Modern Art Animal Prints

Bold in color and whimsy, this etching colored with watercolor, pastel and acrylics by Ana May, 2012 features an anthropomorphized female dog, donning painted nails and a blonde wig....

This Blue Dog work consists of a blue dog draped in a hooded red cape on a blue background with a lighter blue half-moon behind the head of the dog. The dog has soulful yellow eyes. ...

Paul Bartlett The Papal Conclave Limited Edition Giclee Print Edition of 100 Image Size: H 37cm x W 30 cm Mounted Size: H 52.5cm x W 45 cm x D 0.5cm Sold Unframed The Papal Conclave...

This Blue Dog work consists of a dog on a black background. The dog is embellished with dark blue around the nose and hand painted red eyes. This pop art animal original mixed media print on paper is guaranteed authentic and is hand signed by the artist. Artist: George Rodrigue Title: Blue Dog “Original – Top Dog...

Max Ernst - Composition - Original Lithograph 1958 Dimensions: 32 x 24 cm XXe siècle Unsigned and unnumbered, as issued Max Ernst was born in Bruhl, a place near Cologne, in Germany. He was raised in a strict Catholic family, and both of his parents were disciplinarians who were dedicated to training their children into God-fearing and talented individuals. Although his father was deaf, Ernst learned so much from him, particularly when it comes to painting. In fact, much of his early years were lived under the inspiration of his father who was also a teacher. He was the one who introduced painting to Ernst at an early age. In 1914, Ernst attended the University of Bonn where he studied philosophy. However, he eventually dropped out of school because he was more interested in the arts. He claimed that his primary sources of interest included anything that had something to do with painting. Moreover, he became fascinated with psychology, among other subjects in school. Primarily, Ernst's love for painting was the main reason why he became deeply interested with this craft and decided to pursue it later on in his life. During his early years, he became familiar with the works of some of the greatest artists of all time including Claude Monet, Paul Cezanne and Vincent van Gogh. He was also drawn to themes such as fantasy and dream imagery, which were among the common subjects of the works of Giorgio de Chirico. During World War I, Ernst was forced to join the German Army, and he became a part of the artillery division that exposed him greatly to the drama of warfare. A soldier in the War, Ernst emerged deeply traumatized and highly critical of western culture. These charged sentiments directly fed into his vision of the modern world as irrational, an idea that became the basis of his artwork. Ernst's artistic vision, along with his humor and verve come through strongly in his Dada and Surrealists works; Ernst was a pioneer of both movements. It was Ernst's memories of the war and his childhood that helps him create absurd, yet interesting scenes in his artworks. Soon, he took his passion for the arts seriously when he returned to Germany after the war. With Jean Arp, a poet and artist, Ernst formed a group for artists in Cologne. He also developed a close relationship with fellow artists in Paris who propagated Avant-Garde artworks. In 1919, Ernst started creating some of his first collages, where he made use of various materials including illustrated catalogs and some manuals that produced a somewhat futuristic image. His unique masterpieces allowed Ernst to create his very own world of dreams and fantasy, which eventually helped heal his personal issues and trauma. In addition to painting and creating collages, Ernst also edited some journals. He also made a few sculptures that were rather queer in appearance. In 1920s, influenced by the writings of psychologist Sigmund Freud, the literary, intellectual, and artistic movement called Surrealism sought a revolution against the constraints of the rational mind; and by extension, they saw the rules of a society as oppressive. Surrealism also embraces a Marxist ideology that demands an orthodox approach to history as a product of the material interaction of collective interests, and many renown Surrealism artists later on became 20th century Counterculture symbols such as Marxist Che Guevara. In 1922 Ernst moved to Paris, where the surrealists were gathering around Andre Breton. In 1923 Ernst finished Men Shall Know Nothing of This, known as the first Surrealist painting. Ernst was one of the first artists who apply The Interpretation of Dreams by Freud to investigate his deep psyche in order to explore the source of his own creativity. While turning inwards unto himself, Ernst was also tapping into the universal unconscious with its common dream imagery. Despite his strange styles, Ernst gained quite a reputation that earned him some followers throughout his life. He even helped shape the trend of American art during the mid-century, thanks to his brilliant and extraordinary ideas that were unlike those of other artists during his time. Ernst also became friends with Peggy Guggenheim, which inspired him to develop close ties with the abstract expressionists. When Ernst lived in Sedona, he became deeply fascinated with the Southwest Native American navajo art. In fact, the technique used in this artwork inspired him and paved the way for him to create paintings that depicted this style. Thus, Ernst became a main figure of this art technique, including the rituals and spiritual traditions included in this form of art. Pollock, aside from the other younger generations of abstract expressionists, was also inspired by sand painting of the Southwest...

She Loves Luna and Sombra monotype by Melanie Yazzie, Navajo, dog, girl

Lithograph on Arches paper Edition of 300 Signed, dated, and numbered

Artist: LeRoy Neiman, American (1921 - 2012) Title: Polar Bears Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 214/300 Image Size: 38...

This artwork titled "Skull" c.1990 is an original color etching and aquatint by noted California artist Arnold A. Grossman, 1923-2016. It is hand signed in pencil by the artist. The ...

Gavin Dobson Toucan Gold Limited Edition Silkscreen Print Edition of 50 Size: H 50cm x W 35cm x D 0.1cm Sold Unframed Please note that in situ images are purely an indication of how ...

(after) Raoul Dufy Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Di...

Horse Carousel is an original print realized by the Italian artist Gianni Testa (1936) in 1986. Mixed colored serigraph. Hand-signed by the artist on lower right. Numbered on lowe...

This Blue Dog work consists of a threesome of portraits. The first being a picture of the blue dog sitting in front of a woman, believed to be a likeness...

Max ERNST Birds Original lithograph, 1963 on vellum 33 x 25 cm REFERENCES : Catalogue raisonné Leppien/Spies # 88 Excellent condition

This Blue Dog work consists of 1 dog of varying shades of pinks and blues. There are several lines of yellow, red, pink, white and blue etched around the figure of the dog. The dog ...

Gavin Dobson Kingfisher Gold Limited Edition Silkscreen Print Edition of 50 Signed and Numbered Size: H 50cm x W 35cm x D 0.1cm Sold Unframed Please note that in situ images are pure...

Red Landscape is an original xylograph realized during the half of the 20th Century by an anonymous artist. Monogram of the artist on the left side of t...

Marino Marini - Knight - Original Lithograph 1967 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

This Blue Dog work consists of the By the Light of the Moon print with candles and a moon with several dogs, including the black & white, a red and several blue dogs with markings on...

This Blue Dog work consists of a background of white and red with a lot of soulful yellow eyes of various sizes and 1 blue dog off-centered on the right. the dog also has soulful yel...

This Blue Dog work consists of 1 dog on a white background. There is a dark fuchsia pink tree and a brown moon behind the dog. The dog has soulful eyes. T...

This Blue Dog work consists of 3 dogs each framed in black with multiple backgrounds. One dog is sitting on a purple moon with a black background, 1 dog is sitting behind an olive colored orb with a darker green tree and a light green background, and 1 dog is dressed in a red cape sitting atop 3 orange...

Serigraph on paper. Hand signed and numbered by the artist. Artwork appears to be in excellent condition. Artwork has not been examined outside the matting. Artwork size: 30 x 33 in....

This Blue Dog work consists of a purplish/blue background, a blue dog with a red cape covering head, ears and body, sitting atop 3 brownish/yellow moons. The dog has soulful yellow ...

This Blue Dog work consists of a white background. There is a woman with dog ears and red lipstick centered between 2 dogs. The woman and dogs are painted in black & white with onl...

This Blue Dog work consists of dimensional dogs; 1 red dog between 2 blue dogs on a white background with Earth behind the head of the red dog. All the dogs have soulful yellow eyes...

This artwork titled "Three Chidren" 1970 is an original color lithograph on B.F.K Rives paper by noted Italian/American artist Beniamino Benevenuto Bufano, 1890-1970. It is hand signed and inscribed "Bon a Tirer" in pencil by the artist. Published by, First Impressions, San Francisco, printed by Fikrat Al-Khouri at First Impressions Graphic Society. The image size is 8.30 x 6.5 inches, framed size is 19.85 x 17.65 inches. it is beautifully custom framed in a wooden gold frame, with gold color spacer. It is in excellent condition. About the artist: Beniamino Benvenuto Bufano was born in San-Fele, Italy on Oct. 14, 1889. At age three Bufano's family brought him to NYC where he spent his childhood and was educated by private tutors. He studied at the ASL in NYC from 1913-15, the pupil of James L. Fraser, Herbert Adams, and Paul Manship. He came to San Francisco in 1915 to work on a sculpture for the PPIE. For awhile he worked in the studio of coppersmith Dirk van Erp. He then traveled extensively for four years in France, Italy, India, and China. After returning to San Francisco in 1921, he remained there the rest of his life except for visits to the Orient and Europe. Always a radical, he lost his teaching position at San Francisco Institute of Art in 1923 because he was too modern for the conservative faculty. He later taught at UC Berkeley and the CCAC (1964-65). Henry Miller wrote of him, "He will outlive our civilization and probably be better known, better understood, both as a man and artist, five thousand years hence." His work, simple in style and monumental in scale, includes smoothly rounded animals in granite and icons sheathed in stainless steel. Only five feet tall, Bufano was a controversial, free spirit until his death in San Francisco on Aug. 16, 1970. Member: SFAA; NSS; American Artists Congress. Exh: Whitney Museum (NYC), 1917; Arden Gallery...

Marino Marini - Knight - Original Lithograph 1970 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

NU À LA ROSE is an original hand drawn limited edition lithograph by the Dutch artist known as CORNEILLE(Guillaume van Beverloo) an abstract expressionist who co-founded the 20th Ce...

(after) Raoul Dufy Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Dimensions: ...

Hand signed numbered by the artist. Artwork is in excellent condition. Certificate of Authenticity included. Edition of 300. All reasonable offers will be considered.

Artist: Guillaume Azoulay, Moroccan (1949 - ) Title: Epuise II Year: 1986 Medium: Silkscreen with Gold Leafing, Signed and numbered in pencil Edition: 175 Size: 28.5 in. x 35 in. (7...

After Pablo Picasso The Human Comedy - Lithograph after an original drawing, as published in the journal "Verve" Printed signature and date Dimensi...

Mordecaï Moreh (1937-) The Vegetal Cow Original etching and aquatint Handsigned in pencil Numbered / 75 copies On vellum BFK Rives 45 x 56 cm (c. 17.7...

Hand signed, dated and numbered. Edition of 100 prints. Very good conditions.

Different Directions by Melanie Yazzie, monotype, fish, bird, blue,red,gold unframed, unique monotype As a printmaker, painter, and sculptor, my work draws upon my rich Diné (Navajo...

Hand-signed and numbered. Edition of 50 prints. In Excellent condition. Wonderful etching, representing a surreal ram in the perfect Clerici's style.

Blue toned serigraph of a carousel with horses. The work is signed and numbered by the artist. It is not framed but comes with a white matte. Artist Biography: Barbara Maples...

Artist: Michael Knigin, American (1942 - 2011) Title: Regal Chief Year: 1979 Medium: Screenprint, signed, numbered, dated, and titled in pencil Edition: AP Image Size: 18 x 25.5 inch...

Gustave Singier - Abstract Fish - Original Lithograph Conditions: excellent 32 x 24 cm 1955 From XXe siècle, San Lazzaro Unsigned and unumbered as issued

Hand signed with initials, dated ‘72’ and numbered. Screen printed vacuum-formed relief. Published by Pace Editions, New York. Webel 1092. Edition 55/75 (there were also ten art...

This Blue Dog work consists of 2 frames of Blue Dogs. One side has a red background with a sitting blue dog. The dog has soulful yellow eyes. The other side has a yellow background...

Reiner Schwarz "Selbstbildnis (huendisch)" From Portfolio "Portrait #11 - Reiner Schwarz" with Karin Szekessy Year: 1972 Medium: Color Lithograph Edition: 100 Size: 23.9 x 16.6 in. P...

SERGIO SARONI "The frog on the box" from Portfolio "Grafica '69" Year: 1969 Medium: Etching in four colors Edition: 100 Size: 23.6 x 17.6 in. Publisher: Il Torcoliere, Rome - Italy ...

Original Lithograph by Jean Cocteau Title: Europe's Agriculture Signed in the stone/printed signature Dimensions: 33 x 46 cm Luxury impression from the portfolio published by Sciaky....

This Blue Dog work consists of 4 dogs riding on motorcycles on a blue background. Three of the 4 dogs are wearing different colored neck scarves (yellow, red, green). One dog has no scarf. All dogs are riding different colored motorcycles (green, orange, red, purple) and wearing goggles on their heads. All the dogs have fearless yellow eyes. This pop art animal original silkscreen print on paper is guaranteed authentic and is hand signed by the artist. Artist: George Rodrigue Title: Blue Dog “The Rat...

This piece is an original etching by Salvador Dali from the "After 50 Years of Surrealism" portfolio, which consists of 12 original etchin...

Artist: Mihail Chemiakin, Russian (1943 - ) Title: Escargot Year: circa 1978 Medium: Lithograph, signed and numbered in pencil Edition: 231/300 Image Size: 23.75 x 21.5 inches Size: ...

This Blue Dog work consists of a single dog sitting in the center of a circle of various shades of color: Red, Pink, Orange, Purple, Yellow and Olive Green abstract shapes of squares...

Artist: Tiefeng Jiang, Chinese (1938 - ) Title: Nurture Year: 1993 Medium: Serigraph, signed and numbered in pencil Edition: 283/300 Size: 24 in. x 11.75 in. (60.96 cm x 29.85 cm)

Wassily Kandinsky (after) - Small World - Lithograph Conditions: excellent 32 x 24 cm 1952 From the art review XXe siècle, San Lazzaro Unsigned and unumber...

This Blue Dog work consists of a single pale blue dog on a red background. There are soulful yellow eyes on the dog and scattered on the background in various sizes. This pop art a...

This Blue Dog work consists of a white background with a blue female with dog ears, red lips, yellow, orange and black hair, wearing a black shirt/sweater, centered between 2 blue do...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Bluebird Year: 1981 Medium: Serigraph, Signed and Numbered in Pencil Edition: AP 5/25 Image Size: 27.5 x 35.5 inches Fram...

Artist: Wifredo Lam, Cuban (1902 - 1982) Title: Orsa Maggiore Year: 1976 Medium: Lithograph, signed and numbered in pencil Edition: X/XXV Paper Size: 31...

Georges Braque - Original Lithograph 1963 Dimensions: 32 x 24 cm Andre Sauret, Monte Carlo The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote and Glass , then the packet envelope of tobacco Bock in 1912-1913, or an advertisement in Damier , 1913). Inputs and inclusions refer to an external object in the table, without “emulate” this object. Away from their appearances, objects are represented in closest essence of the objects in the real world sense. This is also the time of Synthetic Cubism that Braque invented paper sculpture. There are, unfortunately, and no one is living proof of a photograph makes it possible to realize: Paper and paperboard. Métamorphoses period(1961-1963). In 1961, Georges Braque worked on a Greek head for the Louvre, which obsesses him, and he wishes to free his mind. He tried several times to bring out the paint and the result was unsatisfactory. He thinks the ultimate metamorphosis its Greek head projected in three dimensions. He calls in his studio of Baron Heger Loewenfeld, master lapidary, and he communicates his enthusiasm during the “fateful encounter.” Nine months later, in honor of the eighty years of Georges Braque, Heger Loewenfeld offers the Master of the ring Circe: the famous Greek head finally exorcised, carved in an onyx. Braque Loewenfeld then asked to identify other issues that haunt him. From dated and signed by Georges Braque, Heger gouaches Loewenfeld shapes works in the fields of jewelery, lapidary art...

L' Arbre à L'Oiseau is an original hand drawn limited edition lithograph by the Dutch artist known as CORNEILLE(Guillaume van Beverloo) an abstract expressionist who co-founded the 20th Century experimental art movement CoBrA recognized for their spontaneous, rebellious style of painting that was heavily inspired by the art of children and the mentally ill. Corneille devises his colorful fantastic imagery with exotic plant forms, sensuous female bodies, animals and lively pattern design. In L' Arbre à L'Oiseau the viewer is presented with a dream-like landscape scene featuring a multicolored abstract exotic bird plumed in red, green, back and blue soaring across a yellow sky amid bold blue trees; a white and blue masked face profile peering from the composition's right edge. Print size - 23.25 x 19.75 in. unframed, vivid colors, pencil signed by Corneille Edition size - 200, plus proofs Year published - 1981 Printer - JK Fine Art Editions Co., NY About the artist Corneille - Guillaume Corneille was born in Liege, Belgium on July 3, 1922. Corneille studied drawing at the Amsterdam Rijksakademie, but as a painter he was entirely self-taught. After having attended courses at the School of Fine Arts in Amsterdam, he started his painting experience influenced by Surrealism. Corneille, also known as Corneille Guillaume Beverloo, was a painter and graphic artist who radicalized the conservative Dutch art world in the early 1950s. He is co-founder with Karel Appel, Eugene...

Artist: Reuben Nakian, American (1897 - 1986) Title: Leda and the Swan - 8 Year: circa 1979 Medium: Etching and Chine Colle, signed in pencil Edition: AP XXX Image Size: 16 x 19 inch...