Etching Figurative Prints
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Medium: Etching
Recognized Seller Listings
Trio
Located in Fairlawn, OH
Trio
Color aquatint, 1938
Edition 250 printed on Montval wove paper with Maillol watermark
From: Les Fleurs de Mal III (12 color aquatints)
Published by A...
Category
1930s French School Etching Figurative Prints
Materials
Aquatint
The Attic Room
By Louis Icart
Located in Fort Washington, PA
Medium: Lithograph and Etching
Signature: Pencil Signed and -197 Etched in Margin
Image of a woman in an attic room.
Category
1940s Etching Figurative Prints
Materials
Lithograph, Etching
Manhattan Mountains
Located in Storrs, CT
Manhattan Mountains. 1938. Etching and drypoint. 14 3/4 x 12 3/8 (sheet 17 1/4 x 14 3/4). Artist proof, previous to the edition of 40. An atmospheric impression printed on buff-colored laid paper. Signed and dated in the plate. Signed, titled, and annotated 'Final state' and 'Jones Proof'in pencil. Housed in an archival sleeve.
Painter and printmaker Lawrence Nelson...
Category
20th Century American Modern Etching Figurative Prints
Materials
Drypoint, Etching
Man & Beast by Orovida Pissarro - Etching
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
Man & Beast by Orovida Pissarro (1893-1968)
Etching
27 x 22 cm (10 ⁵/₈ x 8 ⁵/₈ inches)
Signed and dated lower right, orovida 1924
Inscribed lower left, Final state no 12/40 and titled lower centre
Artist biography:
Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies.
She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy.
Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...
Category
1920s Post-Impressionist Etching Figurative Prints
Materials
Etching
The Scalby Suite - Secrets of an Aroma
Located in London, GB
Etching, aquatint and embossing on paper
Plate size: 39.5 x 39.5 cms (15 1/2 x 15 1/2 ins)
Paper size: 58 x 58 cms (22 3/4 x 22 3/4 ins)
Category
2010s Etching Figurative Prints
Materials
Aquatint, Etching
Poeme, by Francois Houtint
Located in Palm Springs, CA
Signed and titled by the artist from the edition of 40. A print from early in Houtin's career A fanciful unstructured poem, with plants, designs and words flowing through the image...
Category
1970s Contemporary Etching Figurative Prints
Materials
Etching
Chatter by Orovida Pissarro - Etching
Located in London, GB
Chatter by Orovida Pissarro (1893-1968)
Etching
26 x 19 cm (10 ¹/₄ x 7 ¹/₂ inches)
Signed and dated lower right Orovida 1927
Inscribed lower left Trial proof no. 18/25 and titled lower middle
Artist biography:
Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies.
She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy.
Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...
Category
1920s Post-Impressionist Etching Figurative Prints
Materials
Etching
The Scalby Suite - Honey Jar and Arrangement
Located in London, GB
Etching, aquatint and embossing on paper
Plate size: 39.5 x 39.5 cms (15 1/2 x 15 1/2 ins)
Paper size: 58 x 58 cms (22 3/4 x 22 3/4 ins)
Category
2010s Etching Figurative Prints
Materials
Etching, Aquatint
Boys Sledding
By John Sloan
Located in Fairlawn, OH
Boys Sledding
Etching, 1920
Signed and titled in pencil by the artist below image (see photos)
Annotated in pencil by the artist "100 proofs"
Signed and dated in the plate lower left...
Category
1920s Ashcan School Etching Figurative Prints
Materials
Etching
L'Angellus (The Angel)
Located in Fairlawn, OH
L'Angellus (The Angel)
Etching, engraving and acquatint on Arches paper, 1908
Signed lower right by the artist (see photo)
This is a first state impression printed in a brown/black ink
There was also a color edition of 50 impressions published by Sagot
Reference: Wurzer 27
Provenance: Edmund Sagot, the publisher
Sagot Heirs
Condition: Rich impression. Verso: print has staining. Printer's crease visibile from verso only.
Image/Plate size: 19 1/4 x 15 1/2" (48.9 x 39.37 cm)
Sheet size: 24 x 17 3/8 inches
From the British Museum:
"Colour etcher. Born in Livorno from a family of wealthy Swiss cotton merchants, studied with Giuseppe Ciaranfi and Michele Gordigiani in Florence. In 1886 exhibited with Fattori, Achille Lega and Tommasi in the Prima Esposizione delle Belle Arti in Livorno. In 1888 he and his family moved to Paris, where he studied first with François Flameng until 1892 and later with Carolus-Duran. Müller remained in the French capital until the outbreak of the First World War, taking French citizenship in 1913. He worked in the countryside at Barbizon, Suresnes and elsewhere, but also made frequent visits to his native country, where he exhibited regularly in Florence with the Promotrice Fiorentine. His early work was indebted to Fattori and Plinio Nomellini, but he soon became interested in the Impressionists and was credited by the critic Mario Tinti with introducing the luminism of Monet into Italian art.
Müller was a member of the Société des Artistes Indépendents and exhibited regularly in the Paris dealer...
Category
Early 1900s Art Nouveau Etching Figurative Prints
Materials
Etching
Charing Cross - The Statue of Charles I.
Located in Storrs, CT
Charing Cross -- The Statue of Charles I. 1919. Etching with aquatint and drypoint. 3 5/8 x 4 7/8 (sheet 9 1/8 x 11 3/8). A fine proof with tonal wiping, printed on cream-wove paper. Signed in pencil.
Charing Cross is located at the junction of the Strand, Whitehall, and Cockspur Street in Central London, England. The name originates from the Eleanor cross installed by King Edward I as a memorial to his wife, Eleanor of Castile at the former hamlet of Charing. Since 1675, the cross site has been occupied by a statue of King Charles I mounted on a horse. The pedestal is thought to be designed by Wren and carved by Grinling Gibbons.
Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein.
When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category
Early 20th Century Modern Etching Figurative Prints
Materials
Drypoint, Etching, Aquatint
Leaving the Mosque
By Marius Bauer
Located in Storrs, CT
Leaving the Mosque. 1892. Etching. 4 7/8 x 5 7/8 (sheet 8 3/4 x10 5/16). Number 78. A rich, tonal impression printed on cream laid paper. Signed and numbered in pencil.l. Housed in a...
Category
Late 19th Century Modern Etching Figurative Prints
Materials
Etching
Self Portrait, but Romain Suzzoni
Located in Palm Springs, CA
Signed self portrait, completed around 1980. Suzzoni exhibited throughout Europe beginning in the 1970's. He studied at Académie Frochot from 1965-1968 , and graduated from the Écol...
Category
1980s Contemporary Etching Figurative Prints
Materials
Etching, Aquatint
The Scalby Suite - Towards 2023
Located in London, GB
Etching, aquatint and embossing with hand colouring in watercolour on paper
Plate size: 39.5 x 39.5 cms (15 1/2 x 15 1/2 ins)
Paper size: 58 x 58 cms (22 3/4 x 22 3/4 ins)
Category
2010s Etching Figurative Prints
Materials
Etching, Aquatint
La Poursuite by Orovida Pissarro - Animal etching
Located in London, GB
La Poursuite by Orovida Pissarro (1893-1968)
Etching with aquatint
17.2 x 12.5 cm (6 ³/₄ x 4 ⁷/₈ inches)
Signed and dated lower right Orovida 1917
Inscribed lower left Final State Trial proof no. 1
Artist biography
Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies.
She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy.
Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...
Category
1910s Etching Figurative Prints
Materials
Aquatint, Etching
The Thames from Waterloo.
Located in Storrs, CT
The Thames from Waterloo Bridge. 1913. Etching. Dickins 12. 3 3/4 x 7 1/16 (sheet 7 x 10 15/16). Edition 100. A fine proof with tonal wiping, printed on cream-wove paper. Signed in pencil.
Architectural draughtsman, etcher. Born in Lustdorf, near Odessa, Russia, to a British father and Russian mother. Traveled extensively with his family before studying architecture in St Petersburg, with further studies at Ecole des Beaux-Arts and Atelier Redan, Paris. Practiced architecture in Moscow and was co-designer of the Metropole Hotel, in 1898. Moved to London in 1907 and was employed as an architectural perspectivist. After a sponsored visit to Rome and Venice he had a solo exhibit at the Fine Art Society, 1912, 'Watercolours of London and Venice'; followed by a further four shows. He also exhibited at the Royal Academy, Royal Society of British Artists, Royal Society of Painter-Etchers..., and Connell & Sons. His etchings were published in London by H C Dickens,1913-24, and a folio of his work 'Architectural watercolors and etchings of William Walcot' was published, in 1919. Elected RE, 1920; FRIBA, 1922; Associate British School at Rome. A foremost architectural draughtsman, he worked from studios in London, Oxford and Rome.
The complete set of The Arteries of Great Britain includes: The Thames, The Tyne, The Forth, The Clyde, The Mersey. Signed in pencil .Housed in a 16 x 20 inch mat suitable for framing.
Opened in 1890, the Forth Bridge...
Category
Early 20th Century Modern Etching Figurative Prints
Materials
Etching
The Scalby Suite - Blue Vase and Arrangement on Green
Located in London, GB
Etching, aquatint and embossing on paper
Plate size: 39.5 x 39.5 cms (15 1/2 x 15 1/2 ins)
Paper size: 58 x 58 cms (22 3/4 x 22 3/4 ins)
Category
2010s Etching Figurative Prints
Materials
Etching, Aquatint
The Scalby Suite - Jar and Arrangement. For WN.
Located in London, GB
Etching, aquatint and embossing on paper
Plate size: 39.5 x 39.5 cms (15 1/2 x 15 1/2 ins)
Paper size: 58 x 58 cms (22 3/4 x 22 3/4 ins)
Category
2010s Etching Figurative Prints
Materials
Etching, Aquatint
The Scalby Suite - Jar and Arrangement
Located in London, GB
Etching, aquatint and embossing on paper
Plate size: 39.5 x 39.5 cms (15 1/2 x 15 1/2 ins)
Paper size: 58 x 58 cms (22 3/4 x 22 3/4 ins)
Category
2010s Etching Figurative Prints
Materials
Etching, Aquatint
Bright Beach
Located in Berkeley, CA
Isca Greenfield-Sanders
Bright Beach
Direct to plate photogravure and aquatint.
Edition of 50
Category
21st Century and Contemporary Contemporary Etching Figurative Prints
Materials
Etching
Another Sleepless Night
Located in Berkeley, CA
Color sugarlift aquatint and spitbite aquatint.
Paper Size: 32.5” x 44”
Edition of 30
Category
2010s Etching Figurative Prints
Materials
Etching
The Plumed Hat.
By Arthur Paine Garratt
Located in Storrs, CT
The Plumed Hat. c.1912. Drypoint. 10 7/8 x 7 7/8 . A rich impression printed with drypoint burr on cream paper with full margins. Extensive pencil additions. Unsigned. The brimmed ha...
Category
1910s Modern Etching Figurative Prints
Materials
Drypoint, Etching
L'Aieule (The Grandmother)
Located in Fairlawn, OH
L'Aieule (The Grandmother)
Etching and aquatint printed in colors, 1904
Signed with the red stamp of the publisher, Gustave Pellet, Lugt 1193 and numbered (see photo)
Edition: 100 (81/100)
Reference: Arwas 202 iv/IV
IFF 98
Condition: Excellent, the sheet aged as usual
Image size: 14 1/4 x 18 5/8"
Sheet size: 16 15/16 x 24 1/4"
Louis Auguste Mathieu Legrand (29 September 1863 – 1951) was a French artist, known especially for his aquatint engravings, which were sometimes erotic. He was awarded the Légion d'honneur for his work in 1906.
Life
Legrand was born in the city of Dijon in the east of France. He worked as a bank clerk before deciding to study art part-time at Dijon's Ecole des Beaux-Arts. He won the Devosge prize at the school in 1883.[2] In 1884 Legrand studied engraving under the Belgian printmaker Félicien Rops.
Legrand's artworks include etchings, graphic art and paintings. His paintings featured Parisian social life. Many were of prostitutes, dancers and bar scenes, which featured a sense of eroticism. According to the Hope Gallery, "Louis Legrand is simply one of France's finest early twentieth century masters of etching." His black and white etchings especially provide a sense of decadence; they have been compared to those of Henri de Toulouse-Lautrec, though his drawings of the Moulin Rouge, the can-can dance and the young women of Montmartre preceded Toulouse-Lautrec's paintings of similar scenes. He made over three hundred prints of the night life of Paris. They demonstrate "his remarkable powers of observation and are executed with great skill, delicacy, and an ironic sense of humor that pervades them all."
Two of his satirical artworks caused him to be tried for obscenity. The first, "Prostitution" was a symbolic drawing which depicted a naked girl being grasped by a dark monster which had the face of an old woman and claws on its hands; the second, "Naturalism", showed the French novelist Émile Zola minutely studying the thighs of a woman with a magnifying glass. Defended by his friend the lawyer Eugène Rodrigues-Henriques (1853–1928), he was found not guilty in the lower court, but was convicted in the appeal court and then given a short prison sentence for refusing to pay his fine.
Legrand was made famous by his colour illustrations for Gil Blas magazine's coverage of the can-can, with text by Rodrigues (who wrote under the pseudonym Erastene Ramiro). It was a tremendous success, with the exceptional quantity of 60,000 copies of the magazine being printed and instantly sold out in 1891.
In 1892, at the instigation of the publishing house Dentu, Legrand made a set of etchings of his Gil Blas illustrations. The etchings were published in a book, Le Cours de Danse Fin de Siecle (The End of the Century Dance Classes).
Legrand took a holiday in Brittany, which inspired him to engrave a set of fourteen lithographs of simple country life called Au Cap de la Chevre (On Goat Promontory). It was published by Gustave Pellet who became a close friend of Legrand's. Pellet eventually published a total of 300 etchings by Legrand, who was his first artist; he also published Toulouse-Lautrec and Félicien Rops among others.
He did not only work in graphics; he exhibited paintings at the Paris salon of the Société Nationale des Beaux-Arts starting in 1902. In 1906 he was made a chevalier of the Légion d'honneur.
Legrand died in obscurity in 1951. A retrospective exhibition was held at the Félicien Rops museum in Namur, Belgium in 2006 to celebrate his graphic art. The art collector Victor Arwas published a catalogue raisonné for the occasion.
Books illustrated
de Maupassant, Guy: Cinq Contes Parisiens, 1905.
Poe, Edgar Alan: Quinze Histoires d'Edgar Poe...
Category
Early 1900s Art Nouveau Etching Figurative Prints
Materials
Aquatint
Plate XII
Located in Fairlawn, OH
Plate XII, Le Cocu Magnifique
From: Le Cocu Magnifique
Etching & aquatint, 1968
From the unsigned edition of 200 impressions printed on Rives BFK paper (see photo)
Signed in pencil o...
Category
1960s French School Etching Figurative Prints
Materials
Etching
Figure Study (From Interior: Evening)
Located in Fairlawn, OH
Signed and numbered by the artist
Edition: 25
Printed on Hahnemuhle paper
Published by Neptune Fine Arts
Condition: excellent
Plate/Image size:
Sheet size:
"Stone Roberts’ luminous still lifes, private interiors, and large-scale panoramas of figures in motion invite us to look—and then look some more—and relish in the sensuality of the three-dimensional world. While Roberts’ varied influences include Greek Mythology and Roman Classicism, Dutch and Spanish Old Masters, Fantin-Latour, Ingres, and Balthus, his subjects are decidedly of today. From Grand Central Terminal to his wife gardening in Stonington, Connecticut, Roberts paints people and places from his personal surroundings into formal compositions that often appear to have mythical, literary, or psychological elements. Roberts received his B.A. from Yale University, New Haven, CT, where he studied painting with William Bailey, and his M.F.A. from the Tyler School of Art, Philadelphia, and Rome.
Roberts' work can be found in numerous public and private collections throughout the United States and Europe, including the collection of The Metropolitan Museum of Art and the Louis-Dreyfus Family Collection, New York.
A solo exhibition of Stone Roberts’ work was held at the Museum of the City of New York in 2012 entitled Stone Roberts: New York City Paintings." Courtesy of Hirschl & Adler Modern
PUBLIC COLLECTIONS
Asheville Art Museum, Asheville, NC
Sydney and Walda Besthoff
Biltmore Estate, Asheville, NC
Mrs. Robert Carroll
Mr. and Mrs. Willam Cecil
Chase Manhattan Bank, New York, NY
Evansville Museum of Arts and Sciences, Evansville, IN
Jerald Dillon Fessenden
Flint Institute of Arts, Flint, MI
Ms. Barbara Goldsmith
Mrs. Paul Gottlieb
Mr. and Mrs. Graham Gund
Mr. and Mrs. Arie L. Kopelman
Alex S. Jones
William Louis-Dreyfus
Mr. and Mrs. James C. Marlas
J.D. McClatchy and Chip Kidd
Mr. and Mrs. Richard L. Menschel
The Metropolitan Museum of Art, New York, NY
Mrs. Stephen Paine
Mr. and Mrs. W.J.W.J. van Roijen
Mrs. Julius Rosenwald II
Mark Singer
Carl Spielvogel and Barbaralee Diamonstein-Spielvogel
Bruce Springsteen and Patti Scialfa
Stephens Inc., Little Rock, Arkansas
Woodberry Forest...
Category
20th Century American Realist Etching Figurative Prints
Materials
Etching
The Biggest of All; Telephone and Telegraph Building.
Located in Storrs, CT
The Biggest of All; Telephone and Telegraph Building. 1925. Etching. Wuerth 853. 9 7/8 x 11 7/8 (sheet 11 1/2 x 17 1/8). Edition probably 35. An atmospheric impression with plate tone, printed on antique laid paper...
Category
Early 20th Century American Modern Etching Figurative Prints
Materials
Etching, Drypoint
Sotto Portico, Venice.
By James McBey
Located in Storrs, CT
Sotto Portico, Venice. 1928. Etching. Hardie/Carter 235. 12 1/2 x 8 3/4 (sheet 8 1/4 x 11 3/8). Edition 80, #39. A rich impression printed in black/brown ink with subtle tonal wiping...
Category
1920s Modern Etching Figurative Prints
Materials
Drypoint, Etching
A Mirage
By James McBey
Located in Storrs, CT
A Mirage. 1928. Etching. Hardie 238. 11 13/16 x 14 3/8 (sheet 12 3/16 x 18 3/4). Edition 76, #46. Illustrated: Fine Prints of the Year, 1928 and 1938; Holmes, Etchings of Today. A ri...
Category
1920s Modern Etching Figurative Prints
Materials
Drypoint, Etching
The Last Roundup
By David Avery
Located in Palm Springs, CA
Signed and numbered from the edition of 30. Avery's prints often mix elements of satire, myth and legend with his own light touch of surrealism. This skeleton is riding an oil pump...
Category
2010s Surrealist Etching Figurative Prints
Materials
Etching
El Vaquero, by Xavier Viramontes
Located in Palm Springs, CA
This is one of six cowboy images completed by the artist. Chicano artist Viramontes is known for both political subject matter, as well as more personal s...
Category
21st Century and Contemporary Contemporary Etching Figurative Prints
Materials
Etching, Aquatint
Siamese Cats by Orovida Pissarro - Animal etching
Located in London, GB
SOLD UNFRAMED
Siamese Cats by Orovida Pissarro (1893-1968)
Etching
10 x 7.5 cm (4 x 3 inches)
Artist biography
Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, wa...
Category
1940s Etching Figurative Prints
Materials
Etching
The Passing Gondola
By James McBey
Located in Storrs, CT
The Passing Gondola. c. 1926. Etching. Edition 80, #18. Hardie/Carter 230. 8 1/2 x 10 1/2 (sheet 11 1/4 x 13). Illustrated: Fine Prints of the Year, 1927. Printed on antique wove pap...
Category
1920s Modern Etching Figurative Prints
Materials
Drypoint, Etching
Peccarys and Tiger Pranks by Orovida Pissarro - Animal etching
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
Peccarys and Tiger Pranks by Orovida Pissarro (1893-1968)
Etching and aquatint
31.5 x 23 cm (12 ⅜ x 9 inches)
Sig...
Category
1920s Etching Figurative Prints
Materials
Aquatint, Etching
Ludgate Hill
Located in Storrs, CT
Ludgate Hill. 1921. Etching, aquatint, and drypoint. Dickins 69. 5 5/8 x 5 1/8 (sheet 13 5/8 x 9 3/4). A fine proof with plate tone, printed on 'J Wha[tman] cream wove paper. Edition of 275 for the UK and 125 for the US. Signed in pencil.
Ludgate Hill is a street that runs west from St. Paul's Churchyard to Ludgate Circus (built in 1864), and from there becomes Fleet Street. The Ludgate Hill railway station, between Water Lane and New Bridge Street, is a station of the London, Chatham, and Dover Railway. It was closed before World War II and the railway bridge and viaduct between Holborn Viaduct and Blackfriars stations was demolished in 1990 to enable the construction of the City Thameslink railway station in a tunnel. This also involved the regrading of the slope of Ludgate Hill at the junction. About halfway up Ludgate Hill is St Martin, Ludgate church. This was physically joined to the Ludgate.
When he was seventeen, William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category
Early 20th Century Modern Etching Figurative Prints
Materials
Drypoint, Etching, Aquatint
Chelsea Old Church, London
Located in Storrs, CT
Chelsea Old Church. 1924. Etching, drypoint, and aquatint. Dickins 94. 5 3/8 x 8 (sheet 8 1/2 x 9 3/4). Edition 100 for The Print Collector's Club. A fine proof with tonal wiping, printed on cream wove paper. Signed and dedicated "W.R. Button from W. Walcot London 1930" in pencil.
Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein.
When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category
Early 20th Century Modern Etching Figurative Prints
Materials
Drypoint, Etching, Aquatint
The Gargoyle and His Quarry
Located in Storrs, CT
The Gargoyle and His Quarry, Notre Dame. 1920. Etching.Fletcher 90. 7 1/8 x 5 1/4 (sheet 10 1/2 x 9 1/16). Gargoyle series #1. Edition 75. A rich impression printed on 'FJHead&Co' c...
Category
1920s American Modern Etching Figurative Prints
Materials
Drypoint, Etching
FRANKIE AND JOHNNIE or HIM
By John Sloan
Located in Portland, ME
Sloan, John (American, 1871-1951). FRANKIE AND JOHNNIE. or HIM Morse 236. Etching, 1928. Edition of 100 (but only 50 were printed, by Platt). Dated and Titled in the plate, and Signed in pencil by Sloan and inscribed "100 Proofs," and also signed by Peter Platt. With tack holes and deckled edges. 5 x 8 inches, 126 x 203 mm. (plate), 8 1/2 x 12 1/4 inches (sheet). In excellent condition.
From Morse:
" A small chorus singing 'Frankie and Johnnie' crowds the tiny stage of the Provincetown Players Theater in MacDougal Street. An episode from E. E. Cummings' intelligent and entertaining production, HIM." (Sloan writing in 1945).
"HIM" is about as thrilling an evening's entertainment as I have ever experienced. I liked it thoroughly -- I do not claim to understand it -- I do not believe that a work of art can be, nor need be understood, even by the maker. It seemed to me to be a glimpse inside the cranium of an artist-poet." (Sloan in a letter to James Light, the director of the play)
Though Morse says the stars were Hemsley Williams and Goldye Steiner, it was actually Hemliey Winfield (1907 - 1934), the founder of the New Negro Art Theater Dance Group. This company was very successful and highly regarded. It appeared in the Metropolitan Opera's premier of Louis Gruenberg's setting of Eugene O'Neill's "The Emperor...
Category
1920s Etching Figurative Prints
Materials
Etching
'Grand Central Station' — 1920s New York City
By Otto Kuhler
Located in Myrtle Beach, SC
Otto Kuhler, 'Grand Central Station', etching and drypoint, 1927, edition c. 50, Kennedy 27. Signed and titled in pencil. A superb, richly-inked impression, in brown/black ink, with ...
Category
1920s American Impressionist Etching Figurative Prints
Materials
Drypoint, Etching
L'Enfant Et Le Maître Décole (The Child and the School Teacher)
By Marc Chagall
Located in Fairlawn, OH
L'Enfant Et Le Maître Décole (The Child and the School Teacher
Etching with hand coloring by Chagall, 1927-1930
Signed in the plate lower right (see photo)
From La Fontaine Les Fable...
Category
1920s French School Etching Figurative Prints
Materials
Etching
The Nomads by Orovida Pissarro - Etching
Located in London, GB
The Nomads by Orovida Pissarro (1893-1968)
Etching and aquatint, final state 21/42
27 x 41 cm (10 ⁵/₈ x 16 ¹/₈ inches)
Signed, Orovida, and dated 1925
Orovida was a gifted printmake...
Category
1920s Art Deco Etching Figurative Prints
Materials
Etching
Portrait by Orovida Pissarro - etching
Located in London, GB
Portrait by Orovida Pissarro (1893-1968)
Etching
25 x 16.5 cm (9 ⁷/₈ x 6 ¹/₂ inches)
Signed and dated lower right, Orovida 1919
Inscribed lower left, Trial proof no. 20 and titled lo...
Category
1910s Etching Figurative Prints
Materials
Paper, Etching
Man & Beast by Orovida Pissarro - Etching
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
Man & Beast by Orovida Pissarro (1893-1968)
Etching
27 x 22 cm (10 ⁵/₈ x 8 ⁵/₈ inches)
Signed and dated lower rig...
Category
1920s Etching Figurative Prints
Materials
Etching
THE SUCCESSFUL FORTUNE HUNTER - Leading Miss Morrowfat to the Temple of Hyman
Located in Santa Monica, CA
THOMAS ROWLANDSON (1757 - 1827)
THE SUCCESSFUL FORTUNE HUNTER - Our Captain Shelalee Leading Miss Morrowfat to the Temple of Hyman, 1802 issued in 18...
Category
1810s English School Etching Figurative Prints
Materials
Etching
LEANING ON THE WALL
Located in Portland, ME
Bishop, Isabel. LEANING ON THE WALL. Teller 4. Etching, 1927. A rare Proof printed by the artist; there was no edition of this print. Signed in pencil, lower right, and inscribed "Li...
Category
1920s Etching Figurative Prints
Materials
Etching
Stratagems
Located in Palm Springs, CA
Signed, titled and numbered by artist. This is #1 of 50 from the edition, from the archives of Galerie Michèle Broutta in Paris.
Hélène Csech is a Postwar & Contemporary artist who ...
Category
1980s Contemporary Etching Figurative Prints
Materials
Aquatint, Etching
Make Fast, Plate 2.
Located in Storrs, CT
Make Fast, plate 2. 1929. Etching. Laver catalog number 146; Hurst catalog number 258. Plate: 14 3/8 x 9 13/16 (sheet 17 5/8 x 11 3/4). Trial proof 2, before the edition or 75. Ill...
Category
1920s Modern Etching Figurative Prints
Materials
Drypoint, Etching
Patitcha
Located in London, GB
Henri Matisse
Patitcha
1947
Aquatint on BFK Rives paper, Edition of 25
Paper size: 55.5 x 38 cms (22 x 15 ins)
Image size: 34.9 x 27.6 cm (13 3/4 x 10 7/8 ins)
HM15405
Selected Coll...
Category
1940s Modern Etching Figurative Prints
Materials
Aquatint
Going Home
By Leon Kossoff
Located in London, GB
Leon Kossoff
Going Home
1984
Dry point etching and aquatint. Edition of 60
57.1 x 64.7 cms (22.5 x 25 1/2 ins) (paper size)
40.5 x 51.5 cms (15 15/16 x 20 1/4 ...
Category
1980s Etching Figurative Prints
Materials
Aquatint, Etching
Grand Tier and the Met
Located in Fairlawn, OH
Grand Tier at the Met
Etching, 1939
From: Reginald Marsh, Thirty Etchings and Engravings
Published by the Whitney Museum of American Art, 1969
Unsigned (as usu...
Category
1930s American Modern Etching Figurative Prints
Materials
Etching
San Marco [Venice].
Located in Storrs, CT
William Walcot. R.E., R.I.B.A. San Marco. Etching with drypoint and aquatint. Dickins 66, Harvey-Lee 91. 3 7/8 x 5 7/8 (sheet 9 1/4 x 12 1/8). Venice set, # 2. Edition 415. A rich impression printed on cream wove paper. Fold in the margin, well outside the image; otherwise good condition. Signed in pencil. Housed in a 16 x 20-inch archival mat.
Soon after Walcot's arrival in England, the Fine Art Society sponsored a trip sent to Italy. This scene is one of four small drypoints that resulted from the artist’s stay in Venice.
When he was seventeen, he began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category
Early 20th Century Modern Etching Figurative Prints
Materials
Drypoint, Etching, Aquatint
Bailey's Beach, Newport, Rhode Island.
Located in Storrs, CT
Bailey's Beach (Newport, Rhode Island). c. 1931-1933. Etching and drypoint. Hausberg catalog 126 state vi. Edition 75. 6 x 7 7/8 (sheet 9 9/16 x 12 1/2). Printed on cream wove paper ...
Category
Mid-20th Century American Modern Etching Figurative Prints
Materials
Drypoint, Etching
Plate X, Le Cocu Magnifique
Located in Fairlawn, OH
Plate X, Le Cocu Magnifique
Etching & aquatint, 1968
Unsigned
Edition: From the unsigned edition of 200 impressions printed on Rives BFK paper
There is also a signed edition of 30 im...
Category
1960s French School Etching Figurative Prints
Materials
Aquatint, Etching
Fidelma II
By Leon Kossoff
Located in London, GB
Leon Kossoff
Fidelma II
1984
Etching, Edition of 100
43.2 x 30.5 cms (17 x 12 ins) (paper size)
10 x 13 cms (3 15/16 x 5 1/8 ins) (plate size)
Category
1980s Etching Figurative Prints
Materials
Etching
Two Seated Figures
By Leon Kossoff
Located in London, GB
Leon Kossoff
Two Seated Figures
1982
Aquatint etching
52.3 x 64.7 cms (20 1/2 x 25 1/2 ins) (paper size)
40.5 x 37 cms (15 15/16 x 14 9/16 ins) (plate size)
Category
1980s Etching Figurative Prints
Materials
Etching
Fidelma 3
By Leon Kossoff
Located in London, GB
Leon Kossoff
Fidelma 3
1984
Etching, Edition of 100
43.2 x 30.5 cms (17 x 12 ins) (paper size)
10.4 x 6.2 (4 1/16 x 2.7/16 ins) (plate size)
Category
1980s Etching Figurative Prints
Materials
Etching
Head 1
By Leon Kossoff
Located in London, GB
Leon Kossoff
Head 1
1984
Etching, Edition of 25
26 x 17 cms (10.24 x 6.69 ins) (paper size)
5 x 3.7 cms (1 15/16 x 1 7/16 ins) (plate size)
Category
1980s Etching Figurative Prints
Materials
Etching
Rupert Rides by Orovida Pissarro - Animal etching
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
Rupert Rides by Orovida Pissarro (1893-1968)
Etching
31 x 23.5 cm (12 ¼ x 9 ¼ inches)
Signed and dated lower righ...
Category
1950s Post-Impressionist Etching Figurative Prints
Materials
Etching
The Table by the Window
By Leon Kossoff
Located in London, GB
Leon Kossoff
The Table by the Window
1982
Etching, Edition of 25
52.5 x 65.4 cms (20 11/16 x 25 3/4 ins) (paper size)
27.8 x 38 cms (10 15/16 x 14 15/16 ins) (plate size)
Category
1980s Etching Figurative Prints
Materials
Etching
Etching figurative prints for sale on 1stDibs.
Find a wide variety of authentic Etching figurative prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add figurative prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of yellow, orange, blue, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Leo Guida, Thomas Holloway, Salvador Dalí, and Giuseppe Vasi. Frequently made by artists working in the Modern, Old Masters, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Etching figurative prints, so small editions measuring 0.04 inches across are also available