Large Prints and Multiples

Museum quality archival exhibition poster print. Dimensions: 24" x 36" sheet. Photograph © Shane Russeck Excellent condition (Brand new, never framed or displayed).

ABOUT THIS PIECE: Color is the foundation of my work. My circles start as a mood or idea that eventually evolves into a colored circle. I am curious how different colours interact wh...

Screenprint by Escotete (Scott Jacobs) of a fashionable woman in red, sitting in the passenger seat of a convertible. This print is signed, numbered, and ...

This exhibition poster, featuring Nudes with Beach Ball, was created for a show held in Madrid, Spain, in 2007. This first edition includes text and show information, capturing the e...

Three Cocker Spaniels is an original color etching by well known French sports artist Leon Danchin. The three Spaniels are in waiting mode with two lying down and one sitting ...

"Sunlit Dive" Nude Photography 35" x 25" in Edition 1/15 by Larsen Sotelo Not framed. Ships in a tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish Co...

Calico Jim Dine, American (1935) Portfolio: 11 Pop Artists III Date: 1965 Screenprint on Cartridge Paper, signed in pencil lower left Edition of 200 Size: 40 x 30 in. (101.6 x 76.2 c...

Sku: LM411 Artist: after Jean-Michel Basquiat Title: Florence Year: 2002 Signed: No Medium: Offset Lithograph Paper Size: 25.5 x 35.75 inches ( 64.77 x 90.805 cm ) Image Size: 22.5 x 35.75 inches ( 57.15 x 90.805 cm ) Edition Size: 2000 Framed: No Condition: A: Mint Additional Details: Reproduction of a work after Jean-Michel Basquiat published for a retrospective at a museum in Italy in 2002. The image of “Florence, 1983” originally a very large painting...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Buste de Femme Au Foulard Mauve". The original painting was completed in 1937. In the 1970's...

Silver Sprinters - Olympia 1974 Serigraph Edition: 200 Signed by the Artist Size: 100 x 64 cm (25 x 40 inches) COA provided John Paul Jones (November 18, 1924 – 1999) was an America...

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Classic Blue Silk Movement nº1 + Year: 2024 + Edition Size: 100 + Medium: Cyanotype Print on Watercolor Paper + Stamped and Certificate of Authenticity provided + Measurements : 70x100 cm (28x 40 in.), a standard frame size + All cyanotype prints are made on high-quality Italian watercolor paper WHAT IS A CYANOTYPE? The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's. Cyanotypes were then made famous by Anna Atkins...

"Two Palms" Black & White Photography 36" x 24" in Edition 1/15 by Larsen Sotelo Not framed. Ships in a tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin fin...

Pablo Picasso ( 1881 – 1973 ) –Portrait de Famille , Six Personnages ( Ref Bloch 1031; Mourlot 385 ) lithograph on Arches paper, edited in 1962 Limited edition of 50 copies signed ...

Kinetic Composition is an original Contemporary artwork realized by Alvin Mavignier da Silva (Rio de Janeiro, 1925; Hamburg, 2018) in 1969. Original colored Silkscreen. Hand signed on the lower right with white pencil by the artist, dated on the lower left, stamped on the reverse with "HBK. Hamburg Edition Griffelkunst". Good conditions: lightly wave. Brazilian artist Almir da Silva Mavignier...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Femme au Corset Tesant un Livre". The original painting was completed in 1918. In the 1970's...

Otono Floral, 1995 Hand-painted, 15-color screenprint with poured resin 40 x 30 inches (102 x 76 cm) Edition of 80 signed in pencil and stamped on verso "Sexual Spring-like Win...

Sila Sehrazat Yucel is a talented artist based in Istanbul. Her background in landscape and interior architecture shapes her creative vision. With experience as an art director in ci...

Offset lithograph in colors on smooth wove paper. Hand signed lower right by Takashi Murakami. Hand numbered 176/300 lower right. Artwork size 26.75 x 26.75 inches. Frame size 34 x 3...

Maria Rivans, Tarzania Giclee and Screenprint with Diamond Dust, Iridescent Pearl and Spot Varnish on Somerset Velvet with torn edges 66.5 x 90 cm (26.18 x 35.43 in) Hand-signed b...

This stunning 1956 travel poster, designed by Ray Delvert, showcases the Château de Chambord, one of the most iconic castles of the Loire Valley. Part of a series promoting French he...

"Iris" Botanical Etching on Heavy Paper Realistic etching of an iris by Nancy Nevin (American, b. 1963). An elegant bearded iris is shown against a white background, in the style of...

ABOUT THIS PIECE: The Happy Life is about marriage, hence the white bouquet; family, hence the copulating and crawling insects; and the general aspects of life, such as change and gr...

Paper Size: 39 x 27.5 inches ( 99.06 x 69.85 cm ) Image Size: 39 x 27.5 inches ( 99.06 x 69.85 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Addition...

MEL RAMOS (1935-2018) The Rounder 1999 Lithograph 92.1 x 48.9 cm 36.26 x 19.25 inches Edition of 199 with HC 20 Edition HC 12/20 Signed and numbered in pencil

Jacob Lawrence (1917 - 2000) The Capture of Marmelade (from The Life of Toussaint L'Ouverture series), 1987 Color screenprint on Bainbridge Two Ply Rag paper Sheet 32 1/8 x 22 1/16 inches Sight 29 3/4 x 19 1/4 inches A/P 1/30, aside from the edition of 120 Signed, titled, dated, inscribed "A/P" and numbered 1/30 in pencil, lower margin. Literature: Nesbett L87-2. A social realist, Lawrence documented the African American experience in several series devoted to Toussaint L’Ouverture, Frederick Douglass, Harriet Tubman, life in Harlem, and the civil rights movement of the 1960s. He was one of the first nationally recognized African American artists. “If at times my productions do not express the conventionally beautiful, there is always an effort to express the universal beauty of man’s continuous struggle to lift his social position and to add dimension to his spiritual being.” — Jacob Lawrence quoted in Ellen Harkins Wheat, Jacob Lawrence: The Frederick Douglass and Harriet Tubman Series of 1938 – 40. The most widely acclaimed African American artist of this century, and one of only several whose works are included in standard survey books on American art, Jacob Lawrence has enjoyed a successful career for more than fifty years. Lawrence’s paintings portray the lives and struggles of African Americans, and have found wide audiences due to their abstract, colorful style and universality of subject matter. By the time he was thirty years old, Lawrence had been labeled as the ​“foremost Negro artist,” and since that time his career has been a series of extraordinary accomplishments. Moreover, Lawrence is one of the few painters of his generation who grew up in a black community, was taught primarily by black artists, and was influenced by black people. Lawrence was born on September 7, 1917,* in Atlantic City, New Jersey. He was the eldest child of Jacob and Rosa Lee Lawrence. The senior Lawrence worked as a railroad cook and in 1919 moved his family to Easton, Pennsylvania, where he sought work as a coal miner. Lawrence’s parents separated when he was seven, and in 1924 his mother moved her children first to Philadelphia and then to Harlem when Jacob was twelve years old. He enrolled in Public School 89 located at 135th Street and Lenox Avenue, and at the Utopia Children’s Center, a settlement house that provided an after school program in arts and crafts for Harlem children. The center was operated at that time by painter Charles Alston who immediately recognized young Lawrence’s talents. Shortly after he began attending classes at Utopia Children’s Center, Lawrence developed an interest in drawing simple geometric patterns and making diorama type paintings from corrugated cardboard boxes. Following his graduation from P.S. 89, Lawrence enrolled in Commerce High School on West 65th Street and painted intermittently on his own. As the Depression became more acute, Lawrence’s mother lost her job and the family had to go on welfare. Lawrence dropped out of high school before his junior year to find odd jobs to help support his family. He enrolled in the Civilian Conservation Corps, a New Deal jobs program, and was sent to upstate New York. There he planted trees, drained swamps, and built dams. When Lawrence returned to Harlem he became associated with the Harlem Community Art Center directed by sculptor Augusta Savage, and began painting his earliest Harlem scenes. Lawrence enjoyed playing pool at the Harlem Y.M.C.A., where he met ​“Professor” Seifert, a black, self styled lecturer and historian who had collected a large library of African and African American literature. Seifert encouraged Lawrence to visit the Schomburg Library in Harlem to read everything he could about African and African American culture. He also invited Lawrence to use his personal library, and to visit the Museum of Modern Art’s exhibition of African art in 1935. As the Depression continued, circumstances remained financially difficult for Lawrence and his family. Through the persistence of Augusta Savage, Lawrence was assigned to an easel project with the W.P.A., and still under the influence of Seifert, Lawrence became interested in the life of Toussaint L’Ouverture, the black revolutionary and founder of the Republic of Haiti. Lawrence felt that a single painting would not depict L’Ouverture’s numerous achievements, and decided to produce a series of paintings on the general’s life. Lawrence is known primarily for his series of panels on the lives of important African Americans in history and scenes of African American life. His series of paintings include: The Life of Toussaint L’Ouverture, 1937, (forty one panels), The Life of Frederick Douglass, 1938, (forty panels), The Life of Harriet Tubman, 1939, (thirty one panels), The Migration of the Negro,1940 – 41, (sixty panels), The Life of John Brown, 1941, (twenty two panels), Harlem, 1942, (thirty panels), War, 1946 47, (fourteen panels), The South, 1947, (ten panels), Hospital, 1949 – 50, (eleven panels), Struggle: History of the American People, 1953 – 55, (thirty panels completed, sixty projected). Lawrence’s best known series is The Migration of the Negro, executed in 1940 and 1941. The panels portray the migration of over a million African Americans from the South to industrial cities in the North between 1910 and 1940. These panels, as well as others by Lawrence, are linked together by descriptive phrases, color, and design. In November 1941 Lawrence’s Migration series was exhibited at the prestigious Downtown Gallery in New York. This show received wide acclaim, and at the age of twenty four Lawrence became the first African American artist to be represented by a downtown ​“mainstream” gallery. During the same month Fortune magazine published a lengthy article about Lawrence, and illustrated twenty six of the series’ sixty panels. In 1943 the Downtown Gallery exhibited Lawrence’s Harlem series, which was lauded by some critics as being even more successful than the Migration panels. In 1937 Lawrence obtained a scholarship to the American Artists School in New York. At about the same time, he was also the recipient of a Rosenwald Grant for three consecutive years. In 1943 Lawrence joined the U.S. Coast Guard and was assigned to troop ships that sailed to Italy and India. After his discharge in 1945, Lawrence returned to painting the history of African American people. In the summer of 1947 Lawrence taught at the innovative Black Mountain College in North Carolina at the invitation of painter Josef Albers. During the late 1940s Lawrence was the most celebrated African American painter in America. Young, gifted, and personable, Lawrence presented the image of the black artist who had truly ​“arrived”. Lawrence was, however, somewhat overwhelmed by his own success, and deeply concerned that some of his equally talented black artist friends had not achieved a similar success. As a consequence, Lawrence became deeply depressed, and in July 1949 voluntarily entered Hillside Hospital in Queens, New York, to receive treatment. He completed the Hospital series while at Hillside. Following his discharge from the hospital in 1950, Lawrence resumed painting with renewed enthusiasm. In 1960 he was honored with a retrospective exhibition and monograph prepared by The American Federation of Arts. He also traveled to Africa twice during the 1960s and lived primarily in Nigeria. Lawrence taught for a number of years at the Art Students League in New York, and over the years has also served on the faculties of Brandeis University, the New School for Social Research, California State College at Hayward, the Pratt Institute, and the University of Washington, Seattle, where he is currently Professor Emeritus of Art. In 1974 the Whitney Museum of American Art in New York held a major retrospective of Lawrence’s work that toured nationally, and in December 1983 Lawrence was elected to the American Academy of Arts and Letters. The most recent retrospective of Lawrence’s paintings was organized by the Metropolitan Museum of Art in 2020, and was accompanied by a major catalogue. Lawrence met his wife Gwendolyn Knight...

Jeanne d' Arc Litho Saint War Heroine Horse Nude Girl Woman In Stock - Edition 12/60 Michael Parkes (1944) studied graphic art and painting at the Univ...

Giulietta is an Art Deco depiction of a woman posing in a long gown against a plain black background. Around her, ghostly hands rise up offering beautiful temptations for her to cons...

Beautiful Czech ski poster by Ladislav Horak for Velke Karlovice, Raj Lyzaru. Velké Karlovice is a municipality and village in the Vsetín district of the Zlín region in the Czech Rep...

Methylamine 13c Damien Hirst, English (1965) Date: 2014 Screenprint with Diamond Dust, signed and numbered in pencil Edition of 12/100 Size: 33 x 27 in. (83.82 x 68.58 cm) Frame Size...

Facade I Screen print, 1970 Signed, dated, titled and numbered in pencil Edition: 100 (44/100) Provenance: Estate of the artist By decent Condition: Excellent Image: 24 x 29" Sheet:...

Fun Loving Criminals II by BATIK signed limited edition POP ART print Paper Size Oversize 40 x 30" inches / 101 x 76 cm Signed & numbered by artist on front Archival Pigment print ...

Damien Hirst - THE EMPRESSES - SUIKO Date of creation: 2022 Medium: Laminated giclée print on aluminium composite and screen printed with glitter. Edition number: 1191/3310 (1.657 ph...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Spanish artist Salvador Dali is considered to be the father of Surrealism, renowned for his technical skill and unique style. This etching features a city landscape with fountains, c...

Delicate and layered Collotype on heavy bond paper by Patricia A. Pearce (American, b. 1948). The background is a lithograph, and the ribbons have been painted by hand over the top. ...

Tan Tan Bo, 2003 by Takashi Murakami Offset lithograph in colors on Wove paper 25 7/10 × 39 3/10 in 65.8x99.8cm Edition 98/300 Tan Tan Bo is a "reincarnati...

Christo and Jeanne-Claude Wrapped Walk Ways, Loose Park, Kansas City, Missouri, 1977-78 Photo: Jeanne-Claude, 1978 Year: 1991 Publisher: Poligrafa Size: 25.47 x 37.3 inches Unsigned ...

Paper Size: 15 x 40 inches ( 38.1 x 101.6 cm ) Image Size: 13 x 15.75 inches ( 33.02 x 40.005 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Detai...

Artist: Gene Davis Title: Zebra Portfolio: Series II Medium: Screenprint on canvas laminated to board Date: 1969 Edition: 110/150 Frame Size: 30 1/2" x 36 1/2" Sheet Size: 24" x 30 1...

Sila Sehrazat Yucel is a talented artist based in Istanbul. Her background in landscape and interior architecture shapes her creative vision. With experience as an art director in ci...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Tete de Femme". The original painting was completed in 1958. In the 1970's after Picasso's d...

Among Wyss's notable works is the 1982 silkscreen poster titled "Facades of New York City," published by Modernart Editions for Art Expo 1982. This serigraph features stylized depic...

L'Oiseau Bleu By Marc Chagall Marc Chagall (1887–1985) was a Russian-French artist celebrated for his vibrant, dreamlike paintings that blend fantasy, folklore, and personal memor...

Ladies and Gentlemen is a colored screen print realized in 1975 by the Pop artist Andy Warhol.  Mixed colored screenprint Signed, dated and numbered on the reverse. Edition of 204...

Complete set of the series "The Elements" by artist Damien Hirst. Four Diasec-mounted giclée prints ("Water," "Fire," "Earth" and "Air") on aluminum composite panels. From an edition...

This exact work was exhibited at the Art Students League in an important show. (details below) Elizabeth Catlett Homage to the Panthers, 1993 Color Lithograph on wove paper with deck...

Paper Size: 27.5 x 37 inches ( 69.85 x 93.98 cm ) Image Size: 22 x 28.5 inches ( 55.88 x 72.39 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional...

ARTIST: Salvador Dali TITLE: Conquest of Cosmos The Last Comer of The Last Planet MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: EA MEASUREMENTS: 27.5" x 39.5" YEAR: 1974...

Lithograph Handsigned by the artist in pencil 86.50 cm. x 61.50 cm. 34.06 in. x 24.21 in. (paper) 63.00 cm. x 47.00 cm. 24.8 in. x 18.5 in. (image) Publisher: Maeght (Paris) Print...

Christo and Jeanne-Claude The Pont Neuf Wrapped, 1975-85 Photo: Jeanne-Claude, 1976 Year: 1991 Size: 24.1 x 36.6 inches Unsigned COA provided --------------...

ABOUT THIS PIECE: Color is the foundation of my work. My circles start as a mood or idea that eventually evolves into a colored circle. I am curious how different colours interact wh...

Artist: Mel Ramos, American (1935 - 2018) Title: Photoshop CS (Michelle Pfeiffer) Year: 2008 Medium: Enamel on Steel, signed and numbered in marker ...

This is a reproduction of Fuji in Clear Weather, also known as South Wind, Clear Sky (or Red Fuji), was originally created by Katsushika Hokusai around 1830-1832. It is part of his ...

Theo Tobiasse (French, 1927-2012) Le Petit Train qui mene au chant de la pensee" Lithograph c.1970 Bright and colorful lithograph by noted French artist. The title translates to "T...

"Melanie" Black & White Photography 35" x 25" in Edition 1/15 by Larsen Sotelo Not framed. Ships in a tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finis...

The circa 1960 original poster by Georges Braque, titled Trois Oiseaux, is a classic representation of the artist's distinctive style. Braque, one of the pioneers of Cubism alongside...

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A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Guéridon et Guitare". The original painting was completed in 1920. In the 1970's after Picass...