Lithograph Figurative Prints

Gudmundur Gudmundsson, aka Erró (Icelandic, b. 1932) L’ultima visita di Mao a Venezia, 2002 Medium: Portfolio containing 12 lithographs in color, on paper (in red cloth folder) Image...

Artist: Peter Max (1937) Title: Protect Our Future Ver. II Year: 2002 Edition: 500/500, plus proofs Medium: Lithograph on archival paper Size: 13.81 x 17.12 inches Condition: Excelle...

Mel Ramos (born 1935) Caramia Caramello, 2008 Medium: Lithograph in colors Dimensions: 94.5 x 58 cm Edition of 199: Hand-signed and numbered Condition: Excellent “Mr. Ramos (…) bega...

Tracey Emin Angel Without You monograph (Hand signed by Tracey Emin), 2013 Hardback monograph with illustrated boards (hand signed by Tracey Emin) Boldly signed in blue ink by Tracey...

Jim Dine Complete Graphics poster (hand signed by Jim Dine), 1970 Offset lithograph poster (hand signed by Jim Dine) 39 1/2 × 26 inches Frame included: held in the original vintage m...

Artist: Peter Max (1937) Title: Cosmic Jumper, Detail II Year: 2001 Edition: 500/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 9 x 11 inches Condition: Excellent I...

Ed Ruscha EE-NUF!, 2020 Offset lithograph Hand signed and numbered 31/50 in pencil by Ed Ruscha on the front; accompanied by documentation issued by Gagosian Gallery 23 1/2 × 18 inch...

A very good impression of this color lithograph. Signed and numbered 125/175 in pencil, lower margin.

Roy Lichtenstein Historic 1960s exhibition invitation for Galleria Apollinaire, 1965 Offset lithograph poster Frame included This poster/invitation was published for Lichtenstein exh...

Allen Jones Red Feat (Lloyd, 73), 1976 Lithograph on Arches paper Hand signed, dated and numbered 49/60 in pencil recto, with Landfall Press' distinctive blind stamp. Frame included: matted and framed in hand made museum quality wood frame with UV plexiglass Published by Landfall Press Printed by Jack Lemon...

Artist: Peter Max (1937) Title: Sailboat with Sun & Moon Year: 2003 Edition: 455/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.43 x 2.62 inches Condition: Excell...

Artist: Romare Bearden (1911-1988) Title: Bopping at the Birdland (Gelburd/Rosenberg 74) Year: 1979 Medium: Lithograph on Arches paper Edition: 131/175, plus proofs Size: 24 x 33.25 ...

David Hockney My Mother (Bridlington), 1988 Four Color Lithograph on T.H. Saunders Waterford 250 gram paper. Hand signed. Also accompanied by a separate signed Certificate of Authent...

Raymond Pettibon, Kim Gordon Sonic Youth at Frankfurt Music Hall (Hand Signed by Raymond Pettibon and Kim Gordon), 1990 Offset Lithograph Poster Boldly signed, and dated 2016 in ink ...

Damien Hirst Cornucopia, 2010 Limited edition hardback monograph (hand signed by Damien Hirst) Hand signed in ink by Damien Hirst on the first front end page 12 1/2 × 9 3/4 × 3/4 inches This limited edition illustrated hardback monograph, with no dust jacket, exactly as issued, was published on the occasion of the artist's show at Musee Oceanographique de Monaco in April 2010, 'Cornucopia' celebrates Hirst's paintings and sculptures from 1994-2009." This book was gifted by Damien Hirst to a member of an American Rock & Roll band that Hirst befriended. Stated Limited Edition of 2000 (unnumbered) About the book: Publisher: Musée Océanographique de Monaco, 2010 Text: English / French. 160 pgs with color illustrations Limited Edition: 2000 (the regular edition is not signed; this was exceptionally hand signed by Hirst) About Damien Hirst: People are afraid of change, so you create a kind of belief for them through repetition. It’s like breathing. I’ve always been drawn to series and pairs. A unique thing is quite a frightening object. —Damien Hirst Since emerging onto the international art scene in the late 1980s, Damien Hirst has created installations, sculptures, paintings, and drawings that examine the complex relationships between art and beauty, religion and science, and life and death. From serialized paintings of multicolored spots to animal specimens...

Robert Rauschenberg Lucio Amelio Napoli poster, 1987 Offset lithograph poster Plate signed 39 × 21 inches Unframed This poster was published for the exh...

Artist: Peter Max (1937) Title: Star Catcher Year: 2003 Edition: 453/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.43 x 2.62 inches Condition: Excellent Inscript...

MEL RAMOS Señorita Rio, from the Deluxe signed edition of 1 Cent Life (Artists & Collaborators), 1963 Color lithograph on wove paper Hand signed and dated on the lower right front; print numbered on the colophon page a copy of which is affixed to the back of the frame (see photo) Edition 85/100 Published by E.W. Kornfeld, Germany, Written by Walasse Ting, Edited by Sam Francis Framed: Elegantly floated and framed in a museum quality wood frame with UV plexiglass Provenance: Acquired from original, complete 1 Cent Life Portfolio, # 85/100 (Artists & Collaborators) from the Estate and Collection of Robert Indiana This original lithograph, splayed across two pages, is from the Deluxe edition of the legendary 1 Cent Life Portfolio, one of the most documented and celebrated artistic collaborations of the 1960s. Chinese American artist and writer Walasse Ting, in collaboration with Sam Francis, assembled a group of the most significant Pop and Abstract Expressionist artists in America, including Pop Artist Mel Ramos, along with the European COBRA artist to create the definitive artistic portfolio, with text by Walasse Ting. The Deluxe edition, which features hand signed prints was published in a limited edition of only 100. This is one of them. Of the 100, editions numbered 60-100, or 40 portfolios, were reserved exclusively for Artists & Collaborators. This hand signed Mel Ramos lithograph is from the portfolio numbered 85 (Artists & Collaborators), which was acquired from the Estate and Collection of Robert Indiana, one of the artists who contribute to the 1 Cent Life portfolio. The racy text to the right of the print -- an anti-Corporate American screed, was written by Walasse Ting. It is elegantly floated and framed in. amuseum frame with UV plexiglass. Signed examples of this portfolio with such superb provenance rarely appear on the marketplace. This is a true collectors item, from the most desirable and influential era in Pop Art history. Mel Ramos became famous for his ironic portraits of pin ups and how they are used in American advertising. (see detailed biography below). The poem called America to the right of the lithograph, entitled "America" was written by Chinese born artist Walasse Ting, and matches the image perfectly, as it's also a commentary on American commercial culture. The poem begins: Brain made by IBM & FBI stomach supported by A & P and Horn & Hardart love supported by Time & Life tongue supported by American Telephone & Telegraph soul made by 7up skin start with Max Factor heart red as U.S. Steel Measurements: Framed 19 inches vertical by 26 inches by 2 inches Lithograph 16 inches vertical by 22.5 inches More about the Signed (Deluxe) Edition of 1 Cent Life portfolio In 1962, the Chinese-American artist Walasse Ting shared his dream project with painter Sam Francis: to create an anthology of his poetry illustrated by leading artists of their time. Over the next two years, Ting and Francis recruited leading Abstract Expressionists and Pop artists—Andy Warhol, Joan Mitchell, Robert Rauschenberg...

Artist: Peter Max (1937) Title: Liberty Head IX Year: 2003 Edition: 491/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.43 x 2.62 inches Condition: Excellent Inscr...

Chuck Close Uniquely Signed, dedicated and inscribed vintage card, 1988 Thick card Boldly signed, dated, dedicated and inscribed in black ink on the front...

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Yale University Art Gallery (Washing Machine)" Series: Yale University Art Gallery Posters Year: 1991 Medium: Original Offset-Lithograph, Poster on smooth wove paper Limited edition: Unknown Printer: Springdale Graphics, Springdale, CT Publisher: Yale University Art Gallery, New Haven, CT Sheet size: 24" x 27" Image size: 19.25" x 23.5" Condition: Some faint surface marks in margins. One small nick upper left edge. In otherwise excellent condition with strong colors Very rare Notes: Comes from the 1991 "Yale University Art Gallery" series of three offset-lithograph, posters: "Thinking of Him", "Blam", and "Washing Machine". The image featured on this poster is Lichtenstein's 1961, 55.75" x 68", oil painting on canvas "Washing Machine" which is part of the Yale University Art Gallery's permanent collection. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: American artist Roy Lichtenstein was born in New York City on October 27, 1923, and grew up on Manhattan's Upper West Side. In the 1960s, Lichtenstein became a leading figure of the new Pop Art movement. Inspired by advertisements and comic strips, Lichtenstein's bright, graphic works parodied American popular culture and the art world itself. He died in New York City on September 29, 1997. Lichtenstein was committed to his art until the end of his life, often spending at least 10 hours a day in his studio. His work was acquired by major museum collections around the world, and he received numerous honorary degrees and awards, including the National Medal of Arts in 1995. In 2013 the painting "Woman with Flowered Hat" set another record at $56.1 million as it was purchased by British jeweller Laurence Graff...

Keith Haring lithograph 1982: Double-sided lithographic insert from the seminal, spiral bound 1982 Keith Haring Tony Shafrazi gallery exhibition catalog published on the occasion of Haring’s first gallery-based solo exhibition. From a limited edition of 2000. Offset lithograph; 9 x 9 inches. Condition: very good overall vintage condition with only some minor signs of aging. Published by Tony Shafrazi gallery New York, 1982. Unsigned from an edition of 2000. Well suited for matting and framing. Keith Haring (American, 1958–1990), a Neo-Pop and Graffiti artist, had a short but prolific career centered on a vision to unite “high art,” urban aesthetics, and public spaces using humorous, irreverent, and poignant works. Born in Pennsylvania, Haring attended the Ivy School of Art in Pittsburgh for two years, planning to become a commercial artist. He found this path unsatisfying, and instead chose to study at the School of Visual Arts in New York, where he met fellow artists Jean Michel Basquiat and Kenny Scharf. Haring immersed himself in the culture of the city’s streets and clubs, and, in 1980, began covering the blank billboards on subway station walls with his Subway drawings in chalk. Haring’s bold public art attracted the attention of several galleries, and, by the early 1980s, he was painting Neo-Pop works and large murals full time. In an effort to make his art widely accessible, Haring opened the Pop Shop in 1986 in downtown New York, selling commercial items adorned with his signature, cartoonish imagery. Haring combined graffiti, hip-hop, and urban aesthetics, frequently depicting animals, figures, commercial icons, sexual imagery, and childlike motifs in pieces that were both playful and concerned with social issues. His work became increasingly confrontational following his 1987 diagnosis of AIDS. Haring resolved to work harder than ever in his remaining years, creating pieces with a fervent speed and devoting his art to social action in addition to his personal expression. In 1989, he established the Keith Haring Foundation, whose goal is to promote art programs and public spaces for children, and to raise awareness about AIDS Related Categories Keith Haring Dolphins. Keith Haring prints. Vintage Keith Haring. Keith Haring Tony Shafrazi New York. Street Art. Keith haring animals...

Ben Schonzeit Yankee Flame, from the portfolio: America: the Third Century, 1975 Collotype on wove paper Pencil signed and numbered 50/200 on the front Publisher: APC Editions, Chermayeff & Geismar Associates, Inc Printer: Triton Press 27 × 19 3/10 inches Unframed Note: this is the original hand signed and numbered collotype; not to be confused with the separate (unsigned) poster edition. This hand-signed, numbered and dated collotype in colors by photorealist pioneer artist Ben Schonzeit was created in 1975 for the portfolio America: the Third Century, commissioned by Mobil Oil Corporation in which 13 American artists, including Roy Lichtenstein, Ed Ruscha, Robert Rauschenberg, James Rosenquist and others created works celebrating America's bicentennial. Yankee Flame combines the iconic images of George Washington, Coca-Cola and the Statue of Liberty into a collaged interpretation of contemporary American life and the meaning of freedom. "Yankee Flame" is in excellent condition and never framed. It was acquired as part of the America: The Third Century full portfolio. Ben Schonzeit (b. 1942, Brooklyn, New York) is one of the original Photorealist painters and is considered to have pioneered the airbrush technique. His works often depict still life arrangements that are intentionally out of focus. He received his B.F.A. from The Cooper Union in 1964 and has since had over 50 solo exhibitions both in the United States and abroad. His paintings are held in numerous museum collections including the Solomon R. Guggenheim Museum in New York, Virginia Museum of Fine Arts in Richmond, Virginia, and the Metropolitan Museum of Art in New York. In 1973 Nancy Hoffman introduced me to Ben Schonzeit in the backroom of her gallery on West Broadway. She had been open less than a year, and Ben was one of the artists in her original stable. His large Crab Blue It had arrived from his studio a few days earlier and was leaning against the wall. I thought at the time it was one of the most impressive, virtuosic Photorealist works I had seen. That first encounter was more than a quarter of a century ago and I have always considered it to be one of the quintessential, tour de force paintings of American Photorealism. In the early seventies one could stand on West Broadway on any pleasant, sunny weekday and see less than a dozen people on the street between the Nancy Hoffman Gallery and OK Harris Works of Art. Almost all of the SoHo galleries, such as Leo Castelli, Paula Cooper, Ward-Nasse, and Ivan Karp’s Hundred Acres, could be visited in an afternoon. At night the streets were almost deserted. With the exception of Andy Warhol, there were no art world superstars. More importantly, none of the artists expected to achieve celebrity status. That was a phenomenon of the eighties and nineties. There were a only a handful of restaurants and watering holes, such Elephant and Castle, Fanelli’s, the Spring Street Bar and Prince Street Bar. Fanelli’s closed on weekends, which was a holdover from their sweatshop clientele during lunch and ragtag group of artists in the evenings. In those early days of SoHo, the drafty, raw sweatshop spaces with their large windows, rough floors, and service elevators provided large, inexpensive living quarters and studios for many artists. Unlike today, there were no boutiques. The area was not chic and with the exception of Lowell Nesbett’s showplace, the lofts were not glamorous. Schonzeit was in the same living and working space the he now occupies when I first visited him, but SoHo was a very different time and place. When the National Endowment of the Arts recommended me to curate America 1976, which turned into one of the major visual arts projects for the Bicentennial, Ben Schonzeit was on the first list of participants I made up for the U.S. Department of the Interior. His large diptych, Continental Divide, was one of the most memorable works produced for the exhibit. I stopped by his studio four or five times while it was in progress and have visited him many times over the years. We have maintained a very cordial working relationship and friendship over the past three decades. I saw The Music Room exhibit in 1978 and realized at the time that the vigorously rendered mural sized canvases and mirror and related works represented a major catharsis in his painting. In many ways, it and the other paintings and drawings based on the same image represented a sharp, decisive break with the tenets of Photorealism, or at least the photo-replicative aspects that had been so widely heralded in America and abroad in the mid-seventies. Over the years we have continued to work together. He has been in almost all of the major exhibitions I have curated here and abroad and in almost all of the books I have written. I am familiar with his studio habits, his quiet, internalized restlessness that manifests itself in the hundreds of small, unknown drawings and watercolors, doodles on napkins during lunch, and imaginary landscapes. I also know that he would rather do a painting than think or talk about it. Over the years I have followed the shifts in his studio procedure from the monumental airbrushed fruit and vegetable paintings to the most recent bouquets of flowers and decorative paintings. Our discussions of these matters tends to lapse into a verbal shorthand at this point. The following essay is based on both my longstanding familiarity and admiration for his work and involvement with contemporary realism and figurative painting. A booklet of color xeroxes with notes made up by Schonzeit was extremely helpful. In addition to several interviews, much of the information unfolded through a lengthy series of Emails. Due to our different working habits these were composed and sent out very late at night and answered by Ben the following morning. They dealt with the specifics of many of the paintings, generalities, his background and childhood in Brooklyn, and occasional bits of art world gossip. And there were odd discoveries. Prior to discussing his witty, tongue in cheek painting of Buffalo Bill, I did not know or had long forgotten that William Cody...

James Rizzi New Technology Color lithograph Year: 2002 Titled and dated in the print Publisher: John Szoke Editions, New York Size: 2.0 × 3.0 on 4.6 × 5.7 ...

Keith Haring Tony Shafrazi/Leo Castelli Gallery, New York, 1985: Rare original 1980s Keith Haring announcement published on the occasion of: Keith Haring at Tony Shafrazi Gallery,...

Ed Ruscha Paintings (Hand signed by Ed Ruscha), 2014 Offset lithograph poster (Hand signed on the front) Published by Gagosian Gallery, Rome 26 × 27...

Artist: Peter Max (1937) Title: Abstract Flowers II Year: 2007 Edition: 500/500, plus proofs Medium: Lithograph on archival paper Size: 8 x 6 inches Condition: Excellent Inscription:...

Raymond Pettibon Black Flag 1982/1984: A set of 2 rare Raymond Pettibon illustrated Black Flag punk flyers. Published on the occasion of: Black Flag & Saccharine Trust at the Whis...

KAWS Illustration Art: KAWS Kanye West 808s & Heartbreak album poster 2008. Offset lithograph; 12 x 24 inches. 1st edition 2008. Good overall condition...

Alexander Calder Braniff Airlines poster 1976: Medium: Offset lithograph. Dimensions: 23 x 33 inches. An original 1st printing in very good overall vi...

Artist: Romare Bearden (1911-1988) Title: Tenor Sermon (Gelburd/Rosenberg 75) Year: 1979 Medium: Lithograph on Arches paper Edition: 101/175, plus proofs ...

Artist: Peter Max (1937) Title: Two Hearts on Blends Year: 2005 Edition: 500/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 13 x 17 inches Condition: Excellent Insc...

A very good impression of this color offset lithograph on white, thick, smooth Louvain Supreme Vellum Bristol 150-pound paper. Signed and numbered 190/300 in pencil. Printed by Color...

Makes a unique and memorable gift - a truly one of a kind piece of Pop Art history! Takashi Murakami, Jeff Koons, Richard Prince, Piotr Uklański, Ashley Bickerton, Gavin Turk, Maurizio Cattelan, Cosey Fanni Tutti, Sturtevant, Tracey Emin Pop Life Art in a Material World (hand signed, inscribed by all 10 artist, some with drawings) to former Tate Curator Sheena Wagstaff, 2009 Unique Ink drawings and signatures inside of softback book, all dedicated to renowned Tate Gallery curator Hand signed, inscribed and drawings by 10 artists 10 9/10 × 8 7/10 inches First -- yes, that Murakami Absolut ink drawing is absolutely unique - and that alone is worth the price of the whole lot. This one-of-a-kind historic Pop Art monograph ,was published by the Tate Gallery on the occasion of the exhibition Pop Life: Art in a Material World at Tate Modern, London, October 1, 2009 - January 17, 2010; Hamburger Kunsthalle, Hamburg, February 15 - May 9, 2010; The National Gallery of Canada, Ottawa, June 11 - September 19, 2010. (At the bottom is a detailed description of this historic survey, from the Tate Gallery press release): This softback catalogue bears unique, original drawings, signatures and ink inscriptions by these artists: Takashi Murakami, Tracey Emin, Jeff Koons, Sturtevant, Richard Prince, Piotr Uklanski, Ashley Bickerton, Gavin Turk, Maurizio Cattelan and Cosey Fanni Tutti. The following artists created drawings near or on the pages featuring their respective artworks: Jeff Koons -signed Antiquity drawing, done in ink Takashi Murakami - drew his own Absolut Vodka interpretation (unique signed ink drawing) on the same page as Andy Warhol and Keith Haring's Absolute Vodka designs Cosey Fanni Tutti - legs drawing The following artists wrote inscriptions: Jeff Koons: Thank you for the opportunity to show at the Tate! Great Show! Love Jeff Tracey Emin: For Sheena, with love, Tracey Emin XO Sturtevant: For Sheena, my favorite digital girl Piotr Uklanski: With best wishes Ashley Bickerton Provenance: This book of artists drawings was acquired from the collection of the world renowned curator Sheena Wagstaff who was Chief Curator of Tate Modern from 2001-2012. She then left the Tate and London to become the Leonard A Lauder...

Artist: Peter Max (1937) Title: Dream I: The Blossoming Year: 1998 Edition: 285/300, plus proofs Medium: Lithograph on Coventry Smooth paper Size: 10 x 9.25 inches Condition: Excelle...

Original 1987 Keith Haring Safe Sex poster: Illustrated by Keith Haring in conjunction with his many Aids Awareness efforts. A historical vintage 1980s Keit...

Artist: Peter Max (1937) Title: Heart with Flag III Year: 2003 Edition: 440/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 9.75 x 9.75 inches Condition: Excellent I...

Keith Haring Gay Pride New York 1986: Keith Haring illustrated folding-invitation for Gay/Lesbian Pride Day at New York's Palladium nightclub, 1986. Executed during Haring’s lifetim...

Keith Haring Pop Shop bag c.1987: Rare original 1980s Keith Haring Pop Shop collectible featuring Keith Haring’s Three Eyed Smiling Face on a double-sided vinyl pouch. A classic 1980s Keith Haring Pop Shop collectible that is well-suited for display. Medium & Dimensions: Screen-printed heavy-weight vinyl pouch with sliding zip top. Double-sided. Approximately 9x9 inches. Condition: Well-preserved and in very good overall vintage condition. Unsigned from an edition of unknown; scarce. Keith Haring Pop Shop: In 1986, New York artist Keith Haring opened...

Walasse Ting Lady with Vase - 1981 Lithograph on Somerset paper   22'' x 30'' Edition: signed and numbered in pencil 136/200 Walasse Ting (DING XIONGQUAN) (October 13, 1929 – May 17...

Raymond Pettibon Black Flag: 1982 Raymond Pettibon illustrated Black Flag punk flyer published on the occasion of: Black Flag, Saccharine Trust, The Minutemen, Plebes, Adolescents, C...

James Rosenquist Oxy, from the Deluxe Hand signed edition of the One Cent Life Portfolio, 1964 Lithograph splayed across two sheets on wove paper Hand signed in green by James Rosenquist Frame included: elegantly floated and framed in a museum quality frame with UV plexiglass Measurements: Frame: 20.5 x 27 x 1.25 inches Print: 16 x 22.5 inches This iconic 1964 James Rosenquist lithograph...

AMERICAN GOTHIC is a colorful, rarely seen limited edition lithograph by the American artist and Pop Art icon Peter Max, printed using traditional lithography techniques on archival white printmaking paper, 100% acid free. AMERICAN GOTHIC is a vibrant multi-color Pop Art portrait after the famous 1930 oil painting by Grant Wood...

Raymond Pettibon Black Flag 1984: Rare early 1980's Black Flag promotional poster illustrated by Raymond Pettibon for the seminal Black Flag record: My War. A striking, historic 1980s Raymond Pettibon Black Flag poster sure to standout in any setting. Offset printed punk poster...

Donald Baechler ArT RANDOM Donald Baechler Japanese catalog (hand signed and inscribed to writer and art critic Anthony Haden-Guest), 1989 Hardback monograph Hand signed and inscribed to writer and art critic Anthony Haden-Guest 12 × 9 1/4 × 1/2 inches Unframed This uncommon 1989 Japanese hardback monograph with no dust jacket as issued, is hand signed and inscribed by artist Donald Baechler to the art critic Anthony Haden-Guest. Inscription reads: For Anthony 4.April. 91 Donald Baechler Book information: First edition. Published by Kyoto: Kyoto Shoin International Co., Ltd., 1989. Hardcover. Photographically illustrated paper-covered boards; no dust jacket as issued. Paintings and drawings by Donald Baechler. Text (in English and Japanese) by Lisa Liebmann. Unpaginated (48 pp.), with 36 four-color plates. About Donald Baechler: Donald Baechler was one of the most promising artists of the 1980s. He was associated with a group of painters in New York that included Julian Schnabel, David Salle, Jean-Michel Basquiat and Philip Taaffe...

Mel Ramos at Kantor Gallery (Hand Signed), 1997 Limited Edition Offset Lithograph (hand signed by Mel Ramos) Pencil signed and dated on lower front Frame Included: framed in dark woo...

Milton Glaser Being Good Is Not Enough 1979: Vintage original 1970s Milton Glaser poster designed by Glaser for The School of Visual Arts New York, NY, where Glaser had served on the teaching faculty and board since the early 1960s. A classic 1970s Milton Glaser poster & design featuring a surreal & psychedelic like imagery. Offset lithograph poster in colors. 30 x 45 inches. Very good overall vintage condition with the exception of perhaps some minor signs of handling. Vintage original print. Milton Glaser stamp lower right; from an edition of unknown. Literature: Milton Glaser Posters. Legendary graphic designer, illustrator, and art director Milton Glaser created some of the most recognizable iconography in America today —including the iconic I ♥ N Y logo —and countless posters and ad campaigns. Glaser changed the face of commercial art in the 1960s and ’70s, breaking with the conventions of modernism and drawing inspiration from a wide variety of art-historical and pop-cultural sources, from Art Nouveau to comic illustration and Chinese drawings. As a co-founder of New York magazine, Glaser designed...

Artist: Peter Max (1937) Title: Geometric Profile & Sailboats Year: 2001 Edition: 455/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 4.5 x 5.5 inches Condition: Exc...

This work was published for the exhibition, American Jesus, held 13 July - 18 September 2010 at Paul Kasmin, New York in cooperation with Fred Torres Colla...

Artist: Peter Max (1937) Title: Cosmic Sailboat Year: 2003 Edition: 453/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.43 x 2.62 inches Condition: Excellent Inscr...

Shepard Fairey Screen-prints: collection of 60 works: 2009-2022: A rare assemblage of 60 hand-signed Shepard Fairey screen-prints; collected over a near 15 year period (2009-2022). Notable imagery includes: Bob Marley, Keith Haring, Ruth Bader Ginsburg, Kurt Cobain, as well as a series of vivid anti-war pieces defining the artist's practice (title list found further below). Each very well-preserved. Medium: Screen-prints on heavy paper. 2009-2022 (see below for a list of titles & years). Dimensions ranging from: 19.5 x 16 inches to 24x36 inches. Each work is hand-signed; works are either numbered from their respective main editions or notated 'AP' (see last listing image); a few or several works are signed, but not numbered. Excellent overall condition with the exception of perhaps some minor signs of handling on a few examples. Provenance: Private collection New York via Shepard Fairey. Listing images beginning with image 2 represent the actual works. These works will be shipped flat using protective materials. Please feel free to contact us with any additional questions. Titles & Years: OCEAN TODAY...

Keith Haring Into 84 exhibition poster: Vintage original 1980's poster designed by Keith Haring for his well-documented exhibition, 'Keith Haring: Into 84' at...

Milton Glaser Temple University Music Festival, 1975: Vintage original 1970s Milton Glaser poster designed by Milton Glaser on the occasion of the Temple University Music Festival. A classic Milton Glaser poster & design featuring a surreal-like swan, superimposed on an enigmatic profile. Offset lithograph poster in colors. 24 x 35 inches. Very good overall vintage condition with the exception of perhaps some minor signs of handling. Milton Glaser printed signature lower right; from an edition of unknown. Commissioned by Mobil. Literature: Milton Glaser Posters, Glaser, pg. 193. Legendary graphic designer, illustrator, and art director Milton Glaser created some of the most recognizable iconography in America today —including the iconic I ♥ N Y logo —and countless posters and ad campaigns. Glaser changed the face of commercial art in the 1960s and ’70s, breaking with the conventions of modernism and drawing inspiration from a wide variety of art-historical and pop-cultural sources, from Art Nouveau to comic illustration...

Pictured in this monochromatic Jim Dine lithograph is Basil Hallward, the artist companion of Dorian Gray in Oscar Wilde's novel The Picture of Dorian Gray...

James Rizzi Octopus Garden Color lithograph Year: 2002 Titled and dated in the print Publisher: John Szoke Editions, New York Size: 3.3 × 4.6 on 6.9 × 7.5 ...

Richard Corman Madonna NYC 83, 2013 Offset lithograph poster on high quality thin card paper (hand signed by the photographer) Hand signed by Richard Corman on the lower left front 3...

ED RUSCHA 20th Century Fox (Hand Signed), 2004 Offset lithograph card. Hand signed in black marker by Ed Ruscha on the front Frame included: Gorgeously framed with different colore...

Chuck Close Phil (Uniquely Signed by Chuck Close), 1976 (the regular limited edition was unsigned; this one is, exceptionally, signed by the artist) Print on Strathmore 3-Ply Paper, ...