Etching Figurative Prints

An award-winning intaglio etching by artist Sabrina Lafaye that narrate her familial ecosystem as it relates to the ancient Japanese tradition of Ama pearl divers. As pioneers of the freshwater cultured pearl business on the Tennessee River, Latendresse LaFaye's family is deeply connected to nature, specifically water. LaFaye translates family photos...

The Passage is an etching realized by Nicholas Cochin in 1755. Signed on the plate. Good conditions. The artwork is depicted through confident strokes.

Pyramid is an etching realized by Jérôme Charles Bellicard in the 18th Century. Signed on the plate. Good conditions. The artwork is depicted through confident strokes.

Le Nil is an etching realized by Jean Francois Poletnich in the 18th Century. Good conditions with foxing. The artwork is depicted through confident strokes. ...

Anatomy Studies is an etching realized by Jean Francois Poletnich in 1755. Good conditions with foxing. The artwork is depicted through confident strokes. The etching was realized...

Anatomy Studies is an etching realized by Jean Francois Poletnich in 1755. Good conditions with foxing. The artwork is depicted through confident strokes. The etching was realized...

Anatomy Studies is an etching realized by Jean Francois Poletnich in 1755. Good conditions with foxing. The artwork is depicted through confident strokes. The etching was realized...

Anatomy Studies is an etching realized by Jean Francois Poletnich in 1755. Good conditions with foxing. The artwork is depicted through confident strokes. The etching was realized...

Sibilla Sibilla (Sibyl) is an artwork realized by the italian Contemporary artist Leo Guida (1992 - 2017) in 1975s. Black and white etching on paper. Good condition Leo Guida (1...

An award-winning intaglio etching by artist Sabrina Lafaye that narrates her familial ecosystem as it relates to the ancient Japanese tradition of Ama pearl divers. As pioneers of the freshwater cultured pearl business on the Tennessee River, Latendresse LaFaye's family is deeply connected to nature, specifically water. LaFaye translates family photos...

An award-winning intaglio etching by artist Sabrina Lafaye that narrates her familial ecosystem as it relates to the ancient Japanese tradition of Ama pearl divers. As pioneers of the freshwater cultured pearl business on the Tennessee River, Latendresse LaFaye's family is deeply connected to nature, specifically water. LaFaye translates family photos...

Dreamy landscape is an etching realized by Pierre-Edme Babel in 18th Century. Good conditions. Signed in plate. The artwork is depicted through confident strokes.

Dreamy landscape is an etching realized by Pierre-Edme Babel in 18th Century. Good conditions. Signed in plate. The artwork is depicted through confident strokes.

This artwork titled "Burgtheater, Vienna" c. 1970 is an original color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. The p...

Gondoliers in Venice is an etching realized by Gianpaolo Berto in 1974. 60 X 75 cm , no frame. Edition 24/50. Numbered and firmed by the artist in the lower margin. Good condition...

Anatomy Studies is an etching realized by Nicholas Cochin in 1755. Good conditions with slight foxing. Signed in the plate. The artwork is depicted through confident strokes. The...

This is an artist proof (one of a kind) etching of a woman peaking behind a bull's skull with other live bulls dancing around behind. The work has movement and a feeling of a circle...

Apollon is an etching realized by Jean François Poletnich in 18th Century. Good conditions. The artwork is depicted through confident strokes.

Namiko Prado Arai (Mexico, 1963) 'La regadera', 2003 silkscreen on paper Guarro Super Alpha 250g. 39.4 x 27.6 in. (100 x 70 cm.) Edition of 50 ID: PRA-301 Unframed

This artwork titled "Unter Den Linden Street, Berlin, Germany" c.1930 is a color etching on watermarked Kasimir Vienna paper by Austrian artist Luigi Kas...

Green Finch is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by Stu...

Hercule is an etching realized by Jean François Poletnich in 18th Century. Good conditions. The artwork is depicted through confident strokes.

Don Quixote and the Women is anetching and drypoint print on ivory-colored China paper, realized by Wladyslaw Jahl in 1951. It belongs to a limited edition of 125 specimens. Good c...

Flor y el Vejo is an etching and drypoint print on ivory-colored Japanese paper, realized by Wladyslaw Jahl in 1951. It belongs to a limited edition of 125 specimens. Good conditio...

The Arrival of Don Quixote is an etching and drypoint print on ivory-colored Japanese paper, realized by Wladyslaw Jahl in 1951. It belongs to a limited edition of 125 specimens. G...

Don Quixote Leaves the Stable on his Horse is an etching and drypoint print on ivory-colored China paper, realized by Wladyslaw Jahl in 1951. It belongs to a limited edition of 125 ...

Don Quixote and Sancho Panza is an etching and drypoint print on ivory-colored China paper, realized by Wladyslaw Jahl in 1951. It belon...

Don Quixote and the Ghosts is an etching and drypoint print on ivory-colored China paper, realized by Wladyslaw Jahl in 1951. It belongs to a limited edition of 125 specimens. Goo...

Don Quixote Surrounded is an etching and drypoint print on ivory-colored China paper, realized by Wladyslaw Jahl in 1951. It belongs to a limited edition of 125 specimens. Good con...

Don Quixote is an etching and drypoint print on ivory-colored China paper, realized by Wladyslaw Jahl in 1951. The artwork belongs to a limited edition of 125 specimens. Good condi...

The Meeting is an etching and drypoint print on ivory-colored China paper, realized by Wladyslaw Jahl in 1951 for the Suite Don Quixote. They belong to a limited edition of 125 spec...

Don Quixote in the Chariot is an etching and drypoint print on ivory-colored China paper, realized by Wladyslaw Jahl in 1951. They belong to a limited edition of 125 specimens. Go...

The Entrance of Don Quixote is an etching and drypoint print on ivory-colored China paper, realized by Wladyslaw Jahl in 1951. They belong to a limited edition of 125 specimens. Go...

Don Quixote's Hunt is an etching and drypoint print on ivory-colored China paper, realized by Wladyslaw Jahl in 1951. They belong to a limited edition of 125 specimens. Good condit...

This artwork titled "Bremen Markt Vor Dem Rathaus" 1936, is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed by the estate in pencil at the lower center. The plate mark (image) size is 21.5 x 16.15 inches, framed size is 33 x 27 inches. Custom framed in a wooden silver frame, with fabric matting and and dark brown and red fillets. It is in excellent condition. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...

Country and coast: Scilla, Calabria, Italy. Etching and Watercolour (hand coloured) Very good conditions.

A woman tilts her head towards the viewer, one eye peaking around the edge of the frame in this small etching by Juan Barragán. It is enhanced by the bl...

Heinrich Haberl (1869 Passau to 1934 Munich), Sturmhaube, c. 1900. drypoint, 14 x 10 cm (platemark), 28 x 21 cm (sheet size), 39 x 29 cm (passe-partout), titled "Sturmhaube" in lead at lower left and inscribed "Kaltnadelradierung", signed and locally inscribed "Heinrich Haberl Mchn. [Munich]" at lower right, inscribed again in lead on verso and with old collection stamp. - slightly darkened, fixed and mounted - The target in sight - About the artwork The theatrical "role-portrait" is to be seen against the background of the Rembrandt cult, which reached its climax at the end of the 19th century. The soldier seems to have stepped straight out of Rembrandt's Night Watch (1642) to fix something outside the picture with an alert and ready gaze. The steeply rising brim of the morion frames the gaze and thus perspectivises it as the actual 'pictorial action'. The gaze represents both the vigilant defence and the visionary goal of the battle. Not only the subject, but also the style of the etching needle reflect Rembrandt's understanding of the times. Strong contrasts of light and dark are created in a virtuoso free stroke, without losing the effect of the reflections on the helmet and in the eyes. This shows a kinship with the early prints of Lovis Corinth, who also saw himself as an artist in the role of the knight. Against this background, Haberl's picture can also be seen as a representation of his artistic self-image. About the artist Heinrich Haberl first attended the art school in Nuremberg and from 1892 studied at the Munich Academy. There he was a master student of Johann Leonhard von Raab, Rudolf von Seitz, Franz von Defregger...

Etching in black ink on cream laid Japon paper, 9 1/16 × 7 1/16 inches (229 x 178 mm), full margins. With an ink stamp from the collection of E.A. Scollin, M.D., Springfield, IL, an...

Artist: Roberto Matta, Chilean (1911 - 2002) Title: La Source du Calme Year: 2002 Medium: Carborundum Etching on Hand-Made Paper, signed and numbered in marker Edition: 125, XXXV Pap...

Yellow Wagtail is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by ...

Deuchar, David (after van Ostade). Three Grotesque Figures. Edinburgh: 1800. Etching on extremely fine cream laid paper, 3 1/2 x 2 7/8 inches (87 x 60 mm), thread margins. Adhesive ...

Deuchar, David (after van Ostade). The Couple Walking. Edinburgh: c1800. Etching on cream wove paper, 3 x 2 1/8 inches (75 x 54 mm), trimmed at the platemark. Minor condition issues ...

Etching on Chine collé mounted to cream wove paper, 3 7/8 x 5 7/8 inches (97 x 147 mm), full margins. With a pencil notation in the right margin on the recto (outside of image area),...

Medium: original etching. This classic Villon etching was published in Paris in 1955 by Manuel Bruker in an edition of 200. Plate size 11 x 8 1/2 inches...

ALEX KATZ (1927-Present) Alex Katz 'Ada Four Times 3' is a screenprint and lithograph printed in colors on Arches wove paper, printed by Styria Studi...

Singing Falcon is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by ...

The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”), an eight-volume volume of engravings of the finds fr...

Genesis 14 -Old Testament Story is an Etching print realized by the artist Giovanni Lanfranco. About The Old Testament Story, 1607 ca. Passpartout...

Roman Still Life Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Carlo Oraty in the 18th Century. Signed on the plate. Good conditions with some folding...

Crow is an artwork realized by the Contemporary Italian artist Leo Guida (1992 - 2017) in 1972. Original black and white etching on paper. Hand Signed on the lower right margin, da...

Pinchas Burstein ¨Maryan¨ (Polonia, 1927-1977) 'Sin título (azul)', 1975 Lithograph on paper 24.5 x 20.9 in. (62 x 53 cm.) Edition of 75 ID: BUR1102-001-075

Monkey With Flowers is an Etching realized by Leo Guida in 1970s. Good condition, no signature. Artist sensitive to current issues, artistic movements and historical techniques, Le...

Roman Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Nicola Fiorillo in the 18th Century. Signed on the plate. Good conditions with some folding. The ...

Bold abstract aquatint by Johnny Friedlaender (Polish-French, 1912-1992). Comprised of two main sections, this piece is full of detail and texture. The upper layer is a reddish tan, whereas the bottom layer is a rich brown. Geometrical shapes are arranged such that they almost form mirror images of each other, but vary enough to create interest and a sense of movement. Signed in the lower right corner. Numbered 56/350 in the lower left corner. Includes original certificate of authenticity. Presented in a new cream mat with foamcore backing. Mat size: 42"H x 32"W Paper size: 33.75"H x 24.5"W Johnny Friedlaender was a leading 20th century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Johnny Gotthard Friedlaender was born in Pless (Silesia) and his early studies were in Breslau under Otto Mueller. In 1936 Friedlaender journeyed to Czechoslovakia, Switzerland, Austria, France and Belgium. At the Hague he held a successful exhibition of etchings and watercolours. He fled to Paris in 1937 as a political refugee of the Nazi regime with his young wife, who was an actress. In that year he held an exhibition of his etchings which included the works: L 'Equipe and Matieres et Formes. From 1939 to 1943 he was interned in a series of concentration camps, but survived against poor odds. After freedom in 1944 Friedlaender began a series of twelve etchings entitled Images du Malheur with Sagile as his publisher. In the same year he received a commission to illustrate four books by Freres Tharaud of the French Academy. In 1945 he performed work for several newspapers including Cavalcade and Carrefour. In the year 1947, he produced the work Reves Cosmiques, and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a friendship with the painter Nicolas de Stael and held his first exhibition in Copenhagen at Galerie Birch. The following year he showed for the first time in Galerie La Hune in Paris. After living in Paris for 13 years, Friedlaender became a French citizen in 1950. Friedlaender expanded his geographic scope in 1951, and exhibited in Tokyo in a modern art show. In the same year he was a participant in the XI Trienale in Milan, Italy. By 1953 he had produced works for a one-man show at the Museum of Neuchâtel and exhibited at the Galerie Moers in Amsterdam, the II Camino Gallery in Rome, in São Paulo, Brazil and in Paris. He was a participant of the French Italian Art Conference in Turin, Italy that same year. Friedlaender accepted an international art award in 1957, becoming the recipient of the Biennial Kakamura Prize in Tokyo. In 1959 he received a teaching post awarded by UNESCO at the Museum of Modern Art in Rio de Janeiro. By 1968, Friedlaender was travelling to Puerto Rico, New York and Washington, D.C. to hold exhibitions. That year he also purchased a home in the Burgundy region of France. 1971 was another year of diverse international travel including shows in Bern, Milan, Paris, Krefeld and again New York. In the latter city he exhibited paintings at the Far Gallery, a venue becoming well known for its patronage of important twentieth century artists. From his atelier in Paris Friedlaender instructed younger artists who themselves went on to become noteworthy, among them Arthur Luiz Piza, Brigitte Coudrain, Rene Carcan...

Heron and Stork is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by...

Tourtorelle With Necklace is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, pu...

Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Fernando Strina in the 18th Century. Signed on the plate. Good conditions. The etching belongs to the p...