Oversized Figurative Prints

Influorescense - A limited edition large scale photography collaboration by Tom Blachford and Kate Ballis. The series takes its name from the marriage of two words. Fluorescence (me...

Hand embellished serigraph on canvas. Hand signed and numbered on front by the artist. Not stretched. Artwork is in excellent condition. Cer...

Using his intuitive skill as a master artist, Miró combines dry-point with cement imprint to create a rich textural experience that is enhanced by beautiful and friendly visual image...

Giclee on canvas. Hand signed on front; signed, titled and dated on verso by the artist. Non editioned multiple. Canvas is not stretched. Artwork is in excellent condition. Cert...

The Rescuer by Mackenzie Thorpe Framed Serigraph on Paper. Edition 77/195 Framed Dimensions: 48.875 x 59.75 inches Handling time may exceed 10 business...

Lithograph with embellishment (glitter paint) on paper. Hand signed, dated and numbered by the artist. Edition of 49. Image size 36.5 x 28 inches. Sheet size 41 x 32 inches. Sm...

Robert Longo, Ivy Mike Pigment print Edition of 15 113,9 x 86,4 cm (44.8 x 34 in.) Signed and numbered, accompanied by Certificate of Authenticity In mint condition, as acquired from...

TECHNICAL INFORMATION: Salvador Dali Masque De La Mort 1975 Etching Aquatint 26 x 19 3/4 in. Edition of 240 Pencil signed and numbered; certified authentic by Frank Hunter of the Sa...

Bernar Venet Arcs: Uneven Angles (Portfolio of 2) 2017 2 Etchings 202.5 × 134 cm (79.7 × 52.8 in) Signed and numbered Edition of 30 In mint condition Prints are offered unframed, ed...

Signed and Numbered Limited Edition Silkscreen Print on 300gsm weight Claro Silk Paper Framed: 110 x 110 cm 43 1/4 x 43 1/4 in. Edition of 50 (#22/50) ----------- Deborah Azzopardi...

JACOB GILDOR b. 1948 (German / Israeli) Title: Moonlight Wolf, 2015 Technique: Hand Signed Digital Collage Print on Acrylic Size: 150 x 120 cm. / 59...

Yue Minjun, Paean on Grassland Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 x 120 cm (47 1/5 × 31 1/2 in) S...

Serigraph on paper. Hand signed and numbered on front by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 80. All reasonable offers wil...

GILD THE LILY I Year: 2017 Medium: Archival pigment inks on Crane, Museo Max, 365 gsm fine art paper Size: 46 x 35 inches (117 x 89 cm) Edition: 30 Price: $2,875 Also available in a suite of 2 Carlos Rolón...

Lithograph on paper. Hand signed and numbered by the artist. Inscribed ‘HC’ and numbered 3/6. Sheet size 42 x 72 inches. Published by International Images, Putney, Vermont. Artwo...

Serigraph in colors on paper. From the Menorah series. Hand signed and numbered by the artist. Edition of 200. Certificate of Authenticity Included. Artwork in Excellent Conditi...

Complete title: La Transformación del Deseo - Estoy Dentro de Alegría (The Transformation of Desire - I am Inside of Happiness) Mari Ito was born in Tokyo, Japan in 1980. She major...

Digital printing on Tyvek Lucas Aguirre is a painter who has transitioned his art practice into the realm of VR and digital art. His paintings and drawi...

Hand signed, dated and numbered by the artist. Screenprint on Saunders watercolor paper from the edition of 50. Artwork is in excellent condition. Certificate of authenticity inclu...

From the Entablature series. Screenprint, lithograph, and collage with embossing on Rives BFK paper. Hand signed and dated in pencil, lower right by Roy Lichtenstein. Numbered 17/1...

John Baldessari Give me a B, give me an A ...& etc. 2009 Pigment Print 250 × 32 cm (98.4 × 12.6 in), unframed Signed and numbered on adhesive label Edition of 75 In excellent conditi...

A piece from the exhibition "Cosmic Duality" by artist Mr. Mitote. Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumul...

Patrick is a conceptual artist, curator, and theorist exploring how media shape our perception of reality as well as the borders between the digital and the material. He is best know...

Vintage Antique Poster R.Hurwic. Aux Lainnes Ecossaises, . 1928. Color lithograph. [Child sitting on a chair knitting]. 47 x 31 1/2"...

Lithograph on paper. Hand signed and numbered by the artist. Edition HC 3/6 (apart from the edition of 26 plus six artist’s proofs). Published by International Images, New York. A...

Bernar Venet, Grib Contemporary, 21st Century, Etching, Black, Limited Edition, Portfolio Etching (Portfolio of 3) Edition of 60 72.4 cm x 109.6 cm ...

Screenprint on paper. Hand signed and numbered by the artist. Inscribed ‘HC’ and numbered 3/6 (outside the main edition of 26). Published by International Images, Putney, Vermont. ...

Print depicting a man in a business suit climbing monkey bars. Edition of 10

Hand signed, dated and numbered by the artist. Screenprint on Saunders watercolor paper from the edition of 50. Artwork is in excellent condition. Certificate of authenticity inclu...

Building on a series of exhibitions titled Panorama of the Anthropocene which examined the ecological impact of human activity through an array of paintings, digital prints and video...

the painting is being offered with a work and authenticity certificate

the painting is being offered with a work and authenticity certificate

Ritratti al Bauhaus. Photo-offset poster. Museo cantonale d'arte Lugano Year: 1991. Monguzzi studied in Geneva and London, spent part of his early career in at the studio of Antonio Boggeri, in Milan. The inspiration of the experimental and visually-daring work of the avant garde designers Herbert Bayer, El Lissitsky, Jan Tschichold, Piet Zwart, Paul Schuitema, Ladislav Sutnar...

Graphic designer, co-founder of Les Ateliers du Nord, Lausanne. Member of the Alliance Graphique Internationale (AGI). Regular collaboration with an important number of cultural, social and commercial institutions, the Swiss Foundation for Photography in Zurich, the Collection de l’Art Brut, the Musée de l’Elysée, the Museum of fine arts Lausanne, le Museum of Ethnography Geneva (MEG), Geneva (OCG), the Photo gallery FNAC in Paris, Magnum Photos in Paris and Phaidon Press in London for whom he creates posters, the domain in which he achieved celebrity, He was the artistic director of communication for Weimar'99, Cultural Capital of Europe in 1999. Numerous national and international awards, amongst which the Award for exceptional Use of Photography in Graphic Design awarded by the International Center of Photography, New York, 1988; the First Prize for a new series of Swiss Bank...

Digital print on canvas with dissolved ink and pigments, edition 1/5, 90 x 120 x 3 cm, 2018 Jane Ward is a British artist born in 1960 who lives & works in Lake District National Pa...

Limited Edition Screen Print with Platinum Leaf 109.2 x 130.8 cm 43 x 51 1/2 in. Edition of 15 (#1/15) ------ Deborah Azzopardi has become world-reno...

This artwork titled "Nino Con Pajaros" Variant, 1976, is a color etching on Guarro paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and numbered 40/75 in black crayon by the artist. Published by Ediciones Poligrafa, Barcelona, Spain. The artwork (sheet) size is 29.5 x 22 inches, framed size is 41.25 x 33.75 inches. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #199 page 169. Custom framed in a wooden black frame, with light beige fabric matting. It is in excellent condition. About the artist: A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business. In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics...

Two-dimensional work of a businessman wearing a life vest rowing in a lifeboat.

Inspired by contemporary tensions in China, Zhang Xiaogang makes grim, unsettling portraits that consider identity and heredity in a collectivist state. The artist draws on influence...

Artist: Wesselmann, Tom Title: Monica Lying On Her Side With Scribbles Date: 1990 Medium: Lithograph Unframed Dimensions: 40.5" x 60" Framed Dimensions: 44.5" x 64" Signature: ...

Artist: Salvador Dali (Spanish surrealist, 1904-1989) Title: Le Singe et le Leopard Year: 1976 Medium: Engraving with hand color stencil Edition: Inscribed E....

"Knapp & Listette: A Duo of Drolls" is an original color lithograph by an unknown artist. It features a number of clowns and gymnasts diving into the waves. Multiple women approach f...

Robert Longo, Freud’s Desk and Chair, Study Room Contemporary, 21st Century, Limited Edition Pigment print Edition of 30 81,3 x 109,7 cm (32 x 43.1 in.) Unf...

Limited Edition Silkscreen Print with Silver Leaf 114.5 x 114.5 cm 45 1/8 x 45 1/8 in. Edition of 15 (#2/15) ----------- Deborah Azzopardi has become...

Edition of 50 The Françoise Nielly limited editions are available as pigment prints on aluminium: durable and colourfast hi-definition images with a smooth glass-like luminescent ef...

Donald Sultan, White Tulips and Vase, Feb 25 White Tulips and Vase, Feb 25 - Contemporary, 21st Century, Silkscreen, Tulips Silkscreen Edition of 50 117 x 117 cm (42.1 x 42.1 in) Signed, dated, numbered, and titled, accompanied by Certificate of Authenticity In mint condition, as acquired from the publisher White Tulips and Vase, Feb 25, 2014, belongs to Sultan’s famous Flower series. The artist is credited for the revival of the still life tradition where the image is deconstructed to the basic elements, thus Sultan’s work remains both abstract and representational. "The images... are really about the architecture in the paintings; they seem so massive and strong and permanent but nothing is permanent." — Donald Sultan White Tulips and Vase, Feb 25, 2014, represents the Sultan's still-life, where the shape of the object is reduced to the bare essentials. The image reveals one of the key features of Sultan’s work - the material juxtaposition- the contrast of a weighty background with ethereal shapes of the flowers. The printing technique translates the Sultan’s original paintings’ texture: linoleum, tar, flocking, plaster, tile, wood. This work is a silkscreen with enamel inks and tar-like texture on 4-ply museum board. DONALD SULTAN Donald Sultan (born 1951, Asheville, US) is a distinguished painter, sculptor, and printmaker, who rose to prominence in the late 1970s as part of the “New Image” movement. He is best known for the use of abstracted, geometric black forms against organic areas of bright color. Donald Sultan (USA, born 1951) is a distinguished painter, sculptor, and printmaker, who rose to prominence in the late 1970s as part of the New Yorker “New Image” movement. He has a unique artistic method and innovative approach to traditional subject matter. Known as Abstract Representation, Donald Sultan´s art is characterized by the use of geometric black forms set against organic areas of bright color, thus bringing an abstract sensibility to his iconographic images of still life. Throughout his career he has revisited and reinvented still life, using images of lemons, poppies, playing cards, fruits, flowers, and other objects. Donald Sultan’s Lemons...

LLUÍS BARBA Santa Jeronimo. Antonello da Messina, 2010 C-Type Print, Diasec Mounted 150 x 114.3 cm 59 1/8 x 45 in. Edition 3 of 6 (LB011) Lluís Barba reworks iconic artworks to comment on contemporary society, introducing modern characters into Hyeronimus Bosch’s or Pieter Brueghel’s medieval scenes. His work leverages the language of artistic symbolism to critique both modern society and the art world. Utilising society darlings such as Paris Hilton and Kate Moss, art world players such as Jay Jopling and music icons such as Lady Gaga and Rihanna, Barba expresses his debt to Art History and contemporary culture through a satirical and humorous slant. Born in Spain and educated at the Escola Massana Centre d’Art, Barcelona, Barba has exhibited his work in the United States, Europe, Latin America and Canada. His work is held in major public collections and museums, such as the Artothèque d’Art Anekdota in Paris, Foundation Daniela Chappard of Caracas, Foundation Lluís Carulla, L’Espluga de Francolí, Tarragona, Instituto Cervantes in Tangier, Morocco, Museo Jacobo Borges...

Sultan, an internationally recognized artist who rose to prominence in the late 1970s as part of the “New Image” movement, is known for elevating the still-life tradition through the...

A man in a business suit in a boxing ring. Edition of 10

Portrait head with flute and red hair on yellow background. Print on paper, Edition epreuve d'ariste. Signed lower right.

This artwork titled "Mujer Con Sombrero (Woman with Hat)" 1972 is a large original colors lithograph on Arches paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and numbered 81/100. in pencil by the artist. The artwork size 36.35 x 25.85 inches, sheet size is 37.25 x 26.25 inches, framed size is 52.25 x 40.5 inches. Published by Transworld Art, New York , Printed by Bank Street Atelier, New York. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #132 page 123. Custom framed in a wooden black and silver frame, with silver bevel and fabric matting. It is in excellent condition. About the artist: A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business. In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics into his early still lives and portraits of Mexican men and women. In the early 1920s he also taught art classes in Mexico City's public schools. Despite his involvement in Mexican history, he did not subscribe to the idea of art as nationalistic propaganda. Modern Mexican art at that time was dominated by 'The Three Great Ones' : Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueros, but Tamayo began to be noted as someone 'new' and different' for his blending of the aesthetics of post Revolutionary Mexico with the vanguard artists of Europe and the United States. After the Mexican Revolution, he focused on creating his own identity in his work, expressing what he thought was the traditional Mexico, and refusing to follow the political trends of his contemporary artists. This caused some to see him as a 'traitor' to the political cause, and he felt it difficult to freely express himself in his art. As a result, he decided to leave Mexico in 1926 and move to New York, along with his friend, the composer Carlos Chavez. The first exhibition of Tamayo's work in the United States was held at the Weyhe Gallery, New York, in that same year. The show was successful, and Tamayo was praised for his 'authentic' status as a Mexican of 'indigenous heritage', and for his internationally appealing Modernist aesthetic. (Santa Barbara Museum of Art). Throughout the late thirties and early forties New York's Valentine Gallery gave him shows. For nine years, beginning in 1938, he taught at the Dalton School in New York. In 1929, some health problems led him to return to Mexico for treatment. While there he took a series of teaching jobs. During this period he became romantically involved with the artist Maria Izquierdo...

Archival pigment ink print on 315 gsm fine art paper Edition 100

Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm.

Kvf vii - The Hartley Elegies: The Berlin Series, 1990/91 Screenprint in colours on Saunders Watercolour wove Limited Edition of 50 150 x 150 cm 60 x 60 in

Edition of 50 The Françoise Nielly limited editions are available as pigment prints on aluminium: durable and colourfast hi-definition images with a smooth glass-like luminescent ef...

Limited edition print no. 2/10 Torres Strait Island artist David Bosun is from the tribe of Wug on Moa Island and grew up in a very sensitive cultural environment. From the age of ...

Ashes of Autumn 3 is one of a series of 12 unique color variations of this title. The digital pigment print with diamond dust on canvas is signed and titled on the verso, and framed ...

Lithograph, Edition 20 Morinoue completed her first lithograph at Shark’s in 2006. “The Cove” is a tour de force of drawing and imagination. Taking nearly a year to complete the d...

Print of seated figures waiting for an interview. Edition of 10

Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm.