Tom Hammick Medium - Monoprinted lithograph Signed - Yes Edition - EV 10/15 Size - 505mm x 385mm Date - 2007 Condition - Excellent. 10 out of 10 Colour of print may not be accurate when viewed on a monitor. If framing is required this is available in a simple black gallery style frame with anti-reflective museum quality acrylic glazing. Please contact us directly for shipping rates outside of the United Kingdom. Tom Hammick 1964 For Tom Hammick, prints and paintings have equal importance. Each process feeds the other… Although Hammick’s images have sometimes been defined as stemming from a particularly European tradition…he is also influenced by looking at traditional of art outside Western culture: Japanese print and film, Chinese scroll painting and Indian miniatures, amongst other things. " Nigel Frank, writing on Hammick’s ‘Chinese Dress’, in British Prints from the Clifford Chance Art Collection at the Sir John Soane's Museum, London 2014. His work is held in various public and private collections worldwide, including The British Museum, London; Yale Centre for British Art, Deutsche Bank; De Beers; ING Barings; Arthur Anderson...

Charline von Heyl Hawk Moths, 2016 Lithograph with pochoi 47 1/4 x 31 1/2 inches (120 x 80 cm) Edition 8/30

David Gilhooly (1943-2013) Jackson Pollack’s Dog The Litho, 1987 Lithograph on BFK Rives Paper Artist Proof, annotated 'A. P.' in pencil lower left Signed and dated in pencil, lower right Published by Magnolia Editions (Magnolia Press), Oakland, CA with embossed stamp to lower left Unframed: 30in H x 22 1/2in L David Gilhooly states that his lowbrow humor makes his work accessible so that “even my most maiden old aunt or my most drugged-out cousin can get at the meaning of the work or at least experience it!” He studied at the University of California, where he worked as an assistant to Robert Arneson. Gilhooly was a leading advocate of funk art...

"Based on a mixed-media fine art piece I made using collage, stenciling, and painting. I’ve created several iterations of the peace dove over the years because as an icon, the dove i...

The famed Don Quixote riding alongside a walking Sancho Panza. The horse theme was frequently used by Dali throughout his career. The horse is seen as a symbol of beauty and elegance...

This is a unique hand colored work. A one color screen print is used as a foundation, measuring 11x 14 inches. This is from my ongoing snoopies series I began in 1999. When I was a ...

From The Hippies suite. Published by Graphic Europa Anstalt, Switzerland. Signed and numbered in pencil. Printed on Japon.

OSCAR DOMINGUEZ 1906-1957 Hommage a Manolete, 1955 This is an original and signed and numbered lithograph in colors on BFK Rives vellum paper. Thi...

Original Vintage Poster Camille Bouchet. Cognac Jacquet. Ca 1920. Color lithograph, On Linen. Good Condition with the exception of a crease upper ri...

This Blue Dog work consists of a blue dog wearing a red blanket over himself sitting on a multi-colored carpet in a room with two Blue Dog portraits hanging on a beige wall. This pri...

One of the main motifs in Georges Braques late printmaking oeuvre is the bird. By depicting the bird as itself or the flight of birds, Braque found what he called the "still life of ...

One of the main motifs in Georges Braques late printmaking oeuvre is the bird. By depicting the bird as itself or the flight of birds, Braque found what he called the "still life of ...

This Johns work consists of multi-color ribbon looking strips. This original Lithograph in colors, on Arches 88 paper is guaranteed authentic and is hand signed by the artist. Arti...

Jean-Michel Basquiat Serpentine Gallery London, 1996: Rare vintage original 1990's exhibition announcement published on the occasion of Jean-Michel Basquiat at the Serpentine Gallery Kensington Gardens...

drawing, limited edition archival print 8/10

This work consists of 9 images and is one of them. The title is Interconnectivity of life, a series of love, water, galaxy, imagination, colour, nature, time, chaos, life. The pictur...

Marc Chagall "Le Christ a l'Horloge, Paris" (Christ in the Clock) 1957 (M. 196) Color Lithograph on Arches Wove Paper Signed in Pencil "Marc Chagall" Lower Right Initialed "H.C." (Hors Commerce) Lower Left, aside from numbered edition of 90 *Floated in Gold Frame with Linen Matting, UV Plexiglass Sheet Size: 18 3/4 x 14 3/4 inches (47.5 cm x 38 cm) Image Size: 9 3/4 x 8 1/2 inches Framed Size: 28.5 x 24.25 inches Marc Chagall was a man of keen intelligence, a shrewd observer of the contemporary scene, with a great sympathy for human suffering. He was born on July 7, 1887 in Vitebsk, Russia; his original name was Moishe Shagal (Segal), but when he became a foremost member of the Ecole de Paris, he adopted French citizenship and the French spelling of his name. Vitebsk was a good-sized Russian town of over 60,000, not a shtetl. His father supported a wife and eight children as a worker in a herring-pickling plant. Sheltered by the Jewish commandment against graven images, the young Chagall never saw so much as a drawing until, one day, he watched a schoolmate copying a magazine illustration. He was ridiculed for his astonishment, but he began copying and improvising from magazines. Both Chagall's parents reluctantly agreed to let him study with Yehuda Pen, a Jewish artist in Vitebsk. Later, in 1906, they allowed their son to study in St. Petersburg, where he was exposed to Russian Iconography and folk art. At that time, Jews could leave the Pale only for business and employment and were required to carry a permit. Chagall, who was in St. Petersburg without a permit, was imprisoned briefly. His first wife, Bella Rosenfeld, was a product of a rich cultivated and intellectual group of Jews in Vitebsk. Chagall was made commissar for the arts for the area, charged with directing its cultural life and establishing an art school. Russian folklore, peasant life and landscapes persisted in his work all his life. In 1910 a rich patron, a lawyer named Vinaver, staked him to a crucial trip to Paris, where young artists were revolutionizing art. He also sent him a handsome allowance of 125 francs (in those days about $24) each month. Chagall rejected cubism, fauvism and futurism, but remained in Paris. He found a studio near Montparnasse in a famous twelve-sided wooden structure divided into wedge-shaped rooms. Chaim Soutine, a fellow Russian Jew, and Modigliani lived on the same floor. To Chagall's astonishment, he found himself heralded as one of the fathers of surrealism. In 1923, a delegation of Max Ernst, Paul Eluard and Gala (later Salvador Dali's wife) actually knelt before Chagall, begging him to join their ranks. He refused. To understand Chagall's work, it is necessary to know that he was born a Hasidic Jew, heir to mysticism and a world of the spirit, steeped in Jewish lore and reared in the Yiddish language. The Hasidim had a special feeling for animals, which they tried not to overburden. In the mysterious world of Kabbala and fantastic ancient legends of Chagall's youth, the imaginary was as important as the real. His extraordinary use of color also grew out of his dream world; he did not use color realistically, but for emotional effect and to serve the needs of his design. Most of his favorite themes, though superficially light and trivial, mask dark and somber thoughts. The circus he views as a mirror of life; the crucifixion as a tragic theme, used as a parallel to the historic Jewish condition, but he is perhaps best known for the rapturous lovers he painted all his life. His love of music is a theme that runs through his paintings. After a brief period in Berlin, Chagall, Bella and their young daughter, Ida, moved to Paris and in 1937 they assumed French citizenship. When France fell, Chagall accepted an invitation from the Museum of Modern Art to immigrate to the United States. He was arrested and imprisoned in Marseilles for a short time, but was still able to immigrate with his family. The Nazi onslaught caught Chagall in Vichy, France, preoccupied with his work. He was loath to leave; his friend Varian Fry rescued him from a police roundup of Jews in Marseille, and packed him, his family and 3500 lbs. of his art works on board a transatlantic ship. The day before he arrived in New York City, June 23, 1941, the Nazis attacked Russia. The United States provided a wartime haven and a climate of liberty for Chagall. In America he spent the war years designing large backdrops for the Ballet. Bella died suddenly in the United States of a viral infection in September 1944 while summering in upstate New York. He rushed her to a hospital in the Adirondacks, where, hampered by his fragmentary English, they were turned away with the excuse that the hour was too late. The next day she died. He waited for three years after the war before returning to France. With him went a slender married English girl, Virginia Haggard MacNeil; Chagall fell in love with her and they had a son, David. After seven years she ran off with an indigent photographer. It was an immense blow to Chagall's ego, but soon after, he met Valentine Brodsky, a Russian divorcee designing millinery in London (he called her Fava). She cared for him during the days of his immense fame and glory. They returned to France, to a home and studio in rustic Vence. Chagall loved the country and every day walked through the orchards, terraces, etc. before he went to work. Chagall died on March 28, 1985 in the south of France. His heirs negotiated an arrangement with the French state allowing them to pay most of their inheritance taxes in works of art. The heirs owed about $30 million to the French government; roughly $23 million of that amount was deemed payable in artworks. Chagall's daughter, Ida and his widow approved the arrangement. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Sources: Hannah Grad Goodman in Homage to Chagall in Hadassah Magazine, June 1985 Jack Kroll in Newsweek, April 8, 1985 Andrea Jolles in National Jewish Monthly Magazine, May 1985 Michael Gibson...

This Blue Dog work consists of a single blue dog up-close portrait on a solid black background. The dog has soulful yellow eyes. This pop art animal original silkscreen print on pa...

Ronnie Cutrone (1948-2013) "Bird's Eye View" c. 1980s Color Lithograph Ed. 222/250 Signed, Numbered and Titled Image Size: 17 x 23.5 inches Framed Size: approx. 24 x 30 inches. Ronnie Cutrone, a figurehead of the Pop and Post-Pop art scenes, was Andy Warhol's assistant at the Factory atop the Decker Building from 1972-1980, and worked closely with Roy Lichtenstein, combining stylistic elements of both. Cutrone's large-scale paintings of American cartoon icons, like Mickey Mouse, Felix the Cat, and Woody Woodpecker further reinvented kitsch and popular media in terms of fine art. Executed in fluorescent monochromatic colors with the finesse of mass-produced silkscreen and prints, Cutrone's works are the reverse of tromp-l'oeil; they use fine art media (watercolor, pastel, crayon - on high-quality paper) to celebrate, rather than hide, the artifice of their subjects. "Everything is cartoon for me", Cutrone is noted for saying, even "ancient manuscripts...