Oversized Prints and Multiples

Rafael Canogar (Spain, 1935) 'Agua', 2003 silkscreen, collage on board 59.1 x 48.1 in. (150 x 122 cm.) Edition of 100 Unframed ID: CAN1030-098 Hand-signed by author _________________...

Lithograph in colors on Arches paper hand signed and numbered by the artist. Mourlot 976. Sheet size 28.70 x 21.10 inches. Image size 37.25 x 24.25 inches. Frame size 53.25 x 39.25 ...

large format photograph of sun reflections on pool water surface, mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to the iconic ...

Step into the enchanting world of vintage poster art, where Robert Falcucci's 1929 masterpiece for Veuve Amiot Grands Vins Mousseux captures a moment of shared elegance and romance. This poster not only celebrates the allure of sparkling wine but also showcases the artistic finesse of its creator, Robert Falcucci. Robert Falcucci, a celebrated French poster artist, was renowned for his ability to infuse his creations with sophistication and timeless charm. His artwork often celebrated life's pleasures, and the 1929 poster...

"Night's Rest" from the series "The Times of the Day" Original lithograph Signed "Mucha" and dated "99" for 1899, at the lower part of the plate. There is no hand-written signature ...

This is a contemporary photograph of an African Lion shot by Shane Russeck Edition of 10 Signed and numbered Printed on archival luster paper. Shane Russeck has built a reputatio...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

This abstract landscape limited edition print by Tony Iadicicco features a cool white, grey, and blue palette, and coastal, geometric, and minimalistic elements, with blue horizontal...

circles print on paper limited edition artist: Anastasia Aureum hand signed Collective exhibitions: 2023 London biennale, Chelsea, Old Town Hall; 2023 YICCA International art con...

Faith Ringgold, one of America’s most celebrated artists, has built a profound body of work documenting the African-American experience. This signed, titled, dated, and numbered seri...

Original lithograph in colours on Arches paper, with full margins, framed Signed by the artist in pencil, lower right on recto Image: 68 x 49 cm, Sheet: 94.5 x 67.9 cm, Framed: 105.3...

Original 1918 YMCA, One of the Thousands of YMCA Girls in France. United War Work Campaign vintage poster. Archival linen backed and ready to frame. Some touch up in the lower b...

Hand signed by Andy Warhol & Mick Jagger, numbered in pencil. Number AP 19/50 (aside from the main edition of 250). Screenprint on Arches Aquarelle (Rough) Paper. Printed by Alex...

Antoni Tapies (Spain, 1923-2012) 'Nocturn Matinal', 1970 lithograph on paper Manually intervened with pencil by Antoni Tápies in the central part. 24.1 x 42.6 in. (61 x 108 cm.) Edit...

"Family of Six" is an original black and white lithograph by John Biggers. The artist signed and dated the piece in the lower right and titled and editioned it (AP III) in the lower ...

Marta Bozyk (1973). A graduate of the Graphic Department of the Academy of Fine Arts in Krakow. She received a diploma with the Medal of the Rector of the Academy of Fine Arts in 1998. Winner of the Scholarship of the Creative City of Krakow (2000) and the city of Mino in Japan (2001). She is also a winner of the Technical Award at the International Print Exhibition in Taichung, Taiwan (2008) and the Equal Prize International Triennial of Art Bitola in Macedonia. He belongs to the artistic female group...

This high-quality print on aluminum dibond, hand-numbered and signed by the artist, features a surreal scene of a tabby cat atop a table, set against a floral background that evokes ...

Screenprint in colors with diamond dust on Arches Aquarelle paper. Hand signed and numbered by the artist on verso. Printed by Rupert Jasen Smith, published by the artist, New York....

Beautiful figurative giclée and watercolor limited edition print titled "The Aunties", a homage to the classical figurative sculpture The Three Graces, by Anne Ormsby, a Aptos, Calif...

Pool Slide, from Richard Heeps Dream in Color series. This fun original artwork really shows Richard's unique eye as a photographer, creating this kitsch pop-art picture from an Amer...

32 color Serigraph print completed at Modern Multiples in Los Angeles under the guidance of Richard Duardo. Signed and numbered #105 from the edition of 110. printed to the sheet edg...

Listing includes framing with UV Plexi ($1,700 value), free shipping to the continental US and a 14-day return policy. Interloper (2019) by Karen Knorr. 31.5 x 39.5 inches, 34 x 4...

The 1951 original poster for Paix et Liberté titled Jamais ! Ça. is a powerful piece of anti-communist propaganda, notable for its stark imagery and bold message. Designed during the...

"Personaje en un Cueva" (Personage in a Cave) Surrealist Lithograph by Rufino Tamayo (b. 1899 d. 1991.) Abstract figurative lithograph featuring a textured background and bold figur...

Juan Reus (1912-2003) Original Vintage Bullfighting Poster September 1942 107cm x 53cm Juan Reus was born in 1912 in Valencia, where he became a well-known...

This is a Large Leroy Neiman serigraph “doubles 1974” signed and numbered. Condition is good some minor frame wear and tiny chips otherwise goo...

Frame is handmade by artist Gail Potocki. WEAG-Matejko, Printer, Vienna "In 1919, artist Theo Matejko created this lithograph for Robert Reinert's silent film Opium (starring Conra...

Luis Miguel Valdes (Cuba, 1949) 'La Lengua Castellana (Yellow)" (The Spanish Tongue/Language), 2015 woodcut, manual intervention on paper 47.3 x 84.7 in. (120 x 215 cm.) Edition of 1...

Damien Hirst H13-2 Kingsdown Beach, 2023 Laminated Giclée print on aluminium composite panel. Hand-signed on the label and numbered. This artwork can be hung any way up. 120 × 90 cm ...

Artist: Alex Katz Title: Coca-Cola Girl (Suite) Year: 2018 Medium: Archival pigment inks on Entrada Rag Bright 300 gsm fine art paper Edition: 100; each signed and dated in pencil Sh...

Robert Rauschenberg Test Stone #6 (Blue Cloud) from the Booster and 7 Studies Series (Foster, 45, G:33), 1967 Lithograph on domestic etching paper 47 × 35 inches Hand signed and numb...

By removing parts of the image, he explores the tension between what is present and what is omitted, focusing on the reasons behind these choices and their implications. The cutouts ...

This is a contemporary black and white photograph of an African Lion by Shane Russeck. 36x48 edition of 12 Signed and numbered Printed on archival paper and using archival inks Fra...

"Morning Awakening" from the series "The Times of the Day" Original lithograph Signed "Mucha" and dated "99" for 1899, at the lower part of the plate. There is no hand-written signa...

Bernard Buffet -- Le Grand Canal de Venice ( The Grand Canal, Venice ), 1979 Screen print on Tapestry Signed on the back, dated 1979 Edition 137/200 Signed, titled, dated and number...

This is a contemporary photograph of an African Lion. 36x48 Edition of 12. Signed by Shane. Printed on archival paper and using archival inks Framing available. Inquire for rates. ...

rare vertical work featuring iconic summer beach scene in Puglia by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the summer rites and rituals of modern leisure Porto Miggiano...

Stone lithograph in custom frame by artist Gail Potocki. Artist insignia in lower right corner.

Original vintage French movie poster: THE PRODIGAL SON; Le Fils Prodigue. Rare linen-backed poster Stars: Lana Turner and Edmund Purdom, Louis Calhern, Audrey Dalton, Neville Brand, James Mitchell...

Original vintage French poster: MONMOUSSEAU VOTRE VIN. Anonymous artist. Methode Champenoise. Produced in the same manner as Champaign. Archival linen backed, ready to frame. In fine condition. This fine sparkling wine comes from J. M. Monmousseau in Montrichard, France. (Is a French town and former commune in the Loir-et-Cher department, Centre-Val de Loire.) Original Champagne posters or French methode Champenoise posters are now difficult to find because everyone wants one for their bar. Here is your chance to own a very fine condition original antique French stone lithograph. Champagne-style posters are one of the most popular of the vintage liquor posters...

30th Anniversary reprint edition of the exhibition poster for Warhol/Basquiat Paintings. Printed in 2015. Signed and numbered "153/300" in ink by Tony Shafrazi. Published by Tony Sha...

Views of Hotel Well I, from Moving Focus series (T. 280; DH. 67). Lithograph printed in colors on TGL handmade paper. Hand signed, dated and numbered by the artist. original Artist's...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

Marcel Schellekens' works are characterised by the special incidence of light and the atmosphere that the works radiate. Marcel finds inspiration cl...

Paper Size: 43 x 29 inches ( 109.22 x 73.66 cm ) Image Size: 35.5 x 24.5 inches ( 90.17 x 62.23 cm ) Framed: No Condition: A: Mint Additional Details: "Tension in Height," a poster ...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

Hand-pulled, large format screenprint, printed on 290gsm Coventry Rag paper with deckled edges. 
 H121.92 x W91.44cm (H48″ x W36″)
 Edition of 50 hand-signed and numbered by the arti...

Victor Hugo Nuñez (Chile, 1943) 'Los Enamorados III', 2013 silkscreen on paper Guarro Biblos 250g. 17.8 x 23.7 in. (45 x 60 cm.) Edition of 40 Unframed ID: HUV-108 Hand-signed by author

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

This is an exclusive handprinted limited edition cyanotype of gorgeous rolling clouds. Details: + Title: Dense Rolling Clouds + Year: 2024 + Edition Size: 100 + Stamped and Certifi...

Artist: Ralph Fasanella, American (1914 - 1997) Title: Empire State Year: 1974 Medium: Screenprint on Arches Paper, signed and numbered in pencil Edition: 300 Image: 40 x 24 inches S...

Original turn of the century French poster: Gustave Rouquier turn of the century stone lithograph for jewelry. Artist: Charles Naillod. Size: 47" x 63". "The most important choice in jewelry, watches, and goldsmith objects". This antique art nouveau authentic vintage poster...

In an expansion of Julian Opie's subject matter, from his observations of city dwellers, figures walking in the rain, runners and tourists to busy crowds of workers, the four new edi...

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Late Night Adventurous Duo (of Silks) + Year: 2022 + Edition Size: 20 + Stamped and Certificate of Auth...

Original Poster promoting Rolex' Submariner, reference 1680, created by Celestino Piatti, a very productive Swiss Graphic Designer (1922-2007) known for his charm and subtle humor, p...

MASSIMO LISTRI Kunsthistoriches Museum III, Wien, Austria, 2014 60 x 48 inches 150 x 120 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Unframed (Fra...

Nancy Graves 5745, for the Jewish Museum, 1984 Silkscreen on paper Signed, numbered 5/90 and dated in graphite pencil on the front; bears publishers' blind stamp front left corner 30 1/4 × 40 1/2 inches Unframed Commissioned by the Mr. and Mrs. Albert A. List Graphic Fund for The Jewish Museum, New York Signed, numbered and dated in graphite pencil on the front; bears publishers' blind stamp front left corner. Commissioned by the Mr. and Mrs. Albert A. List New Year's Graphic Fund for The Jewish Museum, New York. During the 1980s, various artists were commissioned to create a print celebrating the Jewish New Year. This is the silkscreen renowned sculptor Nancy Graves created to celebrate the year 5745 of the Jewish Calendar, beginning in September 1984 (Rosh Hashanah). This work was published in a limited edition of 90. The number 90 has special significance in Jewish gamatria (numerology) for several reasons, including the fact that it equals five times life - or Chai. The number for Chai, meaning "Life " s 18, and 18 x 5 = 90. This is a magical number in Judaism. All of the works were published in editions that were multiples of 18, or the Life. In her lifetime, Nancy Graves did not receive the renown or acknowledgement that her ex-husband and former Yale School of Art classmate Richard Serra did, but she is finally getting the recognition she richly deserves. Biography: Nancy Graves (1939 – 1995) is an American artist of international renown. A prolific cross-disciplinary artist, Graves developed a sustained body of sculptures, paintings, drawings, watercolors, and prints. She also produced five avant-garde films and created innovative set designs. Born in Pittsfield Massachusetts, Graves graduated from Vassar College in 1961. She then earned an MFA in painting at Yale University in 1964, where her classmates included Robert Mangold, Rackstraw Downes, Brice Marden, Chuck Close, as well as Richard Serra with whom she was married from 1964 to 1970. Five years after graduating, her career was launched in 1969 when she was the youngest artist — and only the fifth woman — to be selected for a solo presentation at the Whitney Museum of Art. Graves’ work was subsequently featured in hundreds of museum and gallery exhibitions worldwide, including several solo museum exhibitions. She was awarded commissions for large-scale site-specific sculptures and her work is in the permanent collections of major art museums. A frequent lecturer and guest artist, her work was widely documented during her lifetime. In 1991 she married veterinarian Dr. Avery Smith. Graves travelled extensively and was fully engaged with the cultural and intellectual issues of her times. Her brilliant career and life were cut short by her untimely death from cancer at age 54. From a point of view that she described as “objective,” Graves transformed scientific sources, such as maps and diagrams, into artworks by re-producing their complex visual information in detailed paintings and drawings. Investigating the intersections between art and scientific disciplines, Graves created compelling, formally rigorous, yet ultimately expressive works of art that examine concepts of repetition, variation, verisimilitude, and the presentation and perception of visual information. Based in SoHo, New York, Graves gained prominence in the late 1960s as a post-Minimalist artist for innovative camel, fossil, totem, and bone sculptures that were hand formed and assembled from unusual materials such as fur, burlap, canvas, plaster, latex, wax, steel, fiberglass and wood. Made in reaction to Pop and Minimalism, these works reference archaeological sites, anthropology, and natural science displays. Suspended from the ceiling or clustered directly on the floor, these early sculptures also engage with Conceptualist ideas of display. For her Whitney Museum presentation Graves exhibited three seemingly realistic sculptures of camels in an installation that evoked taxidermy specimens and questioned issues of verisimilitude in art and science, particularly in light of their hand patched and painted fur surfaces. The exhibition elicited wide spread critical responses and established her artistic significance. After intensely engaging with sculpture in the early 1970s, Graves returned to painting. Her detailed pointillist canvasses re-produced — in paint — images culled from documentary nature photographs, NASA satellite recordings, and Lunar maps, commingling scientific exactitude with abstraction. Resuming sculpture in the late 1970s, Graves was among the first contemporary artists to experiment with bronze casting. She re-invigorated the traditional lost wax technique by assembling cast found objects into unique improbably balanced sculptures, with bright polychrome surfaces and distinctive patinas. Throughout the 1980s Graves became widely recognized for her increasingly large and graceful open-form sculpture commissions. At the same time, she also expanded her drawing, painting, and printmaking practice and made large gestural watercolors. Then, in the late 1980s she created wall-mounted works that combined her explorations of sculpture, painting, form and color. In these large-scale pieces, she mounted high relief polychrome sculptural elements to the surfaces and edges of painted shaped canvases so that patterned shadows were cast onto the paintings and surrounding wall. By the 1990s Graves was casting in glass, resin, paper, aluminum, and bronze, combining these varied materials and colors into daring sculptures with moving parts. As she proceeded in all the media she mastered, Graves increasingly re interpreted and transmuted forms sourced from her own earlier artwork — rather than from outside research — creating elaborate compositions that form a layered a-temporal archaeology of her own visual production. Nancy Graves’ pioneering art...

This abstract limited edition print features a blue heron bird in flight (facing left). The background is an abstract rectangular pattern with blue and gold rectangles, which blend i...