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Francisco GoyaBuen Viage - Etching by Francisco Goya - 18811881
1881
$767.69
£577.95
€650
CA$1,057.54
A$1,184.38
CHF 617.99
MX$14,466.65
NOK 7,862.61
SEK 7,411.45
DKK 4,947.89
About the Item
Buen Viage is a black and White aquatint, drypoint, and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886.
6th Edition.
Titled on the lower
Very good impression.
Madrid: Calcografia Real, 1881-1886
The first edition of Capricci was published on 6 February 1799 and put on sale the same day in a liquor and perfume shop on Calle DesengaÏo, in Madrid. The same day, in the Diario de Madrid, Goya became concerned and tried to reiterate that the Capricci were a work born from his imagination and without real references. However, worried about the public reaction and the inquisition, he decided after only 27 copies were sold to withdraw the edition from the market and so in 1803 he donated the remaining copies of the Caprices and the related plates to the King in exchange for a pension for his son. The work was subsequently reprinted by the Calcografa Nacional of Madrid in several editions from 1855 to 1937 after the first in 1799.
- Creator:Francisco Goya (1746 - 1928, Spanish)
- Creation Year:1881
- Dimensions:Height: 12.21 in (31 cm)Width: 8.67 in (22 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1494151stDibs: LU650314642332
Francisco Goya
Francisco José de Goya y Lucientes (1746-1828) was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries. His works often contained a social message, like in his "Disasters of War" series. Immensely successful in his lifetime, Goya is often referred to as both the last of the Old Masters and the first of the moderns. He was also one of the great portraitists of his time.
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